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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 203 178 it is the complementary color RGB 196 52 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 203 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 203 178 shade: RGB 64 203 173, RGB 81 221 192, RGB 98 239 211, RGB 115 255 230 and RGB 132 255 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 203 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 203 178 shade: RGB 59 203 178, RGB 42 185 159, RGB 25 167 140, RGB 8 149 121 and RGB 0 131 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 203 178 shade: RGB 57 202 177, RGB 57 202 138, RGB 57 202 99, RGB 57 202 60 and RGB 94 202 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 203 178 shade: RGB 57 202 177, RGB 57 188 202, RGB 57 149 202, RGB 57 110 202 and RGB 57 71 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 203 178 shade matches the following richer shades: RGB 57 202 177, RGB 37 222 190 and RGB 17 242 203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 203 178 shade: RGB 57 202 177, RGB 77 182 164, RGB 98 162 150, RGB 118 141 137 and RGB 138 121 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 203 178 shade: RGB 57 202 98, RGB 57 202 137, RGB 57 202 175, RGB 57 190 202 and RGB 57 151 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 203 178 shade: RGB 37 140 122, RGB 45 172 150, RGB 57 202 177, RGB 90 211 190 and RGB 122 219 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 203 178 shade: RGB 59 203 178, RGB 59 57 202 and RGB 202 117 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 203 178 shade: RGB 59 203 178, RGB 175 57 202 and RGB 202 175 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 203 178 shade: RGB 59 203 178, RGB 59 57 202, RGB 202 57 84 and RGB 200 202 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 203 178 shade: RGB 59 203 178, RGB 103 57 202, RGB 202 57 84 and RGB 156 202 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 12 / 20

HEX #3BCBB2

RGB 59 203 178

HSL 169.58, 0.58%, 0.51%

LAB 74.1, -43.46, 1.54

 

Complementary color

CMYK 0 / 73 / 61 / 23

HEX #C4344D

RGB 196 52 77

HSL 349.58, 0.58%, 0.49%

LAB 45.26, 57.73, 20.05

 

CMYK 68 / 0 / 15 / 20

HEX #40CBAD

RGB 64 203 173

HSL 167.05, 0.57%, 0.52%

LAB 74.07, -44.03, 4.22

 

CMYK 63 / 0 / 13 / 13

HEX #51DDC0

RGB 81 221 192

HSL 167.57, 0.67%, 0.59%

LAB 80.33, -44.42, 3.14

 

CMYK 59 / 0 / 12 / 6

HEX #62EFD3

RGB 98 239 211

HSL 168.09, 0.82%, 0.66%

LAB 86.52, -44.66, 2.16

 

CMYK 55 / 0 / 10 / 0

HEX #73FFE6

RGB 115 255 230

HSL 169.29, 1%, 0.73%

LAB 92.08, -43.93, 0.42

 

CMYK 48 / 0 / 2 / 0

HEX #84FFF9

RGB 132 255 249

HSL 177.07, 1%, 0.76%

LAB 93.13, -35.89, -7.8

 

CMYK 71 / 0 / 12 / 20

HEX #3BCBB2

RGB 59 203 178

HSL 169.58, 0.58%, 0.51%

LAB 74.1, -43.46, 1.54

 

CMYK 77 / 0 / 14 / 27

HEX #2AB99F

RGB 42 185 159

HSL 169.09, 0.63%, 0.45%

LAB 67.79, -42.7, 2.7

 

CMYK 85 / 0 / 16 / 35

HEX #19A78C

RGB 25 167 140

HSL 168.59, 0.74%, 0.38%

LAB 61.43, -41.62, 4

 

CMYK 95 / 0 / 19 / 42

HEX #089579

RGB 8 149 121

HSL 168.09, 0.9%, 0.31%

LAB 55, -40.1, 5.48

 

CMYK 100 / 0 / 22 / 49

HEX #008366

RGB 0 131 102

HSL 166.72, 1%, 0.26%

LAB 48.5, -38, 7.15

 

CMYK 72 / 0 / 12 / 21

HEX #39CAB1

RGB 57 202 177

HSL 169.66, 0.58%, 0.51%

LAB 73.73, -43.55, 1.54

 

CMYK 72 / 0 / 32 / 21

HEX #39CA8A

RGB 57 202 138

HSL 153.52, 0.58%, 0.51%

LAB 72.86, -52.72, 21.24

 

CMYK 72 / 0 / 51 / 21

HEX #39CA63

RGB 57 202 99

HSL 137.38, 0.58%, 0.51%

LAB 72.24, -59.71, 40.41

 

CMYK 72 / 0 / 70 / 21

HEX #39CA3C

RGB 57 202 60

HSL 121.24, 0.58%, 0.51%

LAB 71.85, -64.3, 57.16

 

CMYK 53 / 0 / 72 / 21

HEX #5ECA39

RGB 94 202 57

HSL 104.69, 0.58%, 0.51%

LAB 72.84, -56.38, 59.61

 

CMYK 72 / 0 / 12 / 21

HEX #39CAB1

RGB 57 202 177

HSL 169.66, 0.58%, 0.51%

LAB 73.73, -43.55, 1.54

 

CMYK 72 / 7 / 0 / 21

HEX #39BCCA

RGB 57 188 202

HSL 185.79, 0.58%, 0.51%

LAB 70.25, -30.07, -17.26

 

CMYK 72 / 26 / 0 / 21

HEX #3995CA

RGB 57 149 202

HSL 201.93, 0.58%, 0.51%

LAB 58.63, -9.67, -35.11

 

CMYK 72 / 46 / 0 / 21

HEX #396ECA

RGB 57 110 202

HSL 218.07, 0.58%, 0.51%

LAB 47.35, 13.68, -52.98

 

CMYK 72 / 65 / 0 / 21

HEX #3947CA

RGB 57 71 202

HSL 234.21, 0.58%, 0.51%

LAB 37.19, 38.52, -69.45

 

CMYK 72 / 0 / 12 / 21

HEX #39CAB1

RGB 57 202 177

HSL 169.66, 0.58%, 0.51%

LAB 73.73, -43.55, 1.54

 

CMYK 83 / 0 / 14 / 13

HEX #25DEBE

RGB 37 222 190

HSL 169.62, 0.74%, 0.51%

LAB 79.81, -50.63, 3.37

 

CMYK 93 / 0 / 16 / 5

HEX #11F2CB

RGB 17 242 203

HSL 169.6, 0.9%, 0.51%

LAB 85.97, -56.41, 5.4

 

CMYK 72 / 0 / 12 / 21

HEX #39CAB1

RGB 57 202 177

HSL 169.66, 0.58%, 0.51%

LAB 73.73, -43.55, 1.54

 

CMYK 58 / 0 / 10 / 29

HEX #4DB6A4

RGB 77 182 164

HSL 169.71, 0.42%, 0.51%

LAB 67.81, -34.65, 0.07

 

CMYK 40 / 0 / 7 / 36

HEX #62A296

RGB 98 162 150

HSL 168.75, 0.26%, 0.51%

LAB 62.2, -23.43, -0.23

 

CMYK 16 / 0 / 3 / 45

HEX #768D89

RGB 118 141 137

HSL 169.57, 0.09%, 0.51%

LAB 56.79, -9.04, -0.62

 

CMYK 0 / 12 / 10 / 46

HEX #8A797C

RGB 138 121 124

HSL 349.41, 0.07%, 0.51%

LAB 52.43, 7.09, 0.76

 

CMYK 72 / 0 / 51 / 21

HEX #39CA62

RGB 57 202 98

HSL 136.97, 0.58%, 0.51%

LAB 72.22, -59.86, 40.88

 

CMYK 72 / 0 / 32 / 21

HEX #39CA89

RGB 57 202 137

HSL 153.1, 0.58%, 0.51%

LAB 72.84, -52.93, 21.74

 

CMYK 72 / 0 / 13 / 21

HEX #39CAAF

RGB 57 202 175

HSL 168.83, 0.58%, 0.51%

LAB 73.68, -44.06, 2.55

 

CMYK 72 / 6 / 0 / 21

HEX #39BECA

RGB 57 190 202

HSL 184.97, 0.58%, 0.51%

LAB 70.84, -31.04, -16.36

 

CMYK 72 / 25 / 0 / 21

HEX #3997CA

RGB 57 151 202

HSL 201.1, 0.58%, 0.51%

LAB 59.22, -10.79, -34.19

 

CMYK 74 / 0 / 13 / 45

HEX #258C7A

RGB 37 140 122

HSL 169.51, 0.58%, 0.35%

LAB 52.46, -33.22, 1.28

 

CMYK 74 / 0 / 13 / 33

HEX #2DAC96

RGB 45 172 150

HSL 169.61, 0.59%, 0.43%

LAB 63.56, -39.04, 1.55

 

CMYK 72 / 0 / 12 / 21

HEX #39CAB1

RGB 57 202 177

HSL 169.66, 0.58%, 0.51%

LAB 73.73, -43.55, 1.54

 

CMYK 57 / 0 / 10 / 17

HEX #5AD3BE

RGB 90 211 190

HSL 169.59, 0.58%, 0.59%

LAB 77.57, -38.87, 0.22

 

CMYK 44 / 0 / 8 / 14

HEX #7ADBCA

RGB 122 219 202

HSL 169.48, 0.57%, 0.67%

LAB 81.33, -32.67, -0.56

 

CMYK 71 / 0 / 12 / 20

HEX #3BCBB2

RGB 59 203 178

HSL 169.58, 0.58%, 0.51%

LAB 74.1, -43.46, 1.54

 

CMYK 71 / 72 / 0 / 21

HEX #3B39CA

RGB 59 57 202

HSL 240.83, 0.58%, 0.51%

LAB 34.23, 47.08, -74.31

 

CMYK 0 / 42 / 72 / 21

HEX #CA7539

RGB 202 117 57

HSL 24.83, 0.58%, 0.51%

LAB 57.63, 28.48, 46.26

 

CMYK 71 / 0 / 12 / 20

HEX #3BCBB2

RGB 59 203 178

HSL 169.58, 0.58%, 0.51%

LAB 74.1, -43.46, 1.54

 

CMYK 13 / 72 / 0 / 21

HEX #AF39CA

RGB 175 57 202

HSL 288.83, 0.58%, 0.51%

LAB 47.37, 66.53, -52.35

 

CMYK 0 / 13 / 72 / 21

HEX #CAAF39

RGB 202 175 57

HSL 48.83, 0.58%, 0.51%

LAB 71.9, -2.87, 60.9

 

CMYK 71 / 0 / 12 / 20

HEX #3BCBB2

RGB 59 203 178

HSL 169.58, 0.58%, 0.51%

LAB 74.1, -43.46, 1.54

 

CMYK 71 / 72 / 0 / 21

HEX #3B39CA

RGB 59 57 202

HSL 240.83, 0.58%, 0.51%

LAB 34.23, 47.08, -74.31

 

CMYK 0 / 72 / 58 / 21

HEX #CA3954

RGB 202 57 84

HSL 348.83, 0.58%, 0.51%

LAB 47.14, 58.25, 18.46

 

CMYK 1 / 0 / 72 / 21

HEX #C8CA39

RGB 200 202 57

HSL 60.83, 0.58%, 0.51%

LAB 78.94, -17.56, 67.68

 

CMYK 71 / 0 / 12 / 20

HEX #3BCBB2

RGB 59 203 178

HSL 169.58, 0.58%, 0.51%

LAB 74.1, -43.46, 1.54

 

CMYK 49 / 72 / 0 / 21

HEX #6739CA

RGB 103 57 202

HSL 259.03, 0.58%, 0.51%

LAB 37.98, 52.97, -68.02

 

CMYK 0 / 72 / 58 / 21

HEX #CA3954

RGB 202 57 84

HSL 348.83, 0.58%, 0.51%

LAB 47.14, 58.25, 18.46

 

CMYK 23 / 0 / 72 / 21

HEX #9CCA39

RGB 156 202 57

HSL 79.03, 0.58%, 0.51%

LAB 75.83, -35.49, 63.59

 

Description

Color code: RGB 59 203 178 | qconv.com Color code: RGB 59 203 178 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 203 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 203 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 12 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 12% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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