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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 199 62 it is the complementary color RGB 196 56 193. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 199 62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 199 62 shade: RGB 64 199 57, RGB 81 217 76, RGB 98 235 95, RGB 115 253 114 and RGB 132 255 133

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 199 62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 199 62 shade: RGB 59 199 62, RGB 42 181 43, RGB 25 163 24, RGB 8 145 5 and RGB 0 127 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 199 62 shade: RGB 60 200 63, RGB 94 200 60, RGB 132 200 60, RGB 170 200 60 and RGB 200 192 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 199 62 shade: RGB 60 200 63, RGB 60 200 100, RGB 60 200 138, RGB 60 200 176 and RGB 60 186 200

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 199 62 shade matches the following richer shades: RGB 60 200 63, RGB 39 220 43 and RGB 19 240 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 199 62 shade: RGB 60 200 63, RGB 80 179 82, RGB 100 159 101, RGB 120 139 121 and RGB 140 119 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 199 62 shade: RGB 132 200 60, RGB 95 200 60, RGB 60 200 62, RGB 60 200 99 and RGB 60 200 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 199 62 shade: RGB 39 138 41, RGB 48 170 50, RGB 60 200 63, RGB 92 209 94 and RGB 124 218 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 199 62 shade: RGB 59 199 62, RGB 60 169 200 and RGB 200 60 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 199 62 shade: RGB 59 199 62, RGB 62 60 200 and RGB 200 62 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 199 62 shade: RGB 59 199 62, RGB 60 169 200, RGB 200 60 197 and RGB 200 90 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 199 62 shade: RGB 59 199 62, RGB 60 127 200, RGB 200 60 197 and RGB 200 132 60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 69 / 22

HEX #3BC73E

RGB 59 199 62

HSL 121.29, 0.56%, 0.51%

LAB 70.96, -62.8, 55.47

 

Complementary color

CMYK 0 / 71 / 2 / 23

HEX #C438C1

RGB 196 56 193

HSL 301.29, 0.56%, 0.49%

LAB 49.99, 69.79, -42.77

 

CMYK 68 / 0 / 71 / 22

HEX #40C739

RGB 64 199 57

HSL 117.04, 0.56%, 0.5%

LAB 71.03, -62.31, 57.49

 

CMYK 63 / 0 / 65 / 15

HEX #51D94C

RGB 81 217 76

HSL 117.87, 0.65%, 0.57%

LAB 77.22, -63.24, 56.75

 

CMYK 58 / 0 / 60 / 8

HEX #62EB5F

RGB 98 235 95

HSL 118.71, 0.78%, 0.65%

LAB 83.36, -63.81, 55.72

 

CMYK 55 / 0 / 55 / 1

HEX #73FD72

RGB 115 253 114

HSL 119.57, 0.97%, 0.72%

LAB 89.44, -64.13, 54.57

 

CMYK 48 / 0 / 48 / 0

HEX #84FF85

RGB 132 255 133

HSL 120.49, 1%, 0.76%

LAB 90.83, -58.19, 47.64

 

CMYK 70 / 0 / 69 / 22

HEX #3BC73E

RGB 59 199 62

HSL 121.29, 0.56%, 0.51%

LAB 70.96, -62.8, 55.47

 

CMYK 77 / 0 / 76 / 29

HEX #2AB52B

RGB 42 181 43

HSL 120.43, 0.62%, 0.44%

LAB 64.74, -61.32, 55.96

 

CMYK 85 / 0 / 85 / 36

HEX #19A318

RGB 25 163 24

HSL 119.57, 0.74%, 0.37%

LAB 58.48, -59.1, 55.6

 

CMYK 94 / 0 / 97 / 43

HEX #089105

RGB 8 145 5

HSL 118.71, 0.93%, 0.29%

LAB 52.19, -55.9, 53.83

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 70 / 0 / 69 / 22

HEX #3CC83F

RGB 60 200 63

HSL 121.29, 0.56%, 0.51%

LAB 71.3, -62.86, 55.45

 

CMYK 53 / 0 / 70 / 22

HEX #5EC83C

RGB 94 200 60

HSL 105.43, 0.56%, 0.51%

LAB 72.24, -55.4, 57.88

 

CMYK 34 / 0 / 70 / 22

HEX #84C83C

RGB 132 200 60

HSL 89.14, 0.56%, 0.51%

LAB 73.89, -43.36, 60.11

 

CMYK 15 / 0 / 70 / 22

HEX #AAC83C

RGB 170 200 60

HSL 72.86, 0.56%, 0.51%

LAB 76.18, -28.83, 63.16

 

CMYK 0 / 4 / 70 / 22

HEX #C8C03C

RGB 200 192 60

HSL 56.57, 0.56%, 0.51%

LAB 76.26, -12.38, 64

 

CMYK 70 / 0 / 69 / 22

HEX #3CC83F

RGB 60 200 63

HSL 121.29, 0.56%, 0.51%

LAB 71.3, -62.86, 55.45

 

CMYK 70 / 0 / 50 / 22

HEX #3CC864

RGB 60 200 100

HSL 137.14, 0.56%, 0.51%

LAB 71.68, -58.37, 39.25

 

CMYK 70 / 0 / 31 / 22

HEX #3CC88A

RGB 60 200 138

HSL 153.43, 0.56%, 0.51%

LAB 72.3, -51.48, 20.48

 

CMYK 70 / 0 / 12 / 22

HEX #3CC8B0

RGB 60 200 176

HSL 169.71, 0.56%, 0.51%

LAB 73.16, -42.53, 1.25

 

CMYK 70 / 7 / 0 / 22

HEX #3CBAC8

RGB 60 186 200

HSL 186, 0.56%, 0.51%

LAB 69.65, -29.31, -17.06

 

CMYK 70 / 0 / 69 / 22

HEX #3CC83F

RGB 60 200 63

HSL 121.29, 0.56%, 0.51%

LAB 71.3, -62.86, 55.45

 

CMYK 82 / 0 / 80 / 14

HEX #27DC2B

RGB 39 220 43

HSL 121.33, 0.72%, 0.51%

LAB 77.16, -73.4, 67.84

 

CMYK 92 / 0 / 90 / 6

HEX #13F018

RGB 19 240 24

HSL 121.36, 0.88%, 0.51%

LAB 83.19, -81.19, 77.12

 

CMYK 70 / 0 / 69 / 22

HEX #3CC83F

RGB 60 200 63

HSL 121.29, 0.56%, 0.51%

LAB 71.3, -62.86, 55.45

 

CMYK 55 / 0 / 54 / 30

HEX #50B352

RGB 80 179 82

HSL 121.21, 0.39%, 0.51%

LAB 65.4, -48.83, 40.5

 

CMYK 37 / 0 / 36 / 38

HEX #649F65

RGB 100 159 101

HSL 121.02, 0.24%, 0.51%

LAB 60.29, -31.42, 24.37

 

CMYK 14 / 0 / 13 / 45

HEX #788B79

RGB 120 139 121

HSL 123.16, 0.08%, 0.51%

LAB 55.93, -10.52, 7.34

 

CMYK 0 / 15 / 0 / 45

HEX #8C778C

RGB 140 119 140

HSL 300, 0.08%, 0.51%

LAB 52.58, 12.08, -8.39

 

CMYK 34 / 0 / 70 / 22

HEX #84C83C

RGB 132 200 60

HSL 89.14, 0.56%, 0.51%

LAB 73.89, -43.36, 60.11

 

CMYK 53 / 0 / 70 / 22

HEX #5FC83C

RGB 95 200 60

HSL 105, 0.56%, 0.51%

LAB 72.27, -55.13, 57.93

 

CMYK 70 / 0 / 69 / 22

HEX #3CC83E

RGB 60 200 62

HSL 120.86, 0.56%, 0.51%

LAB 71.29, -62.95, 55.83

 

CMYK 70 / 0 / 51 / 22

HEX #3CC863

RGB 60 200 99

HSL 136.71, 0.56%, 0.51%

LAB 71.67, -58.52, 39.72

 

CMYK 70 / 0 / 32 / 22

HEX #3CC889

RGB 60 200 137

HSL 153, 0.56%, 0.51%

LAB 72.28, -51.69, 20.99

 

CMYK 72 / 0 / 70 / 46

HEX #278A29

RGB 39 138 41

HSL 121.21, 0.56%, 0.35%

LAB 50.42, -47.7, 42.06

 

CMYK 72 / 0 / 71 / 33

HEX #30AA32

RGB 48 170 50

HSL 120.98, 0.56%, 0.43%

LAB 61.31, -56.2, 49.95

 

CMYK 70 / 0 / 69 / 22

HEX #3CC83F

RGB 60 200 63

HSL 121.29, 0.56%, 0.51%

LAB 71.3, -62.86, 55.45

 

CMYK 56 / 0 / 55 / 18

HEX #5CD15E

RGB 92 209 94

HSL 121.03, 0.56%, 0.59%

LAB 75.25, -55.83, 46.67

 

CMYK 43 / 0 / 42 / 15

HEX #7CDA7E

RGB 124 218 126

HSL 121.28, 0.56%, 0.67%

LAB 79.58, -46.39, 36.74

 

CMYK 70 / 0 / 69 / 22

HEX #3BC73E

RGB 59 199 62

HSL 121.29, 0.56%, 0.51%

LAB 70.96, -62.8, 55.47

 

CMYK 70 / 16 / 0 / 22

HEX #3CA9C8

RGB 60 169 200

HSL 193.29, 0.56%, 0.51%

LAB 64.57, -20.73, -24.8

 

CMYK 0 / 70 / 44 / 22

HEX #C83C71

RGB 200 60 113

HSL 337.29, 0.56%, 0.51%

LAB 47.88, 58.97, 1.72

 

CMYK 70 / 0 / 69 / 22

HEX #3BC73E

RGB 59 199 62

HSL 121.29, 0.56%, 0.51%

LAB 70.96, -62.8, 55.47

 

CMYK 69 / 70 / 0 / 22

HEX #3E3CC8

RGB 62 60 200

HSL 240.86, 0.56%, 0.51%

LAB 34.85, 45.03, -72.11

 

CMYK 0 / 69 / 70 / 22

HEX #C83E3C

RGB 200 62 60

HSL 0.86, 0.56%, 0.51%

LAB 47.04, 54.33, 32.65

 

CMYK 70 / 0 / 69 / 22

HEX #3BC73E

RGB 59 199 62

HSL 121.29, 0.56%, 0.51%

LAB 70.96, -62.8, 55.47

 

CMYK 70 / 16 / 0 / 22

HEX #3CA9C8

RGB 60 169 200

HSL 193.29, 0.56%, 0.51%

LAB 64.57, -20.73, -24.8

 

CMYK 0 / 70 / 1 / 22

HEX #C83CC5

RGB 200 60 197

HSL 301.29, 0.56%, 0.51%

LAB 51.32, 69.97, -42.95

 

CMYK 0 / 55 / 70 / 22

HEX #C85A3C

RGB 200 90 60

HSL 12.86, 0.56%, 0.51%

LAB 51.74, 41.84, 38.12

 

CMYK 70 / 0 / 69 / 22

HEX #3BC73E

RGB 59 199 62

HSL 121.29, 0.56%, 0.51%

LAB 70.96, -62.8, 55.47

 

CMYK 70 / 37 / 0 / 22

HEX #3C7FC8

RGB 60 127 200

HSL 211.29, 0.56%, 0.51%

LAB 52.19, 2.89, -44.11

 

CMYK 0 / 70 / 1 / 22

HEX #C83CC5

RGB 200 60 197

HSL 301.29, 0.56%, 0.51%

LAB 51.32, 69.97, -42.95

 

CMYK 0 / 34 / 70 / 22

HEX #C8843C

RGB 200 132 60

HSL 30.86, 0.56%, 0.51%

LAB 60.88, 19.65, 48.22

 

Description

Color code: RGB 59 199 62 | qconv.com Color code: RGB 59 199 62 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 199 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 199 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 69 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 69% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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