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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 196 47 it is the complementary color RGB 196 59 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 196 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 196 47 shade: RGB 64 196 42, RGB 81 214 61, RGB 98 232 80, RGB 115 250 99 and RGB 132 255 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 196 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 196 47 shade: RGB 59 196 47, RGB 42 178 28, RGB 25 160 9, RGB 8 142 0 and RGB 0 124 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 196 47 shade: RGB 59 197 47, RGB 100 197 47, RGB 140 197 47, RGB 180 197 47 and RGB 197 173 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 196 47 shade: RGB 59 197 47, RGB 47 197 75, RGB 47 197 116, RGB 47 197 156 and RGB 47 197 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 196 47 shade matches the following richer shades: RGB 59 197 47, RGB 43 216 27 and RGB 26 236 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 196 47 shade: RGB 59 197 47, RGB 76 177 67, RGB 92 157 87, RGB 109 137 107 and RGB 126 117 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 196 47 shade: RGB 139 197 47, RGB 100 197 47, RGB 60 197 47, RGB 47 197 75 and RGB 47 197 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 196 47 shade: RGB 39 130 31, RGB 49 163 39, RGB 59 197 47, RGB 85 211 74 and RGB 116 219 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 196 47 shade: RGB 59 196 47, RGB 47 179 197 and RGB 197 47 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 196 47 shade: RGB 59 196 47, RGB 47 60 197 and RGB 197 47 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 196 47 shade: RGB 59 196 47, RGB 47 179 197, RGB 184 47 197 and RGB 197 65 47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 196 47 shade: RGB 59 196 47, RGB 47 134 197, RGB 184 47 197 and RGB 197 109 47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 76 / 23

HEX #3BC42F

RGB 59 196 47

HSL 115.17, 0.61%, 0.48%

LAB 69.91, -63.02, 59.83

 

Complementary color

CMYK 6 / 72 / 0 / 18

HEX #C43BD0

RGB 196 59 208

HSL 295.17, 0.61%, 0.52%

LAB 51.17, 71.27, -49.55

 

CMYK 67 / 0 / 79 / 23

HEX #40C42A

RGB 64 196 42

HSL 111.43, 0.65%, 0.47%

LAB 69.99, -62.4, 61.53

 

CMYK 62 / 0 / 71 / 16

HEX #51D63D

RGB 81 214 61

HSL 112.16, 0.65%, 0.54%

LAB 76.18, -63.52, 61.44

 

CMYK 58 / 0 / 66 / 9

HEX #62E850

RGB 98 232 80

HSL 112.89, 0.77%, 0.61%

LAB 82.32, -64.24, 60.82

 

CMYK 54 / 0 / 60 / 2

HEX #73FA63

RGB 115 250 99

HSL 113.64, 0.94%, 0.68%

LAB 88.41, -64.69, 59.9

 

CMYK 48 / 0 / 54 / 0

HEX #84FF76

RGB 132 255 118

HSL 113.87, 1%, 0.73%

LAB 90.66, -60.06, 54.35

 

CMYK 70 / 0 / 76 / 23

HEX #3BC42F

RGB 59 196 47

HSL 115.17, 0.61%, 0.48%

LAB 69.91, -63.02, 59.83

 

CMYK 76 / 0 / 84 / 30

HEX #2AB21C

RGB 42 178 28

HSL 114.4, 0.73%, 0.4%

LAB 63.69, -61.29, 59.4

 

CMYK 84 / 0 / 94 / 37

HEX #19A009

RGB 25 160 9

HSL 113.64, 0.89%, 0.33%

LAB 57.43, -58.76, 57.62

 

CMYK 94 / 0 / 100 / 44

HEX #088E00

RGB 8 142 0

HSL 116.62, 1%, 0.28%

LAB 51.15, -55.19, 53.87

 

CMYK 100 / 0 / 100 / 51

HEX #007C00

RGB 0 124 0

HSL 120, 1%, 0.24%

LAB 44.82, -50.53, 48.77

 

CMYK 70 / 0 / 76 / 23

HEX #3BC52F

RGB 59 197 47

HSL 115.2, 0.61%, 0.48%

LAB 70.22, -63.35, 60.14

 

CMYK 49 / 0 / 76 / 23

HEX #64C52F

RGB 100 197 47

HSL 98.8, 0.61%, 0.48%

LAB 71.45, -53.48, 61.75

 

CMYK 29 / 0 / 76 / 23

HEX #8CC52F

RGB 140 197 47

HSL 82.8, 0.61%, 0.48%

LAB 73.36, -39.91, 64.24

 

CMYK 9 / 0 / 76 / 23

HEX #B4C52F

RGB 180 197 47

HSL 66.8, 0.61%, 0.48%

LAB 75.97, -23.93, 67.63

 

CMYK 0 / 12 / 76 / 23

HEX #C5AD2F

RGB 197 173 47

HSL 50.4, 0.61%, 0.48%

LAB 70.85, -4.44, 63.39

 

CMYK 70 / 0 / 76 / 23

HEX #3BC52F

RGB 59 197 47

HSL 115.2, 0.61%, 0.48%

LAB 70.22, -63.35, 60.14

 

CMYK 76 / 0 / 62 / 23

HEX #2FC54B

RGB 47 197 75

HSL 131.2, 0.61%, 0.48%

LAB 70.21, -62.7, 49.16

 

CMYK 76 / 0 / 41 / 23

HEX #2FC574

RGB 47 197 116

HSL 147.6, 0.61%, 0.48%

LAB 70.73, -56.54, 29.89

 

CMYK 76 / 0 / 21 / 23

HEX #2FC59C

RGB 47 197 156

HSL 163.6, 0.61%, 0.48%

LAB 71.51, -47.96, 9.69

 

CMYK 76 / 0 / 1 / 23

HEX #2FC5C4

RGB 47 197 196

HSL 179.6, 0.61%, 0.48%

LAB 72.58, -37.24, -10.5

 

CMYK 70 / 0 / 76 / 23

HEX #3BC52F

RGB 59 197 47

HSL 115.2, 0.61%, 0.48%

LAB 70.22, -63.35, 60.14

 

CMYK 80 / 0 / 88 / 15

HEX #2BD81B

RGB 43 216 27

HSL 114.92, 0.78%, 0.48%

LAB 75.89, -72.54, 70.43

 

CMYK 89 / 0 / 97 / 7

HEX #1AEC08

RGB 26 236 8

HSL 115.26, 0.93%, 0.48%

LAB 81.96, -80.07, 77.92

 

CMYK 70 / 0 / 76 / 23

HEX #3BC52F

RGB 59 197 47

HSL 115.2, 0.61%, 0.48%

LAB 70.22, -63.35, 60.14

 

CMYK 57 / 0 / 62 / 31

HEX #4CB143

RGB 76 177 67

HSL 115.09, 0.45%, 0.48%

LAB 64.47, -50.88, 46.41

 

CMYK 41 / 0 / 45 / 38

HEX #5C9D57

RGB 92 157 87

HSL 115.71, 0.29%, 0.48%

LAB 59.05, -35.33, 30.19

 

CMYK 20 / 0 / 22 / 46

HEX #6D896B

RGB 109 137 107

HSL 116, 0.12%, 0.48%

LAB 54.24, -16.14, 12.88

 

CMYK 0 / 7 / 0 / 51

HEX #7E757E

RGB 126 117 126

HSL 300, 0.04%, 0.48%

LAB 50.29, 5.23, -3.69

 

CMYK 29 / 0 / 76 / 23

HEX #8BC52F

RGB 139 197 47

HSL 83.2, 0.61%, 0.48%

LAB 73.3, -40.28, 64.17

 

CMYK 49 / 0 / 76 / 23

HEX #64C52F

RGB 100 197 47

HSL 98.8, 0.61%, 0.48%

LAB 71.45, -53.48, 61.75

 

CMYK 70 / 0 / 76 / 23

HEX #3CC52F

RGB 60 197 47

HSL 114.8, 0.61%, 0.48%

LAB 70.24, -63.16, 60.17

 

CMYK 76 / 0 / 62 / 23

HEX #2FC54B

RGB 47 197 75

HSL 131.2, 0.61%, 0.48%

LAB 70.21, -62.7, 49.16

 

CMYK 76 / 0 / 42 / 23

HEX #2FC572

RGB 47 197 114

HSL 146.8, 0.61%, 0.48%

LAB 70.7, -56.91, 30.88

 

CMYK 70 / 0 / 76 / 49

HEX #27821F

RGB 39 130 31

HSL 115.15, 0.61%, 0.32%

LAB 47.62, -45.76, 43.19

 

CMYK 70 / 0 / 76 / 36

HEX #31A327

RGB 49 163 39

HSL 115.16, 0.61%, 0.4%

LAB 58.97, -54.57, 51.68

 

CMYK 70 / 0 / 76 / 23

HEX #3BC52F

RGB 59 197 47

HSL 115.2, 0.61%, 0.48%

LAB 70.22, -63.35, 60.14

 

CMYK 60 / 0 / 65 / 17

HEX #55D34A

RGB 85 211 74

HSL 115.18, 0.61%, 0.56%

LAB 75.46, -60.44, 55.68

 

CMYK 47 / 0 / 51 / 14

HEX #74DB6B

RGB 116 219 107

HSL 115.18, 0.61%, 0.64%

LAB 79.29, -51.72, 45.61

 

CMYK 70 / 0 / 76 / 23

HEX #3BC42F

RGB 59 196 47

HSL 115.17, 0.61%, 0.48%

LAB 69.91, -63.02, 59.83

 

CMYK 76 / 9 / 0 / 23

HEX #2FB3C5

RGB 47 179 197

HSL 187.2, 0.61%, 0.48%

LAB 67.18, -28.37, -19.17

 

CMYK 0 / 76 / 40 / 23

HEX #C52F77

RGB 197 47 119

HSL 331.2, 0.61%, 0.48%

LAB 45.95, 63.14, -4.85

 

CMYK 70 / 0 / 76 / 23

HEX #3BC42F

RGB 59 196 47

HSL 115.17, 0.61%, 0.48%

LAB 69.91, -63.02, 59.83

 

CMYK 76 / 70 / 0 / 23

HEX #2F3CC5

RGB 47 60 197

HSL 234.8, 0.61%, 0.48%

LAB 33.7, 42.48, -72.28

 

CMYK 0 / 76 / 70 / 23

HEX #C52F3C

RGB 197 47 60

HSL 354.8, 0.61%, 0.48%

LAB 44.56, 58.72, 29.55

 

CMYK 70 / 0 / 76 / 23

HEX #3BC42F

RGB 59 196 47

HSL 115.17, 0.61%, 0.48%

LAB 69.91, -63.02, 59.83

 

CMYK 76 / 9 / 0 / 23

HEX #2FB3C5

RGB 47 179 197

HSL 187.2, 0.61%, 0.48%

LAB 67.18, -28.37, -19.17

 

CMYK 7 / 76 / 0 / 23

HEX #B82FC5

RGB 184 47 197

HSL 294.8, 0.61%, 0.48%

LAB 47.31, 70.79, -49.49

 

CMYK 0 / 67 / 76 / 23

HEX #C5412F

RGB 197 65 47

HSL 7.2, 0.61%, 0.48%

LAB 46.79, 51.56, 39.57

 

CMYK 70 / 0 / 76 / 23

HEX #3BC42F

RGB 59 196 47

HSL 115.17, 0.61%, 0.48%

LAB 69.91, -63.02, 59.83

 

CMYK 76 / 32 / 0 / 23

HEX #2F86C5

RGB 47 134 197

HSL 205.2, 0.61%, 0.48%

LAB 53.69, -4.12, -40.05

 

CMYK 7 / 76 / 0 / 23

HEX #B82FC5

RGB 184 47 197

HSL 294.8, 0.61%, 0.48%

LAB 47.31, 70.79, -49.49

 

CMYK 0 / 45 / 76 / 23

HEX #C56D2F

RGB 197 109 47

HSL 24.8, 0.61%, 0.48%

LAB 55.09, 30.23, 48.17

 

Description

Color code: RGB 59 196 47 | qconv.com Color code: RGB 59 196 47 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 196 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 196 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 76 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 76% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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