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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 175 194 it is the complementary color RGB 196 80 61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 175 194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 175 194 shade: RGB 64 175 189, RGB 81 193 208, RGB 98 211 227, RGB 115 229 246 and RGB 132 247 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 175 194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 175 194 shade: RGB 59 175 194, RGB 42 157 175, RGB 25 139 156, RGB 8 121 137 and RGB 0 103 118

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 175 194 shade: RGB 59 176 195, RGB 59 139 195, RGB 59 103 195, RGB 59 66 195 and RGB 89 59 195

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 175 194 shade: RGB 59 176 195, RGB 59 139 195, RGB 59 103 195, RGB 59 66 195 and RGB 59 59 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 175 194 shade matches the following richer shades: RGB 59 176 195, RGB 39 190 215 and RGB 18 205 236

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 175 194 shade: RGB 59 176 195, RGB 80 161 174, RGB 101 146 153, RGB 121 131 133 and RGB 142 116 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 175 194 shade: RGB 59 195 141, RGB 59 195 177, RGB 59 177 195, RGB 59 141 195 and RGB 59 104 195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 175 194 shade: RGB 40 119 131, RGB 50 147 163, RGB 59 176 195, RGB 91 188 204 and RGB 123 201 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 175 194 shade: RGB 59 175 194, RGB 104 59 195 and RGB 195 159 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 175 194 shade: RGB 59 175 194, RGB 195 59 177 and RGB 177 195 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 175 194 shade: RGB 59 175 194, RGB 104 59 195, RGB 195 77 59 and RGB 150 195 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 175 194 shade: RGB 59 175 194, RGB 145 59 195, RGB 195 77 59 and RGB 109 195 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 10 / 0 / 24

HEX #3BAFC2

RGB 59 175 194

HSL 188.44, 0.53%, 0.5%

LAB 66.12, -25.82, -19.1

 

Complementary color

CMYK 0 / 59 / 69 / 23

HEX #C4503D

RGB 196 80 61

HSL 8.44, 0.53%, 0.5%

LAB 49.26, 45.23, 34.53

 

CMYK 66 / 7 / 0 / 26

HEX #40AFBD

RGB 64 175 189

HSL 186.72, 0.49%, 0.5%

LAB 66.08, -26.61, -16.38

 

CMYK 61 / 7 / 0 / 18

HEX #51C1D0

RGB 81 193 208

HSL 187.09, 0.57%, 0.57%

LAB 72.52, -27.16, -17.03

 

CMYK 57 / 7 / 0 / 11

HEX #62D3E3

RGB 98 211 227

HSL 187.44, 0.7%, 0.64%

LAB 78.89, -27.56, -17.63

 

CMYK 53 / 7 / 0 / 4

HEX #73E5F6

RGB 115 229 246

HSL 187.79, 0.88%, 0.71%

LAB 85.17, -27.86, -18.19

 

CMYK 48 / 3 / 0 / 0

HEX #84F7FF

RGB 132 247 255

HSL 183.9, 1%, 0.76%

LAB 91.07, -30.65, -13.97

 

CMYK 70 / 10 / 0 / 24

HEX #3BAFC2

RGB 59 175 194

HSL 188.44, 0.53%, 0.5%

LAB 66.12, -25.82, -19.1

 

CMYK 76 / 10 / 0 / 31

HEX #2A9DAF

RGB 42 157 175

HSL 188.12, 0.61%, 0.43%

LAB 59.62, -24.87, -18.39

 

CMYK 84 / 11 / 0 / 39

HEX #198B9C

RGB 25 139 156

HSL 187.79, 0.72%, 0.35%

LAB 53.03, -23.58, -17.59

 

CMYK 94 / 12 / 0 / 46

HEX #087989

RGB 8 121 137

HSL 187.44, 0.89%, 0.28%

LAB 46.36, -21.81, -16.67

 

CMYK 100 / 13 / 0 / 54

HEX #006776

RGB 0 103 118

HSL 187.63, 1%, 0.23%

LAB 39.59, -19.42, -15.59

 

CMYK 70 / 10 / 0 / 24

HEX #3BB0C3

RGB 59 176 195

HSL 188.38, 0.54%, 0.5%

LAB 66.46, -26.02, -19.14

 

CMYK 70 / 29 / 0 / 24

HEX #3B8BC3

RGB 59 139 195

HSL 204.71, 0.54%, 0.5%

LAB 55.42, -6.1, -36.18

 

CMYK 70 / 47 / 0 / 24

HEX #3B67C3

RGB 59 103 195

HSL 220.59, 0.54%, 0.5%

LAB 45.04, 15.84, -52.65

 

CMYK 70 / 66 / 0 / 24

HEX #3B42C3

RGB 59 66 195

HSL 236.91, 0.54%, 0.5%

LAB 35.53, 39.42, -68.09

 

CMYK 54 / 70 / 0 / 24

HEX #593BC3

RGB 89 59 195

HSL 253.24, 0.54%, 0.5%

LAB 36.35, 47.72, -66.65

 

CMYK 70 / 10 / 0 / 24

HEX #3BB0C3

RGB 59 176 195

HSL 188.38, 0.54%, 0.5%

LAB 66.46, -26.02, -19.14

 

CMYK 70 / 29 / 0 / 24

HEX #3B8BC3

RGB 59 139 195

HSL 204.71, 0.54%, 0.5%

LAB 55.42, -6.1, -36.18

 

CMYK 70 / 47 / 0 / 24

HEX #3B67C3

RGB 59 103 195

HSL 220.59, 0.54%, 0.5%

LAB 45.04, 15.84, -52.65

 

CMYK 70 / 66 / 0 / 24

HEX #3B42C3

RGB 59 66 195

HSL 236.91, 0.54%, 0.5%

LAB 35.53, 39.42, -68.09

 

CMYK 70 / 70 / 0 / 24

HEX #3B3BC3

RGB 59 59 195

HSL 240, 0.54%, 0.5%

LAB 33.98, 43.62, -70.64

 

CMYK 70 / 10 / 0 / 24

HEX #3BB0C3

RGB 59 176 195

HSL 188.38, 0.54%, 0.5%

LAB 66.46, -26.02, -19.14

 

CMYK 82 / 12 / 0 / 16

HEX #27BED7

RGB 39 190 215

HSL 188.52, 0.69%, 0.5%

LAB 70.98, -28.86, -23.27

 

CMYK 92 / 13 / 0 / 7

HEX #12CDEC

RGB 18 205 236

HSL 188.53, 0.86%, 0.5%

LAB 75.98, -30.64, -27.02

 

CMYK 70 / 10 / 0 / 24

HEX #3BB0C3

RGB 59 176 195

HSL 188.38, 0.54%, 0.5%

LAB 66.46, -26.02, -19.14

 

CMYK 54 / 7 / 0 / 32

HEX #50A1AE

RGB 80 161 174

HSL 188.3, 0.37%, 0.5%

LAB 61.87, -20.97, -14.31

 

CMYK 34 / 5 / 0 / 40

HEX #659299

RGB 101 146 153

HSL 188.08, 0.2%, 0.5%

LAB 57.68, -13.42, -8.59

 

CMYK 9 / 2 / 0 / 48

HEX #798385

RGB 121 131 133

HSL 190, 0.05%, 0.5%

LAB 54.02, -3.24, -2.35

 

CMYK 0 / 18 / 21 / 44

HEX #8E7470

RGB 142 116 112

HSL 8, 0.12%, 0.5%

LAB 51.17, 9.49, 6.03

 

CMYK 70 / 0 / 28 / 24

HEX #3BC38D

RGB 59 195 141

HSL 156.18, 0.54%, 0.5%

LAB 70.79, -49, 16.8

 

CMYK 70 / 0 / 9 / 24

HEX #3BC3B1

RGB 59 195 177

HSL 172.06, 0.54%, 0.5%

LAB 71.65, -40.2, -1.5

 

CMYK 70 / 9 / 0 / 24

HEX #3BB1C3

RGB 59 177 195

HSL 187.94, 0.54%, 0.5%

LAB 66.76, -26.52, -18.69

 

CMYK 70 / 28 / 0 / 24

HEX #3B8DC3

RGB 59 141 195

HSL 203.82, 0.54%, 0.5%

LAB 56.01, -7.25, -35.26

 

CMYK 70 / 47 / 0 / 24

HEX #3B68C3

RGB 59 104 195

HSL 220.15, 0.54%, 0.5%

LAB 45.32, 15.21, -52.2

 

CMYK 69 / 9 / 0 / 49

HEX #287783

RGB 40 119 131

HSL 187.91, 0.53%, 0.34%

LAB 46.02, -19.54, -13.57

 

CMYK 69 / 10 / 0 / 36

HEX #3293A3

RGB 50 147 163

HSL 188.5, 0.53%, 0.42%

LAB 56.28, -22.51, -16.63

 

CMYK 70 / 10 / 0 / 24

HEX #3BB0C3

RGB 59 176 195

HSL 188.38, 0.54%, 0.5%

LAB 66.46, -26.02, -19.14

 

CMYK 55 / 8 / 0 / 20

HEX #5BBCCC

RGB 91 188 204

HSL 188.5, 0.53%, 0.58%

LAB 71.25, -23.95, -16.75

 

CMYK 43 / 6 / 0 / 16

HEX #7BC9D6

RGB 123 201 214

HSL 188.57, 0.53%, 0.66%

LAB 76.58, -20.68, -14.02

 

CMYK 70 / 10 / 0 / 24

HEX #3BAFC2

RGB 59 175 194

HSL 188.44, 0.53%, 0.5%

LAB 66.12, -25.82, -19.1

 

CMYK 47 / 70 / 0 / 24

HEX #683BC3

RGB 104 59 195

HSL 259.85, 0.54%, 0.5%

LAB 37.86, 50.23, -64.12

 

CMYK 0 / 18 / 70 / 24

HEX #C39F3B

RGB 195 159 59

HSL 44.12, 0.54%, 0.5%

LAB 67.06, 2.71, 55

 

CMYK 70 / 10 / 0 / 24

HEX #3BAFC2

RGB 59 175 194

HSL 188.44, 0.53%, 0.5%

LAB 66.12, -25.82, -19.1

 

CMYK 0 / 70 / 9 / 24

HEX #C33BB1

RGB 195 59 177

HSL 307.94, 0.54%, 0.5%

LAB 49.38, 66.05, -34.42

 

CMYK 9 / 0 / 70 / 24

HEX #B1C33B

RGB 177 195 59

HSL 67.94, 0.54%, 0.5%

LAB 75.26, -23.62, 62.78

 

CMYK 70 / 10 / 0 / 24

HEX #3BAFC2

RGB 59 175 194

HSL 188.44, 0.53%, 0.5%

LAB 66.12, -25.82, -19.1

 

CMYK 47 / 70 / 0 / 24

HEX #683BC3

RGB 104 59 195

HSL 259.85, 0.54%, 0.5%

LAB 37.86, 50.23, -64.12

 

CMYK 0 / 61 / 70 / 24

HEX #C34D3B

RGB 195 77 59

HSL 7.94, 0.54%, 0.5%

LAB 48.54, 46.16, 34.77

 

CMYK 23 / 0 / 70 / 24

HEX #96C33B

RGB 150 195 59

HSL 79.85, 0.54%, 0.5%

LAB 73.44, -34.49, 60.35

 

CMYK 70 / 10 / 0 / 24

HEX #3BAFC2

RGB 59 175 194

HSL 188.44, 0.53%, 0.5%

LAB 66.12, -25.82, -19.1

 

CMYK 26 / 70 / 0 / 24

HEX #913BC3

RGB 145 59 195

HSL 277.94, 0.54%, 0.5%

LAB 42.9, 58.13, -55.72

 

CMYK 0 / 61 / 70 / 24

HEX #C34D3B

RGB 195 77 59

HSL 7.94, 0.54%, 0.5%

LAB 48.54, 46.16, 34.77

 

CMYK 44 / 0 / 70 / 24

HEX #6DC33B

RGB 109 195 59

HSL 97.94, 0.54%, 0.5%

LAB 71.28, -49.11, 57.46

 

Description

Color code: RGB 59 175 194 | qconv.com Color code: RGB 59 175 194 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 175 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 175 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 10 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 10% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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