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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 170 174 it is the complementary color RGB 196 85 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 170 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 170 174 shade: RGB 64 170 169, RGB 81 188 188, RGB 98 206 207, RGB 115 224 226 and RGB 132 242 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 170 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 170 174 shade: RGB 59 170 174, RGB 42 152 155, RGB 25 134 136, RGB 8 116 117 and RGB 0 98 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 170 174 shade: RGB 59 170 174, RGB 59 139 174, RGB 59 108 174, RGB 59 77 174 and RGB 72 59 174

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 170 174 shade: RGB 59 170 174, RGB 59 139 174, RGB 59 108 174, RGB 59 77 174 and RGB 59 59 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 170 174 shade matches the following richer shades: RGB 59 170 174, RGB 40 188 193, RGB 21 206 212 and RGB 2 223 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 170 174 shade: RGB 59 170 174, RGB 78 153 155, RGB 97 135 136, RGB 116 117 117 and RGB 135 100 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 170 174 shade: RGB 59 174 117, RGB 59 174 147, RGB 59 170 174, RGB 59 140 174 and RGB 59 109 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 170 174 shade: RGB 38 110 113, RGB 49 140 144, RGB 59 170 174, RGB 80 191 195 and RGB 111 202 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 170 174 shade: RGB 59 170 174, RGB 86 59 174 and RGB 174 132 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 170 174 shade: RGB 59 170 174, RGB 174 59 170 and RGB 170 174 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 170 174 shade: RGB 59 170 174, RGB 86 59 174, RGB 174 63 59 and RGB 147 174 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 170 174 shade: RGB 59 170 174, RGB 121 59 174, RGB 174 63 59 and RGB 113 174 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

Complementary color

CMYK 0 / 57 / 59 / 23

HEX #C45551

RGB 196 85 81

HSL 2.09, 0.49%, 0.54%

LAB 50.48, 44.13, 24.49

 

CMYK 62 / 0 / 1 / 33

HEX #40AAA9

RGB 64 170 169

HSL 179.43, 0.45%, 0.46%

LAB 63.92, -30, -8.49

 

CMYK 57 / 0 / 0 / 26

HEX #51BCBC

RGB 81 188 188

HSL 180, 0.44%, 0.53%

LAB 70.42, -30.35, -9.27

 

CMYK 53 / 0 / 0 / 19

HEX #62CECF

RGB 98 206 207

HSL 180.55, 0.53%, 0.6%

LAB 76.83, -30.58, -9.98

 

CMYK 49 / 1 / 0 / 11

HEX #73E0E2

RGB 115 224 226

HSL 181.08, 0.66%, 0.67%

LAB 83.15, -30.72, -10.65

 

CMYK 46 / 1 / 0 / 4

HEX #84F2F5

RGB 132 242 245

HSL 181.59, 0.85%, 0.74%

LAB 89.39, -30.8, -11.27

 

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

CMYK 73 / 2 / 0 / 39

HEX #2A989B

RGB 42 152 155

HSL 181.59, 0.57%, 0.39%

LAB 57.38, -28.64, -10.41

 

CMYK 82 / 1 / 0 / 47

HEX #198688

RGB 25 134 136

HSL 181.08, 0.69%, 0.32%

LAB 50.73, -27.58, -9.45

 

CMYK 93 / 1 / 0 / 54

HEX #087475

RGB 8 116 117

HSL 180.55, 0.87%, 0.25%

LAB 43.98, -26.05, -8.33

 

CMYK 100 / 0 / 0 / 62

HEX #006262

RGB 0 98 98

HSL 180, 1%, 0.19%

LAB 37.15, -23.85, -7.01

 

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

CMYK 66 / 20 / 0 / 32

HEX #3B8BAE

RGB 59 139 174

HSL 198.26, 0.49%, 0.46%

LAB 54.5, -13.21, -25.63

 

CMYK 66 / 38 / 0 / 32

HEX #3B6CAE

RGB 59 108 174

HSL 214.43, 0.49%, 0.46%

LAB 45.24, 5.09, -40.13

 

CMYK 66 / 56 / 0 / 32

HEX #3B4DAE

RGB 59 77 174

HSL 230.61, 0.49%, 0.46%

LAB 36.54, 25.03, -54.07

 

CMYK 59 / 66 / 0 / 32

HEX #483BAE

RGB 72 59 174

HSL 246.78, 0.49%, 0.46%

LAB 33.05, 38.53, -59.71

 

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

CMYK 66 / 20 / 0 / 32

HEX #3B8BAE

RGB 59 139 174

HSL 198.26, 0.49%, 0.46%

LAB 54.5, -13.21, -25.63

 

CMYK 66 / 38 / 0 / 32

HEX #3B6CAE

RGB 59 108 174

HSL 214.43, 0.49%, 0.46%

LAB 45.24, 5.09, -40.13

 

CMYK 66 / 56 / 0 / 32

HEX #3B4DAE

RGB 59 77 174

HSL 230.61, 0.49%, 0.46%

LAB 36.54, 25.03, -54.07

 

CMYK 66 / 66 / 0 / 32

HEX #3B3BAE

RGB 59 59 174

HSL 240, 0.49%, 0.46%

LAB 32.06, 36.54, -61.36

 

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

CMYK 79 / 3 / 0 / 24

HEX #28BCC1

RGB 40 188 193

HSL 181.96, 0.66%, 0.46%

LAB 69.66, -34.63, -13.24

 

CMYK 90 / 3 / 0 / 17

HEX #15CED4

RGB 21 206 212

HSL 181.88, 0.82%, 0.46%

LAB 75.49, -38.48, -14.84

 

CMYK 99 / 3 / 0 / 9

HEX #02DFE7

RGB 2 223 231

HSL 182.1, 0.98%, 0.46%

LAB 81.05, -41.02, -16.65

 

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

CMYK 50 / 1 / 0 / 39

HEX #4E999B

RGB 78 153 155

HSL 181.56, 0.33%, 0.46%

LAB 58.76, -22.63, -8.24

 

CMYK 29 / 1 / 0 / 47

HEX #618788

RGB 97 135 136

HSL 181.54, 0.17%, 0.46%

LAB 53.65, -12.88, -4.81

 

CMYK 1 / 0 / 0 / 54

HEX #747575

RGB 116 117 117

HSL 180, 0%, 0.46%

LAB 49.15, -0.38, -0.14

 

CMYK 0 / 26 / 27 / 47

HEX #876462

RGB 135 100 98

HSL 3.24, 0.16%, 0.46%

LAB 45.83, 13.81, 6.65

 

CMYK 66 / 0 / 33 / 32

HEX #3BAE75

RGB 59 174 117

HSL 150.26, 0.49%, 0.46%

LAB 63.74, -45.58, 20.06

 

CMYK 66 / 0 / 16 / 32

HEX #3BAE93

RGB 59 174 147

HSL 165.91, 0.49%, 0.46%

LAB 64.41, -38.64, 4.48

 

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

CMYK 66 / 20 / 0 / 32

HEX #3B8CAE

RGB 59 140 174

HSL 197.74, 0.49%, 0.46%

LAB 54.81, -13.76, -25.16

 

CMYK 66 / 37 / 0 / 32

HEX #3B6DAE

RGB 59 109 174

HSL 213.91, 0.49%, 0.46%

LAB 45.53, 4.46, -39.66

 

CMYK 66 / 3 / 0 / 56

HEX #266E71

RGB 38 110 113

HSL 182.4, 0.5%, 0.3%

LAB 42.39, -20.83, -8.25

 

CMYK 66 / 3 / 0 / 44

HEX #318C90

RGB 49 140 144

HSL 182.53, 0.49%, 0.38%

LAB 53.41, -24.96, -10.03

 

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

CMYK 59 / 2 / 0 / 24

HEX #50BFC3

RGB 80 191 195

HSL 182.09, 0.49%, 0.54%

LAB 71.49, -30.05, -11.5

 

CMYK 46 / 1 / 0 / 20

HEX #6FCACD

RGB 111 202 205

HSL 181.91, 0.48%, 0.62%

LAB 76.09, -26.35, -9.95

 

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

CMYK 51 / 66 / 0 / 32

HEX #563BAE

RGB 86 59 174

HSL 254.09, 0.49%, 0.46%

LAB 34.32, 41, -57.59

 

CMYK 0 / 24 / 66 / 32

HEX #AE843B

RGB 174 132 59

HSL 38.09, 0.49%, 0.46%

LAB 57.86, 8.25, 44.56

 

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

CMYK 0 / 66 / 2 / 32

HEX #AE3BAA

RGB 174 59 170

HSL 302.09, 0.49%, 0.46%

LAB 45.67, 59.88, -36.36

 

CMYK 2 / 0 / 66 / 32

HEX #AAAE3B

RGB 170 174 59

HSL 62.09, 0.49%, 0.46%

LAB 68.85, -16.08, 56.12

 

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

CMYK 51 / 66 / 0 / 32

HEX #563BAE

RGB 86 59 174

HSL 254.09, 0.49%, 0.46%

LAB 34.32, 41, -57.59

 

CMYK 0 / 64 / 66 / 32

HEX #AE3F3B

RGB 174 63 59

HSL 2.09, 0.49%, 0.46%

LAB 42.57, 45.07, 26.75

 

CMYK 16 / 0 / 66 / 32

HEX #93AE3B

RGB 147 174 59

HSL 74.09, 0.49%, 0.46%

LAB 67.12, -25.75, 53.79

 

CMYK 66 / 2 / 0 / 32

HEX #3BAAAE

RGB 59 170 174

HSL 182.09, 0.49%, 0.46%

LAB 63.95, -29.36, -11.26

 

CMYK 30 / 66 / 0 / 32

HEX #793BAE

RGB 121 59 174

HSL 272.35, 0.49%, 0.46%

LAB 38.29, 48.22, -50.97

 

CMYK 0 / 64 / 66 / 32

HEX #AE3F3B

RGB 174 63 59

HSL 2.09, 0.49%, 0.46%

LAB 42.57, 45.07, 26.75

 

CMYK 35 / 0 / 66 / 32

HEX #71AE3B

RGB 113 174 59

HSL 91.83, 0.49%, 0.46%

LAB 65.04, -38.93, 50.95

 

Description

Color code: RGB 59 170 174 | qconv.com Color code: RGB 59 170 174 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 170 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 170 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 2 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 2% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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