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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 165 59 it is the complementary color RGB 196 90 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 165 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 165 59 shade: RGB 64 165 54, RGB 81 183 73, RGB 98 201 92, RGB 115 219 111 and RGB 132 237 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 165 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 165 59 shade: RGB 59 165 59, RGB 42 147 40, RGB 25 129 21, RGB 8 111 2 and RGB 0 93 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 165 59 shade: RGB 59 164 59, RGB 87 164 59, RGB 116 164 59, RGB 144 164 59 and RGB 164 156 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 165 59 shade: RGB 59 164 59, RGB 59 164 87, RGB 59 164 116, RGB 59 164 144 and RGB 59 156 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 165 59 shade matches the following richer shades: RGB 59 164 59, RGB 41 183 41, RGB 23 201 23 and RGB 5 219 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 165 59 shade: RGB 59 164 59, RGB 77 146 77, RGB 95 128 95, RGB 113 110 113 and RGB 132 92 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 165 59 shade: RGB 115 164 59, RGB 87 164 59, RGB 59 164 59, RGB 59 164 87 and RGB 59 164 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 165 59 shade: RGB 37 104 37, RGB 48 134 48, RGB 59 164 59, RGB 75 190 75 and RGB 105 201 105

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 165 59 shade: RGB 59 165 59, RGB 59 143 164 and RGB 164 59 101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 165 59 shade: RGB 59 165 59, RGB 59 59 164 and RGB 164 59 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 165 59 shade: RGB 59 165 59, RGB 59 143 164, RGB 164 59 164 and RGB 164 80 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 165 59 shade: RGB 59 165 59, RGB 59 112 164, RGB 164 59 164 and RGB 164 112 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 64 / 35

HEX #3BA53B

RGB 59 165 59

HSL 120, 0.47%, 0.44%

LAB 60.03, -51.36, 44.86

 

Complementary color

CMYK 0 / 54 / 0 / 23

HEX #C45AC4

RGB 196 90 196

HSL 300, 0.47%, 0.56%

LAB 55.11, 56.55, -36.44

 

CMYK 61 / 0 / 67 / 35

HEX #40A536

RGB 64 165 54

HSL 114.59, 0.51%, 0.43%

LAB 60.13, -50.72, 47.18

 

CMYK 56 / 0 / 60 / 28

HEX #51B749

RGB 81 183 73

HSL 115.64, 0.43%, 0.5%

LAB 66.59, -51.22, 46.15

 

CMYK 51 / 0 / 54 / 21

HEX #62C95C

RGB 98 201 92

HSL 116.7, 0.5%, 0.57%

LAB 72.99, -51.44, 44.95

 

CMYK 47 / 0 / 49 / 14

HEX #73DB6F

RGB 115 219 111

HSL 117.78, 0.6%, 0.65%

LAB 79.3, -51.48, 43.7

 

CMYK 44 / 0 / 45 / 7

HEX #84ED82

RGB 132 237 130

HSL 118.88, 0.75%, 0.72%

LAB 85.55, -51.41, 42.45

 

CMYK 64 / 0 / 64 / 35

HEX #3BA53B

RGB 59 165 59

HSL 120, 0.47%, 0.44%

LAB 60.03, -51.36, 44.86

 

CMYK 71 / 0 / 73 / 42

HEX #2A9328

RGB 42 147 40

HSL 118.88, 0.57%, 0.37%

LAB 53.51, -50.37, 45.73

 

CMYK 81 / 0 / 84 / 49

HEX #198115

RGB 25 129 21

HSL 117.78, 0.72%, 0.29%

LAB 46.92, -48.63, 45.83

 

CMYK 93 / 0 / 98 / 56

HEX #086F02

RGB 8 111 2

HSL 116.7, 0.96%, 0.22%

LAB 40.29, -45.82, 44.66

 

CMYK 100 / 0 / 100 / 64

HEX #005D00

RGB 0 93 0

HSL 120, 1%, 0.18%

LAB 33.62, -41.23, 39.79

 

CMYK 64 / 0 / 64 / 36

HEX #3BA43B

RGB 59 164 59

HSL 120, 0.47%, 0.44%

LAB 59.7, -50.99, 44.49

 

CMYK 47 / 0 / 64 / 36

HEX #57A43B

RGB 87 164 59

HSL 104, 0.47%, 0.44%

LAB 60.69, -43.44, 45.86

 

CMYK 29 / 0 / 64 / 36

HEX #74A43B

RGB 116 164 59

HSL 87.43, 0.47%, 0.44%

LAB 62.15, -33.31, 47.88

 

CMYK 12 / 0 / 64 / 36

HEX #90A43B

RGB 144 164 59

HSL 71.43, 0.47%, 0.44%

LAB 64, -22.05, 50.41

 

CMYK 0 / 5 / 64 / 36

HEX #A49C3B

RGB 164 156 59

HSL 55.43, 0.47%, 0.44%

LAB 63.33, -9.3, 50.19

 

CMYK 64 / 0 / 64 / 36

HEX #3BA43B

RGB 59 164 59

HSL 120, 0.47%, 0.44%

LAB 59.7, -50.99, 44.49

 

CMYK 64 / 0 / 47 / 36

HEX #3BA457

RGB 59 164 87

HSL 136, 0.47%, 0.44%

LAB 60.04, -47.16, 31.21

 

CMYK 64 / 0 / 29 / 36

HEX #3BA474

RGB 59 164 116

HSL 152.57, 0.47%, 0.44%

LAB 60.55, -41.61, 16.23

 

CMYK 64 / 0 / 12 / 36

HEX #3BA490

RGB 59 164 144

HSL 168.57, 0.47%, 0.44%

LAB 61.22, -34.87, 1.53

 

CMYK 64 / 5 / 0 / 36

HEX #3B9CA4

RGB 59 156 164

HSL 184.57, 0.47%, 0.44%

LAB 59.33, -25.37, -12.56

 

CMYK 64 / 0 / 64 / 36

HEX #3BA43B

RGB 59 164 59

HSL 120, 0.47%, 0.44%

LAB 59.7, -50.99, 44.49

 

CMYK 78 / 0 / 78 / 28

HEX #29B729

RGB 41 183 41

HSL 120, 0.63%, 0.44%

LAB 65.36, -62.23, 57.22

 

CMYK 89 / 0 / 89 / 21

HEX #17C917

RGB 23 201 23

HSL 120, 0.79%, 0.44%

LAB 70.88, -70.34, 66.76

 

CMYK 98 / 0 / 98 / 14

HEX #05DB05

RGB 5 219 5

HSL 120, 0.96%, 0.44%

LAB 76.5, -76.56, 73.7

 

CMYK 64 / 0 / 64 / 36

HEX #3BA43B

RGB 59 164 59

HSL 120, 0.47%, 0.44%

LAB 59.7, -50.99, 44.49

 

CMYK 47 / 0 / 47 / 43

HEX #4D924D

RGB 77 146 77

HSL 120, 0.31%, 0.44%

LAB 54.73, -36.62, 29.88

 

CMYK 26 / 0 / 26 / 50

HEX #5F805F

RGB 95 128 95

HSL 120, 0.15%, 0.44%

LAB 50.33, -18.72, 14.22

 

CMYK 0 / 3 / 0 / 56

HEX #716E71

RGB 113 110 113

HSL 300, 0.01%, 0.44%

LAB 46.78, 1.77, -1.26

 

CMYK 0 / 30 / 0 / 48

HEX #845C84

RGB 132 92 132

HSL 300, 0.18%, 0.44%

LAB 44.55, 23.48, -15.82

 

CMYK 30 / 0 / 64 / 36

HEX #73A43B

RGB 115 164 59

HSL 88, 0.47%, 0.44%

LAB 62.09, -33.69, 47.8

 

CMYK 47 / 0 / 64 / 36

HEX #57A43B

RGB 87 164 59

HSL 104, 0.47%, 0.44%

LAB 60.69, -43.44, 45.86

 

CMYK 64 / 0 / 64 / 36

HEX #3BA43B

RGB 59 164 59

HSL 120, 0.47%, 0.44%

LAB 59.7, -50.99, 44.49

 

CMYK 64 / 0 / 47 / 36

HEX #3BA457

RGB 59 164 87

HSL 136, 0.47%, 0.44%

LAB 60.04, -47.16, 31.21

 

CMYK 64 / 0 / 30 / 36

HEX #3BA473

RGB 59 164 115

HSL 152, 0.47%, 0.44%

LAB 60.53, -41.83, 16.76

 

CMYK 64 / 0 / 64 / 59

HEX #256825

RGB 37 104 37

HSL 120, 0.48%, 0.28%

LAB 38.6, -35.73, 30.88

 

CMYK 64 / 0 / 64 / 47

HEX #308630

RGB 48 134 48

HSL 120, 0.47%, 0.36%

LAB 49.36, -43.54, 37.85

 

CMYK 64 / 0 / 64 / 36

HEX #3BA43B

RGB 59 164 59

HSL 120, 0.47%, 0.44%

LAB 59.7, -50.99, 44.49

 

CMYK 61 / 0 / 61 / 25

HEX #4BBE4B

RGB 75 190 75

HSL 120, 0.47%, 0.52%

LAB 68.63, -55.09, 47.53

 

CMYK 48 / 0 / 48 / 21

HEX #69C969

RGB 105 201 105

HSL 120, 0.47%, 0.6%

LAB 73.41, -47.78, 39.23

 

CMYK 64 / 0 / 64 / 35

HEX #3BA53B

RGB 59 165 59

HSL 120, 0.47%, 0.44%

LAB 60.03, -51.36, 44.86

 

CMYK 64 / 13 / 0 / 36

HEX #3B8FA4

RGB 59 143 164

HSL 192, 0.47%, 0.44%

LAB 55.33, -18.61, -18.61

 

CMYK 0 / 64 / 38 / 36

HEX #A43B65

RGB 164 59 101

HSL 336, 0.47%, 0.44%

LAB 41.15, 47.14, -1.45

 

CMYK 64 / 0 / 64 / 35

HEX #3BA53B

RGB 59 165 59

HSL 120, 0.47%, 0.44%

LAB 60.03, -51.36, 44.86

 

CMYK 64 / 64 / 0 / 36

HEX #3B3BA4

RGB 59 59 164

HSL 240, 0.47%, 0.44%

LAB 31.2, 33.12, -56.77

 

CMYK 0 / 64 / 64 / 36

HEX #A43B3B

RGB 164 59 59

HSL 0, 0.47%, 0.44%

LAB 40.14, 43.34, 23.34

 

CMYK 64 / 0 / 64 / 35

HEX #3BA53B

RGB 59 165 59

HSL 120, 0.47%, 0.44%

LAB 60.03, -51.36, 44.86

 

CMYK 64 / 13 / 0 / 36

HEX #3B8FA4

RGB 59 143 164

HSL 192, 0.47%, 0.44%

LAB 55.33, -18.61, -18.61

 

CMYK 0 / 64 / 0 / 36

HEX #A43BA4

RGB 164 59 164

HSL 300, 0.47%, 0.44%

LAB 43.8, 56.39, -35.86

 

CMYK 0 / 51 / 64 / 36

HEX #A4503B

RGB 164 80 59

HSL 12, 0.47%, 0.44%

LAB 44.15, 32.9, 28.33

 

CMYK 64 / 0 / 64 / 35

HEX #3BA53B

RGB 59 165 59

HSL 120, 0.47%, 0.44%

LAB 60.03, -51.36, 44.86

 

CMYK 64 / 32 / 0 / 36

HEX #3B70A4

RGB 59 112 164

HSL 209.71, 0.47%, 0.44%

LAB 45.9, -0.91, -33.21

 

CMYK 0 / 64 / 0 / 36

HEX #A43BA4

RGB 164 59 164

HSL 300, 0.47%, 0.44%

LAB 43.8, 56.39, -35.86

 

CMYK 0 / 32 / 64 / 36

HEX #A4703B

RGB 164 112 59

HSL 30.29, 0.47%, 0.44%

LAB 51.61, 15.09, 37.19

 

Description

Color code: RGB 59 165 59 | qconv.com Color code: RGB 59 165 59 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 165 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 165 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 64 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 64% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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