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Color name
RGB 59 145 185

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 145 185 it is the complementary color RGB 196 110 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 145 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 145 185 shade: RGB 64 145 180, RGB 81 163 199, RGB 98 181 218, RGB 115 199 237 and RGB 132 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 145 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 145 185 shade: RGB 59 145 185, RGB 42 127 166, RGB 25 109 147, RGB 8 91 128 and RGB 0 73 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 145 185 shade: RGB 58 145 186, RGB 58 111 186, RGB 58 76 186, RGB 74 58 186 and RGB 109 58 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 145 185 shade: RGB 58 145 186, RGB 58 111 186, RGB 58 76 186 and RGB 58 58 186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 145 185 shade matches the following richer shades: RGB 58 145 186, RGB 38 152 205 and RGB 19 160 225

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 145 185 shade: RGB 58 145 186, RGB 78 138 166, RGB 98 131 146, RGB 118 123 126 and RGB 137 116 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 145 185 shade: RGB 58 186 158, RGB 58 179 186, RGB 58 145 186, RGB 58 111 186 and RGB 58 77 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 145 185 shade: RGB 38 96 123, RGB 48 121 154, RGB 58 145 186, RGB 84 164 201 and RGB 116 180 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 145 185 shade: RGB 59 145 185, RGB 124 58 186 and RGB 186 175 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 145 185 shade: RGB 59 145 185, RGB 186 58 145 and RGB 145 186 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 145 185 shade: RGB 59 145 185, RGB 124 58 186, RGB 186 99 58 and RGB 120 186 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 145 185 shade: RGB 59 145 185, RGB 162 58 186, RGB 186 99 58 and RGB 82 186 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 22 / 0 / 27

HEX #3B91B9

RGB 59 145 185

HSL 199.05, 0.52%, 0.48%

LAB 56.77, -12.89, -28.4

 

Complementary color

CMYK 0 / 44 / 64 / 23

HEX #C46E46

RGB 196 110 70

HSL 19.05, 0.52%, 0.52%

LAB 55.41, 30.52, 36.83

 

CMYK 64 / 19 / 0 / 29

HEX #4091B4

RGB 64 145 180

HSL 198.1, 0.48%, 0.48%

LAB 56.72, -13.7, -25.62

 

CMYK 59 / 18 / 0 / 22

HEX #51A3C7

RGB 81 163 199

HSL 198.31, 0.51%, 0.55%

LAB 63.4, -14.37, -25.98

 

CMYK 55 / 17 / 0 / 15

HEX #62B5DA

RGB 98 181 218

HSL 198.5, 0.62%, 0.62%

LAB 69.97, -14.87, -26.33

 

CMYK 51 / 16 / 0 / 7

HEX #73C7ED

RGB 115 199 237

HSL 198.69, 0.77%, 0.69%

LAB 76.44, -15.27, -26.66

 

CMYK 48 / 15 / 0 / 0

HEX #84D9FF

RGB 132 217 255

HSL 198.54, 1%, 0.76%

LAB 82.78, -15.85, -26.5

 

CMYK 68 / 22 / 0 / 27

HEX #3B91B9

RGB 59 145 185

HSL 199.05, 0.52%, 0.48%

LAB 56.77, -12.89, -28.4

 

CMYK 75 / 23 / 0 / 35

HEX #2A7FA6

RGB 42 127 166

HSL 198.87, 0.6%, 0.41%

LAB 50.01, -11.77, -28.01

 

CMYK 83 / 26 / 0 / 42

HEX #196D93

RGB 25 109 147

HSL 198.69, 0.71%, 0.34%

LAB 43.14, -10.24, -27.56

 

CMYK 94 / 29 / 0 / 50

HEX #085B80

RGB 8 91 128

HSL 198.5, 0.88%, 0.27%

LAB 36.16, -8.13, -27.01

 

CMYK 100 / 33 / 0 / 57

HEX #00496D

RGB 0 73 109

HSL 199.82, 1%, 0.21%

LAB 29.08, -5.2, -26.32

 

CMYK 69 / 22 / 0 / 27

HEX #3A91BA

RGB 58 145 186

HSL 199.22, 0.52%, 0.48%

LAB 56.78, -12.71, -28.95

 

CMYK 69 / 40 / 0 / 27

HEX #3A6FBA

RGB 58 111 186

HSL 215.16, 0.52%, 0.48%

LAB 46.73, 7.36, -44.74

 

CMYK 69 / 59 / 0 / 27

HEX #3A4CBA

RGB 58 76 186

HSL 231.56, 0.52%, 0.48%

LAB 37.14, 29.83, -60.19

 

CMYK 60 / 69 / 0 / 27

HEX #4A3ABA

RGB 74 58 186

HSL 247.5, 0.52%, 0.48%

LAB 34.04, 43.24, -65.21

 

CMYK 41 / 69 / 0 / 27

HEX #6D3ABA

RGB 109 58 186

HSL 263.91, 0.52%, 0.48%

LAB 37.52, 49.25, -59.37

 

CMYK 69 / 22 / 0 / 27

HEX #3A91BA

RGB 58 145 186

HSL 199.22, 0.52%, 0.48%

LAB 56.78, -12.71, -28.95

 

CMYK 69 / 40 / 0 / 27

HEX #3A6FBA

RGB 58 111 186

HSL 215.16, 0.52%, 0.48%

LAB 46.73, 7.36, -44.74

 

CMYK 69 / 59 / 0 / 27

HEX #3A4CBA

RGB 58 76 186

HSL 231.56, 0.52%, 0.48%

LAB 37.14, 29.83, -60.19

 

CMYK 69 / 69 / 0 / 27

HEX #3A3ABA

RGB 58 58 186

HSL 240, 0.52%, 0.48%

LAB 32.86, 41.09, -67.19

 

CMYK 69 / 22 / 0 / 27

HEX #3A91BA

RGB 58 145 186

HSL 199.22, 0.52%, 0.48%

LAB 56.78, -12.71, -28.95

 

CMYK 81 / 26 / 0 / 20

HEX #2698CD

RGB 38 152 205

HSL 199.04, 0.69%, 0.48%

LAB 59.23, -12.47, -35.89

 

CMYK 92 / 29 / 0 / 12

HEX #13A0E1

RGB 19 160 225

HSL 198.93, 0.84%, 0.48%

LAB 62.27, -11.01, -42.29

 

CMYK 69 / 22 / 0 / 27

HEX #3A91BA

RGB 58 145 186

HSL 199.22, 0.52%, 0.48%

LAB 56.78, -12.71, -28.95

 

CMYK 53 / 17 / 0 / 35

HEX #4E8AA6

RGB 78 138 166

HSL 199.09, 0.36%, 0.48%

LAB 54.61, -11.4, -20.81

 

CMYK 33 / 10 / 0 / 43

HEX #628392

RGB 98 131 146

HSL 198.75, 0.2%, 0.48%

LAB 52.84, -7.81, -11.82

 

CMYK 6 / 2 / 0 / 51

HEX #767B7E

RGB 118 123 126

HSL 202.5, 0.03%, 0.48%

LAB 51.29, -1.24, -2.29

 

CMYK 0 / 15 / 23 / 46

HEX #89746A

RGB 137 116 106

HSL 19.35, 0.13%, 0.48%

LAB 50.51, 6.5, 8.56

 

CMYK 69 / 0 / 15 / 27

HEX #3ABA9E

RGB 58 186 158

HSL 166.88, 0.52%, 0.48%

LAB 68.38, -41.32, 4.13

 

CMYK 69 / 4 / 0 / 27

HEX #3AB3BA

RGB 58 179 186

HSL 183.28, 0.52%, 0.48%

LAB 67.04, -30.35, -13.29

 

CMYK 69 / 22 / 0 / 27

HEX #3A91BA

RGB 58 145 186

HSL 199.22, 0.52%, 0.48%

LAB 56.78, -12.71, -28.95

 

CMYK 69 / 40 / 0 / 27

HEX #3A6FBA

RGB 58 111 186

HSL 215.16, 0.52%, 0.48%

LAB 46.73, 7.36, -44.74

 

CMYK 69 / 59 / 0 / 27

HEX #3A4DBA

RGB 58 77 186

HSL 231.09, 0.52%, 0.48%

LAB 37.39, 29.18, -59.77

 

CMYK 69 / 22 / 0 / 52

HEX #26607B

RGB 38 96 123

HSL 199.06, 0.53%, 0.32%

LAB 38.21, -9.58, -20.71

 

CMYK 69 / 21 / 0 / 40

HEX #30799A

RGB 48 121 154

HSL 198.68, 0.52%, 0.4%

LAB 47.8, -11.63, -24.41

 

CMYK 69 / 22 / 0 / 27

HEX #3A91BA

RGB 58 145 186

HSL 199.22, 0.52%, 0.48%

LAB 56.78, -12.71, -28.95

 

CMYK 58 / 18 / 0 / 21

HEX #54A4C9

RGB 84 164 201

HSL 198.97, 0.52%, 0.56%

LAB 63.88, -13.71, -26.35

 

CMYK 45 / 15 / 0 / 17

HEX #74B4D3

RGB 116 180 211

HSL 199.58, 0.52%, 0.64%

LAB 70.22, -12.28, -22.05

 

CMYK 68 / 22 / 0 / 27

HEX #3B91B9

RGB 59 145 185

HSL 199.05, 0.52%, 0.48%

LAB 56.77, -12.89, -28.4

 

CMYK 33 / 69 / 0 / 27

HEX #7C3ABA

RGB 124 58 186

HSL 270.94, 0.52%, 0.48%

LAB 39.34, 52.22, -56.34

 

CMYK 0 / 6 / 69 / 27

HEX #BAAF3A

RGB 186 175 58

HSL 54.84, 0.52%, 0.48%

LAB 70.46, -9.76, 58.59

 

CMYK 68 / 22 / 0 / 27

HEX #3B91B9

RGB 59 145 185

HSL 199.05, 0.52%, 0.48%

LAB 56.77, -12.89, -28.4

 

CMYK 0 / 69 / 22 / 27

HEX #BA3A91

RGB 186 58 145

HSL 319.22, 0.52%, 0.48%

LAB 46.32, 59.53, -20.28

 

CMYK 22 / 0 / 69 / 27

HEX #91BA3A

RGB 145 186 58

HSL 79.22, 0.52%, 0.48%

LAB 70.49, -32.35, 57.63

 

CMYK 68 / 22 / 0 / 27

HEX #3B91B9

RGB 59 145 185

HSL 199.05, 0.52%, 0.48%

LAB 56.77, -12.89, -28.4

 

CMYK 33 / 69 / 0 / 27

HEX #7C3ABA

RGB 124 58 186

HSL 270.94, 0.52%, 0.48%

LAB 39.34, 52.22, -56.34

 

CMYK 0 / 47 / 69 / 27

HEX #BA633A

RGB 186 99 58

HSL 19.22, 0.52%, 0.48%

LAB 51.46, 31.6, 38.32

 

CMYK 35 / 0 / 69 / 27

HEX #78BA3A

RGB 120 186 58

HSL 90.94, 0.52%, 0.48%

LAB 69.05, -41.74, 55.7

 

CMYK 68 / 22 / 0 / 27

HEX #3B91B9

RGB 59 145 185

HSL 199.05, 0.52%, 0.48%

LAB 56.77, -12.89, -28.4

 

CMYK 13 / 69 / 0 / 27

HEX #A23ABA

RGB 162 58 186

HSL 288.75, 0.52%, 0.48%

LAB 44.59, 60.36, -47.61

 

CMYK 0 / 47 / 69 / 27

HEX #BA633A

RGB 186 99 58

HSL 19.22, 0.52%, 0.48%

LAB 51.46, 31.6, 38.32

 

CMYK 56 / 0 / 69 / 27

HEX #52BA3A

RGB 82 186 58

HSL 108.75, 0.52%, 0.48%

LAB 67.44, -53.58, 53.51

 

Description

Color code: RGB 59 145 185 | qconv.com Color code: RGB 59 145 185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 145 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 145 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 22 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 22% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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