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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 143 112 it is the complementary color RGB 196 112 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 143 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 143 112 shade: RGB 64 143 107, RGB 81 161 126, RGB 98 179 145, RGB 115 197 164 and RGB 132 215 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 143 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 143 112 shade: RGB 59 143 112, RGB 42 125 93, RGB 25 107 74, RGB 8 89 55 and RGB 0 71 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 143 112 shade: RGB 59 144 113, RGB 59 144 90, RGB 59 144 67, RGB 74 144 59 and RGB 97 144 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 143 112 shade: RGB 59 144 113, RGB 59 144 136, RGB 59 130 144, RGB 59 107 144 and RGB 59 84 144

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 143 112 shade matches the following richer shades: RGB 59 144 113, RGB 42 161 117, RGB 26 177 121 and RGB 9 194 126

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 143 112 shade: RGB 59 144 113, RGB 75 128 108, RGB 92 111 104, RGB 108 95 100 and RGB 125 78 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 143 112 shade: RGB 59 144 66, RGB 59 144 89, RGB 59 144 111, RGB 59 144 134 and RGB 59 131 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 143 112 shade: RGB 35 86 67, RGB 47 115 90, RGB 59 144 113, RGB 71 174 136 and RGB 96 190 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 143 112 shade: RGB 59 143 112, RGB 59 74 144 and RGB 144 77 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 143 112 shade: RGB 59 143 112, RGB 111 59 144 and RGB 144 111 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 143 112 shade: RGB 59 143 112, RGB 59 74 144, RGB 144 59 92 and RGB 144 129 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 143 112 shade: RGB 59 143 112, RGB 69 59 144, RGB 144 59 92 and RGB 134 144 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 22 / 44

HEX #3B8F70

RGB 59 143 112

HSL 157.86, 0.42%, 0.4%

LAB 53.75, -33.19, 8.98

 

Complementary color

CMYK 0 / 43 / 27 / 23

HEX #C4708F

RGB 196 112 143

HSL 337.86, 0.42%, 0.6%

LAB 57.37, 36.98, -2.33

 

CMYK 55 / 0 / 25 / 44

HEX #408F6B

RGB 64 143 107

HSL 152.66, 0.38%, 0.41%

LAB 53.81, -33.19, 11.94

 

CMYK 50 / 0 / 22 / 37

HEX #51A17E

RGB 81 161 126

HSL 153.75, 0.33%, 0.47%

LAB 60.56, -33.06, 10.78

 

CMYK 45 / 0 / 19 / 30

HEX #62B391

RGB 98 179 145

HSL 154.81, 0.35%, 0.54%

LAB 67.19, -32.88, 9.74

 

CMYK 42 / 0 / 17 / 23

HEX #73C5A4

RGB 115 197 164

HSL 155.85, 0.41%, 0.61%

LAB 73.71, -32.67, 8.77

 

CMYK 39 / 0 / 15 / 16

HEX #84D7B7

RGB 132 215 183

HSL 156.87, 0.51%, 0.68%

LAB 80.14, -32.45, 7.88

 

CMYK 59 / 0 / 22 / 44

HEX #3B8F70

RGB 59 143 112

HSL 157.86, 0.42%, 0.4%

LAB 53.75, -33.19, 8.98

 

CMYK 66 / 0 / 26 / 51

HEX #2A7D5D

RGB 42 125 93

HSL 156.87, 0.5%, 0.33%

LAB 46.91, -33.05, 10.25

 

CMYK 77 / 0 / 31 / 58

HEX #196B4A

RGB 25 107 74

HSL 155.85, 0.62%, 0.26%

LAB 39.94, -32.61, 11.72

 

CMYK 91 / 0 / 38 / 65

HEX #085937

RGB 8 89 55

HSL 154.81, 0.84%, 0.19%

LAB 32.86, -31.58, 13.46

 

CMYK 100 / 0 / 49 / 72

HEX #004724

RGB 0 71 36

HSL 150.42, 1%, 0.14%

LAB 25.67, -29.49, 15.54

 

CMYK 59 / 0 / 22 / 44

HEX #3B9071

RGB 59 144 113

HSL 158.12, 0.42%, 0.4%

LAB 54.1, -33.42, 8.89

 

CMYK 59 / 0 / 38 / 44

HEX #3B905A

RGB 59 144 90

HSL 141.88, 0.42%, 0.4%

LAB 53.62, -38.4, 21.23

 

CMYK 59 / 0 / 53 / 44

HEX #3B9043

RGB 59 144 67

HSL 125.65, 0.42%, 0.4%

LAB 53.26, -42.3, 33.12

 

CMYK 49 / 0 / 59 / 44

HEX #4A903B

RGB 74 144 59

HSL 109.41, 0.42%, 0.4%

LAB 53.73, -39.11, 37.82

 

CMYK 33 / 0 / 59 / 44

HEX #61903B

RGB 97 144 59

HSL 93.18, 0.42%, 0.4%

LAB 54.87, -31.18, 39.44

 

CMYK 59 / 0 / 22 / 44

HEX #3B9071

RGB 59 144 113

HSL 158.12, 0.42%, 0.4%

LAB 54.1, -33.42, 8.89

 

CMYK 59 / 0 / 6 / 44

HEX #3B9088

RGB 59 144 136

HSL 174.35, 0.42%, 0.4%

LAB 54.71, -27.46, -3.43

 

CMYK 59 / 10 / 0 / 44

HEX #3B8290

RGB 59 130 144

HSL 189.88, 0.42%, 0.4%

LAB 50.58, -17.87, -14.26

 

CMYK 59 / 26 / 0 / 44

HEX #3B6B90

RGB 59 107 144

HSL 206.12, 0.42%, 0.4%

LAB 43.45, -4.74, -25.21

 

CMYK 59 / 42 / 0 / 44

HEX #3B5490

RGB 59 84 144

HSL 222.35, 0.42%, 0.4%

LAB 36.53, 9.7, -36.09

 

CMYK 59 / 0 / 22 / 44

HEX #3B9071

RGB 59 144 113

HSL 158.12, 0.42%, 0.4%

LAB 54.1, -33.42, 8.89

 

CMYK 74 / 0 / 27 / 37

HEX #2AA175

RGB 42 161 117

HSL 157.82, 0.59%, 0.4%

LAB 59.22, -43.01, 13.77

 

CMYK 85 / 0 / 32 / 31

HEX #1AB179

RGB 26 177 121

HSL 157.75, 0.74%, 0.4%

LAB 64.2, -50.28, 18.41

 

CMYK 95 / 0 / 35 / 24

HEX #09C27E

RGB 9 194 126

HSL 157.95, 0.91%, 0.4%

LAB 69.57, -56.51, 23.04

 

CMYK 59 / 0 / 22 / 44

HEX #3B9071

RGB 59 144 113

HSL 158.12, 0.42%, 0.4%

LAB 54.1, -33.42, 8.89

 

CMYK 41 / 0 / 16 / 50

HEX #4B806C

RGB 75 128 108

HSL 157.36, 0.26%, 0.4%

LAB 49.52, -22.64, 5.34

 

CMYK 17 / 0 / 6 / 56

HEX #5C6F68

RGB 92 111 104

HSL 157.89, 0.09%, 0.4%

LAB 45.14, -8.62, 1.53

 

CMYK 0 / 12 / 7 / 58

HEX #6C5F64

RGB 108 95 100

HSL 336.92, 0.06%, 0.4%

LAB 41.68, 6.18, -0.94

 

CMYK 0 / 38 / 24 / 51

HEX #7D4E5F

RGB 125 78 95

HSL 338.3, 0.23%, 0.4%

LAB 38.96, 22.35, -1.61

 

CMYK 59 / 0 / 54 / 44

HEX #3B9042

RGB 59 144 66

HSL 124.94, 0.42%, 0.4%

LAB 53.24, -42.44, 33.62

 

CMYK 59 / 0 / 38 / 44

HEX #3B9059

RGB 59 144 89

HSL 141.18, 0.42%, 0.4%

LAB 53.6, -38.6, 21.76

 

CMYK 59 / 0 / 23 / 44

HEX #3B906F

RGB 59 144 111

HSL 156.71, 0.42%, 0.4%

LAB 54.05, -33.89, 9.97

 

CMYK 59 / 0 / 7 / 44

HEX #3B9086

RGB 59 144 134

HSL 172.94, 0.42%, 0.4%

LAB 54.66, -28.01, -2.37

 

CMYK 59 / 9 / 0 / 44

HEX #3B8390

RGB 59 131 144

HSL 189.18, 0.42%, 0.4%

LAB 50.89, -18.41, -13.79

 

CMYK 59 / 0 / 22 / 66

HEX #235643

RGB 35 86 67

HSL 157.65, 0.42%, 0.24%

LAB 32.74, -22.32, 5.96

 

CMYK 59 / 0 / 22 / 55

HEX #2F735A

RGB 47 115 90

HSL 157.94, 0.42%, 0.32%

LAB 43.66, -28.01, 7.46

 

CMYK 59 / 0 / 22 / 44

HEX #3B9071

RGB 59 144 113

HSL 158.12, 0.42%, 0.4%

LAB 54.1, -33.42, 8.89

 

CMYK 59 / 0 / 22 / 32

HEX #47AE88

RGB 71 174 136

HSL 157.86, 0.42%, 0.48%

LAB 64.47, -39.05, 10.71

 

CMYK 49 / 0 / 18 / 25

HEX #60BE9B

RGB 96 190 155

HSL 157.66, 0.42%, 0.56%

LAB 70.65, -36.29, 9.18

 

CMYK 59 / 0 / 22 / 44

HEX #3B8F70

RGB 59 143 112

HSL 157.86, 0.42%, 0.4%

LAB 53.75, -33.19, 8.98

 

CMYK 59 / 49 / 0 / 44

HEX #3B4A90

RGB 59 74 144

HSL 229.41, 0.42%, 0.4%

LAB 33.65, 16.28, -40.68

 

CMYK 0 / 47 / 59 / 44

HEX #904D3B

RGB 144 77 59

HSL 12.71, 0.42%, 0.4%

LAB 40.5, 26.35, 23.12

 

CMYK 59 / 0 / 22 / 44

HEX #3B8F70

RGB 59 143 112

HSL 157.86, 0.42%, 0.4%

LAB 53.75, -33.19, 8.98

 

CMYK 23 / 59 / 0 / 44

HEX #6F3B90

RGB 111 59 144

HSL 276.71, 0.42%, 0.4%

LAB 35.05, 38.6, -38.16

 

CMYK 0 / 23 / 59 / 44

HEX #906F3B

RGB 144 111 59

HSL 36.71, 0.42%, 0.4%

LAB 49.02, 6.72, 33.59

 

CMYK 59 / 0 / 22 / 44

HEX #3B8F70

RGB 59 143 112

HSL 157.86, 0.42%, 0.4%

LAB 53.75, -33.19, 8.98

 

CMYK 59 / 49 / 0 / 44

HEX #3B4A90

RGB 59 74 144

HSL 229.41, 0.42%, 0.4%

LAB 33.65, 16.28, -40.68

 

CMYK 0 / 59 / 36 / 44

HEX #903B5C

RGB 144 59 92

HSL 336.71, 0.42%, 0.4%

LAB 37.54, 39.43, -1.5

 

CMYK 0 / 10 / 59 / 44

HEX #90813B

RGB 144 129 59

HSL 49.41, 0.42%, 0.4%

LAB 53.97, -3.5, 39.34

 

CMYK 59 / 0 / 22 / 44

HEX #3B8F70

RGB 59 143 112

HSL 157.86, 0.42%, 0.4%

LAB 53.75, -33.19, 8.98

 

CMYK 52 / 59 / 0 / 44

HEX #453B90

RGB 69 59 144

HSL 247.06, 0.42%, 0.4%

LAB 30.42, 28.27, -45.85

 

CMYK 0 / 59 / 36 / 44

HEX #903B5C

RGB 144 59 92

HSL 336.71, 0.42%, 0.4%

LAB 37.54, 39.43, -1.5

 

CMYK 7 / 0 / 59 / 44

HEX #86903B

RGB 134 144 59

HSL 67.06, 0.42%, 0.4%

LAB 57.4, -16.05, 42.98

 

Description

Color code: RGB 59 143 112 | qconv.com Color code: RGB 59 143 112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 143 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 143 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 22 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 22% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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