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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 140 113 it is the complementary color RGB 196 115 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 140 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 140 113 shade: RGB 64 140 108, RGB 81 158 127, RGB 98 176 146, RGB 115 194 165 and RGB 132 212 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 140 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 140 113 shade: RGB 59 140 113, RGB 42 122 94, RGB 25 104 75, RGB 8 86 56 and RGB 0 68 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 140 113 shade: RGB 58 140 113, RGB 58 140 91, RGB 58 140 69, RGB 70 140 58 and RGB 92 140 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 140 113 shade: RGB 58 140 113, RGB 58 140 135, RGB 58 123 140, RGB 58 101 140 and RGB 58 79 140

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 140 113 shade matches the following richer shades: RGB 58 140 113, RGB 42 156 118, RGB 26 172 123 and RGB 10 188 129

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 140 113 shade: RGB 58 140 113, RGB 74 124 107, RGB 90 108 102, RGB 106 91 96 and RGB 123 75 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 140 113 shade: RGB 58 140 69, RGB 58 140 91, RGB 58 140 113, RGB 58 140 134 and RGB 58 123 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 140 113 shade: RGB 34 82 66, RGB 46 111 89, RGB 58 140 113, RGB 70 169 136 and RGB 93 187 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 140 113 shade: RGB 59 140 113, RGB 58 69 140 and RGB 140 80 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 140 113 shade: RGB 59 140 113, RGB 113 58 140 and RGB 140 113 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 140 113 shade: RGB 59 140 113, RGB 58 69 140, RGB 140 58 85 and RGB 140 129 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 140 113 shade: RGB 59 140 113, RGB 72 58 140, RGB 140 58 85 and RGB 126 140 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 19 / 45

HEX #3B8C71

RGB 59 140 113

HSL 160, 0.41%, 0.39%

LAB 52.82, -31.55, 7.07

 

Complementary color

CMYK 0 / 41 / 28 / 23

HEX #C4738E

RGB 196 115 142

HSL 340, 0.41%, 0.61%

LAB 57.99, 35.24, -0.84

 

CMYK 54 / 0 / 23 / 45

HEX #408C6C

RGB 64 140 108

HSL 154.74, 0.37%, 0.4%

LAB 52.87, -31.56, 10.05

 

CMYK 49 / 0 / 20 / 38

HEX #519E7F

RGB 81 158 127

HSL 155.84, 0.32%, 0.47%

LAB 59.65, -31.42, 8.94

 

CMYK 44 / 0 / 17 / 31

HEX #62B092

RGB 98 176 146

HSL 156.92, 0.33%, 0.54%

LAB 66.31, -31.24, 7.93

 

CMYK 41 / 0 / 15 / 24

HEX #73C2A5

RGB 115 194 165

HSL 157.97, 0.39%, 0.61%

LAB 72.86, -31.03, 7.01

 

CMYK 38 / 0 / 13 / 17

HEX #84D4B8

RGB 132 212 184

HSL 159, 0.48%, 0.67%

LAB 79.3, -30.82, 6.15

 

CMYK 58 / 0 / 19 / 45

HEX #3B8C71

RGB 59 140 113

HSL 160, 0.41%, 0.39%

LAB 52.82, -31.55, 7.07

 

CMYK 66 / 0 / 23 / 52

HEX #2A7A5E

RGB 42 122 94

HSL 159, 0.49%, 0.32%

LAB 45.93, -31.43, 8.29

 

CMYK 76 / 0 / 28 / 59

HEX #19684B

RGB 25 104 75

HSL 157.97, 0.61%, 0.25%

LAB 38.92, -31.01, 9.7

 

CMYK 91 / 0 / 35 / 66

HEX #085638

RGB 8 86 56

HSL 156.92, 0.83%, 0.18%

LAB 31.79, -30.04, 11.39

 

CMYK 100 / 0 / 46 / 73

HEX #004425

RGB 0 68 37

HSL 152.65, 1%, 0.13%

LAB 24.54, -28.02, 13.45

 

CMYK 59 / 0 / 19 / 45

HEX #3A8C71

RGB 58 140 113

HSL 160.24, 0.41%, 0.39%

LAB 52.78, -31.77, 7.02

 

CMYK 59 / 0 / 35 / 45

HEX #3A8C5B

RGB 58 140 91

HSL 144.15, 0.41%, 0.39%

LAB 52.3, -36.7, 18.89

 

CMYK 59 / 0 / 51 / 45

HEX #3A8C45

RGB 58 140 69

HSL 128.05, 0.41%, 0.39%

LAB 51.93, -40.62, 30.45

 

CMYK 50 / 0 / 59 / 45

HEX #468C3A

RGB 70 140 58

HSL 111.22, 0.41%, 0.39%

LAB 52.25, -38.76, 36.54

 

CMYK 34 / 0 / 59 / 45

HEX #5C8C3A

RGB 92 140 58

HSL 95.12, 0.41%, 0.39%

LAB 53.32, -31.27, 38.06

 

CMYK 59 / 0 / 19 / 45

HEX #3A8C71

RGB 58 140 113

HSL 160.24, 0.41%, 0.39%

LAB 52.78, -31.77, 7.02

 

CMYK 59 / 0 / 4 / 45

HEX #3A8C87

RGB 58 140 135

HSL 176.34, 0.41%, 0.39%

LAB 53.39, -25.95, -4.82

 

CMYK 59 / 12 / 0 / 45

HEX #3A7B8C

RGB 58 123 140

HSL 192.44, 0.41%, 0.39%

LAB 48.21, -15.49, -15.52

 

CMYK 59 / 28 / 0 / 45

HEX #3A658C

RGB 58 101 140

HSL 208.54, 0.41%, 0.39%

LAB 41.38, -2.67, -26.04

 

CMYK 59 / 44 / 0 / 45

HEX #3A4F8C

RGB 58 79 140

HSL 224.63, 0.41%, 0.39%

LAB 34.77, 11.35, -36.45

 

CMYK 59 / 0 / 19 / 45

HEX #3A8C71

RGB 58 140 113

HSL 160.24, 0.41%, 0.39%

LAB 52.78, -31.77, 7.02

 

CMYK 73 / 0 / 24 / 39

HEX #2A9C76

RGB 42 156 118

HSL 160, 0.58%, 0.39%

LAB 57.63, -40.66, 10.99

 

CMYK 85 / 0 / 28 / 33

HEX #1AAC7B

RGB 26 172 123

HSL 159.86, 0.74%, 0.39%

LAB 62.64, -47.87, 15.17

 

CMYK 95 / 0 / 31 / 26

HEX #0ABC81

RGB 10 188 129

HSL 160.11, 0.9%, 0.39%

LAB 67.74, -53.61, 18.93

 

CMYK 59 / 0 / 19 / 45

HEX #3A8C71

RGB 58 140 113

HSL 160.24, 0.41%, 0.39%

LAB 52.78, -31.77, 7.02

 

CMYK 40 / 0 / 14 / 51

HEX #4A7C6B

RGB 74 124 107

HSL 159.6, 0.25%, 0.39%

LAB 48.18, -21.1, 4

 

CMYK 17 / 0 / 6 / 58

HEX #5A6C66

RGB 90 108 102

HSL 160, 0.09%, 0.39%

LAB 44.03, -8.07, 1.1

 

CMYK 0 / 14 / 9 / 58

HEX #6A5B60

RGB 106 91 96

HSL 340, 0.08%, 0.39%

LAB 40.23, 7.03, -0.62

 

CMYK 0 / 39 / 26 / 52

HEX #7B4B5B

RGB 123 75 91

HSL 340, 0.24%, 0.39%

LAB 37.84, 22.69, -0.78

 

CMYK 59 / 0 / 51 / 45

HEX #3A8C45

RGB 58 140 69

HSL 128.05, 0.41%, 0.39%

LAB 51.93, -40.62, 30.45

 

CMYK 59 / 0 / 35 / 45

HEX #3A8C5B

RGB 58 140 91

HSL 144.15, 0.41%, 0.39%

LAB 52.3, -36.7, 18.89

 

CMYK 59 / 0 / 19 / 45

HEX #3A8C71

RGB 58 140 113

HSL 160.24, 0.41%, 0.39%

LAB 52.78, -31.77, 7.02

 

CMYK 59 / 0 / 4 / 45

HEX #3A8C86

RGB 58 140 134

HSL 175.61, 0.41%, 0.39%

LAB 53.36, -26.23, -4.28

 

CMYK 59 / 12 / 0 / 45

HEX #3A7B8C

RGB 58 123 140

HSL 192.44, 0.41%, 0.39%

LAB 48.21, -15.49, -15.52

 

CMYK 59 / 0 / 20 / 68

HEX #225242

RGB 34 82 66

HSL 160, 0.41%, 0.23%

LAB 31.27, -20.76, 4.5

 

CMYK 59 / 0 / 20 / 56

HEX #2E6F59

RGB 46 111 89

HSL 159.69, 0.41%, 0.31%

LAB 42.26, -26.54, 6.07

 

CMYK 59 / 0 / 19 / 45

HEX #3A8C71

RGB 58 140 113

HSL 160.24, 0.41%, 0.39%

LAB 52.78, -31.77, 7.02

 

CMYK 59 / 0 / 20 / 34

HEX #46A988

RGB 70 169 136

HSL 160, 0.41%, 0.47%

LAB 62.89, -37.02, 8.46

 

CMYK 50 / 0 / 17 / 27

HEX #5DBB9C

RGB 93 187 156

HSL 160.21, 0.41%, 0.55%

LAB 69.66, -35.41, 7.21

 

CMYK 58 / 0 / 19 / 45

HEX #3B8C71

RGB 59 140 113

HSL 160, 0.41%, 0.39%

LAB 52.82, -31.55, 7.07

 

CMYK 59 / 51 / 0 / 45

HEX #3A458C

RGB 58 69 140

HSL 231.95, 0.41%, 0.39%

LAB 31.92, 17.98, -41.01

 

CMYK 0 / 43 / 59 / 45

HEX #8C503A

RGB 140 80 58

HSL 16.1, 0.41%, 0.39%

LAB 40.6, 22.87, 23.73

 

CMYK 58 / 0 / 19 / 45

HEX #3B8C71

RGB 59 140 113

HSL 160, 0.41%, 0.39%

LAB 52.82, -31.55, 7.07

 

CMYK 19 / 59 / 0 / 45

HEX #713A8C

RGB 113 58 140

HSL 280.24, 0.41%, 0.39%

LAB 34.86, 38.75, -35.99

 

CMYK 0 / 19 / 59 / 45

HEX #8C713A

RGB 140 113 58

HSL 40.24, 0.41%, 0.39%

LAB 49.12, 3.67, 34.12

 

CMYK 58 / 0 / 19 / 45

HEX #3B8C71

RGB 59 140 113

HSL 160, 0.41%, 0.39%

LAB 52.82, -31.55, 7.07

 

CMYK 59 / 51 / 0 / 45

HEX #3A458C

RGB 58 69 140

HSL 231.95, 0.41%, 0.39%

LAB 31.92, 17.98, -41.01

 

CMYK 0 / 59 / 39 / 45

HEX #8C3A55

RGB 140 58 85

HSL 340.24, 0.41%, 0.39%

LAB 36.48, 37.67, 1.32

 

CMYK 0 / 8 / 59 / 45

HEX #8C813A

RGB 140 129 58

HSL 51.95, 0.41%, 0.39%

LAB 53.58, -5.38, 39.3

 

CMYK 58 / 0 / 19 / 45

HEX #3B8C71

RGB 59 140 113

HSL 160, 0.41%, 0.39%

LAB 52.82, -31.55, 7.07

 

CMYK 49 / 59 / 0 / 45

HEX #483A8C

RGB 72 58 140

HSL 250.24, 0.41%, 0.39%

LAB 30.15, 28.29, -43.8

 

CMYK 0 / 59 / 39 / 45

HEX #8C3A55

RGB 140 58 85

HSL 340.24, 0.41%, 0.39%

LAB 36.48, 37.67, 1.32

 

CMYK 10 / 0 / 59 / 45

HEX #7E8C3A

RGB 126 140 58

HSL 70.24, 0.41%, 0.39%

LAB 55.58, -17.49, 41.25

 

Description

Color code: RGB 59 140 113 | qconv.com Color code: RGB 59 140 113 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 140 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 140 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 19 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 19% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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