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Color name
RGB 59 113 179

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 113 179 it is the complementary color RGB 196 142 76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 113 179. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 113 179 shade: RGB 64 113 174, RGB 81 131 193, RGB 98 149 212, RGB 115 167 231 and RGB 132 185 250

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 113 179. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 113 179 shade: RGB 59 113 179, RGB 42 95 160, RGB 25 77 141, RGB 8 59 122 and RGB 0 41 103

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 113 179 shade: RGB 59 113 179, RGB 59 81 179, RGB 70 59 179, RGB 102 59 179 and RGB 135 59 179

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 113 179 shade: RGB 59 113 179, RGB 59 81 179 and RGB 59 59 179

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 113 179 shade matches the following richer shades: RGB 59 113 179, RGB 40 111 199, RGB 21 109 218 and RGB 1 108 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 113 179 shade: RGB 59 113 179, RGB 79 115 160, RGB 98 117 140, RGB 118 119 121 and RGB 137 121 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 113 179 shade: RGB 59 177 179, RGB 59 145 179, RGB 59 113 179, RGB 59 81 179 and RGB 69 59 179

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 113 179 shade: RGB 39 74 117, RGB 49 94 148, RGB 59 113 179, RGB 83 134 197 and RGB 114 156 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 113 179 shade: RGB 59 113 179, RGB 149 59 179 and RGB 161 179 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 113 179 shade: RGB 59 113 179, RGB 179 59 113 and RGB 113 179 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 113 179 shade: RGB 59 113 179, RGB 149 59 179, RGB 179 125 59 and RGB 89 179 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 113 179 shade: RGB 59 113 179, RGB 179 59 173, RGB 179 125 59 and RGB 59 179 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

Complementary color

CMYK 0 / 28 / 61 / 23

HEX #C48E4C

RGB 196 142 76

HSL 33, 0.5%, 0.53%

LAB 63.01, 13.46, 42.64

 

CMYK 63 / 35 / 0 / 32

HEX #4071AE

RGB 64 113 174

HSL 213.27, 0.46%, 0.47%

LAB 46.92, 2.91, -37.46

 

CMYK 58 / 32 / 0 / 24

HEX #5183C1

RGB 81 131 193

HSL 213.21, 0.47%, 0.54%

LAB 53.85, 1.85, -37.44

 

CMYK 54 / 30 / 0 / 17

HEX #6295D4

RGB 98 149 212

HSL 213.16, 0.57%, 0.61%

LAB 60.64, 1.01, -37.45

 

CMYK 50 / 28 / 0 / 9

HEX #73A7E7

RGB 115 167 231

HSL 213.1, 0.71%, 0.68%

LAB 67.32, 0.33, -37.49

 

CMYK 47 / 26 / 0 / 2

HEX #84B9FA

RGB 132 185 250

HSL 213.05, 0.92%, 0.75%

LAB 73.87, -0.24, -37.55

 

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

CMYK 74 / 41 / 0 / 37

HEX #2A5FA0

RGB 42 95 160

HSL 213.05, 0.58%, 0.4%

LAB 39.94, 5.4, -40.32

 

CMYK 82 / 45 / 0 / 45

HEX #194D8D

RGB 25 77 141

HSL 213.1, 0.7%, 0.33%

LAB 32.78, 7.59, -40.32

 

CMYK 93 / 52 / 0 / 52

HEX #083B7A

RGB 8 59 122

HSL 213.16, 0.88%, 0.25%

LAB 25.52, 10.58, -40.23

 

CMYK 100 / 60 / 0 / 60

HEX #002967

RGB 0 41 103

HSL 216.12, 1%, 0.2%

LAB 18.21, 14.68, -39.89

 

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

CMYK 67 / 55 / 0 / 30

HEX #3B51B3

RGB 59 81 179

HSL 229, 0.5%, 0.47%

LAB 37.97, 24.22, -54.72

 

CMYK 61 / 67 / 0 / 30

HEX #463BB3

RGB 70 59 179

HSL 245.5, 0.5%, 0.47%

LAB 33.32, 39.83, -62.26

 

CMYK 43 / 67 / 0 / 30

HEX #663BB3

RGB 102 59 179

HSL 261.5, 0.5%, 0.47%

LAB 36.38, 45.5, -57.13

 

CMYK 25 / 67 / 0 / 30

HEX #873BB3

RGB 135 59 179

HSL 278, 0.5%, 0.47%

LAB 40.46, 52.48, -50.33

 

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

CMYK 67 / 55 / 0 / 30

HEX #3B51B3

RGB 59 81 179

HSL 229, 0.5%, 0.47%

LAB 37.97, 24.22, -54.72

 

CMYK 67 / 67 / 0 / 30

HEX #3B3BB3

RGB 59 59 179

HSL 240, 0.5%, 0.47%

LAB 32.51, 38.24, -63.61

 

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

CMYK 80 / 44 / 0 / 22

HEX #286FC7

RGB 40 111 199

HSL 213.21, 0.67%, 0.47%

LAB 46.9, 9.86, -52

 

CMYK 90 / 50 / 0 / 15

HEX #156DDA

RGB 21 109 218

HSL 213.2, 0.82%, 0.47%

LAB 47.18, 17.08, -62.42

 

CMYK 100 / 54 / 0 / 7

HEX #016CED

RGB 1 108 237

HSL 212.8, 0.99%, 0.47%

LAB 48.07, 24.49, -71.71

 

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

CMYK 51 / 28 / 0 / 37

HEX #4F73A0

RGB 79 115 160

HSL 213.33, 0.34%, 0.47%

LAB 47.57, 0.31, -28.18

 

CMYK 30 / 16 / 0 / 45

HEX #62758C

RGB 98 117 140

HSL 212.86, 0.18%, 0.47%

LAB 48.53, -1.3, -14.83

 

CMYK 2 / 2 / 0 / 53

HEX #767779

RGB 118 119 121

HSL 220, 0.01%, 0.47%

LAB 50.01, 0.03, -1.23

 

CMYK 0 / 12 / 26 / 46

HEX #897966

RGB 137 121 102

HSL 32.57, 0.15%, 0.47%

LAB 51.78, 2.99, 12.68

 

CMYK 67 / 1 / 0 / 30

HEX #3BB1B3

RGB 59 177 179

HSL 181, 0.5%, 0.47%

LAB 66.24, -31.3, -10.61

 

CMYK 67 / 19 / 0 / 30

HEX #3B91B3

RGB 59 145 179

HSL 197, 0.5%, 0.47%

LAB 56.52, -14.87, -25.37

 

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

CMYK 67 / 55 / 0 / 30

HEX #3B51B3

RGB 59 81 179

HSL 229, 0.5%, 0.47%

LAB 37.97, 24.22, -54.72

 

CMYK 61 / 67 / 0 / 30

HEX #453BB3

RGB 69 59 179

HSL 245, 0.5%, 0.47%

LAB 33.24, 39.67, -62.39

 

CMYK 67 / 37 / 0 / 54

HEX #274A75

RGB 39 74 117

HSL 213.08, 0.5%, 0.31%

LAB 30.91, 2.23, -28.4

 

CMYK 67 / 36 / 0 / 42

HEX #315E94

RGB 49 94 148

HSL 212.73, 0.5%, 0.39%

LAB 39.24, 2.7, -34.24

 

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

CMYK 58 / 32 / 0 / 23

HEX #5386C5

RGB 83 134 197

HSL 213.16, 0.5%, 0.55%

LAB 54.99, 1.79, -37.92

 

CMYK 45 / 25 / 0 / 18

HEX #729CD0

RGB 114 156 208

HSL 213.19, 0.5%, 0.63%

LAB 63.27, -0.43, -31.08

 

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

CMYK 17 / 67 / 0 / 30

HEX #953BB3

RGB 149 59 179

HSL 285, 0.5%, 0.47%

LAB 42.42, 55.64, -47.09

 

CMYK 10 / 0 / 67 / 30

HEX #A1B33B

RGB 161 179 59

HSL 69, 0.5%, 0.47%

LAB 69.56, -22.4, 56.64

 

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

CMYK 0 / 67 / 37 / 30

HEX #B33B71

RGB 179 59 113

HSL 333, 0.5%, 0.47%

LAB 44.09, 53.16, -4.27

 

CMYK 37 / 0 / 67 / 30

HEX #71B33B

RGB 113 179 59

HSL 93, 0.5%, 0.47%

LAB 66.57, -41.12, 52.58

 

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

CMYK 17 / 67 / 0 / 30

HEX #953BB3

RGB 149 59 179

HSL 285, 0.5%, 0.47%

LAB 42.42, 55.64, -47.09

 

CMYK 0 / 30 / 67 / 30

HEX #B37D3B

RGB 179 125 59

HSL 33, 0.5%, 0.47%

LAB 56.65, 14.37, 43.38

 

CMYK 50 / 0 / 67 / 30

HEX #59B33B

RGB 89 179 59

HSL 105, 0.5%, 0.47%

LAB 65.5, -48.88, 51.12

 

CMYK 67 / 37 / 0 / 30

HEX #3B71B3

RGB 59 113 179

HSL 213, 0.5%, 0.47%

LAB 46.97, 3.77, -40.3

 

CMYK 0 / 67 / 3 / 30

HEX #B33BAD

RGB 179 59 173

HSL 303, 0.5%, 0.47%

LAB 46.62, 61.59, -36.59

 

CMYK 0 / 30 / 67 / 30

HEX #B37D3B

RGB 179 125 59

HSL 33, 0.5%, 0.47%

LAB 56.65, 14.37, 43.38

 

CMYK 67 / 0 / 64 / 30

HEX #3BB341

RGB 59 179 65

HSL 123, 0.5%, 0.47%

LAB 64.61, -55.71, 47.31

 

Description

Color code: RGB 59 113 179 | qconv.com Color code: RGB 59 113 179 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 113 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 113 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 37 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 37% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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