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Color name
RGB 59 109 65

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 109 65 it is the complementary color RGB 196 146 190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 109 65. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 109 65 shade: RGB 64 109 60, RGB 81 127 79, RGB 98 145 98, RGB 115 163 117 and RGB 132 181 136

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 109 65. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 109 65 shade: RGB 59 109 65, RGB 42 91 46, RGB 25 73 27, RGB 8 55 8 and RGB 0 37 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 109 65 shade: RGB 58 109 64, RGB 66 109 58, RGB 80 109 58, RGB 93 109 58 and RGB 107 109 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 109 65 shade: RGB 58 109 64, RGB 58 109 78, RGB 58 109 92, RGB 58 109 105 and RGB 58 99 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 109 65 shade matches the following richer shades: RGB 58 109 64, RGB 45 123 54, RGB 31 136 44, RGB 18 150 33 and RGB 4 163 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 109 65 shade: RGB 58 109 64, RGB 72 95 75, RGB 86 82 85, RGB 99 68 96 and RGB 113 54 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 109 65 shade: RGB 79 109 58, RGB 66 109 58, RGB 58 109 64, RGB 58 109 78 and RGB 58 109 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 109 65 shade: RGB 30 55 33, RGB 44 82 49, RGB 58 109 64, RGB 73 136 80 and RGB 87 163 96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 109 65 shade: RGB 59 109 65, RGB 58 93 109 and RGB 109 58 73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 109 65 shade: RGB 59 109 65, RGB 64 58 109 and RGB 109 64 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 109 65 shade: RGB 59 109 65, RGB 58 93 109, RGB 109 58 103 and RGB 109 74 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 109 65 shade: RGB 59 109 65, RGB 58 78 109, RGB 109 58 103 and RGB 109 90 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 40 / 57

HEX #3B6D41

RGB 59 109 65

HSL 127.2, 0.3%, 0.33%

LAB 41.61, -27.14, 19.47

 

Complementary color

CMYK 0 / 26 / 3 / 23

HEX #C492BE

RGB 196 146 190

HSL 307.2, 0.3%, 0.67%

LAB 66.53, 26.13, -15.46

 

CMYK 41 / 0 / 45 / 57

HEX #406D3C

RGB 64 109 60

HSL 115.1, 0.29%, 0.33%

LAB 41.77, -26.32, 22.59

 

CMYK 36 / 0 / 38 / 50

HEX #517F4F

RGB 81 127 79

HSL 117.5, 0.23%, 0.4%

LAB 48.87, -26.08, 21.26

 

CMYK 32 / 0 / 32 / 43

HEX #629162

RGB 98 145 98

HSL 120, 0.19%, 0.48%

LAB 55.82, -25.82, 20.02

 

CMYK 29 / 0 / 28 / 36

HEX #73A375

RGB 115 163 117

HSL 122.5, 0.21%, 0.55%

LAB 62.61, -25.57, 18.89

 

CMYK 27 / 0 / 25 / 29

HEX #84B588

RGB 132 181 136

HSL 124.9, 0.25%, 0.61%

LAB 69.28, -25.32, 17.83

 

CMYK 46 / 0 / 40 / 57

HEX #3B6D41

RGB 59 109 65

HSL 127.2, 0.3%, 0.33%

LAB 41.61, -27.14, 19.47

 

CMYK 54 / 0 / 49 / 64

HEX #2A5B2E

RGB 42 91 46

HSL 124.9, 0.37%, 0.26%

LAB 34.34, -27.29, 20.93

 

CMYK 66 / 0 / 63 / 71

HEX #19491B

RGB 25 73 27

HSL 122.5, 0.49%, 0.19%

LAB 26.88, -27.14, 22.47

 

CMYK 85 / 0 / 85 / 78

HEX #083708

RGB 8 55 8

HSL 120, 0.75%, 0.12%

LAB 19.23, -26.16, 23.27

 

CMYK 100 / 0 / 100 / 85

HEX #002500

RGB 0 37 0

HSL 120, 1%, 0.07%

LAB 11.44, -22.19, 16.56

 

CMYK 47 / 0 / 41 / 57

HEX #3A6D40

RGB 58 109 64

HSL 127.06, 0.31%, 0.33%

LAB 41.54, -27.65, 19.95

 

CMYK 39 / 0 / 47 / 57

HEX #426D3A

RGB 66 109 58

HSL 110.59, 0.31%, 0.33%

LAB 41.85, -25.93, 23.84

 

CMYK 27 / 0 / 47 / 57

HEX #506D3A

RGB 80 109 58

HSL 94.12, 0.31%, 0.33%

LAB 42.69, -20.58, 25.08

 

CMYK 15 / 0 / 47 / 57

HEX #5D6D3A

RGB 93 109 58

HSL 78.82, 0.31%, 0.33%

LAB 43.61, -15.16, 26.43

 

CMYK 2 / 0 / 47 / 57

HEX #6B6D3A

RGB 107 109 58

HSL 62.35, 0.31%, 0.33%

LAB 44.76, -9.01, 28.11

 

CMYK 47 / 0 / 41 / 57

HEX #3A6D40

RGB 58 109 64

HSL 127.06, 0.31%, 0.33%

LAB 41.54, -27.65, 19.95

 

CMYK 47 / 0 / 28 / 57

HEX #3A6D4E

RGB 58 109 78

HSL 143.53, 0.31%, 0.33%

LAB 41.82, -24.87, 12.11

 

CMYK 47 / 0 / 16 / 57

HEX #3A6D5C

RGB 58 109 92

HSL 160, 0.31%, 0.33%

LAB 42.17, -21.61, 4.2

 

CMYK 47 / 0 / 4 / 57

HEX #3A6D69

RGB 58 109 105

HSL 175.29, 0.31%, 0.33%

LAB 42.55, -18.19, -3.11

 

CMYK 47 / 9 / 0 / 57

HEX #3A636D

RGB 58 99 109

HSL 191.76, 0.31%, 0.33%

LAB 39.46, -11.42, -10.15

 

CMYK 47 / 0 / 41 / 57

HEX #3A6D40

RGB 58 109 64

HSL 127.06, 0.31%, 0.33%

LAB 41.54, -27.65, 19.95

 

CMYK 63 / 0 / 56 / 52

HEX #2D7B36

RGB 45 123 54

HSL 126.92, 0.46%, 0.33%

LAB 45.62, -39.15, 30.48

 

CMYK 77 / 0 / 68 / 47

HEX #1F882C

RGB 31 136 44

HSL 127.43, 0.63%, 0.33%

LAB 49.59, -48.09, 39.82

 

CMYK 88 / 0 / 78 / 41

HEX #129621

RGB 18 150 33

HSL 126.82, 0.79%, 0.33%

LAB 54.08, -55.28, 48.77

 

CMYK 98 / 0 / 86 / 36

HEX #04A317

RGB 4 163 23

HSL 127.17, 0.95%, 0.33%

LAB 58.3, -60.68, 55.63

 

CMYK 47 / 0 / 41 / 57

HEX #3A6D40

RGB 58 109 64

HSL 127.06, 0.31%, 0.33%

LAB 41.54, -27.65, 19.95

 

CMYK 24 / 0 / 21 / 63

HEX #485F4B

RGB 72 95 75

HSL 127.83, 0.14%, 0.33%

LAB 37.97, -13.18, 8.67

 

CMYK 0 / 5 / 1 / 66

HEX #565255

RGB 86 82 85

HSL 315, 0.02%, 0.33%

LAB 35.34, 2.26, -1.18

 

CMYK 0 / 31 / 3 / 61

HEX #634460

RGB 99 68 96

HSL 305.81, 0.19%, 0.33%

LAB 33.2, 18.52, -11.18

 

CMYK 0 / 52 / 6 / 56

HEX #71366A

RGB 113 54 106

HSL 307.12, 0.35%, 0.33%

LAB 32.23, 33.75, -18.87

 

CMYK 28 / 0 / 47 / 57

HEX #4F6D3A

RGB 79 109 58

HSL 95.29, 0.31%, 0.33%

LAB 42.62, -20.98, 24.98

 

CMYK 39 / 0 / 47 / 57

HEX #426D3A

RGB 66 109 58

HSL 110.59, 0.31%, 0.33%

LAB 41.85, -25.93, 23.84

 

CMYK 47 / 0 / 41 / 57

HEX #3A6D40

RGB 58 109 64

HSL 127.06, 0.31%, 0.33%

LAB 41.54, -27.65, 19.95

 

CMYK 47 / 0 / 28 / 57

HEX #3A6D4E

RGB 58 109 78

HSL 143.53, 0.31%, 0.33%

LAB 41.82, -24.87, 12.11

 

CMYK 47 / 0 / 17 / 57

HEX #3A6D5B

RGB 58 109 91

HSL 158.82, 0.31%, 0.33%

LAB 42.14, -21.86, 4.76

 

CMYK 45 / 0 / 40 / 78

HEX #1E3721

RGB 30 55 33

HSL 127.2, 0.29%, 0.17%

LAB 20.51, -15.4, 10.84

 

CMYK 46 / 0 / 40 / 68

HEX #2C5231

RGB 44 82 49

HSL 127.89, 0.3%, 0.25%

LAB 31.33, -21.65, 15.26

 

CMYK 47 / 0 / 41 / 57

HEX #3A6D40

RGB 58 109 64

HSL 127.06, 0.31%, 0.33%

LAB 41.54, -27.65, 19.95

 

CMYK 46 / 0 / 41 / 47

HEX #498850

RGB 73 136 80

HSL 126.67, 0.3%, 0.41%

LAB 51.39, -32.85, 23.92

 

CMYK 47 / 0 / 41 / 36

HEX #57A360

RGB 87 163 96

HSL 127.11, 0.3%, 0.49%

LAB 60.84, -38.14, 27.68

 

CMYK 46 / 0 / 40 / 57

HEX #3B6D41

RGB 59 109 65

HSL 127.2, 0.3%, 0.33%

LAB 41.61, -27.14, 19.47

 

CMYK 47 / 15 / 0 / 57

HEX #3A5D6D

RGB 58 93 109

HSL 198.82, 0.31%, 0.33%

LAB 37.54, -7.89, -13.06

 

CMYK 0 / 47 / 33 / 57

HEX #6D3A49

RGB 109 58 73

HSL 342.35, 0.31%, 0.33%

LAB 31.25, 24.42, 0.84

 

CMYK 46 / 0 / 40 / 57

HEX #3B6D41

RGB 59 109 65

HSL 127.2, 0.3%, 0.33%

LAB 41.61, -27.14, 19.47

 

CMYK 41 / 47 / 0 / 57

HEX #403A6D

RGB 64 58 109

HSL 247.06, 0.31%, 0.33%

LAB 27.35, 16.42, -28.86

 

CMYK 0 / 41 / 47 / 57

HEX #6D403A

RGB 109 64 58

HSL 7.06, 0.31%, 0.33%

LAB 32.31, 18.85, 12.02

 

CMYK 46 / 0 / 40 / 57

HEX #3B6D41

RGB 59 109 65

HSL 127.2, 0.3%, 0.33%

LAB 41.61, -27.14, 19.47

 

CMYK 47 / 15 / 0 / 57

HEX #3A5D6D

RGB 58 93 109

HSL 198.82, 0.31%, 0.33%

LAB 37.54, -7.89, -13.06

 

CMYK 0 / 47 / 6 / 57

HEX #6D3A67

RGB 109 58 103

HSL 307.06, 0.31%, 0.33%

LAB 32.38, 29.58, -16.78

 

CMYK 0 / 32 / 47 / 57

HEX #6D4A3A

RGB 109 74 58

HSL 18.82, 0.31%, 0.33%

LAB 34.91, 12.75, 15.53

 

CMYK 46 / 0 / 40 / 57

HEX #3B6D41

RGB 59 109 65

HSL 127.2, 0.3%, 0.33%

LAB 41.61, -27.14, 19.47

 

CMYK 47 / 28 / 0 / 57

HEX #3A4E6D

RGB 58 78 109

HSL 216.47, 0.31%, 0.33%

LAB 32.82, 1.44, -20.32

 

CMYK 0 / 47 / 6 / 57

HEX #6D3A67

RGB 109 58 103

HSL 307.06, 0.31%, 0.33%

LAB 32.38, 29.58, -16.78

 

CMYK 0 / 17 / 47 / 57

HEX #6D5A3A

RGB 109 90 58

HSL 37.65, 0.31%, 0.33%

LAB 39.36, 3.01, 21.36

 

Description

Color code: RGB 59 109 65 | qconv.com Color code: RGB 59 109 65 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 109 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 109 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 40 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 40% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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