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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 102 44 it is the complementary color RGB 196 153 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 102 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 102 44 shade: RGB 64 102 39, RGB 81 120 58, RGB 98 138 77, RGB 115 156 96 and RGB 132 174 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 102 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 102 44 shade: RGB 59 102 44, RGB 42 84 25, RGB 25 66 6, RGB 8 48 0 and RGB 0 30 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 102 44 shade: RGB 59 103 44, RGB 75 103 44, RGB 91 103 44, RGB 103 99 44 and RGB 103 83 44

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 102 44 shade: RGB 59 103 44, RGB 44 103 45, RGB 44 103 60, RGB 44 103 76 and RGB 44 103 92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 102 44 shade matches the following richer shades: RGB 59 103 44, RGB 53 115 32, RGB 48 127 20 and RGB 42 139 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 102 44 shade: RGB 59 103 44, RGB 65 91 56, RGB 71 79 68, RGB 76 67 80 and RGB 82 55 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 102 44 shade: RGB 91 103 44, RGB 75 103 44, RGB 60 103 44, RGB 44 103 44 and RGB 44 103 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 102 44 shade: RGB 26 45 19, RGB 43 74 31, RGB 59 103 44, RGB 76 132 56 and RGB 92 161 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 102 44 shade: RGB 59 102 44, RGB 44 103 99 and RGB 103 44 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 102 44 shade: RGB 59 102 44, RGB 44 60 103 and RGB 103 44 60

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 102 44 shade: RGB 59 102 44, RGB 44 103 99, RGB 87 44 103 and RGB 103 44 48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 102 44 shade: RGB 59 102 44, RGB 44 89 103, RGB 87 44 103 and RGB 103 58 44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 57 / 60

HEX #3B662C

RGB 59 102 44

HSL 104.48, 0.4%, 0.29%

LAB 38.92, -27.06, 27.87

 

Complementary color

CMYK 7 / 27 / 0 / 17

HEX #C499D3

RGB 196 153 211

HSL 284.48, 0.4%, 0.71%

LAB 68.91, 26.32, -23.53

 

CMYK 37 / 0 / 62 / 60

HEX #406627

RGB 64 102 39

HSL 96.19, 0.45%, 0.28%

LAB 39.14, -25.79, 30.81

 

CMYK 33 / 0 / 52 / 53

HEX #51783A

RGB 81 120 58

HSL 97.74, 0.35%, 0.35%

LAB 46.3, -25.79, 29.56

 

CMYK 29 / 0 / 44 / 46

HEX #628A4D

RGB 98 138 77

HSL 99.34, 0.28%, 0.42%

LAB 53.29, -25.68, 28.27

 

CMYK 26 / 0 / 38 / 39

HEX #739C60

RGB 115 156 96

HSL 101, 0.24%, 0.49%

LAB 60.13, -25.53, 27.03

 

CMYK 24 / 0 / 34 / 32

HEX #84AE73

RGB 132 174 115

HSL 102.71, 0.27%, 0.57%

LAB 66.84, -25.37, 25.84

 

CMYK 42 / 0 / 57 / 60

HEX #3B662C

RGB 59 102 44

HSL 104.48, 0.4%, 0.29%

LAB 38.92, -27.06, 27.87

 

CMYK 50 / 0 / 70 / 67

HEX #2A5419

RGB 42 84 25

HSL 102.71, 0.54%, 0.21%

LAB 31.59, -26.94, 29.05

 

CMYK 62 / 0 / 91 / 74

HEX #194206

RGB 25 66 6

HSL 101, 0.83%, 0.14%

LAB 24.05, -26.32, 29.44

 

CMYK 83 / 0 / 100 / 81

HEX #083000

RGB 8 48 0

HSL 110, 1%, 0.09%

LAB 16.33, -24.34, 23.05

 

CMYK 100 / 0 / 100 / 88

HEX #001E00

RGB 0 30 0

HSL 120, 1%, 0.06%

LAB 8.38, -17.11, 12.24

 

CMYK 43 / 0 / 57 / 60

HEX #3B672C

RGB 59 103 44

HSL 104.75, 0.4%, 0.29%

LAB 39.26, -27.54, 28.27

 

CMYK 27 / 0 / 57 / 60

HEX #4B672C

RGB 75 103 44

HSL 88.47, 0.4%, 0.29%

LAB 40.21, -21.29, 29.63

 

CMYK 12 / 0 / 57 / 60

HEX #5B672C

RGB 91 103 44

HSL 72.2, 0.4%, 0.29%

LAB 41.38, -14.34, 31.3

 

CMYK 0 / 4 / 57 / 60

HEX #67632C

RGB 103 99 44

HSL 55.93, 0.4%, 0.29%

LAB 41.2, -6.56, 31.35

 

CMYK 0 / 19 / 57 / 60

HEX #67532C

RGB 103 83 44

HSL 39.66, 0.4%, 0.29%

LAB 36.46, 2.94, 25.75

 

CMYK 43 / 0 / 57 / 60

HEX #3B672C

RGB 59 103 44

HSL 104.75, 0.4%, 0.29%

LAB 39.26, -27.54, 28.27

 

CMYK 57 / 0 / 56 / 60

HEX #2C672D

RGB 44 103 45

HSL 121.02, 0.4%, 0.29%

LAB 38.6, -32.31, 26.77

 

CMYK 57 / 0 / 42 / 60

HEX #2C673C

RGB 44 103 60

HSL 136.27, 0.4%, 0.29%

LAB 38.83, -29.76, 18.6

 

CMYK 57 / 0 / 26 / 60

HEX #2C674C

RGB 44 103 76

HSL 152.54, 0.4%, 0.29%

LAB 39.17, -26.3, 9.53

 

CMYK 57 / 0 / 11 / 60

HEX #2C675C

RGB 44 103 92

HSL 168.81, 0.4%, 0.29%

LAB 39.6, -22.16, 0.4

 

CMYK 43 / 0 / 57 / 60

HEX #3B672C

RGB 59 103 44

HSL 104.75, 0.4%, 0.29%

LAB 39.26, -27.54, 28.27

 

CMYK 54 / 0 / 72 / 55

HEX #357320

RGB 53 115 32

HSL 104.82, 0.56%, 0.29%

LAB 42.95, -36.25, 38.13

 

CMYK 62 / 0 / 84 / 50

HEX #307F14

RGB 48 127 20

HSL 104.3, 0.73%, 0.29%

LAB 46.79, -43.29, 46.2

 

CMYK 70 / 0 / 94 / 45

HEX #2A8B08

RGB 42 139 8

HSL 104.43, 0.89%, 0.29%

LAB 50.66, -49.47, 52.24

 

CMYK 43 / 0 / 57 / 60

HEX #3B672C

RGB 59 103 44

HSL 104.75, 0.4%, 0.29%

LAB 39.26, -27.54, 28.27

 

CMYK 29 / 0 / 38 / 64

HEX #415B38

RGB 65 91 56

HSL 104.57, 0.24%, 0.29%

LAB 35.77, -17.29, 17.14

 

CMYK 10 / 0 / 14 / 69

HEX #474F44

RGB 71 79 68

HSL 103.64, 0.07%, 0.29%

LAB 32.59, -5.62, 5.42

 

CMYK 5 / 16 / 0 / 69

HEX #4C4350

RGB 76 67 80

HSL 281.54, 0.09%, 0.29%

LAB 29.74, 6.65, -6.39

 

CMYK 11 / 40 / 0 / 64

HEX #52375C

RGB 82 55 92

HSL 283.78, 0.25%, 0.29%

LAB 27.57, 19.54, -17.43

 

CMYK 12 / 0 / 57 / 60

HEX #5B672C

RGB 91 103 44

HSL 72.2, 0.4%, 0.29%

LAB 41.38, -14.34, 31.3

 

CMYK 27 / 0 / 57 / 60

HEX #4B672C

RGB 75 103 44

HSL 88.47, 0.4%, 0.29%

LAB 40.21, -21.29, 29.63

 

CMYK 42 / 0 / 57 / 60

HEX #3C672C

RGB 60 103 44

HSL 103.73, 0.4%, 0.29%

LAB 39.31, -27.18, 28.35

 

CMYK 57 / 0 / 57 / 60

HEX #2C672C

RGB 44 103 44

HSL 120, 0.4%, 0.29%

LAB 38.58, -32.45, 27.29

 

CMYK 57 / 0 / 42 / 60

HEX #2C673C

RGB 44 103 60

HSL 136.27, 0.4%, 0.29%

LAB 38.83, -29.76, 18.6

 

CMYK 42 / 0 / 58 / 82

HEX #1A2D13

RGB 26 45 19

HSL 103.85, 0.41%, 0.13%

LAB 16.22, -13.98, 14.36

 

CMYK 42 / 0 / 58 / 71

HEX #2B4A1F

RGB 43 74 31

HSL 103.26, 0.41%, 0.21%

LAB 28.14, -20.92, 21.92

 

CMYK 43 / 0 / 57 / 60

HEX #3B672C

RGB 59 103 44

HSL 104.75, 0.4%, 0.29%

LAB 39.26, -27.54, 28.27

 

CMYK 42 / 0 / 58 / 48

HEX #4C8438

RGB 76 132 56

HSL 104.21, 0.4%, 0.37%

LAB 49.89, -33.54, 34.84

 

CMYK 43 / 0 / 57 / 37

HEX #5CA145

RGB 92 161 69

HSL 105, 0.4%, 0.45%

LAB 60.06, -39.5, 40.58

 

CMYK 42 / 0 / 57 / 60

HEX #3B662C

RGB 59 102 44

HSL 104.48, 0.4%, 0.29%

LAB 38.92, -27.06, 27.87

 

CMYK 57 / 0 / 4 / 60

HEX #2C6763

RGB 44 103 99

HSL 175.93, 0.4%, 0.29%

LAB 39.81, -20.16, -3.57

 

CMYK 0 / 57 / 19 / 60

HEX #672C53

RGB 103 44 83

HSL 320.34, 0.4%, 0.29%

LAB 27.6, 31.7, -11.25

 

CMYK 42 / 0 / 57 / 60

HEX #3B662C

RGB 59 102 44

HSL 104.48, 0.4%, 0.29%

LAB 38.92, -27.06, 27.87

 

CMYK 57 / 42 / 0 / 60

HEX #2C3C67

RGB 44 60 103

HSL 223.73, 0.4%, 0.29%

LAB 26, 7.59, -27.26

 

CMYK 0 / 57 / 42 / 60

HEX #672C3C

RGB 103 44 60

HSL 343.73, 0.4%, 0.29%

LAB 26.77, 28.29, 2.81

 

CMYK 42 / 0 / 57 / 60

HEX #3B662C

RGB 59 102 44

HSL 104.48, 0.4%, 0.29%

LAB 38.92, -27.06, 27.87

 

CMYK 57 / 0 / 4 / 60

HEX #2C6763

RGB 44 103 99

HSL 175.93, 0.4%, 0.29%

LAB 39.81, -20.16, -3.57

 

CMYK 16 / 57 / 0 / 60

HEX #572C67

RGB 87 44 103

HSL 283.73, 0.4%, 0.29%

LAB 26.18, 30.54, -26.7

 

CMYK 0 / 57 / 53 / 60

HEX #672C30

RGB 103 44 48

HSL 355.93, 0.4%, 0.29%

LAB 26.44, 26.91, 10.37

 

CMYK 42 / 0 / 57 / 60

HEX #3B662C

RGB 59 102 44

HSL 104.48, 0.4%, 0.29%

LAB 38.92, -27.06, 27.87

 

CMYK 57 / 14 / 0 / 60

HEX #2C5967

RGB 44 89 103

HSL 194.24, 0.4%, 0.29%

LAB 35.32, -11.04, -12.78

 

CMYK 16 / 57 / 0 / 60

HEX #572C67

RGB 87 44 103

HSL 283.73, 0.4%, 0.29%

LAB 26.18, 30.54, -26.7

 

CMYK 0 / 44 / 57 / 60

HEX #673A2C

RGB 103 58 44

HSL 14.24, 0.4%, 0.29%

LAB 29.64, 18.31, 17.23

 

Description

Color code: RGB 59 102 44 | qconv.com Color code: RGB 59 102 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 102 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 102 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 57 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 57% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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