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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 85 128 it is the complementary color RGB 196 170 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 85 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 85 128 shade: RGB 64 85 123, RGB 81 103 142, RGB 98 121 161, RGB 115 139 180 and RGB 132 157 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 85 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 85 128 shade: RGB 59 85 128, RGB 42 67 109, RGB 25 49 90, RGB 8 31 71 and RGB 0 13 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 85 128 shade: RGB 59 85 129, RGB 59 66 129, RGB 70 59 129, RGB 89 59 129 and RGB 108 59 129

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 85 128 shade: RGB 59 85 129, RGB 59 66 129 and RGB 59 59 129

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 85 128 shade matches the following richer shades: RGB 59 85 129, RGB 44 81 144, RGB 28 78 159 and RGB 13 74 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 85 128 shade: RGB 59 85 129, RGB 74 89 113, RGB 89 93 98, RGB 105 97 83 and RGB 120 100 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 85 128 shade: RGB 59 123 129, RGB 59 104 129, RGB 59 86 129, RGB 59 67 129 and RGB 69 59 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 85 128 shade: RGB 33 48 72, RGB 46 67 100, RGB 59 85 129, RGB 72 104 157 and RGB 91 124 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 85 128 shade: RGB 59 85 128, RGB 116 59 129 and RGB 114 129 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 85 128 shade: RGB 59 85 128, RGB 129 59 86 and RGB 86 129 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 85 128 shade: RGB 59 85 128, RGB 116 59 129, RGB 129 102 59 and RGB 72 129 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 85 128 shade: RGB 59 85 128, RGB 129 59 121, RGB 129 102 59 and RGB 59 129 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 34 / 0 / 50

HEX #3B5580

RGB 59 85 128

HSL 217.39, 0.37%, 0.37%

LAB 35.96, 3.51, -27.22

 

Complementary color

CMYK 0 / 13 / 35 / 23

HEX #C4AA7F

RGB 196 170 127

HSL 37.39, 0.37%, 0.63%

LAB 70.88, 3.2, 25.67

 

CMYK 48 / 31 / 0 / 52

HEX #40557B

RGB 64 85 123

HSL 218.64, 0.32%, 0.37%

LAB 36.02, 3.16, -24.02

 

CMYK 43 / 27 / 0 / 44

HEX #51678E

RGB 81 103 142

HSL 218.36, 0.27%, 0.44%

LAB 43.36, 2.57, -24.05

 

CMYK 39 / 25 / 0 / 37

HEX #6279A1

RGB 98 121 161

HSL 218.1, 0.25%, 0.51%

LAB 50.5, 2.1, -24.13

 

CMYK 36 / 23 / 0 / 29

HEX #738BB4

RGB 115 139 180

HSL 217.85, 0.3%, 0.58%

LAB 57.47, 1.71, -24.26

 

CMYK 34 / 21 / 0 / 22

HEX #849DC7

RGB 132 157 199

HSL 217.61, 0.37%, 0.65%

LAB 64.28, 1.39, -24.41

 

CMYK 54 / 34 / 0 / 50

HEX #3B5580

RGB 59 85 128

HSL 217.39, 0.37%, 0.37%

LAB 35.96, 3.51, -27.22

 

CMYK 61 / 39 / 0 / 57

HEX #2A436D

RGB 42 67 109

HSL 217.61, 0.44%, 0.3%

LAB 28.41, 4.55, -27.3

 

CMYK 72 / 46 / 0 / 65

HEX #19315A

RGB 25 49 90

HSL 217.85, 0.57%, 0.23%

LAB 20.6, 6.08, -27.44

 

CMYK 89 / 56 / 0 / 72

HEX #081F47

RGB 8 31 71

HSL 218.1, 0.8%, 0.15%

LAB 12.52, 8.52, -27.59

 

CMYK 100 / 75 / 0 / 80

HEX #000D34

RGB 0 13 52

HSL 225, 1%, 0.1%

LAB 4.84, 10.43, -26.5

 

CMYK 54 / 34 / 0 / 49

HEX #3B5581

RGB 59 85 129

HSL 217.71, 0.37%, 0.37%

LAB 36.01, 3.85, -27.75

 

CMYK 54 / 49 / 0 / 49

HEX #3B4281

RGB 59 66 129

HSL 234, 0.37%, 0.37%

LAB 30.43, 16.37, -36.6

 

CMYK 46 / 54 / 0 / 49

HEX #463B81

RGB 70 59 129

HSL 249.43, 0.37%, 0.37%

LAB 29.45, 23.69, -38.11

 

CMYK 31 / 54 / 0 / 49

HEX #593B81

RGB 89 59 129

HSL 265.71, 0.37%, 0.37%

LAB 31.43, 28.78, -34.83

 

CMYK 16 / 54 / 0 / 49

HEX #6C3B81

RGB 108 59 129

HSL 282, 0.37%, 0.37%

LAB 33.78, 34.25, -30.96

 

CMYK 54 / 34 / 0 / 49

HEX #3B5581

RGB 59 85 129

HSL 217.71, 0.37%, 0.37%

LAB 36.01, 3.85, -27.75

 

CMYK 54 / 49 / 0 / 49

HEX #3B4281

RGB 59 66 129

HSL 234, 0.37%, 0.37%

LAB 30.43, 16.37, -36.6

 

CMYK 54 / 54 / 0 / 49

HEX #3B3B81

RGB 59 59 129

HSL 240, 0.37%, 0.37%

LAB 28.49, 21.05, -39.7

 

CMYK 54 / 34 / 0 / 49

HEX #3B5581

RGB 59 85 129

HSL 217.71, 0.37%, 0.37%

LAB 36.01, 3.85, -27.75

 

CMYK 69 / 44 / 0 / 44

HEX #2C5190

RGB 44 81 144

HSL 217.8, 0.53%, 0.37%

LAB 34.87, 8.75, -38.77

 

CMYK 82 / 51 / 0 / 38

HEX #1C4E9F

RGB 28 78 159

HSL 217.1, 0.7%, 0.37%

LAB 34.39, 14.51, -48.65

 

CMYK 93 / 58 / 0 / 31

HEX #0D4AAF

RGB 13 74 175

HSL 217.41, 0.86%, 0.37%

LAB 34.15, 22.64, -58.63

 

CMYK 54 / 34 / 0 / 49

HEX #3B5581

RGB 59 85 129

HSL 217.71, 0.37%, 0.37%

LAB 36.01, 3.85, -27.75

 

CMYK 35 / 21 / 0 / 56

HEX #4A5971

RGB 74 89 113

HSL 216.92, 0.21%, 0.37%

LAB 37.47, 0.57, -15.55

 

CMYK 9 / 5 / 0 / 62

HEX #595D62

RGB 89 93 98

HSL 213.33, 0.05%, 0.37%

LAB 39.3, -0.46, -3.41

 

CMYK 0 / 8 / 21 / 59

HEX #696153

RGB 105 97 83

HSL 38.18, 0.12%, 0.37%

LAB 41.5, 0.62, 9.14

 

CMYK 0 / 17 / 43 / 53

HEX #786444

RGB 120 100 68

HSL 36.92, 0.28%, 0.37%

LAB 43.54, 3.23, 21.13

 

CMYK 54 / 5 / 0 / 49

HEX #3B7B81

RGB 59 123 129

HSL 185.14, 0.37%, 0.37%

LAB 47.86, -18.62, -9.55

 

CMYK 54 / 19 / 0 / 49

HEX #3B6881

RGB 59 104 129

HSL 201.43, 0.37%, 0.37%

LAB 41.87, -7.88, -18.64

 

CMYK 54 / 33 / 0 / 49

HEX #3B5681

RGB 59 86 129

HSL 216.86, 0.37%, 0.37%

LAB 36.31, 3.21, -27.28

 

CMYK 54 / 48 / 0 / 49

HEX #3B4381

RGB 59 67 129

HSL 233.14, 0.37%, 0.37%

LAB 30.71, 15.7, -36.14

 

CMYK 47 / 54 / 0 / 49

HEX #453B81

RGB 69 59 129

HSL 248.57, 0.37%, 0.37%

LAB 29.36, 23.44, -38.27

 

CMYK 54 / 33 / 0 / 72

HEX #213048

RGB 33 48 72

HSL 216.92, 0.37%, 0.21%

LAB 19.66, 1.7, -16.85

 

CMYK 54 / 33 / 0 / 61

HEX #2E4364

RGB 46 67 100

HSL 216.67, 0.37%, 0.29%

LAB 28.15, 2.3, -21.93

 

CMYK 54 / 34 / 0 / 49

HEX #3B5581

RGB 59 85 129

HSL 217.71, 0.37%, 0.37%

LAB 36.01, 3.85, -27.75

 

CMYK 54 / 34 / 0 / 38

HEX #48689D

RGB 72 104 157

HSL 217.41, 0.37%, 0.45%

LAB 43.82, 4.38, -32.32

 

CMYK 49 / 31 / 0 / 30

HEX #5B7CB3

RGB 91 124 179

HSL 217.5, 0.37%, 0.53%

LAB 51.72, 3.81, -32.72

 

CMYK 54 / 34 / 0 / 50

HEX #3B5580

RGB 59 85 128

HSL 217.39, 0.37%, 0.37%

LAB 35.96, 3.51, -27.22

 

CMYK 10 / 54 / 0 / 49

HEX #743B81

RGB 116 59 129

HSL 288.86, 0.37%, 0.37%

LAB 34.85, 36.61, -29.19

 

CMYK 12 / 0 / 54 / 49

HEX #72813B

RGB 114 129 59

HSL 72.86, 0.37%, 0.37%

LAB 51.37, -16.77, 35.67

 

CMYK 54 / 34 / 0 / 50

HEX #3B5580

RGB 59 85 128

HSL 217.39, 0.37%, 0.37%

LAB 35.96, 3.51, -27.22

 

CMYK 0 / 54 / 33 / 49

HEX #813B56

RGB 129 59 86

HSL 336.86, 0.37%, 0.37%

LAB 34.94, 33.33, -1.78

 

CMYK 33 / 0 / 54 / 49

HEX #56813B

RGB 86 129 59

HSL 96.86, 0.37%, 0.37%

LAB 49.49, -28.17, 32.97

 

CMYK 54 / 34 / 0 / 50

HEX #3B5580

RGB 59 85 128

HSL 217.39, 0.37%, 0.37%

LAB 35.96, 3.51, -27.22

 

CMYK 10 / 54 / 0 / 49

HEX #743B81

RGB 116 59 129

HSL 288.86, 0.37%, 0.37%

LAB 34.85, 36.61, -29.19

 

CMYK 0 / 21 / 54 / 49

HEX #81663B

RGB 129 102 59

HSL 36.86, 0.37%, 0.37%

LAB 44.92, 5.15, 28.24

 

CMYK 44 / 0 / 54 / 49

HEX #48813B

RGB 72 129 59

HSL 108.86, 0.37%, 0.37%

LAB 48.75, -33.16, 31.91

 

CMYK 54 / 34 / 0 / 50

HEX #3B5580

RGB 59 85 128

HSL 217.39, 0.37%, 0.37%

LAB 35.96, 3.51, -27.22

 

CMYK 0 / 54 / 6 / 49

HEX #813B79

RGB 129 59 121

HSL 306.86, 0.37%, 0.37%

LAB 36.32, 38.97, -21.79

 

CMYK 0 / 21 / 54 / 49

HEX #81663B

RGB 129 102 59

HSL 36.86, 0.37%, 0.37%

LAB 44.92, 5.15, 28.24

 

CMYK 54 / 0 / 48 / 49

HEX #3B8143

RGB 59 129 67

HSL 126.86, 0.37%, 0.37%

LAB 48.3, -36, 26.98

 

Description

Color code: RGB 59 85 128 | qconv.com Color code: RGB 59 85 128 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 85 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 85 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 34 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 34% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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