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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 67 241 it is the complementary color RGB 196 188 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 67 241. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 67 241 shade: RGB 64 67 236, RGB 81 85 255, RGB 98 103 255, RGB 115 121 255 and RGB 132 139 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 67 241. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 67 241 shade: RGB 59 67 241, RGB 42 49 222, RGB 25 31 203, RGB 8 13 184 and RGB 0 0 165

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 67 241 shade: RGB 59 67 241, RGB 100 59 241, RGB 149 59 241, RGB 198 59 241 and RGB 241 59 235

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 67 241 shade: RGB 59 67 241 and RGB 59 59 241

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 67 241 shade matches the following richer shades: RGB 59 67 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 67 241 shade: RGB 59 67 241, RGB 76 82 224, RGB 93 98 207, RGB 110 113 190 and RGB 127 129 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 67 241 shade: RGB 59 165 241, RGB 59 117 241, RGB 59 68 241, RGB 98 59 241 and RGB 147 59 241

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 67 241 shade: RGB 14 22 204, RGB 20 30 238, RGB 59 67 241, RGB 98 104 244 and RGB 136 141 246

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 67 241 shade: RGB 59 67 241, RGB 241 59 214 and RGB 141 241 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 67 241 shade: RGB 59 67 241, RGB 241 59 68 and RGB 68 241 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 67 241 shade: RGB 59 67 241, RGB 241 59 214, RGB 241 232 59 and RGB 59 241 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 67 241 shade: RGB 59 67 241, RGB 241 59 159, RGB 241 232 59 and RGB 59 241 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 72 / 0 / 5

HEX #3B43F1

RGB 59 67 241

HSL 237.36, 0.87%, 0.59%

LAB 40.07, 54.15, -87.02

 

Complementary color

CMYK 0 / 4 / 93 / 23

HEX #C4BC0E

RGB 196 188 14

HSL 57.36, 0.87%, 0.41%

LAB 74.66, -13.5, 74.4

 

CMYK 73 / 72 / 0 / 7

HEX #4043EC

RGB 64 67 236

HSL 238.95, 0.82%, 0.59%

LAB 39.85, 52.96, -84.55

 

CMYK 68 / 67 / 0 / 0

HEX #5155FF

RGB 81 85 255

HSL 238.62, 1%, 0.66%

LAB 46.27, 50.65, -84.62

 

CMYK 62 / 60 / 0 / 0

HEX #6267FF

RGB 98 103 255

HSL 238.09, 1%, 0.69%

LAB 51.29, 42.41, -76.37

 

CMYK 55 / 53 / 0 / 0

HEX #7379FF

RGB 115 121 255

HSL 237.43, 1%, 0.73%

LAB 56.62, 34.65, -67.66

 

CMYK 48 / 45 / 0 / 0

HEX #848BFF

RGB 132 139 255

HSL 236.59, 1%, 0.76%

LAB 62.16, 27.52, -58.72

 

CMYK 76 / 72 / 0 / 5

HEX #3B43F1

RGB 59 67 241

HSL 237.36, 0.87%, 0.59%

LAB 40.07, 54.15, -87.02

 

CMYK 81 / 78 / 0 / 13

HEX #2A31DE

RGB 42 49 222

HSL 237.67, 0.73%, 0.52%

LAB 33.91, 56.51, -86.44

 

CMYK 88 / 85 / 0 / 20

HEX #191FCB

RGB 25 31 203

HSL 237.98, 0.78%, 0.45%

LAB 28.11, 58.39, -85.09

 

CMYK 96 / 93 / 0 / 28

HEX #080DB8

RGB 8 13 184

HSL 238.3, 0.92%, 0.38%

LAB 23, 58.91, -82.41

 

CMYK 100 / 100 / 0 / 35

HEX #0000A5

RGB 0 0 165

HSL 240, 1%, 0.32%

LAB 18.87, 57.17, -77.87

 

CMYK 76 / 72 / 0 / 5

HEX #3B43F1

RGB 59 67 241

HSL 237.36, 0.87%, 0.59%

LAB 40.07, 54.15, -87.02

 

CMYK 59 / 76 / 0 / 5

HEX #643BF1

RGB 100 59 241

HSL 253.52, 0.87%, 0.59%

LAB 41.51, 62.3, -84.54

 

CMYK 38 / 76 / 0 / 5

HEX #953BF1

RGB 149 59 241

HSL 269.67, 0.87%, 0.59%

LAB 46.8, 69.11, -75.67

 

CMYK 18 / 76 / 0 / 5

HEX #C63BF1

RGB 198 59 241

HSL 285.82, 0.87%, 0.59%

LAB 53.48, 77.49, -64.53

 

CMYK 0 / 76 / 2 / 5

HEX #F13BEB

RGB 241 59 235

HSL 301.98, 0.87%, 0.59%

LAB 59.73, 84.69, -50.78

 

CMYK 76 / 72 / 0 / 5

HEX #3B43F1

RGB 59 67 241

HSL 237.36, 0.87%, 0.59%

LAB 40.07, 54.15, -87.02

 

CMYK 76 / 76 / 0 / 5

HEX #3B3BF1

RGB 59 59 241

HSL 240, 0.87%, 0.59%

LAB 38.57, 58.41, -89.51

 

CMYK 76 / 72 / 0 / 5

HEX #3B43F1

RGB 59 67 241

HSL 237.36, 0.87%, 0.59%

LAB 40.07, 54.15, -87.02

 

CMYK 76 / 72 / 0 / 5

HEX #3B43F1

RGB 59 67 241

HSL 237.36, 0.87%, 0.59%

LAB 40.07, 54.15, -87.02

 

CMYK 66 / 63 / 0 / 12

HEX #4C52E0

RGB 76 82 224

HSL 237.57, 0.7%, 0.59%

LAB 42.69, 41.67, -73.05

 

CMYK 55 / 53 / 0 / 19

HEX #5D62CF

RGB 93 98 207

HSL 237.37, 0.54%, 0.59%

LAB 46.4, 29.14, -57.26

 

CMYK 42 / 41 / 0 / 25

HEX #6E71BE

RGB 110 113 190

HSL 237.75, 0.38%, 0.59%

LAB 50.5, 18.61, -40.88

 

CMYK 27 / 25 / 0 / 32

HEX #7F81AD

RGB 127 129 173

HSL 237.39, 0.22%, 0.59%

LAB 55.31, 9.3, -23.5

 

CMYK 76 / 32 / 0 / 5

HEX #3BA5F1

RGB 59 165 241

HSL 205.05, 0.87%, 0.59%

LAB 65.11, -4.95, -46.57

 

CMYK 76 / 51 / 0 / 5

HEX #3B75F1

RGB 59 117 241

HSL 220.88, 0.87%, 0.59%

LAB 51.84, 23.8, -67.77

 

CMYK 76 / 72 / 0 / 5

HEX #3B44F1

RGB 59 68 241

HSL 237.03, 0.87%, 0.59%

LAB 40.27, 53.59, -86.69

 

CMYK 59 / 76 / 0 / 5

HEX #623BF1

RGB 98 59 241

HSL 252.86, 0.87%, 0.59%

LAB 41.34, 62.07, -84.84

 

CMYK 39 / 76 / 0 / 5

HEX #933BF1

RGB 147 59 241

HSL 269.01, 0.87%, 0.59%

LAB 46.55, 68.8, -76.08

 

CMYK 93 / 89 / 0 / 20

HEX #0E16CC

RGB 14 22 204

HSL 237.47, 0.87%, 0.43%

LAB 26.81, 61.81, -87.84

 

CMYK 92 / 87 / 0 / 7

HEX #141EEE

RGB 20 30 238

HSL 237.25, 0.87%, 0.51%

LAB 32.37, 68.65, -98.15

 

CMYK 76 / 72 / 0 / 5

HEX #3B43F1

RGB 59 67 241

HSL 237.36, 0.87%, 0.59%

LAB 40.07, 54.15, -87.02

 

CMYK 60 / 57 / 0 / 4

HEX #6268F4

RGB 98 104 244

HSL 237.53, 0.87%, 0.67%

LAB 50.72, 38.3, -71.17

 

CMYK 45 / 43 / 0 / 4

HEX #888DF6

RGB 136 141 246

HSL 237.27, 0.86%, 0.75%

LAB 62.46, 24.64, -53.29

 

CMYK 76 / 72 / 0 / 5

HEX #3B43F1

RGB 59 67 241

HSL 237.36, 0.87%, 0.59%

LAB 40.07, 54.15, -87.02

 

CMYK 0 / 76 / 11 / 5

HEX #F13BD6

RGB 241 59 214

HSL 308.9, 0.87%, 0.59%

LAB 58.68, 81.67, -40.62

 

CMYK 41 / 0 / 76 / 5

HEX #8DF13B

RGB 141 241 59

HSL 92.97, 0.87%, 0.59%

LAB 86.45, -57.07, 72.99

 

CMYK 76 / 72 / 0 / 5

HEX #3B43F1

RGB 59 67 241

HSL 237.36, 0.87%, 0.59%

LAB 40.07, 54.15, -87.02

 

CMYK 0 / 76 / 72 / 5

HEX #F13B44

RGB 241 59 68

HSL 357.03, 0.87%, 0.59%

LAB 54.29, 68.21, 38.43

 

CMYK 72 / 0 / 76 / 5

HEX #44F13B

RGB 68 241 59

HSL 117.03, 0.87%, 0.59%

LAB 84.2, -74.8, 70.04

 

CMYK 76 / 72 / 0 / 5

HEX #3B43F1

RGB 59 67 241

HSL 237.36, 0.87%, 0.59%

LAB 40.07, 54.15, -87.02

 

CMYK 0 / 76 / 11 / 5

HEX #F13BD6

RGB 241 59 214

HSL 308.9, 0.87%, 0.59%

LAB 58.68, 81.67, -40.62

 

CMYK 0 / 4 / 76 / 5

HEX #F1E83B

RGB 241 232 59

HSL 57.03, 0.87%, 0.59%

LAB 90.2, -15.16, 78.73

 

CMYK 76 / 0 / 64 / 5

HEX #3BF156

RGB 59 241 86

HSL 128.9, 0.87%, 0.59%

LAB 84.23, -73.86, 60.24

 

CMYK 76 / 72 / 0 / 5

HEX #3B43F1

RGB 59 67 241

HSL 237.36, 0.87%, 0.59%

LAB 40.07, 54.15, -87.02

 

CMYK 0 / 76 / 34 / 5

HEX #F13B9F

RGB 241 59 159

HSL 327.03, 0.87%, 0.59%

LAB 56.42, 74.93, -12.37

 

CMYK 0 / 4 / 76 / 5

HEX #F1E83B

RGB 241 232 59

HSL 57.03, 0.87%, 0.59%

LAB 90.2, -15.16, 78.73

 

CMYK 76 / 0 / 41 / 5

HEX #3BF18D

RGB 59 241 141

HSL 147.03, 0.87%, 0.59%

LAB 84.88, -66.25, 35.77

 

Description

Color code: RGB 59 67 241 | qconv.com Color code: RGB 59 67 241 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 67 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 67 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 72 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 72% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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