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Color name
RGB 59 49 146

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 59 49 146 it is the complementary color RGB 196 206 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 59 49 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 59 49 146 shade: RGB 64 49 141, RGB 81 67 160, RGB 98 85 179, RGB 115 103 198 and RGB 132 121 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 59 49 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 59 49 146 shade: RGB 59 49 146, RGB 42 31 127, RGB 25 13 108, RGB 8 0 89 and RGB 0 0 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 59 49 146 shade: RGB 58 48 145, RGB 84 48 145, RGB 110 48 145, RGB 136 48 145 and RGB 145 48 127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 59 49 146 shade: RGB 58 48 145 and RGB 48 48 145

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 59 49 146 shade matches the following richer shades: RGB 58 48 145, RGB 46 32 161, RGB 33 17 176 and RGB 21 1 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 59 49 146 shade: RGB 58 48 145, RGB 70 64 129, RGB 83 79 113, RGB 95 95 98 and RGB 108 111 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 59 49 146 shade: RGB 48 90 145, RGB 48 64 145, RGB 58 48 145, RGB 83 48 145 and RGB 109 48 145

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 59 49 146 shade: RGB 33 27 83, RGB 46 38 114, RGB 58 48 145, RGB 70 58 176 and RGB 91 79 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 59 49 146 shade: RGB 59 49 146, RGB 145 48 116 and RGB 77 145 48

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 59 49 146 shade: RGB 59 49 146, RGB 145 58 48 and RGB 48 145 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 59 49 146 shade: RGB 59 49 146, RGB 145 48 116, RGB 135 145 48 and RGB 48 145 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 59 49 146 shade: RGB 59 49 146, RGB 145 48 87, RGB 135 145 48 and RGB 48 145 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 66 / 0 / 43

HEX #3B3192

RGB 59 49 146

HSL 246.19, 0.5%, 0.38%

LAB 27.3, 33.3, -52.18

 

Complementary color

CMYK 5 / 0 / 47 / 19

HEX #C4CE6D

RGB 196 206 109

HSL 66.19, 0.5%, 0.62%

LAB 80.17, -17.47, 46.77

 

CMYK 55 / 65 / 0 / 45

HEX #40318D

RGB 64 49 141

HSL 249.78, 0.48%, 0.37%

LAB 27.32, 32.57, -49.04

 

CMYK 49 / 58 / 0 / 37

HEX #5143A0

RGB 81 67 160

HSL 249.03, 0.41%, 0.45%

LAB 34.6, 30.93, -48.76

 

CMYK 45 / 53 / 0 / 30

HEX #6255B3

RGB 98 85 179

HSL 248.3, 0.38%, 0.52%

LAB 41.76, 29.5, -48.45

 

CMYK 42 / 48 / 0 / 22

HEX #7367C6

RGB 115 103 198

HSL 247.58, 0.45%, 0.59%

LAB 48.79, 28.26, -48.18

 

CMYK 39 / 44 / 0 / 15

HEX #8479D9

RGB 132 121 217

HSL 246.88, 0.56%, 0.66%

LAB 55.67, 27.19, -47.94

 

CMYK 60 / 66 / 0 / 43

HEX #3B3192

RGB 59 49 146

HSL 246.19, 0.5%, 0.38%

LAB 27.3, 33.3, -52.18

 

CMYK 67 / 76 / 0 / 50

HEX #2A1F7F

RGB 42 31 127

HSL 246.88, 0.61%, 0.31%

LAB 20.06, 35.29, -52.23

 

CMYK 77 / 88 / 0 / 58

HEX #190D6C

RGB 25 13 108

HSL 247.58, 0.79%, 0.24%

LAB 13.09, 36.92, -51.55

 

CMYK 91 / 100 / 0 / 65

HEX #080059

RGB 8 0 89

HSL 245.39, 1%, 0.17%

LAB 6.98, 36.72, -49.08

 

CMYK 100 / 100 / 0 / 73

HEX #000046

RGB 0 0 70

HSL 240, 1%, 0.14%

LAB 3.99, 27.1, -40.87

 

CMYK 60 / 67 / 0 / 43

HEX #3A3091

RGB 58 48 145

HSL 246.19, 0.5%, 0.38%

LAB 26.9, 33.41, -52.22

 

CMYK 42 / 67 / 0 / 43

HEX #543091

RGB 84 48 145

HSL 262.27, 0.5%, 0.38%

LAB 29.52, 38.44, -47.84

 

CMYK 24 / 67 / 0 / 43

HEX #6E3091

RGB 110 48 145

HSL 278.35, 0.5%, 0.38%

LAB 32.86, 44.33, -42.28

 

CMYK 6 / 67 / 0 / 43

HEX #883091

RGB 136 48 145

HSL 294.43, 0.5%, 0.38%

LAB 36.73, 50.63, -35.88

 

CMYK 0 / 67 / 12 / 43

HEX #91307F

RGB 145 48 127

HSL 311.13, 0.5%, 0.38%

LAB 37.24, 49.82, -23.9

 

CMYK 60 / 67 / 0 / 43

HEX #3A3091

RGB 58 48 145

HSL 246.19, 0.5%, 0.38%

LAB 26.9, 33.41, -52.22

 

CMYK 67 / 67 / 0 / 43

HEX #303091

RGB 48 48 145

HSL 240, 0.5%, 0.38%

LAB 26.12, 31.83, -53.53

 

CMYK 60 / 67 / 0 / 43

HEX #3A3091

RGB 58 48 145

HSL 246.19, 0.5%, 0.38%

LAB 26.9, 33.41, -52.22

 

CMYK 71 / 80 / 0 / 37

HEX #2E20A1

RGB 46 32 161

HSL 246.51, 0.67%, 0.38%

LAB 24.28, 46.19, -66.37

 

CMYK 81 / 90 / 0 / 31

HEX #2111B0

RGB 33 17 176

HSL 246.04, 0.82%, 0.38%

LAB 23.2, 56.06, -77.26

 

CMYK 89 / 99 / 0 / 25

HEX #1501C0

RGB 21 1 192

HSL 246.28, 0.99%, 0.38%

LAB 23.63, 63.92, -86.1

 

CMYK 60 / 67 / 0 / 43

HEX #3A3091

RGB 58 48 145

HSL 246.19, 0.5%, 0.38%

LAB 26.9, 33.41, -52.22

 

CMYK 46 / 50 / 0 / 49

HEX #464081

RGB 70 64 129

HSL 245.54, 0.34%, 0.38%

LAB 30.77, 20.43, -36

 

CMYK 27 / 30 / 0 / 56

HEX #534F71

RGB 83 79 113

HSL 247.06, 0.18%, 0.38%

LAB 35.25, 9.86, -18.9

 

CMYK 3 / 3 / 0 / 62

HEX #5F5F62

RGB 95 95 98

HSL 240, 0.02%, 0.38%

LAB 40.41, 0.64, -1.71

 

CMYK 3 / 0 / 26 / 56

HEX #6C6F52

RGB 108 111 82

HSL 66.21, 0.15%, 0.38%

LAB 45.86, -6.46, 15.81

 

CMYK 67 / 38 / 0 / 43

HEX #305A91

RGB 48 90 145

HSL 214.02, 0.5%, 0.38%

LAB 37.82, 3.97, -34.68

 

CMYK 67 / 56 / 0 / 43

HEX #304091

RGB 48 64 145

HSL 230.1, 0.5%, 0.38%

LAB 30.25, 21.23, -46.8

 

CMYK 60 / 67 / 0 / 43

HEX #3A3091

RGB 58 48 145

HSL 246.19, 0.5%, 0.38%

LAB 26.9, 33.41, -52.22

 

CMYK 43 / 67 / 0 / 43

HEX #533091

RGB 83 48 145

HSL 261.65, 0.5%, 0.38%

LAB 29.41, 38.23, -48.03

 

CMYK 25 / 67 / 0 / 43

HEX #6D3091

RGB 109 48 145

HSL 277.73, 0.5%, 0.38%

LAB 32.72, 44.09, -42.51

 

CMYK 60 / 67 / 0 / 67

HEX #211B53

RGB 33 27 83

HSL 246.43, 0.51%, 0.22%

LAB 14.01, 20.92, -33.34

 

CMYK 60 / 67 / 0 / 55

HEX #2E2672

RGB 46 38 114

HSL 246.32, 0.5%, 0.3%

LAB 20.76, 27.1, -42.77

 

CMYK 60 / 67 / 0 / 43

HEX #3A3091

RGB 58 48 145

HSL 246.19, 0.5%, 0.38%

LAB 26.9, 33.41, -52.22

 

CMYK 60 / 67 / 0 / 31

HEX #463AB0

RGB 70 58 176

HSL 246.1, 0.5%, 0.46%

LAB 32.84, 39.45, -61.26

 

CMYK 54 / 60 / 0 / 23

HEX #5B4FC4

RGB 91 79 196

HSL 246.15, 0.5%, 0.54%

LAB 40.9, 36.87, -59.82

 

CMYK 60 / 66 / 0 / 43

HEX #3B3192

RGB 59 49 146

HSL 246.19, 0.5%, 0.38%

LAB 27.3, 33.3, -52.18

 

CMYK 0 / 67 / 20 / 43

HEX #913074

RGB 145 48 116

HSL 317.94, 0.5%, 0.38%

LAB 36.73, 48.12, -17.82

 

CMYK 47 / 0 / 67 / 43

HEX #4D9130

RGB 77 145 48

HSL 102.06, 0.5%, 0.38%

LAB 54.07, -39.75, 43.34

 

CMYK 60 / 66 / 0 / 43

HEX #3B3192

RGB 59 49 146

HSL 246.19, 0.5%, 0.38%

LAB 27.3, 33.3, -52.18

 

CMYK 0 / 60 / 67 / 43

HEX #913A30

RGB 145 58 48

HSL 6.19, 0.5%, 0.38%

LAB 36.48, 36.11, 24.78

 

CMYK 67 / 0 / 60 / 43

HEX #30913A

RGB 48 145 58

HSL 126.19, 0.5%, 0.38%

LAB 53.15, -46.48, 37.41

 

CMYK 60 / 66 / 0 / 43

HEX #3B3192

RGB 59 49 146

HSL 246.19, 0.5%, 0.38%

LAB 27.3, 33.3, -52.18

 

CMYK 0 / 67 / 20 / 43

HEX #913074

RGB 145 48 116

HSL 317.94, 0.5%, 0.38%

LAB 36.73, 48.12, -17.82

 

CMYK 7 / 0 / 67 / 43

HEX #879130

RGB 135 145 48

HSL 66.19, 0.5%, 0.38%

LAB 57.67, -16.96, 48.25

 

CMYK 67 / 0 / 47 / 43

HEX #30914D

RGB 48 145 77

HSL 137.94, 0.5%, 0.38%

LAB 53.4, -43.63, 27.98

 

CMYK 60 / 66 / 0 / 43

HEX #3B3192

RGB 59 49 146

HSL 246.19, 0.5%, 0.38%

LAB 27.3, 33.3, -52.18

 

CMYK 0 / 67 / 40 / 43

HEX #913057

RGB 145 48 87

HSL 335.88, 0.5%, 0.38%

LAB 35.64, 44.3, -1.08

 

CMYK 7 / 0 / 67 / 43

HEX #879130

RGB 135 145 48

HSL 66.19, 0.5%, 0.38%

LAB 57.67, -16.96, 48.25

 

CMYK 67 / 0 / 27 / 43

HEX #30916A

RGB 48 145 106

HSL 155.88, 0.5%, 0.38%

LAB 53.94, -37.76, 12.62

 

Description

Color code: RGB 59 49 146 | qconv.com Color code: RGB 59 49 146 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 49 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 49 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 66 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 66% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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