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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 243 60 it is the complementary color RGB 197 12 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 243 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 243 60 shade: RGB 63 243 55, RGB 80 255 74, RGB 97 255 93, RGB 114 255 112 and RGB 131 255 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 243 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 243 60 shade: RGB 58 243 60, RGB 41 225 41, RGB 24 207 22, RGB 7 189 3 and RGB 0 171 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 243 60 shade: RGB 57 243 59, RGB 105 243 57, RGB 155 243 57, RGB 205 243 57 and RGB 243 230 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 243 60 shade: RGB 57 243 59, RGB 57 243 109, RGB 57 243 159, RGB 57 243 209 and RGB 57 226 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 243 60 shade matches the following richer shades: RGB 57 243 59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 243 60 shade: RGB 57 243 59, RGB 74 226 75, RGB 91 209 92, RGB 108 192 109 and RGB 125 175 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 243 60 shade: RGB 156 243 57, RGB 107 243 57, RGB 57 243 57, RGB 57 243 107 and RGB 57 243 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 243 60 shade: RGB 12 206 14, RGB 18 241 20, RGB 57 243 59, RGB 96 245 98 and RGB 135 248 136

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 243 60 shade: RGB 58 243 60, RGB 57 206 243 and RGB 243 57 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 243 60 shade: RGB 58 243 60, RGB 57 57 243 and RGB 243 57 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 243 60 shade: RGB 58 243 60, RGB 57 206 243, RGB 243 57 243 and RGB 243 94 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 243 60 shade: RGB 58 243 60, RGB 57 150 243, RGB 243 57 243 and RGB 243 150 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 75 / 5

HEX #3AF33C

RGB 58 243 60

HSL 120.65, 0.89%, 0.59%

LAB 84.65, -76.79, 70.11

 

Complementary color

CMYK 0 / 94 / 1 / 23

HEX #C50CC3

RGB 197 12 195

HSL 300.65, 0.89%, 0.41%

LAB 47.07, 79.59, -48.58

 

CMYK 74 / 0 / 77 / 5

HEX #3FF337

RGB 63 243 55

HSL 117.45, 0.89%, 0.58%

LAB 84.71, -76.42, 71.71

 

CMYK 69 / 0 / 71 / 0

HEX #50FF4A

RGB 80 255 74

HSL 118.01, 1%, 0.65%

LAB 88.79, -76.04, 69.73

 

CMYK 62 / 0 / 64 / 0

HEX #61FF5D

RGB 97 255 93

HSL 118.52, 1%, 0.68%

LAB 89.32, -71.14, 63.25

 

CMYK 55 / 0 / 56 / 0

HEX #72FF70

RGB 114 255 112

HSL 119.16, 1%, 0.72%

LAB 89.98, -65.33, 56.09

 

CMYK 49 / 0 / 49 / 0

HEX #83FF83

RGB 131 255 131

HSL 120, 1%, 0.76%

LAB 90.77, -58.72, 48.5

 

CMYK 76 / 0 / 75 / 5

HEX #3AF33C

RGB 58 243 60

HSL 120.65, 0.89%, 0.59%

LAB 84.65, -76.79, 70.11

 

CMYK 82 / 0 / 82 / 12

HEX #29E129

RGB 41 225 41

HSL 120, 0.75%, 0.52%

LAB 78.74, -74.73, 69.85

 

CMYK 88 / 0 / 89 / 19

HEX #18CF16

RGB 24 207 22

HSL 119.35, 0.81%, 0.45%

LAB 72.81, -71.98, 68.6

 

CMYK 96 / 0 / 98 / 26

HEX #07BD03

RGB 7 189 3

HSL 118.71, 0.97%, 0.38%

LAB 66.86, -68.43, 66.1

 

CMYK 100 / 0 / 100 / 33

HEX #00AB00

RGB 0 171 0

HSL 120, 1%, 0.34%

LAB 60.89, -63.88, 61.66

 

CMYK 77 / 0 / 76 / 5

HEX #39F33B

RGB 57 243 59

HSL 120.65, 0.89%, 0.59%

LAB 84.63, -76.99, 70.39

 

CMYK 57 / 0 / 77 / 5

HEX #69F339

RGB 105 243 57

HSL 104.52, 0.89%, 0.59%

LAB 85.71, -68.07, 72.42

 

CMYK 36 / 0 / 77 / 5

HEX #9BF339

RGB 155 243 57

HSL 88.39, 0.89%, 0.59%

LAB 87.66, -53.39, 74.97

 

CMYK 16 / 0 / 77 / 5

HEX #CDF339

RGB 205 243 57

HSL 72.26, 0.89%, 0.59%

LAB 90.49, -35.01, 78.62

 

CMYK 0 / 5 / 77 / 5

HEX #F3E639

RGB 243 230 57

HSL 55.81, 0.89%, 0.59%

LAB 89.83, -13.42, 79.06

 

CMYK 77 / 0 / 76 / 5

HEX #39F33B

RGB 57 243 59

HSL 120.65, 0.89%, 0.59%

LAB 84.63, -76.99, 70.39

 

CMYK 77 / 0 / 55 / 5

HEX #39F36D

RGB 57 243 109

HSL 136.77, 0.89%, 0.59%

LAB 85.03, -72.07, 51.24

 

CMYK 77 / 0 / 35 / 5

HEX #39F39F

RGB 57 243 159

HSL 152.9, 0.89%, 0.59%

LAB 85.74, -63.87, 27.87

 

CMYK 77 / 0 / 14 / 5

HEX #39F3D1

RGB 57 243 209

HSL 169.03, 0.89%, 0.59%

LAB 86.79, -52.64, 3.49

 

CMYK 77 / 7 / 0 / 5

HEX #39E2F3

RGB 57 226 243

HSL 185.48, 0.89%, 0.59%

LAB 82.77, -35.86, -20.37

 

CMYK 77 / 0 / 76 / 5

HEX #39F33B

RGB 57 243 59

HSL 120.65, 0.89%, 0.59%

LAB 84.63, -76.99, 70.39

 

CMYK 77 / 0 / 76 / 5

HEX #39F33B

RGB 57 243 59

HSL 120.65, 0.89%, 0.59%

LAB 84.63, -76.99, 70.39

 

CMYK 67 / 0 / 67 / 11

HEX #4AE24B

RGB 74 226 75

HSL 120.39, 0.72%, 0.59%

LAB 79.82, -67.76, 59.91

 

CMYK 56 / 0 / 56 / 18

HEX #5BD15C

RGB 91 209 92

HSL 120.51, 0.56%, 0.59%

LAB 75.2, -56.32, 47.53

 

CMYK 44 / 0 / 43 / 25

HEX #6CC06D

RGB 108 192 109

HSL 120.71, 0.4%, 0.59%

LAB 70.87, -42.54, 34.02

 

CMYK 29 / 0 / 29 / 31

HEX #7DAF7D

RGB 125 175 125

HSL 120, 0.24%, 0.59%

LAB 66.9, -26.67, 20.47

 

CMYK 36 / 0 / 77 / 5

HEX #9CF339

RGB 156 243 57

HSL 88.06, 0.89%, 0.59%

LAB 87.71, -53.05, 75.03

 

CMYK 56 / 0 / 77 / 5

HEX #6BF339

RGB 107 243 57

HSL 103.87, 0.89%, 0.59%

LAB 85.77, -67.57, 72.5

 

CMYK 77 / 0 / 77 / 5

HEX #39F339

RGB 57 243 57

HSL 120, 0.89%, 0.59%

LAB 84.62, -77.12, 71

 

CMYK 77 / 0 / 56 / 5

HEX #39F36B

RGB 57 243 107

HSL 136.13, 0.89%, 0.59%

LAB 85.01, -72.33, 52.12

 

CMYK 77 / 0 / 36 / 5

HEX #39F39C

RGB 57 243 156

HSL 151.94, 0.89%, 0.59%

LAB 85.69, -64.45, 29.32

 

CMYK 94 / 0 / 93 / 19

HEX #0CCE0E

RGB 12 206 14

HSL 120.62, 0.89%, 0.43%

LAB 72.4, -72.63, 69.41

 

CMYK 93 / 0 / 92 / 5

HEX #12F114

RGB 18 241 20

HSL 120.54, 0.89%, 0.51%

LAB 83.49, -81.61, 77.93

 

CMYK 77 / 0 / 76 / 5

HEX #39F33B

RGB 57 243 59

HSL 120.65, 0.89%, 0.59%

LAB 84.63, -76.99, 70.39

 

CMYK 61 / 0 / 60 / 4

HEX #60F562

RGB 96 245 98

HSL 120.81, 0.88%, 0.67%

LAB 86.34, -67.43, 57.83

 

CMYK 46 / 0 / 45 / 3

HEX #87F888

RGB 135 248 136

HSL 120.53, 0.89%, 0.75%

LAB 88.95, -54.2, 43.87

 

CMYK 76 / 0 / 75 / 5

HEX #3AF33C

RGB 58 243 60

HSL 120.65, 0.89%, 0.59%

LAB 84.65, -76.79, 70.11

 

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

CMYK 0 / 77 / 46 / 5

HEX #F33983

RGB 243 57 131

HSL 336.13, 0.89%, 0.59%

LAB 55.7, 73.34, 3.17

 

CMYK 76 / 0 / 75 / 5

HEX #3AF33C

RGB 58 243 60

HSL 120.65, 0.89%, 0.59%

LAB 84.65, -76.79, 70.11

 

CMYK 77 / 77 / 0 / 5

HEX #3939F3

RGB 57 57 243

HSL 240, 0.89%, 0.59%

LAB 38.32, 59.9, -91.05

 

CMYK 0 / 77 / 77 / 5

HEX #F33939

RGB 243 57 57

HSL 0, 0.89%, 0.59%

LAB 54.32, 68.97, 44.68

 

CMYK 76 / 0 / 75 / 5

HEX #3AF33C

RGB 58 243 60

HSL 120.65, 0.89%, 0.59%

LAB 84.65, -76.79, 70.11

 

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

CMYK 0 / 77 / 0 / 5

HEX #F339F3

RGB 243 57 243

HSL 300, 0.89%, 0.59%

LAB 60.29, 86.79, -54.33

 

CMYK 0 / 61 / 77 / 5

HEX #F35E39

RGB 243 94 57

HSL 11.94, 0.89%, 0.59%

LAB 59.3, 55.36, 49.89

 

CMYK 76 / 0 / 75 / 5

HEX #3AF33C

RGB 58 243 60

HSL 120.65, 0.89%, 0.59%

LAB 84.65, -76.79, 70.11

 

CMYK 77 / 38 / 0 / 5

HEX #3996F3

RGB 57 150 243

HSL 210, 0.89%, 0.59%

LAB 60.92, 4.18, -54.32

 

CMYK 0 / 77 / 0 / 5

HEX #F339F3

RGB 243 57 243

HSL 300, 0.89%, 0.59%

LAB 60.29, 86.79, -54.33

 

CMYK 0 / 38 / 77 / 5

HEX #F39639

RGB 243 150 57

HSL 30, 0.89%, 0.59%

LAB 70.29, 27.9, 60.84

 

Description

Color code: RGB 58 243 60 | qconv.com Color code: RGB 58 243 60 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 243 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 243 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 75 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 75% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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