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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 205 231 it is the complementary color RGB 197 50 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 205 231. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 205 231 shade: RGB 63 205 226, RGB 80 223 245, RGB 97 241 255, RGB 114 255 255 and RGB 131 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 205 231. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 205 231 shade: RGB 58 205 231, RGB 41 187 212, RGB 24 169 193, RGB 7 151 174 and RGB 0 133 155

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 205 231 shade: RGB 59 205 230, RGB 59 159 230, RGB 59 112 230, RGB 59 66 230 and RGB 98 59 230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 205 231 shade: RGB 59 205 230, RGB 59 159 230, RGB 59 112 230, RGB 59 66 230 and RGB 59 59 230

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 205 231 shade matches the following richer shades: RGB 59 205 230 and RGB 42 217 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 205 231 shade: RGB 59 205 230, RGB 77 192 213, RGB 95 180 195, RGB 113 167 177 and RGB 130 155 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 205 231 shade: RGB 59 230 165, RGB 59 230 210, RGB 59 205 230, RGB 59 159 230 and RGB 59 113 230

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 205 231 shade: RGB 22 160 185, RGB 27 192 222, RGB 59 205 230, RGB 96 214 235 and RGB 133 223 239

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 205 231 shade: RGB 58 205 231, RGB 119 59 230 and RGB 230 188 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 205 231 shade: RGB 58 205 231, RGB 230 59 205 and RGB 205 230 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 205 231 shade: RGB 58 205 231, RGB 119 59 230, RGB 230 85 59 and RGB 171 230 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 205 231 shade: RGB 58 205 231, RGB 171 59 230, RGB 230 85 59 and RGB 119 230 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 11 / 0 / 9

HEX #3ACDE7

RGB 58 205 231

HSL 189.02, 0.78%, 0.57%

LAB 76.27, -29.38, -23.84

 

Complementary color

CMYK 0 / 75 / 88 / 23

HEX #C53218

RGB 197 50 24

HSL 9.02, 0.78%, 0.43%

LAB 44.54, 56.52, 48.89

 

CMYK 72 / 9 / 0 / 11

HEX #3FCDE2

RGB 63 205 226

HSL 187.73, 0.74%, 0.57%

LAB 76.2, -30.33, -21.25

 

CMYK 67 / 9 / 0 / 4

HEX #50DFF5

RGB 80 223 245

HSL 188, 0.89%, 0.64%

LAB 82.42, -31.15, -21.92

 

CMYK 62 / 5 / 0 / 0

HEX #61F1FF

RGB 97 241 255

HSL 185.32, 1%, 0.69%

LAB 88.29, -34.31, -18.26

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 75 / 11 / 0 / 9

HEX #3ACDE7

RGB 58 205 231

HSL 189.02, 0.78%, 0.57%

LAB 76.27, -29.38, -23.84

 

CMYK 81 / 12 / 0 / 17

HEX #29BBD4

RGB 41 187 212

HSL 188.77, 0.68%, 0.5%

LAB 70.01, -28.17, -23.11

 

CMYK 88 / 12 / 0 / 24

HEX #18A9C1

RGB 24 169 193

HSL 188.52, 0.78%, 0.43%

LAB 63.69, -26.62, -22.31

 

CMYK 96 / 13 / 0 / 32

HEX #0797AE

RGB 7 151 174

HSL 188.26, 0.92%, 0.35%

LAB 57.3, -24.67, -21.39

 

CMYK 100 / 14 / 0 / 39

HEX #00859B

RGB 0 133 155

HSL 188.52, 1%, 0.3%

LAB 50.85, -22.2, -20.36

RGB 0 133 155

CMYK 74 / 11 / 0 / 10

HEX #3BCDE6

RGB 59 205 230

HSL 188.77, 0.77%, 0.57%

LAB 76.26, -29.58, -23.32

 

CMYK 74 / 31 / 0 / 10

HEX #3B9FE6

RGB 59 159 230

HSL 204.91, 0.77%, 0.57%

LAB 62.88, -5.38, -44.05

 

CMYK 74 / 51 / 0 / 10

HEX #3B70E6

RGB 59 112 230

HSL 221.4, 0.77%, 0.57%

LAB 49.78, 22.92, -64.96

 

CMYK 74 / 71 / 0 / 10

HEX #3B42E6

RGB 59 66 230

HSL 237.54, 0.77%, 0.57%

LAB 38.79, 51.14, -82.9

 

CMYK 57 / 74 / 0 / 10

HEX #623BE6

RGB 98 59 230

HSL 253.68, 0.77%, 0.57%

LAB 40.31, 59.01, -80.3

 

CMYK 74 / 11 / 0 / 10

HEX #3BCDE6

RGB 59 205 230

HSL 188.77, 0.77%, 0.57%

LAB 76.26, -29.58, -23.32

 

CMYK 74 / 31 / 0 / 10

HEX #3B9FE6

RGB 59 159 230

HSL 204.91, 0.77%, 0.57%

LAB 62.88, -5.38, -44.05

 

CMYK 74 / 51 / 0 / 10

HEX #3B70E6

RGB 59 112 230

HSL 221.4, 0.77%, 0.57%

LAB 49.78, 22.92, -64.96

 

CMYK 74 / 71 / 0 / 10

HEX #3B42E6

RGB 59 66 230

HSL 237.54, 0.77%, 0.57%

LAB 38.79, 51.14, -82.9

 

CMYK 74 / 74 / 0 / 10

HEX #3B3BE6

RGB 59 59 230

HSL 240, 0.77%, 0.57%

LAB 37.43, 54.97, -85.15

 

CMYK 74 / 11 / 0 / 10

HEX #3BCDE6

RGB 59 205 230

HSL 188.77, 0.77%, 0.57%

LAB 76.26, -29.58, -23.32

 

CMYK 83 / 13 / 0 / 3

HEX #2AD9F8

RGB 42 217 248

HSL 189.03, 0.94%, 0.57%

LAB 80.12, -31.34, -27.07

 

CMYK 74 / 11 / 0 / 10

HEX #3BCDE6

RGB 59 205 230

HSL 188.77, 0.77%, 0.57%

LAB 76.26, -29.58, -23.32

 

CMYK 64 / 10 / 0 / 16

HEX #4DC0D5

RGB 77 192 213

HSL 189.26, 0.62%, 0.57%

LAB 72.28, -25.87, -20.13

 

CMYK 51 / 8 / 0 / 24

HEX #5FB4C3

RGB 95 180 195

HSL 189, 0.45%, 0.57%

LAB 68.76, -21.59, -15.55

 

CMYK 36 / 6 / 0 / 31

HEX #71A7B1

RGB 113 167 177

HSL 189.38, 0.29%, 0.57%

LAB 65.22, -15.16, -10.81

 

CMYK 18 / 3 / 0 / 38

HEX #829B9F

RGB 130 155 159

HSL 188.28, 0.13%, 0.57%

LAB 62.25, -7.84, -5.02

 

CMYK 74 / 0 / 28 / 10

HEX #3BE6A5

RGB 59 230 165

HSL 157.19, 0.77%, 0.57%

LAB 81.97, -57.55, 19.63

 

CMYK 74 / 0 / 9 / 10

HEX #3BE6D2

RGB 59 230 210

HSL 172.98, 0.77%, 0.57%

LAB 83.01, -46.73, -2.55

 

CMYK 74 / 11 / 0 / 10

HEX #3BCDE6

RGB 59 205 230

HSL 188.77, 0.77%, 0.57%

LAB 76.26, -29.58, -23.32

 

CMYK 74 / 31 / 0 / 10

HEX #3B9FE6

RGB 59 159 230

HSL 204.91, 0.77%, 0.57%

LAB 62.88, -5.38, -44.05

 

CMYK 74 / 51 / 0 / 10

HEX #3B71E6

RGB 59 113 230

HSL 221.05, 0.77%, 0.57%

LAB 50.04, 22.3, -64.53

 

CMYK 88 / 14 / 0 / 27

HEX #16A0B9

RGB 22 160 185

HSL 189.2, 0.79%, 0.41%

LAB 60.62, -24.85, -22.53

 

CMYK 88 / 14 / 0 / 13

HEX #1BC0DE

RGB 27 192 222

HSL 189.23, 0.78%, 0.49%

LAB 71.69, -28.41, -26.01

 

CMYK 74 / 11 / 0 / 10

HEX #3BCDE6

RGB 59 205 230

HSL 188.77, 0.77%, 0.57%

LAB 76.26, -29.58, -23.32

 

CMYK 59 / 9 / 0 / 8

HEX #60D6EB

RGB 96 214 235

HSL 189.06, 0.78%, 0.65%

LAB 79.94, -27.15, -20.32

 

CMYK 44 / 7 / 0 / 6

HEX #85DFEF

RGB 133 223 239

HSL 189.06, 0.77%, 0.73%

LAB 83.96, -22.88, -16.24

 

CMYK 75 / 11 / 0 / 9

HEX #3ACDE7

RGB 58 205 231

HSL 189.02, 0.78%, 0.57%

LAB 76.27, -29.38, -23.84

 

CMYK 48 / 74 / 0 / 10

HEX #773BE6

RGB 119 59 230

HSL 261.05, 0.77%, 0.57%

LAB 42.4, 61.88, -76.78

 

CMYK 0 / 18 / 74 / 10

HEX #E6BC3B

RGB 230 188 59

HSL 45.26, 0.77%, 0.57%

LAB 77.94, 2.47, 66.93

 

CMYK 75 / 11 / 0 / 9

HEX #3ACDE7

RGB 58 205 231

HSL 189.02, 0.78%, 0.57%

LAB 76.27, -29.38, -23.84

 

CMYK 0 / 74 / 11 / 10

HEX #E63BCD

RGB 230 59 205

HSL 308.77, 0.77%, 0.57%

LAB 56.45, 78.06, -39.13

 

CMYK 11 / 0 / 74 / 10

HEX #CDE63B

RGB 205 230 59

HSL 68.77, 0.77%, 0.57%

LAB 86.94, -28.93, 74.73

 

CMYK 75 / 11 / 0 / 9

HEX #3ACDE7

RGB 58 205 231

HSL 189.02, 0.78%, 0.57%

LAB 76.27, -29.38, -23.84

 

CMYK 48 / 74 / 0 / 10

HEX #773BE6

RGB 119 59 230

HSL 261.05, 0.77%, 0.57%

LAB 42.4, 61.88, -76.78

 

CMYK 0 / 63 / 74 / 10

HEX #E6553B

RGB 230 85 59

HSL 9.12, 0.77%, 0.57%

LAB 55.72, 54.85, 44.44

 

CMYK 26 / 0 / 74 / 10

HEX #ABE63B

RGB 171 230 59

HSL 80.7, 0.77%, 0.57%

LAB 84.78, -42.15, 71.91

 

CMYK 75 / 11 / 0 / 9

HEX #3ACDE7

RGB 58 205 231

HSL 189.02, 0.78%, 0.57%

LAB 76.27, -29.38, -23.84

 

CMYK 26 / 74 / 0 / 10

HEX #AB3BE6

RGB 171 59 230

HSL 279.3, 0.77%, 0.57%

LAB 48.88, 70.48, -65.95

 

CMYK 0 / 63 / 74 / 10

HEX #E6553B

RGB 230 85 59

HSL 9.12, 0.77%, 0.57%

LAB 55.72, 54.85, 44.44

 

CMYK 48 / 0 / 74 / 10

HEX #77E63B

RGB 119 230 59

HSL 98.95, 0.77%, 0.57%

LAB 82.29, -59.58, 68.65

 

Description

Color code: RGB 58 205 231 | qconv.com Color code: RGB 58 205 231 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 205 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 205 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 11 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 11% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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