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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 182 201 it is the complementary color RGB 197 73 54. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 182 201. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 182 201 shade: RGB 63 182 196, RGB 80 200 215, RGB 97 218 234, RGB 114 236 253 and RGB 131 254 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 182 201. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 182 201 shade: RGB 58 182 201, RGB 41 164 182, RGB 24 146 163, RGB 7 128 144 and RGB 0 110 125

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 182 201 shade: RGB 58 182 201, RGB 58 143 201, RGB 58 105 201, RGB 58 67 201 and RGB 88 58 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 182 201 shade: RGB 58 182 201, RGB 58 143 201, RGB 58 105 201, RGB 58 67 201 and RGB 58 58 201

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 182 201 shade matches the following richer shades: RGB 58 182 201, RGB 38 197 221 and RGB 18 212 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 182 201 shade: RGB 58 182 201, RGB 79 167 181, RGB 99 152 160, RGB 119 137 140 and RGB 139 122 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 182 201 shade: RGB 58 201 141, RGB 58 201 179, RGB 58 184 201, RGB 58 146 201 and RGB 58 108 201

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 182 201 shade: RGB 38 125 139, RGB 47 155 171, RGB 58 182 201, RGB 91 194 210 and RGB 123 206 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 182 201 shade: RGB 58 182 201, RGB 103 58 201 and RGB 201 160 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 182 201 shade: RGB 58 182 201, RGB 201 58 184 and RGB 184 201 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 182 201 shade: RGB 58 182 201, RGB 103 58 201, RGB 201 75 58 and RGB 156 201 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 182 201 shade: RGB 58 182 201, RGB 146 58 201, RGB 201 75 58 and RGB 113 201 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 9 / 0 / 21

HEX #3AB6C9

RGB 58 182 201

HSL 187.97, 0.57%, 0.51%

LAB 68.44, -27.3, -19.44

 

Complementary color

CMYK 0 / 63 / 73 / 23

HEX #C54936

RGB 197 73 54

HSL 7.97, 0.57%, 0.49%

LAB 48.14, 48.44, 37.2

 

CMYK 68 / 7 / 0 / 23

HEX #3FB6C4

RGB 63 182 196

HSL 186.32, 0.53%, 0.51%

LAB 68.39, -28.13, -16.76

 

CMYK 63 / 7 / 0 / 16

HEX #50C8D7

RGB 80 200 215

HSL 186.67, 0.63%, 0.58%

LAB 74.77, -28.74, -17.44

 

CMYK 59 / 7 / 0 / 8

HEX #61DAEA

RGB 97 218 234

HSL 187.01, 0.77%, 0.65%

LAB 81.08, -29.2, -18.05

 

CMYK 55 / 7 / 0 / 1

HEX #72ECFD

RGB 114 236 253

HSL 187.34, 0.97%, 0.72%

LAB 87.32, -29.54, -18.63

 

CMYK 49 / 0 / 0 / 0

HEX #83FEFF

RGB 131 254 255

HSL 180.48, 1%, 0.76%

LAB 92.98, -34.15, -11.12

 

CMYK 71 / 9 / 0 / 21

HEX #3AB6C9

RGB 58 182 201

HSL 187.97, 0.57%, 0.51%

LAB 68.44, -27.3, -19.44

 

CMYK 77 / 10 / 0 / 29

HEX #29A4B6

RGB 41 164 182

HSL 187.66, 0.63%, 0.44%

LAB 62, -26.28, -18.71

 

CMYK 85 / 10 / 0 / 36

HEX #1892A3

RGB 24 146 163

HSL 187.34, 0.74%, 0.37%

LAB 55.48, -24.92, -17.89

 

CMYK 95 / 11 / 0 / 44

HEX #078090

RGB 7 128 144

HSL 187.01, 0.91%, 0.3%

LAB 48.88, -23.1, -16.94

 

CMYK 100 / 12 / 0 / 51

HEX #006E7D

RGB 0 110 125

HSL 187.2, 1%, 0.25%

LAB 42.2, -20.66, -15.84

 

CMYK 71 / 9 / 0 / 21

HEX #3AB6C9

RGB 58 182 201

HSL 187.97, 0.57%, 0.51%

LAB 68.44, -27.3, -19.44

 

CMYK 71 / 29 / 0 / 21

HEX #3A8FC9

RGB 58 143 201

HSL 204.34, 0.57%, 0.51%

LAB 56.84, -6.47, -37.34

 

CMYK 71 / 48 / 0 / 21

HEX #3A69C9

RGB 58 105 201

HSL 220.28, 0.57%, 0.51%

LAB 45.93, 16.62, -54.67

 

CMYK 71 / 67 / 0 / 21

HEX #3A43C9

RGB 58 67 201

HSL 236.22, 0.57%, 0.51%

LAB 36.24, 40.75, -70.43

 

CMYK 56 / 71 / 0 / 21

HEX #583AC9

RGB 88 58 201

HSL 252.59, 0.57%, 0.51%

LAB 36.59, 49.86, -69.77

 

CMYK 71 / 9 / 0 / 21

HEX #3AB6C9

RGB 58 182 201

HSL 187.97, 0.57%, 0.51%

LAB 68.44, -27.3, -19.44

 

CMYK 71 / 29 / 0 / 21

HEX #3A8FC9

RGB 58 143 201

HSL 204.34, 0.57%, 0.51%

LAB 56.84, -6.47, -37.34

 

CMYK 71 / 48 / 0 / 21

HEX #3A69C9

RGB 58 105 201

HSL 220.28, 0.57%, 0.51%

LAB 45.93, 16.62, -54.67

 

CMYK 71 / 67 / 0 / 21

HEX #3A43C9

RGB 58 67 201

HSL 236.22, 0.57%, 0.51%

LAB 36.24, 40.75, -70.43

 

CMYK 71 / 71 / 0 / 21

HEX #3A3AC9

RGB 58 58 201

HSL 240, 0.57%, 0.51%

LAB 34.28, 46.08, -73.65

 

CMYK 71 / 9 / 0 / 21

HEX #3AB6C9

RGB 58 182 201

HSL 187.97, 0.57%, 0.51%

LAB 68.44, -27.3, -19.44

 

CMYK 83 / 11 / 0 / 13

HEX #26C5DD

RGB 38 197 221

HSL 187.87, 0.73%, 0.51%

LAB 73.26, -30.45, -23.06

 

CMYK 93 / 12 / 0 / 5

HEX #12D4F1

RGB 18 212 241

HSL 187.8, 0.89%, 0.51%

LAB 78.21, -32.41, -26.28

 

CMYK 71 / 9 / 0 / 21

HEX #3AB6C9

RGB 58 182 201

HSL 187.97, 0.57%, 0.51%

LAB 68.44, -27.3, -19.44

 

CMYK 56 / 8 / 0 / 29

HEX #4FA7B5

RGB 79 167 181

HSL 188.24, 0.41%, 0.51%

LAB 63.86, -22.26, -15.23

 

CMYK 38 / 5 / 0 / 37

HEX #6398A0

RGB 99 152 160

HSL 187.87, 0.24%, 0.51%

LAB 59.57, -15.42, -9.77

 

CMYK 15 / 2 / 0 / 45

HEX #77898C

RGB 119 137 140

HSL 188.57, 0.08%, 0.51%

LAB 55.79, -5.81, -3.8

 

CMYK 0 / 12 / 14 / 45

HEX #8B7A78

RGB 139 122 120

HSL 6.32, 0.08%, 0.51%

LAB 52.69, 6.18, 3.49

 

CMYK 71 / 0 / 30 / 21

HEX #3AC98D

RGB 58 201 141

HSL 154.83, 0.57%, 0.51%

LAB 72.63, -51.55, 19.33

 

CMYK 71 / 0 / 11 / 21

HEX #3AC9B3

RGB 58 201 179

HSL 170.77, 0.57%, 0.51%

LAB 73.5, -42.46, 0.12

 

CMYK 71 / 8 / 0 / 21

HEX #3AB8C9

RGB 58 184 201

HSL 187.13, 0.57%, 0.51%

LAB 69.04, -28.29, -18.54

 

CMYK 71 / 27 / 0 / 21

HEX #3A92C9

RGB 58 146 201

HSL 203.08, 0.57%, 0.51%

LAB 57.73, -8.18, -35.96

 

CMYK 71 / 46 / 0 / 21

HEX #3A6CC9

RGB 58 108 201

HSL 219.02, 0.57%, 0.51%

LAB 46.77, 14.72, -53.33

 

CMYK 73 / 10 / 0 / 45

HEX #267D8B

RGB 38 125 139

HSL 188.32, 0.57%, 0.35%

LAB 48.19, -20.43, -15.02

 

CMYK 73 / 9 / 0 / 33

HEX #2F9BAB

RGB 47 155 171

HSL 187.74, 0.57%, 0.43%

LAB 58.96, -24.51, -17.11

 

CMYK 71 / 9 / 0 / 21

HEX #3AB6C9

RGB 58 182 201

HSL 187.97, 0.57%, 0.51%

LAB 68.44, -27.3, -19.44

 

CMYK 57 / 8 / 0 / 18

HEX #5BC2D2

RGB 91 194 210

HSL 188.07, 0.57%, 0.59%

LAB 73.19, -25.26, -17.08

 

CMYK 44 / 6 / 0 / 14

HEX #7BCEDB

RGB 123 206 219

HSL 188.13, 0.57%, 0.67%

LAB 78.15, -21.91, -14.36

 

CMYK 71 / 9 / 0 / 21

HEX #3AB6C9

RGB 58 182 201

HSL 187.97, 0.57%, 0.51%

LAB 68.44, -27.3, -19.44

 

CMYK 49 / 71 / 0 / 21

HEX #673AC9

RGB 103 58 201

HSL 258.88, 0.57%, 0.51%

LAB 38.07, 52.2, -67.29

 

CMYK 0 / 20 / 71 / 21

HEX #C9A03A

RGB 201 160 58

HSL 42.8, 0.57%, 0.51%

LAB 67.92, 4.74, 56.49

 

CMYK 71 / 9 / 0 / 21

HEX #3AB6C9

RGB 58 182 201

HSL 187.97, 0.57%, 0.51%

LAB 68.44, -27.3, -19.44

 

CMYK 0 / 71 / 8 / 21

HEX #C93AB8

RGB 201 58 184

HSL 307.13, 0.57%, 0.51%

LAB 50.58, 68.85, -36.57

 

CMYK 8 / 0 / 71 / 21

HEX #B8C93A

RGB 184 201 58

HSL 67.13, 0.57%, 0.51%

LAB 77.44, -23.7, 65.46

 

CMYK 71 / 9 / 0 / 21

HEX #3AB6C9

RGB 58 182 201

HSL 187.97, 0.57%, 0.51%

LAB 68.44, -27.3, -19.44

 

CMYK 49 / 71 / 0 / 21

HEX #673AC9

RGB 103 58 201

HSL 258.88, 0.57%, 0.51%

LAB 38.07, 52.2, -67.29

 

CMYK 0 / 63 / 71 / 21

HEX #C94B3A

RGB 201 75 58

HSL 7.13, 0.57%, 0.51%

LAB 49.2, 49.14, 36.35

 

CMYK 22 / 0 / 71 / 21

HEX #9CC93A

RGB 156 201 58

HSL 78.88, 0.57%, 0.51%

LAB 75.54, -34.97, 62.95

 

CMYK 71 / 9 / 0 / 21

HEX #3AB6C9

RGB 58 182 201

HSL 187.97, 0.57%, 0.51%

LAB 68.44, -27.3, -19.44

 

CMYK 27 / 71 / 0 / 21

HEX #923AC9

RGB 146 58 201

HSL 276.92, 0.57%, 0.51%

LAB 43.29, 60.06, -58.56

 

CMYK 0 / 63 / 71 / 21

HEX #C94B3A

RGB 201 75 58

HSL 7.13, 0.57%, 0.51%

LAB 49.2, 49.14, 36.35

 

CMYK 44 / 0 / 71 / 21

HEX #71C93A

RGB 113 201 58

HSL 96.92, 0.57%, 0.51%

LAB 73.28, -50.31, 59.93

 

Description

Color code: RGB 58 182 201 | qconv.com Color code: RGB 58 182 201 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 182 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 182 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 9 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 9% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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