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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 174 134 it is the complementary color RGB 197 81 121. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 174 134. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 174 134 shade: RGB 63 174 129, RGB 80 192 148, RGB 97 210 167, RGB 114 228 186 and RGB 131 246 205

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 174 134. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 174 134 shade: RGB 58 174 134, RGB 41 156 115, RGB 24 138 96, RGB 7 120 77 and RGB 0 102 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 174 134 shade: RGB 57 172 132, RGB 57 172 101, RGB 57 172 70, RGB 75 172 57 and RGB 105 172 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 174 134 shade: RGB 57 172 132, RGB 57 172 163, RGB 57 149 172, RGB 57 118 172 and RGB 57 87 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 174 134 shade matches the following richer shades: RGB 57 172 132, RGB 38 190 138, RGB 20 209 144 and RGB 1 227 149

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 174 134 shade: RGB 57 172 132, RGB 75 153 126, RGB 94 134 121, RGB 113 116 115 and RGB 131 97 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 174 134 shade: RGB 57 172 70, RGB 57 172 101, RGB 57 172 131, RGB 57 172 162 and RGB 57 151 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 174 134 shade: RGB 36 110 84, RGB 47 141 108, RGB 57 172 132, RGB 75 195 153 and RGB 106 205 171

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 174 134 shade: RGB 58 174 134, RGB 57 74 172 and RGB 172 86 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 174 134 shade: RGB 58 174 134, RGB 131 57 172 and RGB 172 131 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 174 134 shade: RGB 58 174 134, RGB 57 74 172, RGB 172 57 97 and RGB 172 154 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 174 134 shade: RGB 58 174 134, RGB 74 57 172, RGB 172 57 97 and RGB 154 172 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 23 / 32

HEX #3AAE86

RGB 58 174 134

HSL 159.31, 0.5%, 0.45%

LAB 64.07, -42, 11.2

 

Complementary color

CMYK 0 / 59 / 39 / 23

HEX #C55179

RGB 197 81 121

HSL 339.31, 0.5%, 0.55%

LAB 50.85, 50.1, 1.12

 

CMYK 64 / 0 / 26 / 32

HEX #3FAE81

RGB 63 174 129

HSL 155.68, 0.47%, 0.46%

LAB 64.09, -42.24, 14

 

CMYK 58 / 0 / 23 / 25

HEX #50C094

RGB 80 192 148

HSL 156.43, 0.47%, 0.53%

LAB 70.55, -42.37, 12.77

 

CMYK 54 / 0 / 20 / 18

HEX #61D2A7

RGB 97 210 167

HSL 157.17, 0.56%, 0.6%

LAB 76.94, -42.37, 11.65

 

CMYK 50 / 0 / 18 / 11

HEX #72E4BA

RGB 114 228 186

HSL 157.89, 0.68%, 0.67%

LAB 83.24, -42.29, 10.62

 

CMYK 47 / 0 / 17 / 4

HEX #83F6CD

RGB 131 246 205

HSL 158.61, 0.86%, 0.74%

LAB 89.46, -42.16, 9.67

 

CMYK 67 / 0 / 23 / 32

HEX #3AAE86

RGB 58 174 134

HSL 159.31, 0.5%, 0.45%

LAB 64.07, -42, 11.2

 

CMYK 74 / 0 / 26 / 39

HEX #299C73

RGB 41 156 115

HSL 158.61, 0.58%, 0.39%

LAB 57.55, -41.52, 12.55

 

CMYK 83 / 0 / 30 / 46

HEX #188A60

RGB 24 138 96

HSL 157.89, 0.7%, 0.32%

LAB 50.94, -40.68, 14.07

 

CMYK 94 / 0 / 36 / 53

HEX #07784D

RGB 7 120 77

HSL 157.17, 0.89%, 0.25%

LAB 44.25, -39.28, 15.82

 

CMYK 100 / 0 / 43 / 60

HEX #00663A

RGB 0 102 58

HSL 154.12, 1%, 0.2%

LAB 37.5, -37.01, 17.83

 

CMYK 67 / 0 / 23 / 33

HEX #39AC84

RGB 57 172 132

HSL 159.13, 0.5%, 0.45%

LAB 63.38, -41.78, 11.32

 

CMYK 67 / 0 / 41 / 33

HEX #39AC65

RGB 57 172 101

HSL 142.96, 0.5%, 0.45%

LAB 62.77, -48.27, 27.35

 

CMYK 67 / 0 / 59 / 33

HEX #39AC46

RGB 57 172 70

HSL 126.78, 0.5%, 0.45%

LAB 62.35, -53.03, 42.46

 

CMYK 56 / 0 / 67 / 33

HEX #4BAC39

RGB 75 172 57

HSL 110.61, 0.5%, 0.45%

LAB 62.76, -50.26, 48.85

 

CMYK 39 / 0 / 67 / 33

HEX #69AC39

RGB 105 172 57

HSL 94.96, 0.5%, 0.45%

LAB 64, -41.05, 50.56

 

CMYK 67 / 0 / 23 / 33

HEX #39AC84

RGB 57 172 132

HSL 159.13, 0.5%, 0.45%

LAB 63.38, -41.78, 11.32

 

CMYK 67 / 0 / 5 / 33

HEX #39ACA3

RGB 57 172 163

HSL 175.3, 0.5%, 0.45%

LAB 64.18, -33.78, -4.78

 

CMYK 67 / 13 / 0 / 33

HEX #3995AC

RGB 57 149 172

HSL 192, 0.5%, 0.45%

LAB 57.41, -19.61, -20.02

 

CMYK 67 / 31 / 0 / 33

HEX #3976AC

RGB 57 118 172

HSL 208.17, 0.5%, 0.45%

LAB 48.01, -2.09, -34.58

 

CMYK 67 / 49 / 0 / 33

HEX #3957AC

RGB 57 87 172

HSL 224.35, 0.5%, 0.45%

LAB 39.01, 17.44, -48.9

 

CMYK 67 / 0 / 23 / 33

HEX #39AC84

RGB 57 172 132

HSL 159.13, 0.5%, 0.45%

LAB 63.38, -41.78, 11.32

 

CMYK 80 / 0 / 27 / 25

HEX #26BE8A

RGB 38 190 138

HSL 159.47, 0.67%, 0.45%

LAB 68.8, -50.39, 15.59

 

CMYK 90 / 0 / 31 / 18

HEX #14D190

RGB 20 209 144

HSL 159.37, 0.83%, 0.45%

LAB 74.68, -57.66, 20.49

 

CMYK 100 / 0 / 34 / 11

HEX #01E395

RGB 1 227 149

HSL 159.29, 0.99%, 0.45%

LAB 80.24, -63.76, 25.47

 

CMYK 67 / 0 / 23 / 33

HEX #39AC84

RGB 57 172 132

HSL 159.13, 0.5%, 0.45%

LAB 63.38, -41.78, 11.32

 

CMYK 51 / 0 / 18 / 40

HEX #4B997E

RGB 75 153 126

HSL 159.23, 0.34%, 0.45%

LAB 57.83, -30.8, 6.88

 

CMYK 30 / 0 / 10 / 47

HEX #5E8679

RGB 94 134 121

HSL 160.5, 0.18%, 0.45%

LAB 52.74, -16.86, 2.54

 

CMYK 3 / 0 / 1 / 55

HEX #717473

RGB 113 116 115

HSL 160, 0.01%, 0.45%

LAB 48.56, -1.34, 0.15

 

CMYK 0 / 26 / 17 / 49

HEX #83616D

RGB 131 97 109

HSL 338.82, 0.15%, 0.45%

LAB 44.91, 15.78, -1.39

 

CMYK 67 / 0 / 59 / 33

HEX #39AC46

RGB 57 172 70

HSL 126.78, 0.5%, 0.45%

LAB 62.35, -53.03, 42.46

 

CMYK 67 / 0 / 41 / 33

HEX #39AC65

RGB 57 172 101

HSL 142.96, 0.5%, 0.45%

LAB 62.77, -48.27, 27.35

 

CMYK 67 / 0 / 24 / 33

HEX #39AC83

RGB 57 172 131

HSL 158.61, 0.5%, 0.45%

LAB 63.35, -42.01, 11.84

 

CMYK 67 / 0 / 6 / 33

HEX #39ACA2

RGB 57 172 162

HSL 174.78, 0.5%, 0.45%

LAB 64.15, -34.06, -4.26

 

CMYK 67 / 12 / 0 / 33

HEX #3997AC

RGB 57 151 172

HSL 190.96, 0.5%, 0.45%

LAB 58.02, -20.67, -19.09

 

CMYK 67 / 0 / 24 / 57

HEX #246E54

RGB 36 110 84

HSL 158.92, 0.51%, 0.29%

LAB 41.48, -29.52, 7.92

 

CMYK 67 / 0 / 23 / 45

HEX #2F8D6C

RGB 47 141 108

HSL 158.94, 0.5%, 0.37%

LAB 52.66, -35.69, 9.67

 

CMYK 67 / 0 / 23 / 33

HEX #39AC84

RGB 57 172 132

HSL 159.13, 0.5%, 0.45%

LAB 63.38, -41.78, 11.32

 

CMYK 62 / 0 / 22 / 24

HEX #4BC399

RGB 75 195 153

HSL 159, 0.5%, 0.53%

LAB 71.44, -43.53, 11.29

 

CMYK 48 / 0 / 17 / 20

HEX #6ACDAB

RGB 106 205 171

HSL 159.39, 0.5%, 0.61%

LAB 75.86, -37.16, 8.03

 

CMYK 67 / 0 / 23 / 32

HEX #3AAE86

RGB 58 174 134

HSL 159.31, 0.5%, 0.45%

LAB 64.07, -42, 11.2

 

CMYK 67 / 57 / 0 / 33

HEX #394AAC

RGB 57 74 172

HSL 231.13, 0.5%, 0.45%

LAB 35.49, 25.95, -54.59

 

CMYK 0 / 50 / 67 / 33

HEX #AC5639

RGB 172 86 57

HSL 15.13, 0.5%, 0.45%

LAB 46.61, 32.79, 32.72

 

CMYK 67 / 0 / 23 / 32

HEX #3AAE86

RGB 58 174 134

HSL 159.31, 0.5%, 0.45%

LAB 64.07, -42, 11.2

 

CMYK 24 / 67 / 0 / 33

HEX #8339AC

RGB 131 57 172

HSL 278.61, 0.5%, 0.45%

LAB 39.12, 50.96, -48.37

 

CMYK 0 / 24 / 67 / 33

HEX #AC8339

RGB 172 131 57

HSL 38.61, 0.5%, 0.45%

LAB 57.37, 7.8, 44.91

 

CMYK 67 / 0 / 23 / 32

HEX #3AAE86

RGB 58 174 134

HSL 159.31, 0.5%, 0.45%

LAB 64.07, -42, 11.2

 

CMYK 67 / 57 / 0 / 33

HEX #394AAC

RGB 57 74 172

HSL 231.13, 0.5%, 0.45%

LAB 35.49, 25.95, -54.59

 

CMYK 0 / 67 / 44 / 33

HEX #AC3961

RGB 172 57 97

HSL 339.13, 0.5%, 0.45%

LAB 42.09, 50.11, 2.58

 

CMYK 0 / 10 / 67 / 33

HEX #AC9A39

RGB 172 154 57

HSL 50.61, 0.5%, 0.45%

LAB 63.49, -4.83, 51.45

 

CMYK 67 / 0 / 23 / 32

HEX #3AAE86

RGB 58 174 134

HSL 159.31, 0.5%, 0.45%

LAB 64.07, -42, 11.2

 

CMYK 57 / 67 / 0 / 33

HEX #4A39AC

RGB 74 57 172

HSL 248.87, 0.5%, 0.45%

LAB 32.61, 39.42, -59.22

 

CMYK 0 / 67 / 44 / 33

HEX #AC3961

RGB 172 57 97

HSL 339.13, 0.5%, 0.45%

LAB 42.09, 50.11, 2.58

 

CMYK 10 / 0 / 67 / 33

HEX #9AAC39

RGB 154 172 57

HSL 69.39, 0.5%, 0.45%

LAB 67.03, -21.98, 54.67

 

Description

Color code: RGB 58 174 134 | qconv.com Color code: RGB 58 174 134 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 174 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 174 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 23 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 23% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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