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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 172 250 it is the complementary color RGB 197 83 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 172 250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 172 250 shade: RGB 63 172 245, RGB 80 190 255, RGB 97 208 255, RGB 114 226 255 and RGB 131 244 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 172 250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 172 250 shade: RGB 58 172 250, RGB 41 154 231, RGB 24 136 212, RGB 7 118 193 and RGB 0 100 174

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 172 250 shade: RGB 56 171 249, RGB 56 118 249, RGB 56 66 249, RGB 97 56 249 and RGB 150 56 249

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 172 250 shade: RGB 56 171 249, RGB 56 118 249, RGB 56 66 249 and RGB 56 56 249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 172 250 shade matches the following richer shades: RGB 56 171 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 172 250 shade: RGB 56 171 249, RGB 72 168 233, RGB 89 164 216, RGB 105 161 200 and RGB 122 158 183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 172 250 shade: RGB 56 249 224, RGB 56 224 249, RGB 56 172 249, RGB 56 120 249 and RGB 56 69 249

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 172 250 shade: RGB 5 131 217, RGB 15 154 248, RGB 56 171 249, RGB 96 188 250 and RGB 136 205 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 172 250 shade: RGB 58 172 250, RGB 172 56 249 and RGB 249 249 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 172 250 shade: RGB 58 172 250, RGB 249 56 172 and RGB 172 249 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 172 250 shade: RGB 58 172 250, RGB 172 56 249, RGB 249 133 56 and RGB 133 249 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 172 250 shade: RGB 58 172 250, RGB 230 56 249, RGB 249 133 56 and RGB 75 249 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 31 / 0 / 2

HEX #3AACFA

RGB 58 172 250

HSL 204.38, 0.95%, 0.6%

LAB 67.51, -5.87, -47.71

 

Complementary color

CMYK 0 / 58 / 97 / 23

HEX #C55305

RGB 197 83 5

HSL 24.38, 0.95%, 0.4%

LAB 49.58, 42.52, 58.16

 

CMYK 74 / 30 / 0 / 4

HEX #3FACF5

RGB 63 172 245

HSL 204.07, 0.9%, 0.6%

LAB 67.39, -7.02, -45.16

 

CMYK 69 / 25 / 0 / 0

HEX #50BEFF

RGB 80 190 255

HSL 202.29, 1%, 0.66%

LAB 73.38, -11.3, -41.16

 

CMYK 62 / 18 / 0 / 0

HEX #61D0FF

RGB 97 208 255

HSL 197.85, 1%, 0.69%

LAB 78.97, -18.11, -32.47

 

CMYK 55 / 11 / 0 / 0

HEX #72E2FF

RGB 114 226 255

HSL 192.34, 1%, 0.72%

LAB 84.58, -24.12, -23.83

 

CMYK 49 / 4 / 0 / 0

HEX #83F4FF

RGB 131 244 255

HSL 185.32, 1%, 0.76%

LAB 90.2, -29.43, -15.28

 

CMYK 77 / 31 / 0 / 2

HEX #3AACFA

RGB 58 172 250

HSL 204.38, 0.95%, 0.6%

LAB 67.51, -5.87, -47.71

 

CMYK 82 / 33 / 0 / 9

HEX #299AE7

RGB 41 154 231

HSL 204.32, 0.8%, 0.53%

LAB 61.09, -4.04, -47.44

 

CMYK 89 / 36 / 0 / 17

HEX #1888D4

RGB 24 136 212

HSL 204.26, 0.8%, 0.46%

LAB 54.61, -1.78, -47.11

 

CMYK 96 / 39 / 0 / 24

HEX #0776C1

RGB 7 118 193

HSL 204.19, 0.93%, 0.39%

LAB 48.07, 1, -46.71

 

CMYK 100 / 43 / 0 / 32

HEX #0064AE

RGB 0 100 174

HSL 205.52, 1%, 0.34%

LAB 41.49, 4.42, -46.19

 

CMYK 78 / 31 / 0 / 2

HEX #38ABF9

RGB 56 171 249

HSL 204.25, 0.94%, 0.6%

LAB 67.13, -5.87, -47.76

 

CMYK 78 / 53 / 0 / 2

HEX #3876F9

RGB 56 118 249

HSL 220.73, 0.94%, 0.6%

LAB 52.55, 25.77, -71.08

 

CMYK 78 / 73 / 0 / 2

HEX #3842F9

RGB 56 66 249

HSL 236.89, 0.94%, 0.6%

LAB 40.54, 57.03, -90.75

 

CMYK 61 / 78 / 0 / 2

HEX #6138F9

RGB 97 56 249

HSL 252.75, 0.94%, 0.6%

LAB 41.55, 65.52, -88.99

 

CMYK 40 / 78 / 0 / 2

HEX #9638F9

RGB 150 56 249

HSL 269.22, 0.94%, 0.6%

LAB 47.17, 72.21, -79.54

 

CMYK 78 / 31 / 0 / 2

HEX #38ABF9

RGB 56 171 249

HSL 204.25, 0.94%, 0.6%

LAB 67.13, -5.87, -47.76

 

CMYK 78 / 53 / 0 / 2

HEX #3876F9

RGB 56 118 249

HSL 220.73, 0.94%, 0.6%

LAB 52.55, 25.77, -71.08

 

CMYK 78 / 73 / 0 / 2

HEX #3842F9

RGB 56 66 249

HSL 236.89, 0.94%, 0.6%

LAB 40.54, 57.03, -90.75

 

CMYK 78 / 78 / 0 / 2

HEX #3838F9

RGB 56 56 249

HSL 240, 0.94%, 0.6%

LAB 38.74, 62.16, -93.73

 

CMYK 78 / 31 / 0 / 2

HEX #38ABF9

RGB 56 171 249

HSL 204.25, 0.94%, 0.6%

LAB 67.13, -5.87, -47.76

 

CMYK 78 / 31 / 0 / 2

HEX #38ABF9

RGB 56 171 249

HSL 204.25, 0.94%, 0.6%

LAB 67.13, -5.87, -47.76

 

CMYK 69 / 28 / 0 / 9

HEX #48A8E9

RGB 72 168 233

HSL 204.22, 0.79%, 0.6%

LAB 65.96, -7.67, -40.84

 

CMYK 59 / 24 / 0 / 15

HEX #59A4D8

RGB 89 164 216

HSL 204.57, 0.62%, 0.6%

LAB 64.67, -8.08, -33.44

 

CMYK 48 / 20 / 0 / 22

HEX #69A1C8

RGB 105 161 200

HSL 204.63, 0.46%, 0.6%

LAB 63.89, -7.75, -25.7

 

CMYK 33 / 14 / 0 / 28

HEX #7A9EB7

RGB 122 158 183

HSL 204.59, 0.3%, 0.6%

LAB 63.35, -6.2, -16.93

 

CMYK 78 / 0 / 10 / 2

HEX #38F9E0

RGB 56 249 224

HSL 172.23, 0.94%, 0.6%

LAB 88.91, -51.39, -1.24

 

CMYK 78 / 10 / 0 / 2

HEX #38E0F9

RGB 56 224 249

HSL 187.77, 0.94%, 0.6%

LAB 82.37, -33.22, -24.15

 

CMYK 78 / 31 / 0 / 2

HEX #38ACF9

RGB 56 172 249

HSL 203.94, 0.94%, 0.6%

LAB 67.42, -6.43, -47.31

 

CMYK 78 / 52 / 0 / 2

HEX #3878F9

RGB 56 120 249

HSL 220.1, 0.94%, 0.6%

LAB 53.07, 24.52, -70.23

 

CMYK 78 / 72 / 0 / 2

HEX #3845F9

RGB 56 69 249

HSL 235.96, 0.94%, 0.6%

LAB 41.12, 55.4, -89.8

 

CMYK 98 / 40 / 0 / 15

HEX #0583D9

RGB 5 131 217

HSL 204.34, 0.95%, 0.44%

LAB 53.25, 2.35, -52.11

 

CMYK 94 / 38 / 0 / 3

HEX #0F9AF8

RGB 15 154 248

HSL 204.21, 0.94%, 0.52%

LAB 61.65, 0.75, -55.94

 

CMYK 78 / 31 / 0 / 2

HEX #38ABF9

RGB 56 171 249

HSL 204.25, 0.94%, 0.6%

LAB 67.13, -5.87, -47.76

 

CMYK 62 / 25 / 0 / 2

HEX #60BCFA

RGB 96 188 250

HSL 204.16, 0.94%, 0.68%

LAB 73.13, -9.27, -38.83

 

CMYK 46 / 18 / 0 / 2

HEX #88CDFB

RGB 136 205 251

HSL 204, 0.93%, 0.76%

LAB 79.54, -9.79, -29.33

 

CMYK 77 / 31 / 0 / 2

HEX #3AACFA

RGB 58 172 250

HSL 204.38, 0.95%, 0.6%

LAB 67.51, -5.87, -47.71

 

CMYK 31 / 78 / 0 / 2

HEX #AC38F9

RGB 172 56 249

HSL 276.06, 0.94%, 0.6%

LAB 50.02, 75.58, -74.77

 

CMYK 0 / 0 / 78 / 2

HEX #F9F938

RGB 249 249 56

HSL 60, 0.94%, 0.6%

LAB 95.24, -20.2, 84.35

 

CMYK 77 / 31 / 0 / 2

HEX #3AACFA

RGB 58 172 250

HSL 204.38, 0.95%, 0.6%

LAB 67.51, -5.87, -47.71

 

CMYK 0 / 78 / 31 / 2

HEX #F938AC

RGB 249 56 172

HSL 323.94, 0.94%, 0.6%

LAB 57.99, 79.06, -17.46

 

CMYK 31 / 0 / 78 / 2

HEX #ACF938

RGB 172 249 56

HSL 83.94, 0.94%, 0.6%

LAB 90.23, -50.01, 77.96

 

CMYK 77 / 31 / 0 / 2

HEX #3AACFA

RGB 58 172 250

HSL 204.38, 0.95%, 0.6%

LAB 67.51, -5.87, -47.71

 

CMYK 31 / 78 / 0 / 2

HEX #AC38F9

RGB 172 56 249

HSL 276.06, 0.94%, 0.6%

LAB 50.02, 75.58, -74.77

 

CMYK 0 / 47 / 78 / 2

HEX #F98538

RGB 249 133 56

HSL 23.94, 0.94%, 0.6%

LAB 67.43, 39.04, 58.76

 

CMYK 47 / 0 / 78 / 2

HEX #85F938

RGB 133 249 56

HSL 96.06, 0.94%, 0.6%

LAB 88.46, -62.7, 75.66

 

CMYK 77 / 31 / 0 / 2

HEX #3AACFA

RGB 58 172 250

HSL 204.38, 0.95%, 0.6%

LAB 67.51, -5.87, -47.71

 

CMYK 8 / 78 / 0 / 2

HEX #E638F9

RGB 230 56 249

HSL 294.09, 0.94%, 0.6%

LAB 58.5, 85.57, -60.66

 

CMYK 0 / 47 / 78 / 2

HEX #F98538

RGB 249 133 56

HSL 23.94, 0.94%, 0.6%

LAB 67.43, 39.04, 58.76

 

CMYK 70 / 0 / 78 / 2

HEX #4BF938

RGB 75 249 56

HSL 114.09, 0.94%, 0.6%

LAB 86.77, -76.27, 73.46

 

Description

Color code: RGB 58 172 250 | qconv.com Color code: RGB 58 172 250 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 172 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 172 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 31 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 31% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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