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Color name
RGB 58 160 101

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 160 101 it is the complementary color RGB 197 95 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 160 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 160 101 shade: RGB 63 160 96, RGB 80 178 115, RGB 97 196 134, RGB 114 214 153 and RGB 131 232 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 160 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 160 101 shade: RGB 58 160 101, RGB 41 142 82, RGB 24 124 63, RGB 7 106 44 and RGB 0 88 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 160 101 shade: RGB 58 161 101, RGB 58 161 73, RGB 70 161 58, RGB 98 161 58 and RGB 125 161 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 160 101 shade: RGB 58 161 101, RGB 58 161 129, RGB 58 161 157, RGB 58 137 161 and RGB 58 109 161

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 160 101 shade matches the following richer shades: RGB 58 161 101, RGB 40 178 98, RGB 22 196 95 and RGB 4 214 93

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 160 101 shade: RGB 58 161 101, RGB 75 143 104, RGB 93 125 107, RGB 111 107 109 and RGB 129 90 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 160 101 shade: RGB 70 161 58, RGB 58 161 73, RGB 58 161 101, RGB 58 161 128 and RGB 58 161 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 160 101 shade: RGB 36 100 63, RGB 47 130 82, RGB 58 161 101, RGB 71 188 121 and RGB 101 199 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 160 101 shade: RGB 58 160 101, RGB 58 97 161 and RGB 161 59 58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 160 101 shade: RGB 58 160 101, RGB 101 58 161 and RGB 161 101 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 160 101 shade: RGB 58 160 101, RGB 58 97 161, RGB 161 58 118 and RGB 161 121 58

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 160 101 shade: RGB 58 160 101, RGB 58 66 161, RGB 161 58 118 and RGB 161 152 58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 37 / 37

HEX #3AA065

RGB 58 160 101

HSL 145.29, 0.47%, 0.43%

LAB 58.96, -43.24, 22.3

 

Complementary color

CMYK 0 / 52 / 22 / 23

HEX #C55F9A

RGB 197 95 154

HSL 325.29, 0.47%, 0.57%

LAB 54.44, 47.64, -13.11

 

CMYK 61 / 0 / 40 / 37

HEX #3FA060

RGB 63 160 96

HSL 140.41, 0.43%, 0.44%

LAB 59.01, -43.11, 25.12

 

CMYK 55 / 0 / 35 / 30

HEX #50B273

RGB 80 178 115

HSL 141.43, 0.39%, 0.51%

LAB 65.58, -43.15, 23.73

 

CMYK 51 / 0 / 32 / 23

HEX #61C486

RGB 97 196 134

HSL 142.42, 0.46%, 0.57%

LAB 72.06, -43.05, 22.45

 

CMYK 47 / 0 / 29 / 16

HEX #72D699

RGB 114 214 153

HSL 143.4, 0.55%, 0.64%

LAB 78.44, -42.88, 21.26

 

CMYK 44 / 0 / 26 / 9

HEX #83E8AC

RGB 131 232 172

HSL 144.36, 0.69%, 0.71%

LAB 84.75, -42.66, 20.16

 

CMYK 64 / 0 / 37 / 37

HEX #3AA065

RGB 58 160 101

HSL 145.29, 0.47%, 0.43%

LAB 58.96, -43.24, 22.3

 

CMYK 71 / 0 / 42 / 44

HEX #298E52

RGB 41 142 82

HSL 144.36, 0.55%, 0.36%

LAB 52.32, -42.87, 23.83

 

CMYK 81 / 0 / 49 / 51

HEX #187C3F

RGB 24 124 63

HSL 143.4, 0.68%, 0.29%

LAB 45.59, -42.04, 25.52

 

CMYK 93 / 0 / 58 / 58

HEX #076A2C

RGB 7 106 44

HSL 142.42, 0.88%, 0.22%

LAB 38.79, -40.48, 27.34

 

CMYK 100 / 0 / 72 / 65

HEX #005819

RGB 0 88 25

HSL 137.05, 1%, 0.17%

LAB 31.92, -37.63, 29.09

 

CMYK 64 / 0 / 37 / 37

HEX #3AA165

RGB 58 161 101

HSL 145.05, 0.47%, 0.43%

LAB 59.28, -43.65, 22.73

 

CMYK 64 / 0 / 55 / 37

HEX #3AA149

RGB 58 161 73

HSL 128.74, 0.47%, 0.43%

LAB 58.85, -48.35, 36.87

 

CMYK 57 / 0 / 64 / 37

HEX #46A13A

RGB 70 161 58

HSL 113.01, 0.47%, 0.43%

LAB 59.06, -47.28, 44.32

 

CMYK 39 / 0 / 64 / 37

HEX #62A13A

RGB 98 161 58

HSL 96.7, 0.47%, 0.43%

LAB 60.24, -38.62, 45.95

 

CMYK 22 / 0 / 64 / 37

HEX #7DA13A

RGB 125 161 58

HSL 80.97, 0.47%, 0.43%

LAB 61.79, -28.46, 48.09

 

CMYK 64 / 0 / 37 / 37

HEX #3AA165

RGB 58 161 101

HSL 145.05, 0.47%, 0.43%

LAB 59.28, -43.65, 22.73

 

CMYK 64 / 0 / 20 / 37

HEX #3AA181

RGB 58 161 129

HSL 161.36, 0.47%, 0.43%

LAB 59.87, -37.49, 8.02

 

CMYK 64 / 0 / 2 / 37

HEX #3AA19D

RGB 58 161 157

HSL 177.67, 0.47%, 0.43%

LAB 60.63, -30.06, -6.66

 

CMYK 64 / 15 / 0 / 37

HEX #3A89A1

RGB 58 137 161

HSL 193.98, 0.47%, 0.43%

LAB 53.35, -16.51, -19.93

 

CMYK 64 / 32 / 0 / 37

HEX #3A6DA1

RGB 58 109 161

HSL 210.29, 0.47%, 0.43%

LAB 44.82, -0.32, -33.16

 

CMYK 64 / 0 / 37 / 37

HEX #3AA165

RGB 58 161 101

HSL 145.05, 0.47%, 0.43%

LAB 59.28, -43.65, 22.73

 

CMYK 78 / 0 / 45 / 30

HEX #28B262

RGB 40 178 98

HSL 145.22, 0.63%, 0.43%

LAB 64.3, -53.77, 30.85

 

CMYK 89 / 0 / 52 / 23

HEX #16C45F

RGB 22 196 95

HSL 145.17, 0.8%, 0.43%

LAB 69.81, -62.23, 39.26

 

CMYK 98 / 0 / 57 / 16

HEX #04D65D

RGB 4 214 93

HSL 145.43, 0.96%, 0.43%

LAB 75.39, -69.07, 46.96

 

CMYK 64 / 0 / 37 / 37

HEX #3AA165

RGB 58 161 101

HSL 145.05, 0.47%, 0.43%

LAB 59.28, -43.65, 22.73

 

CMYK 48 / 0 / 27 / 44

HEX #4B8F68

RGB 75 143 104

HSL 145.59, 0.31%, 0.43%

LAB 54.18, -30.95, 14.22

 

CMYK 26 / 0 / 14 / 51

HEX #5D7D6B

RGB 93 125 107

HSL 146.25, 0.15%, 0.43%

LAB 49.56, -15.43, 6.13

 

CMYK 0 / 4 / 2 / 56

HEX #6F6B6D

RGB 111 107 109

HSL 330, 0.02%, 0.43%

LAB 45.63, 1.96, -0.57

 

CMYK 0 / 30 / 13 / 49

HEX #815A70

RGB 129 90 112

HSL 326.15, 0.18%, 0.43%

LAB 42.99, 19.7, -6.08

 

CMYK 57 / 0 / 64 / 37

HEX #46A13A

RGB 70 161 58

HSL 113.01, 0.47%, 0.43%

LAB 59.06, -47.28, 44.32

 

CMYK 64 / 0 / 55 / 37

HEX #3AA149

RGB 58 161 73

HSL 128.74, 0.47%, 0.43%

LAB 58.85, -48.35, 36.87

 

CMYK 64 / 0 / 37 / 37

HEX #3AA165

RGB 58 161 101

HSL 145.05, 0.47%, 0.43%

LAB 59.28, -43.65, 22.73

 

CMYK 64 / 0 / 20 / 37

HEX #3AA180

RGB 58 161 128

HSL 160.78, 0.47%, 0.43%

LAB 59.84, -37.73, 8.54

 

CMYK 64 / 0 / 3 / 37

HEX #3AA19C

RGB 58 161 156

HSL 177.09, 0.47%, 0.43%

LAB 60.6, -30.35, -6.14

 

CMYK 64 / 0 / 37 / 61

HEX #24643F

RGB 36 100 63

HSL 145.31, 0.47%, 0.27%

LAB 37.57, -29.82, 15.1

 

CMYK 64 / 0 / 37 / 49

HEX #2F8252

RGB 47 130 82

HSL 145.3, 0.47%, 0.35%

LAB 48.48, -36.69, 18.78

 

CMYK 64 / 0 / 37 / 37

HEX #3AA165

RGB 58 161 101

HSL 145.05, 0.47%, 0.43%

LAB 59.28, -43.65, 22.73

 

CMYK 62 / 0 / 36 / 26

HEX #47BC79

RGB 71 188 121

HSL 145.64, 0.47%, 0.51%

LAB 68.52, -48.15, 24.43

 

CMYK 49 / 0 / 28 / 22

HEX #65C78F

RGB 101 199 143

HSL 145.71, 0.47%, 0.59%

LAB 73.28, -41.6, 19.37

 

CMYK 64 / 0 / 37 / 37

HEX #3AA065

RGB 58 160 101

HSL 145.29, 0.47%, 0.43%

LAB 58.96, -43.24, 22.3

 

CMYK 64 / 40 / 0 / 37

HEX #3A61A1

RGB 58 97 161

HSL 217.28, 0.47%, 0.43%

LAB 41.25, 7.17, -38.79

 

CMYK 0 / 63 / 64 / 37

HEX #A13B3A

RGB 161 59 58

HSL 0.58, 0.47%, 0.43%

LAB 39.6, 42.21, 23.15

 

CMYK 64 / 0 / 37 / 37

HEX #3AA065

RGB 58 160 101

HSL 145.29, 0.47%, 0.43%

LAB 58.96, -43.24, 22.3

 

CMYK 37 / 64 / 0 / 37

HEX #653AA1

RGB 101 58 161

HSL 265.05, 0.47%, 0.43%

LAB 34.73, 40.99, -49.05

 

CMYK 0 / 37 / 64 / 37

HEX #A1653A

RGB 161 101 58

HSL 25.05, 0.47%, 0.43%

LAB 48.5, 19.96, 34.01

 

CMYK 64 / 0 / 37 / 37

HEX #3AA065

RGB 58 160 101

HSL 145.29, 0.47%, 0.43%

LAB 58.96, -43.24, 22.3

 

CMYK 64 / 40 / 0 / 37

HEX #3A61A1

RGB 58 97 161

HSL 217.28, 0.47%, 0.43%

LAB 41.25, 7.17, -38.79

 

CMYK 0 / 64 / 27 / 37

HEX #A13A76

RGB 161 58 118

HSL 325.05, 0.47%, 0.43%

LAB 41.07, 48.79, -12.19

 

CMYK 0 / 25 / 64 / 37

HEX #A1793A

RGB 161 121 58

HSL 36.7, 0.47%, 0.43%

LAB 53.55, 8.58, 39.84

 

CMYK 64 / 0 / 37 / 37

HEX #3AA065

RGB 58 160 101

HSL 145.29, 0.47%, 0.43%

LAB 58.96, -43.24, 22.3

 

CMYK 64 / 59 / 0 / 37

HEX #3A42A1

RGB 58 66 161

HSL 235.34, 0.47%, 0.43%

LAB 32.63, 27.41, -52.64

 

CMYK 0 / 64 / 27 / 37

HEX #A13A76

RGB 161 58 118

HSL 325.05, 0.47%, 0.43%

LAB 41.07, 48.79, -12.19

 

CMYK 0 / 6 / 64 / 37

HEX #A1983A

RGB 161 152 58

HSL 54.76, 0.47%, 0.43%

LAB 61.95, -8.55, 49.07

 

Description

Color code: RGB 58 160 101 | qconv.com Color code: RGB 58 160 101 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 160 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 160 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 37 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 37% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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