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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 158 211 it is the complementary color RGB 197 97 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 158 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 158 211 shade: RGB 63 158 206, RGB 80 176 225, RGB 97 194 244, RGB 114 212 255 and RGB 131 230 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 158 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 158 211 shade: RGB 58 158 211, RGB 41 140 192, RGB 24 122 173, RGB 7 104 154 and RGB 0 86 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 158 211 shade: RGB 59 158 210, RGB 59 117 210, RGB 59 76 210, RGB 83 59 210 and RGB 123 59 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 158 211 shade: RGB 59 158 210, RGB 59 117 210, RGB 59 76 210 and RGB 59 59 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 158 211 shade matches the following richer shades: RGB 59 158 210, RGB 40 164 230 and RGB 20 170 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 158 211 shade: RGB 59 158 210, RGB 79 152 191, RGB 98 146 171, RGB 117 140 152 and RGB 137 134 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 158 211 shade: RGB 59 210 180, RGB 59 200 210, RGB 59 160 210, RGB 59 120 210 and RGB 59 79 210

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 158 211 shade: RGB 34 112 153, RGB 42 136 186, RGB 59 158 210, RGB 93 174 218 and RGB 126 191 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 158 211 shade: RGB 58 158 211, RGB 140 59 210 and RGB 210 200 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 158 211 shade: RGB 58 158 211, RGB 210 59 160 and RGB 160 210 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 158 211 shade: RGB 58 158 211, RGB 140 59 210, RGB 210 109 59 and RGB 130 210 59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 158 211 shade: RGB 58 158 211, RGB 185 59 210, RGB 210 109 59 and RGB 84 210 59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 25 / 0 / 17

HEX #3A9ED3

RGB 58 158 211

HSL 200.78, 0.63%, 0.53%

LAB 61.7, -11.48, -35.35

 

Complementary color

CMYK 0 / 51 / 78 / 23

HEX #C5612C

RGB 197 97 44

HSL 20.78, 0.63%, 0.47%

LAB 52.51, 36.42, 47

 

CMYK 69 / 23 / 0 / 19

HEX #3F9ECE

RGB 63 158 206

HSL 200.14, 0.59%, 0.53%

LAB 61.63, -12.46, -32.68

 

CMYK 64 / 22 / 0 / 12

HEX #50B0E1

RGB 80 176 225

HSL 200.28, 0.71%, 0.6%

LAB 68.16, -13.4, -33

 

CMYK 60 / 20 / 0 / 4

HEX #61C2F4

RGB 97 194 244

HSL 200.41, 0.87%, 0.67%

LAB 74.61, -14.14, -33.3

 

CMYK 55 / 17 / 0 / 0

HEX #72D4FF

RGB 114 212 255

HSL 198.3, 1%, 0.72%

LAB 80.67, -17.06, -29.79

 

CMYK 49 / 10 / 0 / 0

HEX #83E6FF

RGB 131 230 255

HSL 192.1, 1%, 0.76%

LAB 86.32, -22.62, -21.12

 

CMYK 73 / 25 / 0 / 17

HEX #3A9ED3

RGB 58 158 211

HSL 200.78, 0.63%, 0.53%

LAB 61.7, -11.48, -35.35

 

CMYK 79 / 27 / 0 / 25

HEX #298CC0

RGB 41 140 192

HSL 200.66, 0.65%, 0.46%

LAB 55.11, -10.06, -35

 

CMYK 86 / 29 / 0 / 32

HEX #187AAD

RGB 24 122 173

HSL 200.54, 0.76%, 0.39%

LAB 48.42, -8.22, -34.58

 

CMYK 95 / 32 / 0 / 40

HEX #07689A

RGB 7 104 154

HSL 200.41, 0.91%, 0.32%

LAB 41.66, -5.81, -34.07

 

CMYK 100 / 36 / 0 / 47

HEX #005687

RGB 0 86 135

HSL 201.78, 1%, 0.26%

LAB 34.81, -2.66, -33.44

 

CMYK 72 / 25 / 0 / 18

HEX #3B9ED2

RGB 59 158 210

HSL 200.66, 0.63%, 0.53%

LAB 61.69, -11.68, -34.82

 

CMYK 72 / 44 / 0 / 18

HEX #3B75D2

RGB 59 117 210

HSL 216.95, 0.63%, 0.53%

LAB 49.86, 12.49, -53.5

 

CMYK 72 / 64 / 0 / 18

HEX #3B4CD2

RGB 59 76 210

HSL 233.25, 0.63%, 0.53%

LAB 39.16, 38.44, -70.85

 

CMYK 60 / 72 / 0 / 18

HEX #533BD2

RGB 83 59 210

HSL 249.54, 0.63%, 0.53%

LAB 37.15, 51.3, -74.08

 

CMYK 41 / 72 / 0 / 18

HEX #7B3BD2

RGB 123 59 210

HSL 265.43, 0.63%, 0.53%

LAB 41.2, 57.45, -67.29

 

CMYK 72 / 25 / 0 / 18

HEX #3B9ED2

RGB 59 158 210

HSL 200.66, 0.63%, 0.53%

LAB 61.69, -11.68, -34.82

 

CMYK 72 / 44 / 0 / 18

HEX #3B75D2

RGB 59 117 210

HSL 216.95, 0.63%, 0.53%

LAB 49.86, 12.49, -53.5

 

CMYK 72 / 64 / 0 / 18

HEX #3B4CD2

RGB 59 76 210

HSL 233.25, 0.63%, 0.53%

LAB 39.16, 38.44, -70.85

 

CMYK 72 / 72 / 0 / 18

HEX #3B3BD2

RGB 59 59 210

HSL 240, 0.63%, 0.53%

LAB 35.42, 48.56, -76.99

 

CMYK 72 / 25 / 0 / 18

HEX #3B9ED2

RGB 59 158 210

HSL 200.66, 0.63%, 0.53%

LAB 61.69, -11.68, -34.82

 

CMYK 83 / 29 / 0 / 10

HEX #28A4E6

RGB 40 164 230

HSL 200.84, 0.79%, 0.53%

LAB 63.93, -10.12, -42.42

 

CMYK 92 / 32 / 0 / 2

HEX #14AAF9

RGB 20 170 249

HSL 200.7, 0.95%, 0.53%

LAB 66.32, -7.85, -49.08

 

CMYK 72 / 25 / 0 / 18

HEX #3B9ED2

RGB 59 158 210

HSL 200.66, 0.63%, 0.53%

LAB 61.69, -11.68, -34.82

 

CMYK 59 / 20 / 0 / 25

HEX #4F98BF

RGB 79 152 191

HSL 200.89, 0.47%, 0.53%

LAB 59.78, -11.24, -27.08

 

CMYK 43 / 15 / 0 / 33

HEX #6292AB

RGB 98 146 171

HSL 200.55, 0.3%, 0.53%

LAB 58.13, -9.45, -18.21

 

CMYK 23 / 8 / 0 / 40

HEX #758C98

RGB 117 140 152

HSL 200.57, 0.15%, 0.53%

LAB 56.89, -5.4, -9.1

 

CMYK 0 / 2 / 3 / 46

HEX #898685

RGB 137 134 133

HSL 15, 0.02%, 0.53%

LAB 56.15, 0.93, 0.93

 

CMYK 72 / 0 / 14 / 18

HEX #3BD2B4

RGB 59 210 180

HSL 168.08, 0.63%, 0.53%

LAB 76.26, -45.96, 3.6

 

CMYK 72 / 5 / 0 / 18

HEX #3BC8D2

RGB 59 200 210

HSL 183.97, 0.63%, 0.53%

LAB 74.12, -33.2, -15.76

 

CMYK 72 / 24 / 0 / 18

HEX #3BA0D2

RGB 59 160 210

HSL 199.87, 0.63%, 0.53%

LAB 62.27, -12.78, -33.9

 

CMYK 72 / 43 / 0 / 18

HEX #3B78D2

RGB 59 120 210

HSL 215.76, 0.63%, 0.53%

LAB 50.71, 10.63, -52.16

 

CMYK 72 / 62 / 0 / 18

HEX #3B4FD2

RGB 59 79 210

HSL 232.05, 0.63%, 0.53%

LAB 39.87, 36.57, -69.68

 

CMYK 78 / 27 / 0 / 40

HEX #227099

RGB 34 112 153

HSL 200.67, 0.64%, 0.37%

LAB 44.56, -8.78, -28.89

 

CMYK 77 / 27 / 0 / 27

HEX #2A88BA

RGB 42 136 186

HSL 200.83, 0.63%, 0.45%

LAB 53.65, -9.81, -33.86

 

CMYK 72 / 25 / 0 / 18

HEX #3B9ED2

RGB 59 158 210

HSL 200.66, 0.63%, 0.53%

LAB 61.69, -11.68, -34.82

 

CMYK 57 / 20 / 0 / 15

HEX #5DAEDA

RGB 93 174 218

HSL 201.12, 0.63%, 0.61%

LAB 67.77, -12.14, -29.73

 

CMYK 44 / 15 / 0 / 12

HEX #7EBFE1

RGB 126 191 225

HSL 200.61, 0.62%, 0.69%

LAB 74.28, -11.86, -23.45

 

CMYK 73 / 25 / 0 / 17

HEX #3A9ED3

RGB 58 158 211

HSL 200.78, 0.63%, 0.53%

LAB 61.7, -11.48, -35.35

 

CMYK 33 / 72 / 0 / 18

HEX #8C3BD2

RGB 140 59 210

HSL 272.19, 0.63%, 0.53%

LAB 43.3, 60.5, -63.79

 

CMYK 0 / 5 / 72 / 18

HEX #D2C83B

RGB 210 200 59

HSL 56.03, 0.63%, 0.53%

LAB 79.23, -12.24, 67.54

 

CMYK 73 / 25 / 0 / 17

HEX #3A9ED3

RGB 58 158 211

HSL 200.78, 0.63%, 0.53%

LAB 61.7, -11.48, -35.35

 

CMYK 0 / 72 / 24 / 18

HEX #D23BA0

RGB 210 59 160

HSL 319.87, 0.63%, 0.53%

LAB 51.11, 67.34, -21.52

 

CMYK 24 / 0 / 72 / 18

HEX #A0D23B

RGB 160 210 59

HSL 79.87, 0.63%, 0.53%

LAB 78.39, -37.45, 65.5

 

CMYK 73 / 25 / 0 / 17

HEX #3A9ED3

RGB 58 158 211

HSL 200.78, 0.63%, 0.53%

LAB 61.7, -11.48, -35.35

 

CMYK 33 / 72 / 0 / 18

HEX #8C3BD2

RGB 140 59 210

HSL 272.19, 0.63%, 0.53%

LAB 43.3, 60.5, -63.79

 

CMYK 0 / 48 / 72 / 18

HEX #D26D3B

RGB 210 109 59

HSL 19.87, 0.63%, 0.53%

LAB 57.03, 36.05, 44.95

 

CMYK 38 / 0 / 72 / 18

HEX #82D23B

RGB 130 210 59

HSL 91.79, 0.63%, 0.53%

LAB 76.77, -48.31, 63.35

 

CMYK 73 / 25 / 0 / 17

HEX #3A9ED3

RGB 58 158 211

HSL 200.78, 0.63%, 0.53%

LAB 61.7, -11.48, -35.35

 

CMYK 12 / 72 / 0 / 18

HEX #B93BD2

RGB 185 59 210

HSL 290.07, 0.63%, 0.53%

LAB 49.61, 69.34, -53.28

 

CMYK 0 / 48 / 72 / 18

HEX #D26D3B

RGB 210 109 59

HSL 19.87, 0.63%, 0.53%

LAB 57.03, 36.05, 44.95

 

CMYK 60 / 0 / 72 / 18

HEX #54D23B

RGB 84 210 59

HSL 110.07, 0.63%, 0.53%

LAB 75.01, -61.61, 61

 

Description

Color code: RGB 58 158 211 | qconv.com Color code: RGB 58 158 211 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 158 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 158 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 25 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 25% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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