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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 130 13 it is the complementary color RGB 197 125 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 130 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 130 13 shade: RGB 63 130 8, RGB 80 148 27, RGB 97 166 46, RGB 114 184 65 and RGB 131 202 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 130 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 130 13 shade: RGB 58 130 13, RGB 41 112 0, RGB 24 94 0, RGB 7 76 0 and RGB 0 58 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 130 13 shade: RGB 57 129 12, RGB 89 129 12, RGB 121 129 12, RGB 129 107 12 and RGB 129 75 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 130 13 shade: RGB 57 129 12, RGB 26 129 12, RGB 12 129 30, RGB 12 129 62 and RGB 12 129 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 130 13 shade matches the following richer shades: RGB 57 129 12 and RGB 55 141 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 130 13 shade: RGB 57 129 12, RGB 60 118 24, RGB 63 106 35, RGB 65 95 47 and RGB 68 83 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 130 13 shade: RGB 122 129 12, RGB 90 129 12, RGB 59 129 12, RGB 28 129 12 and RGB 12 129 28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 130 13 shade: RGB 24 54 5, RGB 41 92 9, RGB 57 129 12, RGB 74 167 16 and RGB 91 205 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 130 13 shade: RGB 58 130 13, RGB 12 129 106 and RGB 129 12 106

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 130 13 shade: RGB 58 130 13, RGB 12 59 129 and RGB 129 12 59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 130 13 shade: RGB 58 130 13, RGB 12 129 106, RGB 83 12 129 and RGB 129 12 36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 130 13 shade: RGB 58 130 13, RGB 12 118 129, RGB 83 12 129 and RGB 129 24 12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 90 / 49

HEX #3A820D

RGB 58 130 13

HSL 96.92, 0.82%, 0.28%

LAB 48.13, -41.95, 49.33

 

Complementary color

CMYK 19 / 48 / 0 / 5

HEX #C57DF2

RGB 197 125 242

HSL 276.92, 0.82%, 0.72%

LAB 64.12, 48.32, -48.1

 

CMYK 52 / 0 / 94 / 49

HEX #3F8208

RGB 63 130 8

HSL 92.95, 0.88%, 0.27%

LAB 48.31, -40.56, 50.56

 

CMYK 46 / 0 / 82 / 42

HEX #50941B

RGB 80 148 27

HSL 93.72, 0.69%, 0.34%

LAB 55.04, -41.53, 52.19

 

CMYK 42 / 0 / 72 / 35

HEX #61A62E

RGB 97 166 46

HSL 94.5, 0.57%, 0.42%

LAB 61.66, -42.1, 52.38

 

CMYK 38 / 0 / 65 / 28

HEX #72B841

RGB 114 184 65

HSL 95.29, 0.48%, 0.49%

LAB 68.2, -42.41, 51.84

 

CMYK 35 / 0 / 58 / 21

HEX #83CA54

RGB 131 202 84

HSL 96.1, 0.53%, 0.56%

LAB 74.64, -42.56, 50.94

 

CMYK 55 / 0 / 90 / 49

HEX #3A820D

RGB 58 130 13

HSL 96.92, 0.82%, 0.28%

LAB 48.13, -41.95, 49.33

 

CMYK 63 / 0 / 100 / 56

HEX #297000

RGB 41 112 0

HSL 98.04, 1%, 0.22%

LAB 41.31, -40.4, 46.27

 

CMYK 74 / 0 / 100 / 63

HEX #185E00

RGB 24 94 0

HSL 104.68, 1%, 0.18%

LAB 34.4, -37.97, 40.58

 

CMYK 91 / 0 / 100 / 70

HEX #074C00

RGB 7 76 0

HSL 114.47, 1%, 0.15%

LAB 27.34, -34.76, 34.75

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 56 / 0 / 91 / 49

HEX #39810C

RGB 57 129 12

HSL 96.92, 0.83%, 0.28%

LAB 47.75, -41.89, 49.2

 

CMYK 31 / 0 / 91 / 49

HEX #59810C

RGB 89 129 12

HSL 80.51, 0.83%, 0.28%

LAB 49.31, -30.44, 51.16

 

CMYK 6 / 0 / 91 / 49

HEX #79810C

RGB 121 129 12

HSL 64.1, 0.83%, 0.28%

LAB 51.6, -16.45, 53.98

 

CMYK 0 / 17 / 91 / 49

HEX #816B0C

RGB 129 107 12

HSL 48.72, 0.83%, 0.28%

LAB 45.92, -0.48, 49.72

 

CMYK 0 / 42 / 91 / 49

HEX #814B0C

RGB 129 75 12

HSL 32.31, 0.83%, 0.28%

LAB 37.35, 18.33, 42.87

 

CMYK 56 / 0 / 91 / 49

HEX #39810C

RGB 57 129 12

HSL 96.92, 0.83%, 0.28%

LAB 47.75, -41.89, 49.2

 

CMYK 80 / 0 / 91 / 49

HEX #1A810C

RGB 26 129 12

HSL 112.82, 0.83%, 0.28%

LAB 46.9, -48.93, 48.14

 

CMYK 91 / 0 / 77 / 49

HEX #0C811E

RGB 12 129 30

HSL 129.23, 0.83%, 0.28%

LAB 46.81, -49.46, 42.6

 

CMYK 91 / 0 / 52 / 49

HEX #0C813E

RGB 12 129 62

HSL 145.64, 0.83%, 0.28%

LAB 47.14, -45.35, 27.98

 

CMYK 91 / 0 / 27 / 49

HEX #0C815E

RGB 12 129 94

HSL 162.05, 0.83%, 0.28%

LAB 47.74, -38.5, 10.75

 

CMYK 56 / 0 / 91 / 49

HEX #39810C

RGB 57 129 12

HSL 96.92, 0.83%, 0.28%

LAB 47.75, -41.89, 49.2

 

CMYK 61 / 0 / 99 / 45

HEX #378D01

RGB 55 141 1

HSL 96.86, 0.99%, 0.28%

LAB 51.68, -47.3, 54.48

 

CMYK 56 / 0 / 91 / 49

HEX #39810C

RGB 57 129 12

HSL 96.92, 0.83%, 0.28%

LAB 47.75, -41.89, 49.2

 

CMYK 49 / 0 / 80 / 54

HEX #3C7618

RGB 60 118 24

HSL 97.02, 0.66%, 0.28%

LAB 44.21, -35.87, 42.64

 

CMYK 41 / 0 / 67 / 58

HEX #3F6A23

RGB 63 106 35

HSL 96.34, 0.5%, 0.28%

LAB 40.39, -28.52, 34.17

 

CMYK 32 / 0 / 51 / 63

HEX #415F2F

RGB 65 95 47

HSL 97.5, 0.34%, 0.28%

LAB 36.95, -20.83, 23.9

 

CMYK 18 / 0 / 29 / 67

HEX #44533B

RGB 68 83 59

HSL 97.5, 0.17%, 0.28%

LAB 33.42, -11.01, 12.18

 

CMYK 5 / 0 / 91 / 49

HEX #7A810C

RGB 122 129 12

HSL 63.59, 0.83%, 0.28%

LAB 51.68, -15.99, 54.08

 

CMYK 30 / 0 / 91 / 49

HEX #5A810C

RGB 90 129 12

HSL 80, 0.83%, 0.28%

LAB 49.38, -30.03, 51.23

 

CMYK 54 / 0 / 91 / 49

HEX #3B810C

RGB 59 129 12

HSL 95.9, 0.83%, 0.28%

LAB 47.82, -41.29, 49.3

 

CMYK 78 / 0 / 91 / 49

HEX #1C810C

RGB 28 129 12

HSL 111.79, 0.83%, 0.28%

LAB 46.94, -48.62, 48.19

 

CMYK 91 / 0 / 78 / 49

HEX #0C811C

RGB 12 129 28

HSL 128.21, 0.83%, 0.28%

LAB 46.79, -49.63, 43.32

 

CMYK 56 / 0 / 91 / 79

HEX #183605

RGB 24 54 5

HSL 96.73, 0.83%, 0.12%

LAB 19.41, -21.26, 24.85

 

CMYK 55 / 0 / 90 / 64

HEX #295C09

RGB 41 92 9

HSL 96.87, 0.82%, 0.2%

LAB 34.28, -32.04, 37.93

 

CMYK 56 / 0 / 91 / 49

HEX #39810C

RGB 57 129 12

HSL 96.92, 0.83%, 0.28%

LAB 47.75, -41.89, 49.2

 

CMYK 56 / 0 / 90 / 35

HEX #4AA710

RGB 74 167 16

HSL 96.95, 0.83%, 0.36%

LAB 60.9, -51.2, 59.87

 

CMYK 56 / 0 / 90 / 20

HEX #5BCD14

RGB 91 205 20

HSL 96.97, 0.82%, 0.44%

LAB 73.5, -60.09, 70.05

 

CMYK 55 / 0 / 90 / 49

HEX #3A820D

RGB 58 130 13

HSL 96.92, 0.82%, 0.28%

LAB 48.13, -41.95, 49.33

 

CMYK 91 / 0 / 18 / 49

HEX #0C816A

RGB 12 129 106

HSL 168.21, 0.83%, 0.28%

LAB 48.03, -35.3, 4.15

 

CMYK 0 / 91 / 18 / 49

HEX #810C6A

RGB 129 12 106

HSL 311.79, 0.83%, 0.28%

LAB 29.34, 53.91, -23.18

 

CMYK 55 / 0 / 90 / 49

HEX #3A820D

RGB 58 130 13

HSL 96.92, 0.82%, 0.28%

LAB 48.13, -41.95, 49.33

 

CMYK 91 / 54 / 0 / 49

HEX #0C3B81

RGB 12 59 129

HSL 215.9, 0.83%, 0.28%

LAB 26.13, 13.86, -43.63

 

CMYK 0 / 91 / 54 / 49

HEX #810C3B

RGB 129 12 59

HSL 335.9, 0.83%, 0.28%

LAB 27.42, 48.67, 5.09

 

CMYK 55 / 0 / 90 / 49

HEX #3A820D

RGB 58 130 13

HSL 96.92, 0.82%, 0.28%

LAB 48.13, -41.95, 49.33

 

CMYK 91 / 0 / 18 / 49

HEX #0C816A

RGB 12 129 106

HSL 168.21, 0.83%, 0.28%

LAB 48.03, -35.3, 4.15

 

CMYK 36 / 91 / 0 / 49

HEX #530C81

RGB 83 12 129

HSL 276.41, 0.83%, 0.28%

LAB 22.61, 49.57, -49.13

 

CMYK 0 / 91 / 72 / 49

HEX #810C24

RGB 129 12 36

HSL 347.69, 0.83%, 0.28%

LAB 26.9, 47.16, 19.95

 

CMYK 55 / 0 / 90 / 49

HEX #3A820D

RGB 58 130 13

HSL 96.92, 0.82%, 0.28%

LAB 48.13, -41.95, 49.33

 

CMYK 91 / 9 / 0 / 49

HEX #0C7681

RGB 12 118 129

HSL 185.64, 0.83%, 0.28%

LAB 45.11, -22.79, -13.81

 

CMYK 36 / 91 / 0 / 49

HEX #530C81

RGB 83 12 129

HSL 276.41, 0.83%, 0.28%

LAB 22.61, 49.57, -49.13

 

CMYK 0 / 81 / 91 / 49

HEX #81180C

RGB 129 24 12

HSL 6.15, 0.83%, 0.28%

LAB 27.7, 43.24, 35.14

 

Description

Color code: RGB 58 130 13 | qconv.com Color code: RGB 58 130 13 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 130 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 130 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 90 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 90% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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