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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 58 44 108 it is the complementary color RGB 197 211 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 58 44 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 58 44 108 shade: RGB 63 44 103, RGB 80 62 122, RGB 97 80 141, RGB 114 98 160 and RGB 131 116 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 58 44 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 58 44 108 shade: RGB 58 44 108, RGB 41 26 89, RGB 24 8 70, RGB 7 0 51 and RGB 0 0 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 58 44 108 shade: RGB 58 44 108, RGB 75 44 108, RGB 93 44 108, RGB 108 44 106 and RGB 108 44 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 58 44 108 shade: RGB 58 44 108 and RGB 44 44 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 58 44 108 shade matches the following richer shades: RGB 58 44 108, RGB 51 31 121, RGB 44 19 133 and RGB 37 7 145

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 58 44 108 shade: RGB 58 44 108, RGB 65 56 96, RGB 72 69 83, RGB 79 81 71 and RGB 86 93 59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 58 44 108 shade: RGB 44 64 108, RGB 44 47 108, RGB 58 44 108, RGB 75 44 108 and RGB 92 44 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 58 44 108 shade: RGB 26 20 50, RGB 42 32 79, RGB 58 44 108, RGB 74 56 137 and RGB 89 68 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 58 44 108 shade: RGB 58 44 108, RGB 108 44 81 and RGB 56 108 44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 58 44 108 shade: RGB 58 44 108, RGB 108 58 44 and RGB 44 108 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 58 44 108 shade: RGB 58 44 108, RGB 108 44 81, RGB 94 108 44 and RGB 44 108 71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 58 44 108 shade: RGB 58 44 108, RGB 108 44 62, RGB 94 108 44 and RGB 44 108 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 59 / 0 / 58

HEX #3A2C6C

RGB 58 44 108

HSL 253.13, 0.42%, 0.3%

LAB 22.94, 23.79, -35.31

 

Complementary color

CMYK 7 / 0 / 30 / 17

HEX #C5D393

RGB 197 211 147

HSL 73.13, 0.42%, 0.7%

LAB 82.14, -15.18, 30.19

 

CMYK 39 / 57 / 0 / 60

HEX #3F2C67

RGB 63 44 103

HSL 259.32, 0.4%, 0.29%

LAB 23.13, 23.55, -31.75

 

CMYK 34 / 49 / 0 / 52

HEX #503E7A

RGB 80 62 122

HSL 258, 0.33%, 0.36%

LAB 30.77, 22.37, -31.56

 

CMYK 31 / 43 / 0 / 45

HEX #61508D

RGB 97 80 141

HSL 256.72, 0.28%, 0.43%

LAB 38.2, 21.36, -31.42

 

CMYK 29 / 39 / 0 / 37

HEX #7262A0

RGB 114 98 160

HSL 255.48, 0.25%, 0.51%

LAB 45.43, 20.49, -31.34

 

CMYK 27 / 35 / 0 / 30

HEX #8374B3

RGB 131 116 179

HSL 254.29, 0.29%, 0.58%

LAB 52.48, 19.74, -31.32

 

CMYK 46 / 59 / 0 / 58

HEX #3A2C6C

RGB 58 44 108

HSL 253.13, 0.42%, 0.3%

LAB 22.94, 23.79, -35.31

 

CMYK 54 / 71 / 0 / 65

HEX #291A59

RGB 41 26 89

HSL 254.29, 0.55%, 0.23%

LAB 15.12, 25.38, -35.54

 

CMYK 66 / 89 / 0 / 73

HEX #180846

RGB 24 8 70

HSL 255.48, 0.79%, 0.15%

LAB 7.32, 26.81, -35.34

 

CMYK 86 / 100 / 0 / 80

HEX #070033

RGB 7 0 51

HSL 248.24, 1%, 0.1%

LAB 2.57, 17, -29.39

 

CMYK 100 / 100 / 0 / 87

HEX #000020

RGB 0 0 32

HSL 240, 1%, 0.06%

LAB 0.94, 6.62, -17.34

 

CMYK 46 / 59 / 0 / 58

HEX #3A2C6C

RGB 58 44 108

HSL 253.13, 0.42%, 0.3%

LAB 22.94, 23.79, -35.31

 

CMYK 31 / 59 / 0 / 58

HEX #4B2C6C

RGB 75 44 108

HSL 269.06, 0.42%, 0.3%

LAB 24.89, 28.32, -32.08

 

CMYK 14 / 59 / 0 / 58

HEX #5D2C6C

RGB 93 44 108

HSL 285.94, 0.42%, 0.3%

LAB 27.33, 33.47, -28.05

 

CMYK 0 / 59 / 2 / 58

HEX #6C2C6A

RGB 108 44 106

HSL 301.88, 0.42%, 0.3%

LAB 29.49, 37.48, -23.21

 

CMYK 0 / 59 / 18 / 58

HEX #6C2C59

RGB 108 44 89

HSL 317.81, 0.42%, 0.3%

LAB 28.67, 34.4, -13.47

 

CMYK 46 / 59 / 0 / 58

HEX #3A2C6C

RGB 58 44 108

HSL 253.13, 0.42%, 0.3%

LAB 22.94, 23.79, -35.31

 

CMYK 59 / 59 / 0 / 58

HEX #2C2C6C

RGB 44 44 108

HSL 240, 0.42%, 0.3%

LAB 21.65, 20.53, -37.46

 

CMYK 46 / 59 / 0 / 58

HEX #3A2C6C

RGB 58 44 108

HSL 253.13, 0.42%, 0.3%

LAB 22.94, 23.79, -35.31

 

CMYK 58 / 74 / 0 / 53

HEX #331F79

RGB 51 31 121

HSL 253.33, 0.59%, 0.3%

LAB 20.3, 34.64, -47.99

 

CMYK 67 / 86 / 0 / 48

HEX #2C1385

RGB 44 19 133

HSL 253.16, 0.75%, 0.3%

LAB 18.78, 43.55, -58.14

 

CMYK 74 / 95 / 0 / 43

HEX #250791

RGB 37 7 145

HSL 253.04, 0.91%, 0.3%

LAB 18.32, 50.6, -66.44

 

CMYK 46 / 59 / 0 / 58

HEX #3A2C6C

RGB 58 44 108

HSL 253.13, 0.42%, 0.3%

LAB 22.94, 23.79, -35.31

 

CMYK 32 / 42 / 0 / 62

HEX #413860

RGB 65 56 96

HSL 253.5, 0.26%, 0.3%

LAB 26.15, 14.1, -22.39

 

CMYK 13 / 17 / 0 / 67

HEX #484553

RGB 72 69 83

HSL 252.86, 0.09%, 0.3%

LAB 30.06, 4.5, -7.9

 

CMYK 2 / 0 / 12 / 68

HEX #4F5147

RGB 79 81 71

HSL 72, 0.07%, 0.3%

LAB 33.99, -2.89, 5.61

 

CMYK 8 / 0 / 37 / 64

HEX #565D3B

RGB 86 93 59

HSL 72.35, 0.22%, 0.3%

LAB 38.06, -9.07, 18.65

 

CMYK 59 / 41 / 0 / 58

HEX #2C406C

RGB 44 64 108

HSL 221.25, 0.42%, 0.3%

LAB 27.53, 6.68, -28.04

 

CMYK 59 / 56 / 0 / 58

HEX #2C2F6C

RGB 44 47 108

HSL 237.19, 0.42%, 0.3%

LAB 22.48, 18.45, -36.11

 

CMYK 46 / 59 / 0 / 58

HEX #3A2C6C

RGB 58 44 108

HSL 253.13, 0.42%, 0.3%

LAB 22.94, 23.79, -35.31

 

CMYK 31 / 59 / 0 / 58

HEX #4B2C6C

RGB 75 44 108

HSL 269.06, 0.42%, 0.3%

LAB 24.89, 28.32, -32.08

 

CMYK 15 / 59 / 0 / 58

HEX #5C2C6C

RGB 92 44 108

HSL 285, 0.42%, 0.3%

LAB 27.18, 33.18, -28.29

 

CMYK 48 / 60 / 0 / 80

HEX #1A1432

RGB 26 20 50

HSL 252, 0.43%, 0.14%

LAB 8.57, 12.18, -18.94

 

CMYK 47 / 59 / 0 / 69

HEX #2A204F

RGB 42 32 79

HSL 252.77, 0.42%, 0.22%

LAB 15.95, 18.2, -27.43

 

CMYK 46 / 59 / 0 / 58

HEX #3A2C6C

RGB 58 44 108

HSL 253.13, 0.42%, 0.3%

LAB 22.94, 23.79, -35.31

 

CMYK 46 / 59 / 0 / 46

HEX #4A3889

RGB 74 56 137

HSL 253.33, 0.42%, 0.38%

LAB 29.64, 29.08, -42.76

 

CMYK 47 / 59 / 0 / 35

HEX #5944A7

RGB 89 68 167

HSL 252.73, 0.42%, 0.46%

LAB 36.08, 34.21, -50.54

 

CMYK 46 / 59 / 0 / 58

HEX #3A2C6C

RGB 58 44 108

HSL 253.13, 0.42%, 0.3%

LAB 22.94, 23.79, -35.31

 

CMYK 0 / 59 / 25 / 58

HEX #6C2C51

RGB 108 44 81

HSL 325.31, 0.42%, 0.3%

LAB 28.34, 33.1, -8.73

 

CMYK 48 / 0 / 59 / 58

HEX #386C2C

RGB 56 108 44

HSL 108.75, 0.42%, 0.3%

LAB 40.81, -30.92, 30.07

 

CMYK 46 / 59 / 0 / 58

HEX #3A2C6C

RGB 58 44 108

HSL 253.13, 0.42%, 0.3%

LAB 22.94, 23.79, -35.31

 

CMYK 0 / 46 / 59 / 58

HEX #6C3A2C

RGB 108 58 44

HSL 13.13, 0.42%, 0.3%

LAB 30.39, 20.54, 18.34

 

CMYK 59 / 0 / 46 / 58

HEX #2C6C3A

RGB 44 108 58

HSL 133.13, 0.42%, 0.3%

LAB 40.52, -32.39, 21.94

 

CMYK 46 / 59 / 0 / 58

HEX #3A2C6C

RGB 58 44 108

HSL 253.13, 0.42%, 0.3%

LAB 22.94, 23.79, -35.31

 

CMYK 0 / 59 / 25 / 58

HEX #6C2C51

RGB 108 44 81

HSL 325.31, 0.42%, 0.3%

LAB 28.34, 33.1, -8.73

 

CMYK 13 / 0 / 59 / 58

HEX #5E6C2C

RGB 94 108 44

HSL 73.13, 0.42%, 0.3%

LAB 43.19, -15.73, 33.44

 

CMYK 59 / 0 / 34 / 58

HEX #2C6C47

RGB 44 108 71

HSL 145.31, 0.42%, 0.3%

LAB 40.76, -29.83, 14.71

 

CMYK 46 / 59 / 0 / 58

HEX #3A2C6C

RGB 58 44 108

HSL 253.13, 0.42%, 0.3%

LAB 22.94, 23.79, -35.31

 

CMYK 0 / 59 / 43 / 58

HEX #6C2C3E

RGB 108 44 62

HSL 343.13, 0.42%, 0.3%

LAB 27.67, 30.45, 2.89

 

CMYK 13 / 0 / 59 / 58

HEX #5E6C2C

RGB 94 108 44

HSL 73.13, 0.42%, 0.3%

LAB 43.19, -15.73, 33.44

 

CMYK 59 / 0 / 17 / 58

HEX #2C6C5A

RGB 44 108 90

HSL 163.13, 0.42%, 0.3%

LAB 41.21, -25.26, 3.96

 

Description

Color code: RGB 58 44 108 | qconv.com Color code: RGB 58 44 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 44 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 44 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 59 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 59% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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