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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 36 148 it is the complementary color RGB 199 219 107. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 36 148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 36 148 shade: RGB 61 36 143, RGB 78 54 162, RGB 95 72 181, RGB 112 90 200 and RGB 129 108 219

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 36 148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 36 148 shade: RGB 56 36 148, RGB 39 18 129, RGB 22 0 110, RGB 5 0 91 and RGB 0 0 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 36 148 shade: RGB 55 35 147, RGB 85 35 147, RGB 116 35 147, RGB 146 35 147 and RGB 147 35 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 36 148 shade: RGB 55 35 147 and RGB 35 35 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 36 148 shade matches the following richer shades: RGB 55 35 147, RGB 46 20 162 and RGB 36 6 177

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 36 148 shade: RGB 55 35 147, RGB 65 50 132, RGB 74 65 118, RGB 84 80 103 and RGB 93 95 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 36 148 shade: RGB 35 76 147, RGB 35 47 147, RGB 54 35 147, RGB 84 35 147 and RGB 114 35 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 36 148 shade: RGB 30 19 81, RGB 43 27 114, RGB 55 35 147, RGB 68 43 181 and RGB 85 58 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 36 148 shade: RGB 56 36 148, RGB 147 35 106 and RGB 61 147 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 36 148 shade: RGB 56 36 148, RGB 147 54 35 and RGB 35 147 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 36 148 shade: RGB 56 36 148, RGB 147 35 106, RGB 129 147 35 and RGB 35 147 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 36 148 shade: RGB 56 36 148, RGB 147 35 73, RGB 129 147 35 and RGB 35 147 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 76 / 0 / 42

HEX #382494

RGB 56 36 148

HSL 250.71, 0.61%, 0.36%

LAB 24.45, 41.11, -58.09

 

Complementary color

CMYK 9 / 0 / 51 / 14

HEX #C7DB6B

RGB 199 219 107

HSL 70.71, 0.61%, 0.64%

LAB 83.9, -22.86, 52.23

 

CMYK 57 / 75 / 0 / 44

HEX #3D248F

RGB 61 36 143

HSL 254.02, 0.6%, 0.35%

LAB 24.44, 40.27, -55

 

CMYK 52 / 67 / 0 / 36

HEX #4E36A2

RGB 78 54 162

HSL 253.33, 0.5%, 0.42%

LAB 31.5, 38.79, -55.01

 

CMYK 48 / 60 / 0 / 29

HEX #5F48B5

RGB 95 72 181

HSL 252.66, 0.43%, 0.5%

LAB 38.56, 37.29, -54.82

 

CMYK 44 / 55 / 0 / 22

HEX #705AC8

RGB 112 90 200

HSL 252, 0.5%, 0.57%

LAB 45.53, 35.9, -54.56

 

CMYK 41 / 51 / 0 / 14

HEX #816CDB

RGB 129 108 219

HSL 251.35, 0.61%, 0.64%

LAB 52.41, 34.65, -54.3

 

CMYK 62 / 76 / 0 / 42

HEX #382494

RGB 56 36 148

HSL 250.71, 0.61%, 0.36%

LAB 24.45, 41.11, -58.09

 

CMYK 70 / 86 / 0 / 49

HEX #271281

RGB 39 18 129

HSL 251.35, 0.76%, 0.29%

LAB 17.69, 42.34, -57.43

 

CMYK 80 / 100 / 0 / 57

HEX #16006E

RGB 22 0 110

HSL 252, 1%, 0.22%

LAB 11.25, 43.07, -55.93

 

CMYK 95 / 100 / 0 / 64

HEX #05005B

RGB 5 0 91

HSL 243.3, 1%, 0.18%

LAB 7.11, 37.27, -50.22

 

CMYK 100 / 100 / 0 / 72

HEX #000048

RGB 0 0 72

HSL 240, 1%, 0.14%

LAB 4.23, 28.26, -41.9

 

CMYK 63 / 76 / 0 / 42

HEX #372393

RGB 55 35 147

HSL 250.71, 0.62%, 0.36%

LAB 24.07, 41.21, -58.11

 

CMYK 42 / 76 / 0 / 42

HEX #552393

RGB 85 35 147

HSL 266.79, 0.62%, 0.36%

LAB 27.41, 45.86, -52.51

 

CMYK 21 / 76 / 0 / 42

HEX #742393

RGB 116 35 147

HSL 283.39, 0.62%, 0.36%

LAB 31.86, 51.8, -45.08

 

CMYK 1 / 76 / 0 / 42

HEX #922393

RGB 146 35 147

HSL 299.46, 0.62%, 0.36%

LAB 36.78, 58.14, -36.92

 

CMYK 0 / 76 / 20 / 42

HEX #932376

RGB 147 35 118

HSL 315.54, 0.62%, 0.36%

LAB 35.43, 53.86, -21.07

 

CMYK 63 / 76 / 0 / 42

HEX #372393

RGB 55 35 147

HSL 250.71, 0.62%, 0.36%

LAB 24.07, 41.21, -58.11

 

CMYK 76 / 76 / 0 / 42

HEX #232393

RGB 35 35 147

HSL 240, 0.62%, 0.36%

LAB 22.53, 39, -60.69

 

CMYK 63 / 76 / 0 / 42

HEX #372393

RGB 55 35 147

HSL 250.71, 0.62%, 0.36%

LAB 24.07, 41.21, -58.11

 

CMYK 72 / 88 / 0 / 36

HEX #2E14A2

RGB 46 20 162

HSL 250.99, 0.78%, 0.36%

LAB 22.62, 51.73, -69.74

 

CMYK 80 / 97 / 0 / 31

HEX #2406B1

RGB 36 6 177

HSL 250.53, 0.93%, 0.36%

LAB 22.58, 59.28, -78.89

 

CMYK 63 / 76 / 0 / 42

HEX #372393

RGB 55 35 147

HSL 250.71, 0.62%, 0.36%

LAB 24.07, 41.21, -58.11

 

CMYK 51 / 62 / 0 / 48

HEX #413284

RGB 65 50 132

HSL 250.98, 0.45%, 0.36%

LAB 26.94, 29.25, -44.06

 

CMYK 37 / 45 / 0 / 54

HEX #4A4176

RGB 74 65 118

HSL 250.19, 0.29%, 0.36%

LAB 30.75, 17.49, -29.13

 

CMYK 18 / 22 / 0 / 60

HEX #545067

RGB 84 80 103

HSL 250.43, 0.13%, 0.36%

LAB 35.21, 6.96, -12.71

 

CMYK 2 / 0 / 7 / 63

HEX #5D5F58

RGB 93 95 88

HSL 77.14, 0.04%, 0.36%

LAB 39.94, -2.23, 3.73

 

CMYK 76 / 48 / 0 / 42

HEX #234C93

RGB 35 76 147

HSL 218.04, 0.62%, 0.36%

LAB 33.21, 11.89, -43.29

 

CMYK 76 / 68 / 0 / 42

HEX #232F93

RGB 35 47 147

HSL 233.57, 0.62%, 0.36%

LAB 25.25, 31.54, -56.22

 

CMYK 63 / 76 / 0 / 42

HEX #362393

RGB 54 35 147

HSL 250.18, 0.62%, 0.36%

LAB 23.98, 41.08, -58.27

 

CMYK 43 / 76 / 0 / 42

HEX #542393

RGB 84 35 147

HSL 266.25, 0.62%, 0.36%

LAB 27.28, 45.69, -52.72

 

CMYK 22 / 76 / 0 / 42

HEX #722393

RGB 114 35 147

HSL 282.32, 0.62%, 0.36%

LAB 31.55, 51.39, -45.6

 

CMYK 63 / 77 / 0 / 68

HEX #1E1351

RGB 30 19 81

HSL 250.65, 0.62%, 0.2%

LAB 11.52, 25, -36.04

 

CMYK 62 / 76 / 0 / 55

HEX #2B1B72

RGB 43 27 114

HSL 251.03, 0.62%, 0.28%

LAB 17.97, 33.44, -47.34

 

CMYK 63 / 76 / 0 / 42

HEX #372393

RGB 55 35 147

HSL 250.71, 0.62%, 0.36%

LAB 24.07, 41.21, -58.11

 

CMYK 62 / 76 / 0 / 29

HEX #442BB5

RGB 68 43 181

HSL 250.87, 0.62%, 0.44%

LAB 30.14, 49.05, -68.67

 

CMYK 59 / 72 / 0 / 19

HEX #553ACF

RGB 85 58 207

HSL 250.87, 0.61%, 0.52%

LAB 36.86, 51.2, -72.82

 

CMYK 62 / 76 / 0 / 42

HEX #382494

RGB 56 36 148

HSL 250.71, 0.61%, 0.36%

LAB 24.45, 41.11, -58.09

 

CMYK 0 / 76 / 28 / 42

HEX #93236A

RGB 147 35 106

HSL 321.96, 0.62%, 0.36%

LAB 34.89, 52.23, -14.3

 

CMYK 59 / 0 / 76 / 42

HEX #3D9323

RGB 61 147 35

HSL 106.07, 0.62%, 0.36%

LAB 54.01, -46.39, 48.3

 

CMYK 62 / 76 / 0 / 42

HEX #382494

RGB 56 36 148

HSL 250.71, 0.61%, 0.36%

LAB 24.45, 41.11, -58.09

 

CMYK 0 / 63 / 76 / 42

HEX #933623

RGB 147 54 35

HSL 10.18, 0.62%, 0.36%

LAB 35.91, 38.11, 31.91

 

CMYK 76 / 0 / 63 / 42

HEX #239336

RGB 35 147 54

HSL 130.18, 0.62%, 0.36%

LAB 53.48, -50.11, 39.61

 

CMYK 62 / 76 / 0 / 42

HEX #382494

RGB 56 36 148

HSL 250.71, 0.61%, 0.36%

LAB 24.45, 41.11, -58.09

 

CMYK 0 / 76 / 28 / 42

HEX #93236A

RGB 147 35 106

HSL 321.96, 0.62%, 0.36%

LAB 34.89, 52.23, -14.3

 

CMYK 12 / 0 / 76 / 42

HEX #819323

RGB 129 147 35

HSL 69.64, 0.62%, 0.36%

LAB 57.71, -21.36, 53.16

 

CMYK 76 / 0 / 48 / 42

HEX #23934C

RGB 35 147 76

HSL 141.96, 0.62%, 0.36%

LAB 53.76, -46.87, 28.91

 

CMYK 62 / 76 / 0 / 42

HEX #382494

RGB 56 36 148

HSL 250.71, 0.61%, 0.36%

LAB 24.45, 41.11, -58.09

 

CMYK 0 / 76 / 50 / 42

HEX #932349

RGB 147 35 73

HSL 339.64, 0.62%, 0.36%

LAB 33.74, 48.61, 5.28

 

CMYK 12 / 0 / 76 / 42

HEX #819323

RGB 129 147 35

HSL 69.64, 0.62%, 0.36%

LAB 57.71, -21.36, 53.16

 

CMYK 76 / 0 / 25 / 42

HEX #23936E

RGB 35 147 110

HSL 160.18, 0.62%, 0.36%

LAB 54.4, -39.75, 10.94

 

Description

Color code: RGB 56 36 148 | qconv.com Color code: RGB 56 36 148 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 36 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 36 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 76 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 76% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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