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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 34 245 it is the complementary color RGB 199 221 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 34 245. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 34 245 shade: RGB 61 34 240, RGB 78 52 255, RGB 95 70 255, RGB 112 88 255 and RGB 129 106 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 34 245. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 34 245 shade: RGB 56 34 245, RGB 39 16 226, RGB 22 0 207, RGB 5 0 188 and RGB 0 0 169

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 34 245 shade: RGB 57 35 244, RGB 113 35 244, RGB 170 35 244, RGB 226 35 244 and RGB 244 35 206

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 34 245 shade: RGB 57 35 244 and RGB 35 35 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 34 245 shade matches the following richer shades: RGB 57 35 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 34 245 shade: RGB 57 35 244, RGB 72 54 226, RGB 87 72 207, RGB 101 91 188 and RGB 116 110 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 34 245 shade: RGB 35 126 244, RGB 35 70 244, RGB 56 35 244, RGB 112 35 244 and RGB 168 35 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 34 245 shade: RGB 27 8 189, RGB 33 10 228, RGB 57 35 244, RGB 93 75 246 and RGB 128 114 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 34 245 shade: RGB 56 34 245, RGB 244 35 182 and RGB 98 244 35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 34 245 shade: RGB 56 34 245, RGB 244 56 35 and RGB 35 244 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 34 245 shade: RGB 56 34 245, RGB 244 35 182, RGB 223 244 35 and RGB 35 244 98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 34 245 shade: RGB 56 34 245, RGB 244 35 119, RGB 223 244 35 and RGB 35 244 161

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 86 / 0 / 4

HEX #3822F5

RGB 56 34 245

HSL 246.26, 0.91%, 0.55%

LAB 35.16, 70.22, -97.43

 

Complementary color

CMYK 10 / 0 / 95 / 13

HEX #C7DD0A

RGB 199 221 10

HSL 66.26, 0.91%, 0.45%

LAB 83.9, -28.43, 81.98

 

CMYK 75 / 86 / 0 / 6

HEX #3D22F0

RGB 61 34 240

HSL 247.86, 0.87%, 0.54%

LAB 34.86, 69.11, -95.09

 

CMYK 69 / 80 / 0 / 0

HEX #4E34FF

RGB 78 52 255

HSL 247.68, 1%, 0.6%

LAB 40.07, 67.24, -94.84

 

CMYK 63 / 73 / 0 / 0

HEX #5F46FF

RGB 95 70 255

HSL 248.11, 1%, 0.64%

LAB 44.28, 60.36, -87.85

 

CMYK 56 / 65 / 0 / 0

HEX #7058FF

RGB 112 88 255

HSL 248.62, 1%, 0.67%

LAB 49.06, 53.13, -79.95

 

CMYK 49 / 58 / 0 / 0

HEX #816AFF

RGB 129 106 255

HSL 249.26, 1%, 0.71%

LAB 54.23, 46.03, -71.48

 

CMYK 77 / 86 / 0 / 4

HEX #3822F5

RGB 56 34 245

HSL 246.26, 0.91%, 0.55%

LAB 35.16, 70.22, -97.43

 

CMYK 83 / 93 / 0 / 11

HEX #2710E2

RGB 39 16 226

HSL 246.57, 0.87%, 0.47%

LAB 30.14, 69.81, -95

 

CMYK 89 / 100 / 0 / 19

HEX #1600CF

RGB 22 0 207

HSL 246.38, 1%, 0.41%

LAB 25.79, 67.84, -91.3

 

CMYK 97 / 100 / 0 / 26

HEX #0500BC

RGB 5 0 188

HSL 241.6, 1%, 0.37%

LAB 22.52, 63.01, -85.58

 

CMYK 100 / 100 / 0 / 34

HEX #0000A9

RGB 0 0 169

HSL 240, 1%, 0.33%

LAB 19.49, 58.19, -79.26

 

CMYK 77 / 86 / 0 / 4

HEX #3923F4

RGB 57 35 244

HSL 246.32, 0.9%, 0.55%

LAB 35.21, 69.65, -96.77

 

CMYK 54 / 86 / 0 / 4

HEX #7123F4

RGB 113 35 244

HSL 262.39, 0.9%, 0.55%

LAB 39.99, 73.55, -88.7

 

CMYK 30 / 86 / 0 / 4

HEX #AA23F4

RGB 170 35 244

HSL 278.76, 0.9%, 0.55%

LAB 47.34, 80.2, -76.36

 

CMYK 7 / 86 / 0 / 4

HEX #E223F4

RGB 226 35 244

HSL 294.83, 0.9%, 0.55%

LAB 55.99, 88.68, -61.93

 

CMYK 0 / 86 / 16 / 4

HEX #F423CE

RGB 244 35 206

HSL 310.91, 0.9%, 0.55%

LAB 56.97, 86.53, -38.71

 

CMYK 77 / 86 / 0 / 4

HEX #3923F4

RGB 57 35 244

HSL 246.32, 0.9%, 0.55%

LAB 35.21, 69.65, -96.77

 

CMYK 86 / 86 / 0 / 4

HEX #2323F4

RGB 35 35 244

HSL 240, 0.9%, 0.55%

LAB 34.17, 68.86, -98.53

 

CMYK 77 / 86 / 0 / 4

HEX #3923F4

RGB 57 35 244

HSL 246.32, 0.9%, 0.55%

LAB 35.21, 69.65, -96.77

 

CMYK 77 / 86 / 0 / 4

HEX #3923F4

RGB 57 35 244

HSL 246.32, 0.9%, 0.55%

LAB 35.21, 69.65, -96.77

 

CMYK 68 / 76 / 0 / 11

HEX #4836E2

RGB 72 54 226

HSL 246.28, 0.75%, 0.55%

LAB 36.94, 57.43, -83.65

 

CMYK 58 / 65 / 0 / 19

HEX #5748CF

RGB 87 72 207

HSL 246.67, 0.58%, 0.55%

LAB 39.86, 43.73, -67.9

 

CMYK 46 / 52 / 0 / 26

HEX #655BBC

RGB 101 91 188

HSL 246.19, 0.42%, 0.55%

LAB 44.06, 29.23, -50.02

 

CMYK 32 / 35 / 0 / 33

HEX #746EAA

RGB 116 110 170

HSL 246, 0.26%, 0.55%

LAB 49.21, 16.48, -31.28

 

CMYK 86 / 48 / 0 / 4

HEX #237EF4

RGB 35 126 244

HSL 213.88, 0.9%, 0.55%

LAB 53.83, 17.16, -66.26

 

CMYK 86 / 71 / 0 / 4

HEX #2346F4

RGB 35 70 244

HSL 229.95, 0.9%, 0.55%

LAB 40.03, 51.93, -88.81

 

CMYK 77 / 86 / 0 / 4

HEX #3823F4

RGB 56 35 244

HSL 246.03, 0.9%, 0.55%

LAB 35.15, 69.6, -96.87

 

CMYK 54 / 86 / 0 / 4

HEX #7023F4

RGB 112 35 244

HSL 262.11, 0.9%, 0.55%

LAB 39.88, 73.46, -88.89

 

CMYK 31 / 86 / 0 / 4

HEX #A823F4

RGB 168 35 244

HSL 278.18, 0.9%, 0.55%

LAB 47.05, 79.93, -76.84

 

CMYK 86 / 96 / 0 / 26

HEX #1B08BD

RGB 27 8 189

HSL 246.3, 0.92%, 0.39%

LAB 23.94, 61.71, -83.8

 

CMYK 86 / 96 / 0 / 11

HEX #210AE4

RGB 33 10 228

HSL 246.33, 0.92%, 0.47%

LAB 29.77, 71.35, -96.78

 

CMYK 77 / 86 / 0 / 4

HEX #3923F4

RGB 57 35 244

HSL 246.32, 0.9%, 0.55%

LAB 35.21, 69.65, -96.77

 

CMYK 62 / 70 / 0 / 4

HEX #5D4BF6

RGB 93 75 246

HSL 246.32, 0.9%, 0.63%

LAB 44.25, 54.85, -82.87

 

CMYK 48 / 54 / 0 / 3

HEX #8072F8

RGB 128 114 248

HSL 246.27, 0.91%, 0.71%

LAB 55.48, 39.22, -65.59

 

CMYK 77 / 86 / 0 / 4

HEX #3822F5

RGB 56 34 245

HSL 246.26, 0.91%, 0.55%

LAB 35.16, 70.22, -97.43

 

CMYK 0 / 86 / 25 / 4

HEX #F423B6

RGB 244 35 182

HSL 317.8, 0.9%, 0.55%

LAB 55.9, 83.65, -26.55

 

CMYK 60 / 0 / 86 / 4

HEX #62F423

RGB 98 244 35

HSL 101.91, 0.9%, 0.55%

LAB 85.72, -71.09, 77.87

 

CMYK 77 / 86 / 0 / 4

HEX #3822F5

RGB 56 34 245

HSL 246.26, 0.91%, 0.55%

LAB 35.16, 70.22, -97.43

 

CMYK 0 / 77 / 86 / 4

HEX #F43823

RGB 244 56 35

HSL 6.03, 0.9%, 0.55%

LAB 54.22, 68.95, 55.63

 

CMYK 86 / 0 / 77 / 4

HEX #23F438

RGB 35 244 56

HSL 126.03, 0.9%, 0.55%

LAB 84.66, -79.79, 71.24

 

CMYK 77 / 86 / 0 / 4

HEX #3822F5

RGB 56 34 245

HSL 246.26, 0.91%, 0.55%

LAB 35.16, 70.22, -97.43

 

CMYK 0 / 86 / 25 / 4

HEX #F423B6

RGB 244 35 182

HSL 317.8, 0.9%, 0.55%

LAB 55.9, 83.65, -26.55

 

CMYK 9 / 0 / 86 / 4

HEX #DFF423

RGB 223 244 35

HSL 66.03, 0.9%, 0.55%

LAB 91.91, -29, 85.58

 

CMYK 86 / 0 / 60 / 4

HEX #23F462

RGB 35 244 98

HSL 138.09, 0.9%, 0.55%

LAB 84.97, -75.97, 55.97

 

CMYK 77 / 86 / 0 / 4

HEX #3822F5

RGB 56 34 245

HSL 246.26, 0.91%, 0.55%

LAB 35.16, 70.22, -97.43

 

CMYK 0 / 86 / 51 / 4

HEX #F42377

RGB 244 35 119

HSL 335.89, 0.9%, 0.55%

LAB 53.78, 77.75, 7.61

 

CMYK 9 / 0 / 86 / 4

HEX #DFF423

RGB 223 244 35

HSL 66.03, 0.9%, 0.55%

LAB 91.91, -29, 85.58

 

CMYK 86 / 0 / 34 / 4

HEX #23F4A1

RGB 35 244 161

HSL 156.17, 0.9%, 0.55%

LAB 85.82, -65.83, 26.92

 

Description

Color code: RGB 56 34 245 | qconv.com Color code: RGB 56 34 245 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 34 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 34 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 86 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 86% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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