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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 31 131 it is the complementary color RGB 199 224 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 31 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 31 131 shade: RGB 61 31 126, RGB 78 49 145, RGB 95 67 164, RGB 112 85 183 and RGB 129 103 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 31 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 31 131 shade: RGB 56 31 131, RGB 39 13 112, RGB 22 0 93, RGB 5 0 74 and RGB 0 0 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 31 131 shade: RGB 56 31 132, RGB 83 31 132, RGB 110 31 132, RGB 132 31 126 and RGB 132 31 98

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 31 131 shade: RGB 56 31 132 and RGB 31 31 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 31 131 shade matches the following richer shades: RGB 56 31 132, RGB 49 17 145 and RGB 43 4 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 31 131 shade: RGB 56 31 132, RGB 62 44 118, RGB 69 57 105, RGB 76 70 92 and RGB 82 83 79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 31 131 shade: RGB 31 59 132, RGB 31 32 132, RGB 56 31 132, RGB 83 31 132 and RGB 110 31 132

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 31 131 shade: RGB 27 15 65, RGB 42 23 98, RGB 56 31 132, RGB 70 38 165 and RGB 84 46 199

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 31 131 shade: RGB 56 31 131, RGB 132 31 86 and RGB 46 132 31

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 31 131 shade: RGB 56 31 131, RGB 132 56 31 and RGB 31 132 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 31 131 shade: RGB 56 31 131, RGB 132 31 86, RGB 106 132 31 and RGB 31 132 76

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 31 131 shade: RGB 56 31 131, RGB 132 31 56, RGB 106 132 31 and RGB 31 132 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 76 / 0 / 49

HEX #381F83

RGB 56 31 131

HSL 255, 0.62%, 0.32%

LAB 21.8, 38.55, -51.86

 

Complementary color

CMYK 11 / 0 / 45 / 12

HEX #C7E07C

RGB 199 224 124

HSL 75, 0.62%, 0.68%

LAB 85.46, -23.59, 46.03

 

CMYK 52 / 75 / 0 / 51

HEX #3D1F7E

RGB 61 31 126

HSL 258.95, 0.61%, 0.31%

LAB 21.87, 37.84, -48.56

 

CMYK 46 / 66 / 0 / 43

HEX #4E3191

RGB 78 49 145

HSL 258.13, 0.49%, 0.38%

LAB 29.06, 36.61, -48.62

 

CMYK 42 / 59 / 0 / 36

HEX #5F43A4

RGB 95 67 164

HSL 257.32, 0.42%, 0.45%

LAB 36.23, 35.28, -48.47

 

CMYK 39 / 54 / 0 / 28

HEX #7055B7

RGB 112 85 183

HSL 256.53, 0.4%, 0.53%

LAB 43.3, 34.04, -48.27

 

CMYK 36 / 49 / 0 / 21

HEX #8167CA

RGB 129 103 202

HSL 255.76, 0.48%, 0.6%

LAB 50.25, 32.91, -48.06

 

CMYK 57 / 76 / 0 / 49

HEX #381F83

RGB 56 31 131

HSL 255, 0.62%, 0.32%

LAB 21.8, 38.55, -51.86

 

CMYK 65 / 88 / 0 / 56

HEX #270D70

RGB 39 13 112

HSL 255.76, 0.79%, 0.25%

LAB 14.89, 39.37, -51.14

 

CMYK 76 / 100 / 0 / 64

HEX #16005D

RGB 22 0 93

HSL 254.19, 1%, 0.18%

LAB 8.66, 38.46, -48.96

 

CMYK 93 / 100 / 0 / 71

HEX #05004A

RGB 5 0 74

HSL 244.05, 1%, 0.15%

LAB 4.76, 30.06, -42.42

 

CMYK 100 / 100 / 0 / 78

HEX #000037

RGB 0 0 55

HSL 240, 1%, 0.11%

LAB 2.49, 17.51, -32.5

 

CMYK 58 / 77 / 0 / 48

HEX #381F84

RGB 56 31 132

HSL 254.85, 0.62%, 0.32%

LAB 21.9, 38.85, -52.33

 

CMYK 37 / 77 / 0 / 48

HEX #531F84

RGB 83 31 132

HSL 270.89, 0.62%, 0.32%

LAB 25.21, 43.49, -46.77

 

CMYK 17 / 77 / 0 / 48

HEX #6E1F84

RGB 110 31 132

HSL 286.93, 0.62%, 0.32%

LAB 29.31, 48.97, -39.93

 

CMYK 0 / 77 / 5 / 48

HEX #841F7E

RGB 132 31 126

HSL 303.56, 0.62%, 0.32%

LAB 32.68, 52.77, -30.58

 

CMYK 0 / 77 / 26 / 48

HEX #841F62

RGB 132 31 98

HSL 320.2, 0.62%, 0.32%

LAB 31.27, 48.53, -14.96

 

CMYK 58 / 77 / 0 / 48

HEX #381F84

RGB 56 31 132

HSL 254.85, 0.62%, 0.32%

LAB 21.9, 38.85, -52.33

 

CMYK 77 / 77 / 0 / 48

HEX #1F1F84

RGB 31 31 132

HSL 240, 0.62%, 0.32%

LAB 19.79, 35.78, -55.87

 

CMYK 58 / 77 / 0 / 48

HEX #381F84

RGB 56 31 132

HSL 254.85, 0.62%, 0.32%

LAB 21.9, 38.85, -52.33

 

CMYK 66 / 88 / 0 / 43

HEX #311191

RGB 49 17 145

HSL 255, 0.79%, 0.32%

LAB 20.43, 48.24, -62.9

 

CMYK 73 / 97 / 0 / 38

HEX #2B049E

RGB 43 4 158

HSL 255.19, 0.95%, 0.32%

LAB 20.32, 55.13, -71.13

 

CMYK 58 / 77 / 0 / 48

HEX #381F84

RGB 56 31 132

HSL 254.85, 0.62%, 0.32%

LAB 21.9, 38.85, -52.33

 

CMYK 47 / 63 / 0 / 54

HEX #3E2C76

RGB 62 44 118

HSL 254.59, 0.46%, 0.32%

LAB 24.11, 27.93, -39.82

 

CMYK 34 / 46 / 0 / 59

HEX #453969

RGB 69 57 105

HSL 255, 0.3%, 0.32%

LAB 27.33, 17.36, -26.31

 

CMYK 17 / 24 / 0 / 64

HEX #4C465C

RGB 76 70 92

HSL 256.36, 0.14%, 0.32%

LAB 31.09, 7.63, -12.08

 

CMYK 1 / 0 / 5 / 67

HEX #52534F

RGB 82 83 79

HSL 75, 0.02%, 0.32%

LAB 35.09, -1.25, 2.19

 

CMYK 77 / 55 / 0 / 48

HEX #1F3B84

RGB 31 59 132

HSL 223.37, 0.62%, 0.32%

LAB 26.98, 17.04, -44.11

 

CMYK 77 / 76 / 0 / 48

HEX #1F2084

RGB 31 32 132

HSL 239.41, 0.62%, 0.32%

LAB 20, 35.18, -55.51

 

CMYK 58 / 77 / 0 / 48

HEX #381F84

RGB 56 31 132

HSL 254.85, 0.62%, 0.32%

LAB 21.9, 38.85, -52.33

 

CMYK 37 / 77 / 0 / 48

HEX #531F84

RGB 83 31 132

HSL 270.89, 0.62%, 0.32%

LAB 25.21, 43.49, -46.77

 

CMYK 17 / 77 / 0 / 48

HEX #6E1F84

RGB 110 31 132

HSL 286.93, 0.62%, 0.32%

LAB 29.31, 48.97, -39.93

 

CMYK 58 / 77 / 0 / 75

HEX #1B0F41

RGB 27 15 65

HSL 254.4, 0.63%, 0.16%

LAB 8.62, 21.4, -29.65

 

CMYK 57 / 77 / 0 / 62

HEX #2A1762

RGB 42 23 98

HSL 255.2, 0.62%, 0.24%

LAB 15.42, 30.38, -41.07

 

CMYK 58 / 77 / 0 / 48

HEX #381F84

RGB 56 31 132

HSL 254.85, 0.62%, 0.32%

LAB 21.9, 38.85, -52.33

 

CMYK 58 / 77 / 0 / 35

HEX #4626A5

RGB 70 38 165

HSL 255.12, 0.63%, 0.4%

LAB 27.86, 47.08, -62.82

 

CMYK 58 / 77 / 0 / 22

HEX #542EC7

RGB 84 46 199

HSL 254.9, 0.62%, 0.48%

LAB 33.9, 54.75, -73.03

 

CMYK 57 / 76 / 0 / 49

HEX #381F83

RGB 56 31 131

HSL 255, 0.62%, 0.32%

LAB 21.8, 38.55, -51.86

 

CMYK 0 / 77 / 35 / 48

HEX #841F56

RGB 132 31 86

HSL 327.33, 0.62%, 0.32%

LAB 30.78, 47, -7.91

 

CMYK 65 / 0 / 77 / 48

HEX #2E841F

RGB 46 132 31

HSL 111.09, 0.62%, 0.32%

LAB 48.49, -44.91, 44.12

 

CMYK 57 / 76 / 0 / 49

HEX #381F83

RGB 56 31 131

HSL 255, 0.62%, 0.32%

LAB 21.8, 38.55, -51.86

 

CMYK 0 / 58 / 77 / 48

HEX #84381F

RGB 132 56 31

HSL 14.85, 0.62%, 0.32%

LAB 33.63, 31.03, 30.94

 

CMYK 77 / 0 / 58 / 48

HEX #1F8438

RGB 31 132 56

HSL 134.85, 0.62%, 0.32%

LAB 48.36, -45.13, 32.66

 

CMYK 57 / 76 / 0 / 49

HEX #381F83

RGB 56 31 131

HSL 255, 0.62%, 0.32%

LAB 21.8, 38.55, -51.86

 

CMYK 0 / 77 / 35 / 48

HEX #841F56

RGB 132 31 86

HSL 327.33, 0.62%, 0.32%

LAB 30.78, 47, -7.91

 

CMYK 20 / 0 / 77 / 48

HEX #6A841F

RGB 106 132 31

HSL 75.45, 0.62%, 0.32%

LAB 51.46, -23.95, 48.03

 

CMYK 77 / 0 / 42 / 48

HEX #1F844C

RGB 31 132 76

HSL 146.73, 0.62%, 0.32%

LAB 48.66, -41.7, 22.32

 

CMYK 57 / 76 / 0 / 49

HEX #381F83

RGB 56 31 131

HSL 255, 0.62%, 0.32%

LAB 21.8, 38.55, -51.86

 

CMYK 0 / 77 / 58 / 48

HEX #841F38

RGB 132 31 56

HSL 345.15, 0.62%, 0.32%

LAB 29.84, 43.99, 10.57

 

CMYK 20 / 0 / 77 / 48

HEX #6A841F

RGB 106 132 31

HSL 75.45, 0.62%, 0.32%

LAB 51.46, -23.95, 48.03

 

CMYK 77 / 0 / 20 / 48

HEX #1F846A

RGB 31 132 106

HSL 164.55, 0.62%, 0.32%

LAB 49.29, -34.73, 6

 

Description

Color code: RGB 56 31 131 | qconv.com Color code: RGB 56 31 131 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 31 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 31 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 76 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 76% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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