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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 254 146 it is the complementary color RGB 199 1 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 254 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 254 146 shade: RGB 61 254 141, RGB 78 255 160, RGB 95 255 179, RGB 112 255 198 and RGB 129 255 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 254 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 254 146 shade: RGB 56 254 146, RGB 39 236 127, RGB 22 218 108, RGB 5 200 89 and RGB 0 182 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 254 146 shade: RGB 57 254 146, RGB 57 254 93, RGB 73 254 57, RGB 126 254 57 and RGB 179 254 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 254 146 shade: RGB 57 254 146, RGB 57 254 199, RGB 57 254 252, RGB 57 202 254 and RGB 57 149 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 254 146 shade matches the following richer shades: RGB 57 254 146

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 254 146 shade: RGB 57 254 146, RGB 73 237 148, RGB 89 221 149, RGB 105 205 150 and RGB 121 189 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 254 146 shade: RGB 73 254 57, RGB 57 254 93, RGB 57 254 145, RGB 57 254 198 and RGB 57 254 250

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 254 146 shade: RGB 1 227 103, RGB 16 253 124, RGB 57 254 146, RGB 98 254 169 and RGB 139 254 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 254 146 shade: RGB 56 254 146, RGB 57 126 254 and RGB 254 66 57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 254 146 shade: RGB 56 254 146, RGB 145 57 254 and RGB 254 145 57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 254 146 shade: RGB 56 254 146, RGB 57 126 254, RGB 254 57 165 and RGB 254 185 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 254 146 shade: RGB 56 254 146, RGB 57 66 254, RGB 254 57 165 and RGB 254 244 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 43 / 0

HEX #38FE92

RGB 56 254 146

HSL 147.27, 0.99%, 0.61%

LAB 88.83, -70.22, 38.45

 

Complementary color

CMYK 0 / 99 / 45 / 22

HEX #C7016D

RGB 199 1 109

HSL 327.27, 0.99%, 0.39%

LAB 43.16, 70.9, -2.74

 

CMYK 76 / 0 / 44 / 0

HEX #3DFE8D

RGB 61 254 141

HSL 144.87, 0.99%, 0.62%

LAB 88.83, -70.48, 40.89

 

CMYK 69 / 0 / 37 / 0

HEX #4EFFA0

RGB 78 255 160

HSL 147.8, 1%, 0.65%

LAB 89.71, -65.23, 32.75

 

CMYK 63 / 0 / 30 / 0

HEX #5FFFB3

RGB 95 255 179

HSL 151.5, 1%, 0.69%

LAB 90.42, -58.83, 24.21

 

CMYK 56 / 0 / 22 / 0

HEX #70FFC6

RGB 112 255 198

HSL 156.08, 1%, 0.72%

LAB 91.25, -51.7, 15.74

 

CMYK 49 / 0 / 15 / 0

HEX #81FFD9

RGB 129 255 217

HSL 161.9, 1%, 0.75%

LAB 92.22, -43.98, 7.4

 

CMYK 78 / 0 / 43 / 0

HEX #38FE92

RGB 56 254 146

HSL 147.27, 0.99%, 0.61%

LAB 88.83, -70.22, 38.45

 

CMYK 83 / 0 / 46 / 7

HEX #27EC7F

RGB 39 236 127

HSL 146.8, 0.84%, 0.54%

LAB 82.89, -69.02, 40.05

 

CMYK 90 / 0 / 50 / 15

HEX #16DA6C

RGB 22 218 108

HSL 146.33, 0.82%, 0.47%

LAB 76.92, -67.39, 41.74

 

CMYK 98 / 0 / 56 / 22

HEX #05C859

RGB 5 200 89

HSL 145.85, 0.95%, 0.4%

LAB 70.91, -65.23, 43.48

 

CMYK 100 / 0 / 62 / 29

HEX #00B646

RGB 0 182 70

HSL 143.08, 1%, 0.36%

LAB 64.88, -62.38, 45.19

 

CMYK 78 / 0 / 43 / 0

HEX #39FE92

RGB 57 254 146

HSL 147.11, 0.99%, 0.61%

LAB 88.84, -70.11, 38.47

 

CMYK 78 / 0 / 63 / 0

HEX #39FE5D

RGB 57 254 93

HSL 130.96, 0.99%, 0.61%

LAB 88.23, -77.39, 61.82

 

CMYK 71 / 0 / 78 / 0

HEX #49FE39

RGB 73 254 57

HSL 115.13, 0.99%, 0.61%

LAB 88.25, -78.06, 74.58

 

CMYK 50 / 0 / 78 / 0

HEX #7EFE39

RGB 126 254 57

HSL 98.98, 0.99%, 0.61%

LAB 89.68, -66.44, 76.44

 

CMYK 30 / 0 / 78 / 0

HEX #B3FE39

RGB 179 254 57

HSL 82.84, 0.99%, 0.61%

LAB 92.03, -49.55, 79.47

 

CMYK 78 / 0 / 43 / 0

HEX #39FE92

RGB 57 254 146

HSL 147.11, 0.99%, 0.61%

LAB 88.84, -70.11, 38.47

 

CMYK 78 / 0 / 22 / 0

HEX #39FEC7

RGB 57 254 199

HSL 163.25, 0.99%, 0.61%

LAB 89.8, -59.43, 13

 

CMYK 78 / 0 / 1 / 0

HEX #39FEFC

RGB 57 254 252

HSL 179.39, 0.99%, 0.61%

LAB 91.14, -45.89, -12.51

 

CMYK 78 / 20 / 0 / 0

HEX #39CAFE

RGB 57 202 254

HSL 195.84, 0.99%, 0.61%

LAB 76.23, -20.7, -36.24

 

CMYK 78 / 41 / 0 / 0

HEX #3995FE

RGB 57 149 254

HSL 211.98, 0.99%, 0.61%

LAB 61.24, 8.73, -59.84

 

CMYK 78 / 0 / 43 / 0

HEX #39FE92

RGB 57 254 146

HSL 147.11, 0.99%, 0.61%

LAB 88.84, -70.11, 38.47

 

CMYK 78 / 0 / 43 / 0

HEX #39FE92

RGB 57 254 146

HSL 147.11, 0.99%, 0.61%

LAB 88.84, -70.11, 38.47

 

CMYK 69 / 0 / 38 / 7

HEX #49ED94

RGB 73 237 148

HSL 147.44, 0.82%, 0.61%

LAB 84.03, -61.61, 31.2

 

CMYK 60 / 0 / 33 / 13

HEX #59DD95

RGB 89 221 149

HSL 147.27, 0.66%, 0.61%

LAB 79.62, -52.4, 24.82

 

CMYK 49 / 0 / 27 / 20

HEX #69CD96

RGB 105 205 150

HSL 147, 0.5%, 0.61%

LAB 75.37, -41.84, 18.55

 

CMYK 36 / 0 / 20 / 26

HEX #79BD98

RGB 121 189 152

HSL 147.35, 0.34%, 0.61%

LAB 71.37, -29.66, 11.98

 

CMYK 71 / 0 / 78 / 0

HEX #49FE39

RGB 73 254 57

HSL 115.13, 0.99%, 0.61%

LAB 88.25, -78.06, 74.58

 

CMYK 78 / 0 / 63 / 0

HEX #39FE5D

RGB 57 254 93

HSL 130.96, 0.99%, 0.61%

LAB 88.23, -77.39, 61.82

 

CMYK 78 / 0 / 43 / 0

HEX #39FE91

RGB 57 254 145

HSL 146.8, 0.99%, 0.61%

LAB 88.83, -70.28, 38.94

 

CMYK 78 / 0 / 22 / 0

HEX #39FEC6

RGB 57 254 198

HSL 162.94, 0.99%, 0.61%

LAB 89.78, -59.66, 13.49

 

CMYK 78 / 0 / 2 / 0

HEX #39FEFA

RGB 57 254 250

HSL 178.78, 0.99%, 0.61%

LAB 91.08, -46.45, -11.56

 

CMYK 100 / 0 / 55 / 11

HEX #01E367

RGB 1 227 103

HSL 147.08, 0.99%, 0.45%

LAB 79.57, -71.78, 47.33

 

CMYK 94 / 0 / 51 / 1

HEX #10FD7C

RGB 16 253 124

HSL 147.34, 0.98%, 0.53%

LAB 87.88, -76.29, 47.71

 

CMYK 78 / 0 / 43 / 0

HEX #39FE92

RGB 57 254 146

HSL 147.11, 0.99%, 0.61%

LAB 88.84, -70.11, 38.47

 

CMYK 61 / 0 / 33 / 0

HEX #62FEA9

RGB 98 254 169

HSL 147.31, 0.99%, 0.69%

LAB 90.02, -59.8, 28.74

 

CMYK 45 / 0 / 25 / 0

HEX #8BFEBF

RGB 139 254 191

HSL 147.13, 0.98%, 0.77%

LAB 91.75, -46.52, 20.15

 

CMYK 78 / 0 / 43 / 0

HEX #38FE92

RGB 56 254 146

HSL 147.27, 0.99%, 0.61%

LAB 88.83, -70.22, 38.45

 

CMYK 78 / 50 / 0 / 0

HEX #397EFE

RGB 57 126 254

HSL 218.98, 0.99%, 0.61%

LAB 55.02, 22.72, -69.85

 

CMYK 0 / 74 / 78 / 0

HEX #FE4239

RGB 254 66 57

HSL 2.74, 0.99%, 0.61%

LAB 57.33, 69.42, 48.46

 

CMYK 78 / 0 / 43 / 0

HEX #38FE92

RGB 56 254 146

HSL 147.27, 0.99%, 0.61%

LAB 88.83, -70.22, 38.45

 

CMYK 43 / 78 / 0 / 0

HEX #9139FE

RGB 145 57 254

HSL 266.8, 0.99%, 0.61%

LAB 47.11, 72.27, -82.46

 

CMYK 0 / 43 / 78 / 0

HEX #FE9139

RGB 254 145 57

HSL 26.8, 0.99%, 0.61%

LAB 70.61, 34.95, 61.63

 

CMYK 78 / 0 / 43 / 0

HEX #38FE92

RGB 56 254 146

HSL 147.27, 0.99%, 0.61%

LAB 88.83, -70.22, 38.45

 

CMYK 78 / 50 / 0 / 0

HEX #397EFE

RGB 57 126 254

HSL 218.98, 0.99%, 0.61%

LAB 55.02, 22.72, -69.85

 

CMYK 0 / 78 / 35 / 0

HEX #FE39A5

RGB 254 57 165

HSL 327.11, 0.99%, 0.61%

LAB 58.71, 79.25, -12.21

 

CMYK 0 / 27 / 78 / 0

HEX #FEB939

RGB 254 185 57

HSL 38.98, 0.99%, 0.61%

LAB 79.65, 14.14, 70.14

 

CMYK 78 / 0 / 43 / 0

HEX #38FE92

RGB 56 254 146

HSL 147.27, 0.99%, 0.61%

LAB 88.83, -70.22, 38.45

 

CMYK 78 / 74 / 0 / 0

HEX #3942FE

RGB 57 66 254

HSL 237.26, 0.99%, 0.61%

LAB 41.09, 58.68, -92.63

 

CMYK 0 / 78 / 35 / 0

HEX #FE39A5

RGB 254 57 165

HSL 327.11, 0.99%, 0.61%

LAB 58.71, 79.25, -12.21

 

CMYK 0 / 4 / 78 / 0

HEX #FEF439

RGB 254 244 57

HSL 56.95, 0.99%, 0.61%

LAB 94.34, -15.71, 83.43

 

Description

Color code: RGB 56 254 146 | qconv.com Color code: RGB 56 254 146 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 254 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 254 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 43 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 43% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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