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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 234 188 it is the complementary color RGB 199 21 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 234 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 234 188 shade: RGB 61 234 183, RGB 78 252 202, RGB 95 255 221, RGB 112 255 240 and RGB 129 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 234 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 234 188 shade: RGB 56 234 188, RGB 39 216 169, RGB 22 198 150, RGB 5 180 131 and RGB 0 162 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 234 188 shade: RGB 56 234 188, RGB 56 234 140, RGB 56 234 92, RGB 68 234 56 and RGB 116 234 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 234 188 shade: RGB 56 234 188, RGB 56 232 234, RGB 56 184 234, RGB 56 136 234 and RGB 56 88 234

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 234 188 shade matches the following richer shades: RGB 56 234 188 and RGB 38 251 196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 234 188 shade: RGB 56 234 188, RGB 74 216 179, RGB 92 198 171, RGB 109 180 162 and RGB 127 163 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 234 188 shade: RGB 56 234 92, RGB 56 234 139, RGB 56 234 186, RGB 56 234 234 and RGB 56 186 234

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 234 188 shade: RGB 19 188 144, RGB 23 225 173, RGB 56 234 188, RGB 93 238 200 and RGB 131 242 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 234 188 shade: RGB 56 234 188, RGB 56 68 234 and RGB 234 115 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 234 188 shade: RGB 56 234 188, RGB 186 56 234 and RGB 234 186 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 234 188 shade: RGB 56 234 188, RGB 56 68 234, RGB 234 56 103 and RGB 234 222 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 234 188 shade: RGB 56 234 188, RGB 97 56 234, RGB 234 56 103 and RGB 192 234 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 20 / 8

HEX #38EABC

RGB 56 234 188

HSL 164.49, 0.81%, 0.57%

LAB 83.61, -54.25, 9.91

 

Complementary color

CMYK 0 / 89 / 66 / 22

HEX #C71543

RGB 199 21 67

HSL 344.49, 0.81%, 0.43%

LAB 42.89, 65.82, 23.26

 

CMYK 74 / 0 / 22 / 8

HEX #3DEAB7

RGB 61 234 183

HSL 162.31, 0.8%, 0.58%

LAB 83.58, -54.85, 12.49

 

CMYK 69 / 0 / 20 / 1

HEX #4EFCCA

RGB 78 252 202

HSL 162.76, 0.97%, 0.65%

LAB 89.63, -55.44, 11.26

 

CMYK 63 / 0 / 13 / 0

HEX #5FFFDD

RGB 95 255 221

HSL 167.25, 1%, 0.69%

LAB 91.31, -49.64, 3.9

 

CMYK 56 / 0 / 6 / 0

HEX #70FFF0

RGB 112 255 240

HSL 173.71, 1%, 0.72%

LAB 92.25, -42.06, -4.52

 

CMYK 49 / 0 / 0 / 0

HEX #81FFFF

RGB 129 255 255

HSL 180, 1%, 0.75%

LAB 93.19, -35.02, -10.82

 

CMYK 76 / 0 / 20 / 8

HEX #38EABC

RGB 56 234 188

HSL 164.49, 0.81%, 0.57%

LAB 83.61, -54.25, 9.91

 

CMYK 82 / 0 / 22 / 15

HEX #27D8A9

RGB 39 216 169

HSL 164.07, 0.69%, 0.5%

LAB 77.52, -53.29, 11.25

 

CMYK 89 / 0 / 24 / 22

HEX #16C696

RGB 22 198 150

HSL 163.64, 0.8%, 0.43%

LAB 71.39, -51.99, 12.72

 

CMYK 97 / 0 / 27 / 29

HEX #05B483

RGB 5 180 131

HSL 163.2, 0.95%, 0.36%

LAB 65.21, -50.29, 14.34

 

CMYK 100 / 0 / 31 / 36

HEX #00A270

RGB 0 162 112

HSL 161.48, 1%, 0.32%

LAB 58.98, -48.02, 16.15

 

CMYK 76 / 0 / 20 / 8

HEX #38EABC

RGB 56 234 188

HSL 164.49, 0.81%, 0.57%

LAB 83.61, -54.25, 9.91

 

CMYK 76 / 0 / 40 / 8

HEX #38EA8C

RGB 56 234 140

HSL 148.31, 0.81%, 0.57%

LAB 82.69, -64.34, 33.4

 

CMYK 76 / 0 / 61 / 8

HEX #38EA5C

RGB 56 234 92

HSL 132.13, 0.81%, 0.57%

LAB 82.09, -71.42, 55.32

 

CMYK 71 / 0 / 76 / 8

HEX #44EA38

RGB 68 234 56

HSL 115.96, 0.81%, 0.57%

LAB 82.03, -72.85, 68.86

 

CMYK 50 / 0 / 76 / 8

HEX #74EA38

RGB 116 234 56

HSL 99.78, 0.81%, 0.57%

LAB 83.36, -62.08, 70.6

 

CMYK 76 / 0 / 20 / 8

HEX #38EABC

RGB 56 234 188

HSL 164.49, 0.81%, 0.57%

LAB 83.61, -54.25, 9.91

 

CMYK 76 / 1 / 0 / 8

HEX #38E8EA

RGB 56 232 234

HSL 180.67, 0.81%, 0.57%

LAB 84.22, -41.32, -13.43

 

CMYK 76 / 21 / 0 / 8

HEX #38B8EA

RGB 56 184 234

HSL 196.85, 0.81%, 0.57%

LAB 70.22, -18.02, -34.77

 

CMYK 76 / 42 / 0 / 8

HEX #3888EA

RGB 56 136 234

HSL 213.03, 0.81%, 0.57%

LAB 56.48, 9.18, -56.42

 

CMYK 76 / 62 / 0 / 8

HEX #3858EA

RGB 56 88 234

HSL 229.21, 0.81%, 0.57%

LAB 43.89, 39.12, -76.8

 

CMYK 76 / 0 / 20 / 8

HEX #38EABC

RGB 56 234 188

HSL 164.49, 0.81%, 0.57%

LAB 83.61, -54.25, 9.91

 

CMYK 85 / 0 / 22 / 2

HEX #26FBC4

RGB 38 251 196

HSL 164.51, 0.96%, 0.57%

LAB 88.63, -60.56, 12.87

 

CMYK 76 / 0 / 20 / 8

HEX #38EABC

RGB 56 234 188

HSL 164.49, 0.81%, 0.57%

LAB 83.61, -54.25, 9.91

 

CMYK 66 / 0 / 17 / 15

HEX #4AD8B3

RGB 74 216 179

HSL 164.37, 0.65%, 0.57%

LAB 78.36, -46.58, 7.2

 

CMYK 54 / 0 / 14 / 22

HEX #5CC6AB

RGB 92 198 171

HSL 164.72, 0.48%, 0.57%

LAB 73.29, -37.18, 4.26

 

CMYK 39 / 0 / 10 / 29

HEX #6DB4A2

RGB 109 180 162

HSL 164.79, 0.32%, 0.57%

LAB 68.39, -26.56, 2.17

 

CMYK 22 / 0 / 6 / 36

HEX #7FA399

RGB 127 163 153

HSL 163.33, 0.16%, 0.57%

LAB 64.17, -14.44, 1.14

 

CMYK 76 / 0 / 61 / 8

HEX #38EA5C

RGB 56 234 92

HSL 132.13, 0.81%, 0.57%

LAB 82.09, -71.42, 55.32

 

CMYK 76 / 0 / 41 / 8

HEX #38EA8B

RGB 56 234 139

HSL 147.98, 0.81%, 0.57%

LAB 82.67, -64.52, 33.88

 

CMYK 76 / 0 / 21 / 8

HEX #38EABA

RGB 56 234 186

HSL 163.82, 0.81%, 0.57%

LAB 83.56, -54.72, 10.89

 

CMYK 76 / 0 / 0 / 8

HEX #38EAEA

RGB 56 234 234

HSL 180, 0.81%, 0.57%

LAB 84.81, -42.21, -12.56

 

CMYK 76 / 21 / 0 / 8

HEX #38BAEA

RGB 56 186 234

HSL 196.18, 0.81%, 0.57%

LAB 70.8, -19.06, -33.87

 

CMYK 90 / 0 / 23 / 26

HEX #13BC90

RGB 19 188 144

HSL 164.38, 0.82%, 0.41%

LAB 68.11, -49.67, 11.33

 

CMYK 90 / 0 / 23 / 12

HEX #17E1AD

RGB 23 225 173

HSL 164.55, 0.81%, 0.49%

LAB 80.21, -56.92, 12.91

 

CMYK 76 / 0 / 20 / 8

HEX #38EABC

RGB 56 234 188

HSL 164.49, 0.81%, 0.57%

LAB 83.61, -54.25, 9.91

 

CMYK 61 / 0 / 16 / 7

HEX #5DEEC8

RGB 93 238 200

HSL 164.28, 0.81%, 0.65%

LAB 85.83, -47.74, 6.91

 

CMYK 46 / 0 / 12 / 5

HEX #83F2D5

RGB 131 242 213

HSL 164.32, 0.81%, 0.73%

LAB 88.51, -38.62, 4.14

 

CMYK 76 / 0 / 20 / 8

HEX #38EABC

RGB 56 234 188

HSL 164.49, 0.81%, 0.57%

LAB 83.61, -54.25, 9.91

 

CMYK 76 / 71 / 0 / 8

HEX #3844EA

RGB 56 68 234

HSL 235.96, 0.81%, 0.57%

LAB 39.44, 51.07, -84.11

 

CMYK 0 / 51 / 76 / 8

HEX #EA7338

RGB 234 115 56

HSL 19.89, 0.81%, 0.57%

LAB 61.69, 42.24, 52.36

 

CMYK 76 / 0 / 20 / 8

HEX #38EABC

RGB 56 234 188

HSL 164.49, 0.81%, 0.57%

LAB 83.61, -54.25, 9.91

 

CMYK 21 / 76 / 0 / 8

HEX #BA38EA

RGB 186 56 234

HSL 283.82, 0.81%, 0.57%

LAB 50.93, 74.99, -64.79

 

CMYK 0 / 21 / 76 / 8

HEX #EABA38

RGB 234 186 56

HSL 43.82, 0.81%, 0.57%

LAB 77.81, 5.11, 68.04

 

CMYK 76 / 0 / 20 / 8

HEX #38EABC

RGB 56 234 188

HSL 164.49, 0.81%, 0.57%

LAB 83.61, -54.25, 9.91

 

CMYK 76 / 71 / 0 / 8

HEX #3844EA

RGB 56 68 234

HSL 235.96, 0.81%, 0.57%

LAB 39.44, 51.07, -84.11

 

CMYK 0 / 76 / 56 / 8

HEX #EA3867

RGB 234 56 103

HSL 344.16, 0.81%, 0.57%

LAB 53.28, 69.07, 16.26

 

CMYK 0 / 5 / 76 / 8

HEX #EADE38

RGB 234 222 56

HSL 55.96, 0.81%, 0.57%

LAB 87.01, -13.26, 76.52

 

CMYK 76 / 0 / 20 / 8

HEX #38EABC

RGB 56 234 188

HSL 164.49, 0.81%, 0.57%

LAB 83.61, -54.25, 9.91

 

CMYK 59 / 76 / 0 / 8

HEX #6138EA

RGB 97 56 234

HSL 253.82, 0.81%, 0.57%

LAB 40.1, 61.4, -82.92

 

CMYK 0 / 76 / 56 / 8

HEX #EA3867

RGB 234 56 103

HSL 344.16, 0.81%, 0.57%

LAB 53.28, 69.07, 16.26

 

CMYK 18 / 0 / 76 / 8

HEX #C0EA38

RGB 192 234 56

HSL 74.16, 0.81%, 0.57%

LAB 87.16, -36.05, 75.54

 

Description

Color code: RGB 56 234 188 | qconv.com Color code: RGB 56 234 188 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 234 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 234 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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