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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 232 163 it is the complementary color RGB 199 23 92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 232 163. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 232 163 shade: RGB 61 232 158, RGB 78 250 177, RGB 95 255 196, RGB 112 255 215 and RGB 129 255 234

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 232 163. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 232 163 shade: RGB 56 232 163, RGB 39 214 144, RGB 22 196 125, RGB 5 178 106 and RGB 0 160 87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 232 163 shade: RGB 54 231 161, RGB 54 231 114, RGB 54 231 66, RGB 89 231 54 and RGB 137 231 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 232 163 shade: RGB 54 231 161, RGB 54 231 209, RGB 54 205 231, RGB 54 157 231 and RGB 54 109 231

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 232 163 shade matches the following richer shades: RGB 54 231 161 and RGB 36 249 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 232 163 shade: RGB 54 231 161, RGB 72 213 158, RGB 90 195 154, RGB 108 176 150 and RGB 126 158 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 232 163 shade: RGB 54 231 65, RGB 54 231 113, RGB 54 231 160, RGB 54 231 207 and RGB 54 207 231

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 232 163 shade: RGB 21 181 118, RGB 25 218 143, RGB 54 231 161, RGB 91 235 179 and RGB 128 240 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 232 163 shade: RGB 56 232 163, RGB 54 89 231 and RGB 231 89 54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 232 163 shade: RGB 56 232 163, RGB 160 54 231 and RGB 231 160 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 232 163 shade: RGB 56 232 163, RGB 54 89 231, RGB 231 54 125 and RGB 231 195 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 232 163 shade: RGB 56 232 163, RGB 71 54 231, RGB 231 54 125 and RGB 213 231 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 30 / 9

HEX #38E8A3

RGB 56 232 163

HSL 156.48, 0.79%, 0.56%

LAB 82.49, -59.1, 21.37

 

Complementary color

CMYK 0 / 88 / 54 / 22

HEX #C7175C

RGB 199 23 92

HSL 336.48, 0.79%, 0.44%

LAB 43.55, 67.03, 8.47

 

CMYK 74 / 0 / 32 / 9

HEX #3DE89E

RGB 61 232 158

HSL 154.04, 0.79%, 0.57%

LAB 82.47, -59.52, 23.95

 

CMYK 69 / 0 / 29 / 2

HEX #4EFAB1

RGB 78 250 177

HSL 154.53, 0.95%, 0.64%

LAB 88.53, -60.09, 22.56

 

CMYK 63 / 0 / 23 / 0

HEX #5FFFC4

RGB 95 255 196

HSL 157.88, 1%, 0.69%

LAB 90.75, -55.32, 15.99

 

CMYK 56 / 0 / 16 / 0

HEX #70FFD7

RGB 112 255 215

HSL 163.22, 1%, 0.72%

LAB 91.63, -47.99, 7.51

 

CMYK 49 / 0 / 8 / 0

HEX #81FFEA

RGB 129 255 234

HSL 170, 1%, 0.75%

LAB 92.63, -40.12, -0.78

 

CMYK 76 / 0 / 30 / 9

HEX #38E8A3

RGB 56 232 163

HSL 156.48, 0.79%, 0.56%

LAB 82.49, -59.1, 21.37

 

CMYK 82 / 0 / 33 / 16

HEX #27D690

RGB 39 214 144

HSL 156, 0.69%, 0.5%

LAB 76.4, -58.15, 22.88

 

CMYK 89 / 0 / 36 / 23

HEX #16C47D

RGB 22 196 125

HSL 155.52, 0.8%, 0.43%

LAB 70.27, -56.82, 24.52

 

CMYK 97 / 0 / 40 / 30

HEX #05B26A

RGB 5 178 106

HSL 155.03, 0.95%, 0.36%

LAB 64.09, -55.01, 26.31

 

CMYK 100 / 0 / 46 / 37

HEX #00A057

RGB 0 160 87

HSL 152.63, 1%, 0.31%

LAB 57.88, -52.55, 28.26

 

CMYK 77 / 0 / 30 / 9

HEX #36E7A1

RGB 54 231 161

HSL 156.27, 0.79%, 0.56%

LAB 82.11, -59.38, 21.89

 

CMYK 77 / 0 / 51 / 9

HEX #36E772

RGB 54 231 114

HSL 140.34, 0.79%, 0.56%

LAB 81.37, -67.82, 44.46

 

CMYK 77 / 0 / 71 / 9

HEX #36E742

RGB 54 231 66

HSL 124.07, 0.79%, 0.56%

LAB 80.92, -73.29, 64.33

 

CMYK 61 / 0 / 77 / 9

HEX #59E736

RGB 89 231 54

HSL 108.14, 0.79%, 0.56%

LAB 81.59, -67.94, 69.21

 

CMYK 41 / 0 / 77 / 9

HEX #89E736

RGB 137 231 54

HSL 91.86, 0.79%, 0.56%

LAB 83.3, -54.72, 71.45

 

CMYK 77 / 0 / 30 / 9

HEX #36E7A1

RGB 54 231 161

HSL 156.27, 0.79%, 0.56%

LAB 82.11, -59.38, 21.89

 

CMYK 77 / 0 / 10 / 9

HEX #36E7D1

RGB 54 231 209

HSL 172.54, 0.79%, 0.56%

LAB 83.2, -47.94, -1.74

 

CMYK 77 / 11 / 0 / 9

HEX #36CDE7

RGB 54 205 231

HSL 188.81, 0.79%, 0.56%

LAB 76.2, -29.8, -23.95

 

CMYK 77 / 32 / 0 / 9

HEX #369DE7

RGB 54 157 231

HSL 205.08, 0.79%, 0.56%

LAB 62.23, -4.48, -45.63

 

CMYK 77 / 53 / 0 / 9

HEX #366DE7

RGB 54 109 231

HSL 221.36, 0.79%, 0.56%

LAB 48.87, 24.62, -66.99

 

CMYK 77 / 0 / 30 / 9

HEX #36E7A1

RGB 54 231 161

HSL 156.27, 0.79%, 0.56%

LAB 82.11, -59.38, 21.89

 

CMYK 86 / 0 / 34 / 2

HEX #24F9A5

RGB 36 249 165

HSL 156.34, 0.95%, 0.56%

LAB 87.41, -66.73, 27.04

 

CMYK 77 / 0 / 30 / 9

HEX #36E7A1

RGB 54 231 161

HSL 156.27, 0.79%, 0.56%

LAB 82.11, -59.38, 21.89

 

CMYK 66 / 0 / 26 / 16

HEX #48D59E

RGB 72 213 158

HSL 156.6, 0.63%, 0.56%

LAB 76.94, -50.48, 16.34

 

CMYK 54 / 0 / 21 / 24

HEX #5AC39A

RGB 90 195 154

HSL 156.57, 0.47%, 0.56%

LAB 71.92, -40.18, 11.49

 

CMYK 39 / 0 / 15 / 31

HEX #6CB096

RGB 108 176 150

HSL 157.06, 0.3%, 0.56%

LAB 66.86, -27.58, 6.57

 

CMYK 20 / 0 / 8 / 38

HEX #7E9E92

RGB 126 158 146

HSL 157.5, 0.14%, 0.56%

LAB 62.48, -13.61, 2.61

 

CMYK 77 / 0 / 72 / 9

HEX #36E741

RGB 54 231 65

HSL 123.73, 0.79%, 0.56%

LAB 80.92, -73.37, 64.68

 

CMYK 77 / 0 / 51 / 9

HEX #36E771

RGB 54 231 113

HSL 140, 0.79%, 0.56%

LAB 81.36, -67.97, 44.92

 

CMYK 77 / 0 / 31 / 9

HEX #36E7A0

RGB 54 231 160

HSL 155.93, 0.79%, 0.56%

LAB 82.1, -59.59, 22.38

 

CMYK 77 / 0 / 10 / 9

HEX #36E7CF

RGB 54 231 207

HSL 171.86, 0.79%, 0.56%

LAB 83.15, -48.47, -0.76

 

CMYK 77 / 10 / 0 / 9

HEX #36CFE7

RGB 54 207 231

HSL 188.14, 0.79%, 0.56%

LAB 76.79, -30.77, -23.06

 

CMYK 88 / 0 / 35 / 29

HEX #15B576

RGB 21 181 118

HSL 156.38, 0.79%, 0.4%

LAB 65.37, -52.82, 21.63

 

CMYK 89 / 0 / 34 / 15

HEX #19DA8F

RGB 25 218 143

HSL 156.68, 0.79%, 0.48%

LAB 77.48, -60.88, 24.84

 

CMYK 77 / 0 / 30 / 9

HEX #36E7A1

RGB 54 231 161

HSL 156.27, 0.79%, 0.56%

LAB 82.11, -59.38, 21.89

 

CMYK 61 / 0 / 24 / 8

HEX #5BEBB3

RGB 91 235 179

HSL 156.67, 0.78%, 0.64%

LAB 84.43, -51.57, 15.88

 

CMYK 47 / 0 / 18 / 6

HEX #80F0C4

RGB 128 240 196

HSL 156.43, 0.79%, 0.72%

LAB 87.43, -42.14, 11.44

 

CMYK 76 / 0 / 30 / 9

HEX #38E8A3

RGB 56 232 163

HSL 156.48, 0.79%, 0.56%

LAB 82.49, -59.1, 21.37

 

CMYK 77 / 61 / 0 / 9

HEX #3659E7

RGB 54 89 231

HSL 228.14, 0.79%, 0.56%

LAB 43.8, 37.24, -75.25

 

CMYK 0 / 61 / 77 / 9

HEX #E75936

RGB 231 89 54

HSL 11.86, 0.79%, 0.56%

LAB 56.49, 53.28, 47.87

 

CMYK 76 / 0 / 30 / 9

HEX #38E8A3

RGB 56 232 163

HSL 156.48, 0.79%, 0.56%

LAB 82.49, -59.1, 21.37

 

CMYK 31 / 77 / 0 / 9

HEX #A036E7

RGB 160 54 231

HSL 275.93, 0.79%, 0.56%

LAB 46.82, 70.57, -69.93

 

CMYK 0 / 31 / 77 / 9

HEX #E7A036

RGB 231 160 54

HSL 35.93, 0.79%, 0.56%

LAB 71.14, 17.49, 62.36

 

CMYK 76 / 0 / 30 / 9

HEX #38E8A3

RGB 56 232 163

HSL 156.48, 0.79%, 0.56%

LAB 82.49, -59.1, 21.37

 

CMYK 77 / 61 / 0 / 9

HEX #3659E7

RGB 54 89 231

HSL 228.14, 0.79%, 0.56%

LAB 43.8, 37.24, -75.25

 

CMYK 0 / 77 / 46 / 9

HEX #E7367D

RGB 231 54 125

HSL 335.93, 0.79%, 0.56%

LAB 53.07, 70.56, 2.66

 

CMYK 0 / 16 / 77 / 9

HEX #E7C336

RGB 231 195 54

HSL 47.8, 0.79%, 0.56%

LAB 79.78, -0.93, 70.45

 

CMYK 76 / 0 / 30 / 9

HEX #38E8A3

RGB 56 232 163

HSL 156.48, 0.79%, 0.56%

LAB 82.49, -59.1, 21.37

 

CMYK 69 / 77 / 0 / 9

HEX #4736E7

RGB 71 54 231

HSL 245.76, 0.79%, 0.56%

LAB 37.39, 58.83, -85.77

 

CMYK 0 / 77 / 46 / 9

HEX #E7367D

RGB 231 54 125

HSL 335.93, 0.79%, 0.56%

LAB 53.07, 70.56, 2.66

 

CMYK 8 / 0 / 77 / 9

HEX #D5E736

RGB 213 231 54

HSL 66.1, 0.79%, 0.56%

LAB 87.76, -26.37, 77.2

 

Description

Color code: RGB 56 232 163 | qconv.com Color code: RGB 56 232 163 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 232 green and 163 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 232 163 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 30 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 30% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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