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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 229 164 it is the complementary color RGB 199 26 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 229 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 229 164 shade: RGB 61 229 159, RGB 78 247 178, RGB 95 255 197, RGB 112 255 216 and RGB 129 255 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 229 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 229 164 shade: RGB 56 229 164, RGB 39 211 145, RGB 22 193 126, RGB 5 175 107 and RGB 0 157 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 229 164 shade: RGB 56 229 164, RGB 56 229 117, RGB 56 229 71, RGB 88 229 56 and RGB 134 229 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 229 164 shade: RGB 56 229 164, RGB 56 229 210, RGB 56 200 229, RGB 56 154 229 and RGB 56 107 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 229 164 shade matches the following richer shades: RGB 56 229 164 and RGB 38 247 168

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 229 164 shade: RGB 56 229 164, RGB 74 211 159, RGB 92 192 155, RGB 110 174 150 and RGB 129 156 146

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 229 164 shade: RGB 56 229 70, RGB 56 229 116, RGB 56 229 162, RGB 56 229 209 and RGB 56 203 229

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 229 164 shade: RGB 23 179 120, RGB 28 216 145, RGB 56 229 164, RGB 92 233 180 and RGB 129 238 197

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 229 164 shade: RGB 56 229 164, RGB 56 88 229 and RGB 229 93 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 229 164 shade: RGB 56 229 164, RGB 162 56 229 and RGB 229 162 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 229 164 shade: RGB 56 229 164, RGB 56 88 229, RGB 229 56 122 and RGB 229 197 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 229 164 shade: RGB 56 229 164, RGB 76 56 229, RGB 229 56 122 and RGB 209 229 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 28 / 10

HEX #38E5A4

RGB 56 229 164

HSL 157.46, 0.77%, 0.56%

LAB 81.6, -57.75, 19.63

 

Complementary color

CMYK 0 / 87 / 54 / 22

HEX #C71A5B

RGB 199 26 91

HSL 337.46, 0.77%, 0.44%

LAB 43.71, 66.43, 9.32

 

CMYK 73 / 0 / 31 / 10

HEX #3DE59F

RGB 61 229 159

HSL 155, 0.76%, 0.57%

LAB 81.58, -58.18, 22.22

 

CMYK 68 / 0 / 28 / 3

HEX #4EF7B2

RGB 78 247 178

HSL 155.5, 0.91%, 0.64%

LAB 87.66, -58.73, 20.85

 

CMYK 63 / 0 / 23 / 0

HEX #5FFFC5

RGB 95 255 197

HSL 158.25, 1%, 0.69%

LAB 90.77, -55.11, 15.51

 

CMYK 56 / 0 / 15 / 0

HEX #70FFD8

RGB 112 255 216

HSL 163.64, 1%, 0.72%

LAB 91.65, -47.77, 7.03

 

CMYK 49 / 0 / 8 / 0

HEX #81FFEB

RGB 129 255 235

HSL 170.48, 1%, 0.75%

LAB 92.66, -39.89, -1.26

 

CMYK 76 / 0 / 28 / 10

HEX #38E5A4

RGB 56 229 164

HSL 157.46, 0.77%, 0.56%

LAB 81.6, -57.75, 19.63

 

CMYK 82 / 0 / 31 / 17

HEX #27D391

RGB 39 211 145

HSL 156.98, 0.69%, 0.49%

LAB 75.49, -56.82, 21.11

 

CMYK 89 / 0 / 35 / 24

HEX #16C17E

RGB 22 193 126

HSL 156.49, 0.8%, 0.42%

LAB 69.34, -55.51, 22.73

 

CMYK 97 / 0 / 39 / 31

HEX #05AF6B

RGB 5 175 107

HSL 156, 0.94%, 0.35%

LAB 63.14, -53.74, 24.51

 

CMYK 100 / 0 / 44 / 38

HEX #009D58

RGB 0 157 88

HSL 153.63, 1%, 0.31%

LAB 56.9, -51.3, 26.47

 

CMYK 76 / 0 / 28 / 10

HEX #38E5A4

RGB 56 229 164

HSL 157.46, 0.77%, 0.56%

LAB 81.6, -57.75, 19.63

 

CMYK 76 / 0 / 49 / 10

HEX #38E575

RGB 56 229 117

HSL 141.16, 0.77%, 0.56%

LAB 80.83, -66.44, 42.35

 

CMYK 76 / 0 / 69 / 10

HEX #38E547

RGB 56 229 71

HSL 125.2, 0.77%, 0.56%

LAB 80.37, -71.99, 61.93

 

CMYK 62 / 0 / 76 / 10

HEX #58E538

RGB 88 229 56

HSL 108.9, 0.77%, 0.56%

LAB 80.96, -67.37, 67.97

 

CMYK 41 / 0 / 76 / 10

HEX #86E538

RGB 134 229 56

HSL 92.95, 0.77%, 0.56%

LAB 82.59, -54.8, 70.11

 

CMYK 76 / 0 / 28 / 10

HEX #38E5A4

RGB 56 229 164

HSL 157.46, 0.77%, 0.56%

LAB 81.6, -57.75, 19.63

 

CMYK 76 / 0 / 8 / 10

HEX #38E5D2

RGB 56 229 210

HSL 173.41, 0.77%, 0.56%

LAB 82.66, -46.62, -3.06

 

CMYK 76 / 13 / 0 / 10

HEX #38C8E5

RGB 56 200 229

HSL 190.06, 0.77%, 0.56%

LAB 74.7, -27.77, -25.16

 

CMYK 76 / 33 / 0 / 10

HEX #389AE5

RGB 56 154 229

HSL 206.01, 0.77%, 0.56%

LAB 61.32, -3.24, -45.96

 

CMYK 76 / 53 / 0 / 10

HEX #386BE5

RGB 56 107 229

HSL 222.31, 0.77%, 0.56%

LAB 48.28, 25.37, -66.83

 

CMYK 76 / 0 / 28 / 10

HEX #38E5A4

RGB 56 229 164

HSL 157.46, 0.77%, 0.56%

LAB 81.6, -57.75, 19.63

 

CMYK 85 / 0 / 32 / 3

HEX #26F7A8

RGB 38 247 168

HSL 157.32, 0.93%, 0.56%

LAB 86.88, -65.26, 24.8

 

CMYK 76 / 0 / 28 / 10

HEX #38E5A4

RGB 56 229 164

HSL 157.46, 0.77%, 0.56%

LAB 81.6, -57.75, 19.63

 

CMYK 65 / 0 / 25 / 17

HEX #4AD39F

RGB 74 211 159

HSL 157.23, 0.61%, 0.56%

LAB 76.4, -49.1, 15.07

 

CMYK 52 / 0 / 19 / 25

HEX #5CC09B

RGB 92 192 155

HSL 157.8, 0.44%, 0.56%

LAB 71.11, -38.15, 9.81

 

CMYK 37 / 0 / 14 / 32

HEX #6EAE96

RGB 110 174 150

HSL 157.5, 0.28%, 0.56%

LAB 66.36, -26.02, 5.87

 

CMYK 17 / 0 / 6 / 39

HEX #819C92

RGB 129 156 146

HSL 157.78, 0.12%, 0.56%

LAB 62.1, -11.52, 2.09

 

CMYK 76 / 0 / 69 / 10

HEX #38E546

RGB 56 229 70

HSL 124.86, 0.77%, 0.56%

LAB 80.36, -72.08, 62.3

 

CMYK 76 / 0 / 49 / 10

HEX #38E574

RGB 56 229 116

HSL 140.81, 0.77%, 0.56%

LAB 80.82, -66.59, 42.82

 

CMYK 76 / 0 / 29 / 10

HEX #38E5A2

RGB 56 229 162

HSL 156.76, 0.77%, 0.56%

LAB 81.56, -58.18, 20.61

 

CMYK 76 / 0 / 9 / 10

HEX #38E5D1

RGB 56 229 209

HSL 173.06, 0.77%, 0.56%

LAB 82.64, -46.88, -2.57

 

CMYK 76 / 11 / 0 / 10

HEX #38CBE5

RGB 56 203 229

HSL 189.02, 0.77%, 0.56%

LAB 75.58, -29.24, -23.82

 

CMYK 87 / 0 / 33 / 30

HEX #17B378

RGB 23 179 120

HSL 157.31, 0.77%, 0.4%

LAB 64.79, -51.5, 19.76

 

CMYK 87 / 0 / 33 / 15

HEX #1CD891

RGB 28 216 145

HSL 157.34, 0.77%, 0.48%

LAB 76.92, -59.55, 23.05

 

CMYK 76 / 0 / 28 / 10

HEX #38E5A4

RGB 56 229 164

HSL 157.46, 0.77%, 0.56%

LAB 81.6, -57.75, 19.63

 

CMYK 61 / 0 / 23 / 9

HEX #5CE9B4

RGB 92 233 180

HSL 157.45, 0.76%, 0.64%

LAB 83.89, -50.34, 14.59

 

CMYK 46 / 0 / 17 / 7

HEX #81EEC5

RGB 129 238 197

HSL 157.43, 0.76%, 0.72%

LAB 86.92, -40.79, 10.19

 

CMYK 76 / 0 / 28 / 10

HEX #38E5A4

RGB 56 229 164

HSL 157.46, 0.77%, 0.56%

LAB 81.6, -57.75, 19.63

 

CMYK 76 / 62 / 0 / 10

HEX #3858E5

RGB 56 88 229

HSL 228.9, 0.77%, 0.56%

LAB 43.47, 37.35, -74.65

 

CMYK 0 / 59 / 76 / 10

HEX #E55D38

RGB 229 93 56

HSL 12.83, 0.77%, 0.56%

LAB 56.85, 50.87, 47.14

 

CMYK 76 / 0 / 28 / 10

HEX #38E5A4

RGB 56 229 164

HSL 157.46, 0.77%, 0.56%

LAB 81.6, -57.75, 19.63

 

CMYK 29 / 76 / 0 / 10

HEX #A238E5

RGB 162 56 229

HSL 276.76, 0.77%, 0.56%

LAB 47.19, 69.77, -68.18

 

CMYK 0 / 29 / 76 / 10

HEX #E5A238

RGB 229 162 56

HSL 36.76, 0.77%, 0.56%

LAB 71.41, 15.65, 61.76

 

CMYK 76 / 0 / 28 / 10

HEX #38E5A4

RGB 56 229 164

HSL 157.46, 0.77%, 0.56%

LAB 81.6, -57.75, 19.63

 

CMYK 76 / 62 / 0 / 10

HEX #3858E5

RGB 56 88 229

HSL 228.9, 0.77%, 0.56%

LAB 43.47, 37.35, -74.65

 

CMYK 0 / 76 / 47 / 10

HEX #E5387A

RGB 229 56 122

HSL 337.11, 0.77%, 0.56%

LAB 52.83, 69.19, 4.08

 

CMYK 0 / 14 / 76 / 10

HEX #E5C538

RGB 229 197 56

HSL 48.9, 0.77%, 0.56%

LAB 80.11, -2.74, 70.01

 

CMYK 76 / 0 / 28 / 10

HEX #38E5A4

RGB 56 229 164

HSL 157.46, 0.77%, 0.56%

LAB 81.6, -57.75, 19.63

 

CMYK 67 / 76 / 0 / 10

HEX #4C38E5

RGB 76 56 229

HSL 246.94, 0.77%, 0.56%

LAB 37.88, 57.71, -83.8

 

CMYK 0 / 76 / 47 / 10

HEX #E5387A

RGB 229 56 122

HSL 337.11, 0.77%, 0.56%

LAB 52.83, 69.19, 4.08

 

CMYK 9 / 0 / 76 / 10

HEX #D1E538

RGB 209 229 56

HSL 66.94, 0.77%, 0.56%

LAB 86.94, -26.97, 75.75

 

Description

Color code: RGB 56 229 164 | qconv.com Color code: RGB 56 229 164 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 229 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 229 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 28 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 28% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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