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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 215 74 it is the complementary color RGB 199 40 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 215 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 215 74 shade: RGB 61 215 69, RGB 78 233 88, RGB 95 251 107, RGB 112 255 126 and RGB 129 255 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 215 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 215 74 shade: RGB 56 215 74, RGB 39 197 55, RGB 22 179 36, RGB 5 161 17 and RGB 0 143 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 215 74 shade: RGB 54 215 73, RGB 79 215 54, RGB 123 215 54, RGB 166 215 54 and RGB 209 215 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 215 74 shade: RGB 54 215 73, RGB 54 215 116, RGB 54 215 159, RGB 54 215 202 and RGB 54 184 215

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 215 74 shade matches the following richer shades: RGB 54 215 73, RGB 35 234 58 and RGB 16 254 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 215 74 shade: RGB 54 215 73, RGB 74 196 88, RGB 93 176 103, RGB 113 157 118 and RGB 132 137 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 215 74 shade: RGB 124 215 54, RGB 81 215 54, RGB 54 215 70, RGB 54 215 113 and RGB 54 215 156

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 215 74 shade: RGB 30 156 45, RGB 37 191 55, RGB 54 215 73, RGB 89 222 104 and RGB 123 229 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 215 74 shade: RGB 56 215 74, RGB 54 167 215 and RGB 215 54 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 215 74 shade: RGB 56 215 74, RGB 70 54 215 and RGB 215 70 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 215 74 shade: RGB 56 215 74, RGB 54 167 215, RGB 215 54 199 and RGB 215 103 54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 215 74 shade: RGB 56 215 74, RGB 54 119 215, RGB 215 54 199 and RGB 215 151 54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 66 / 16

HEX #38D74A

RGB 56 215 74

HSL 126.79, 0.67%, 0.53%

LAB 76.03, -67.32, 56.11

 

Complementary color

CMYK 0 / 80 / 9 / 22

HEX #C728B5

RGB 199 40 181

HSL 306.79, 0.67%, 0.47%

LAB 48.25, 73.22, -38.49

 

CMYK 72 / 0 / 68 / 16

HEX #3DD745

RGB 61 215 69

HSL 123.12, 0.66%, 0.54%

LAB 76.08, -67.02, 58.19

 

CMYK 67 / 0 / 62 / 9

HEX #4EE958

RGB 78 233 88

HSL 123.87, 0.78%, 0.61%

LAB 82.16, -68.04, 57.22

 

CMYK 62 / 0 / 57 / 2

HEX #5FFB6B

RGB 95 251 107

HSL 124.62, 0.95%, 0.68%

LAB 88.2, -68.71, 56.07

 

CMYK 56 / 0 / 51 / 0

HEX #70FF7E

RGB 112 255 126

HSL 125.87, 1%, 0.72%

LAB 90.08, -64.08, 49.83

 

CMYK 49 / 0 / 43 / 0

HEX #81FF91

RGB 129 255 145

HSL 127.62, 1%, 0.75%

LAB 90.89, -57.29, 41.94

 

CMYK 74 / 0 / 66 / 16

HEX #38D74A

RGB 56 215 74

HSL 126.79, 0.67%, 0.53%

LAB 76.03, -67.32, 56.11

 

CMYK 80 / 0 / 72 / 23

HEX #27C537

RGB 39 197 55

HSL 126.08, 0.67%, 0.46%

LAB 69.92, -65.74, 56.94

 

CMYK 88 / 0 / 80 / 30

HEX #16B324

RGB 22 179 36

HSL 125.35, 0.78%, 0.39%

LAB 63.79, -63.47, 57.19

 

CMYK 97 / 0 / 89 / 37

HEX #05A111

RGB 5 161 17

HSL 124.62, 0.94%, 0.33%

LAB 57.62, -60.31, 56.36

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 75 / 0 / 66 / 16

HEX #36D749

RGB 54 215 73

HSL 127.08, 0.67%, 0.53%

LAB 75.99, -67.71, 56.46

 

CMYK 63 / 0 / 75 / 16

HEX #4FD736

RGB 79 215 54

HSL 110.68, 0.67%, 0.53%

LAB 76.39, -64.8, 64.06

 

CMYK 43 / 0 / 75 / 16

HEX #7BD736

RGB 123 215 54

HSL 94.29, 0.67%, 0.53%

LAB 77.92, -52.93, 66.07

 

CMYK 23 / 0 / 75 / 16

HEX #A6D736

RGB 166 215 54

HSL 78.26, 0.67%, 0.53%

LAB 80.17, -37.66, 69.01

 

CMYK 3 / 0 / 75 / 16

HEX #D1D736

RGB 209 215 54

HSL 62.24, 0.67%, 0.53%

LAB 83.14, -20.33, 72.86

 

CMYK 75 / 0 / 66 / 16

HEX #36D749

RGB 54 215 73

HSL 127.08, 0.67%, 0.53%

LAB 75.99, -67.71, 56.46

 

CMYK 75 / 0 / 46 / 16

HEX #36D774

RGB 54 215 116

HSL 143.11, 0.67%, 0.53%

LAB 76.46, -62.05, 37.33

 

CMYK 75 / 0 / 26 / 16

HEX #36D79F

RGB 54 215 159

HSL 159.13, 0.67%, 0.53%

LAB 77.21, -53.66, 16.14

 

CMYK 75 / 0 / 6 / 16

HEX #36D7CA

RGB 54 215 202

HSL 175.16, 0.67%, 0.53%

LAB 78.26, -42.91, -5.29

 

CMYK 75 / 14 / 0 / 16

HEX #36B8D7

RGB 54 184 215

HSL 191.55, 0.67%, 0.53%

LAB 69.45, -24.41, -25.6

 

CMYK 75 / 0 / 66 / 16

HEX #36D749

RGB 54 215 73

HSL 127.08, 0.67%, 0.53%

LAB 75.99, -67.71, 56.46

 

CMYK 85 / 0 / 75 / 8

HEX #23EA3A

RGB 35 234 58

HSL 126.93, 0.83%, 0.53%

LAB 81.57, -76.83, 67.61

 

CMYK 94 / 0 / 83 / 0

HEX #10FE2B

RGB 16 254 43

HSL 126.81, 0.99%, 0.53%

LAB 87.57, -84.34, 77.33

 

CMYK 75 / 0 / 66 / 16

HEX #36D749

RGB 54 215 73

HSL 127.08, 0.67%, 0.53%

LAB 75.99, -67.71, 56.46

 

CMYK 62 / 0 / 55 / 23

HEX #4AC458

RGB 74 196 88

HSL 126.89, 0.51%, 0.53%

LAB 70.62, -55.92, 43.84

 

CMYK 47 / 0 / 41 / 31

HEX #5DB067

RGB 93 176 103

HSL 127.23, 0.34%, 0.53%

LAB 65.25, -40.95, 29.75

 

CMYK 28 / 0 / 25 / 38

HEX #719D76

RGB 113 157 118

HSL 126.82, 0.18%, 0.53%

LAB 60.72, -23.07, 15.71

 

CMYK 4 / 0 / 3 / 46

HEX #848985

RGB 132 137 133

HSL 132, 0.02%, 0.53%

LAB 56.58, -2.63, 1.5

 

CMYK 42 / 0 / 75 / 16

HEX #7CD736

RGB 124 215 54

HSL 93.91, 0.67%, 0.53%

LAB 77.96, -52.61, 66.13

 

CMYK 62 / 0 / 75 / 16

HEX #51D736

RGB 81 215 54

HSL 109.94, 0.67%, 0.53%

LAB 76.45, -64.36, 64.13

 

CMYK 75 / 0 / 67 / 16

HEX #36D746

RGB 54 215 70

HSL 125.96, 0.67%, 0.53%

LAB 75.96, -68, 57.63

 

CMYK 75 / 0 / 47 / 16

HEX #36D771

RGB 54 215 113

HSL 141.99, 0.67%, 0.53%

LAB 76.42, -62.53, 38.76

 

CMYK 75 / 0 / 27 / 16

HEX #36D79C

RGB 54 215 156

HSL 158.01, 0.67%, 0.53%

LAB 77.15, -54.33, 17.64

 

CMYK 81 / 0 / 71 / 39

HEX #1E9C2D

RGB 30 156 45

HSL 127.14, 0.68%, 0.36%

LAB 56.33, -54.83, 46.61

 

CMYK 81 / 0 / 71 / 25

HEX #25BF37

RGB 37 191 55

HSL 127.01, 0.68%, 0.45%

LAB 67.97, -64.13, 54.91

 

CMYK 75 / 0 / 66 / 16

HEX #36D749

RGB 54 215 73

HSL 127.08, 0.67%, 0.53%

LAB 75.99, -67.71, 56.46

 

CMYK 60 / 0 / 53 / 13

HEX #59DE68

RGB 89 222 104

HSL 126.77, 0.67%, 0.61%

LAB 79.25, -60.07, 46.76

 

CMYK 46 / 0 / 41 / 10

HEX #7BE587

RGB 123 229 135

HSL 126.79, 0.67%, 0.69%

LAB 82.91, -49.91, 36.54

 

CMYK 74 / 0 / 66 / 16

HEX #38D74A

RGB 56 215 74

HSL 126.79, 0.67%, 0.53%

LAB 76.03, -67.32, 56.11

 

CMYK 75 / 22 / 0 / 16

HEX #36A7D7

RGB 54 167 215

HSL 197.89, 0.67%, 0.53%

LAB 64.43, -15.54, -33.35

 

CMYK 0 / 75 / 52 / 16

HEX #D73667

RGB 215 54 103

HSL 341.74, 0.67%, 0.53%

LAB 49.57, 64.43, 10.59

 

CMYK 74 / 0 / 66 / 16

HEX #38D74A

RGB 56 215 74

HSL 126.79, 0.67%, 0.53%

LAB 76.03, -67.32, 56.11

 

CMYK 67 / 75 / 0 / 16

HEX #4636D7

RGB 70 54 215

HSL 245.96, 0.67%, 0.53%

LAB 35.69, 53.92, -79.41

 

CMYK 0 / 67 / 75 / 16

HEX #D74636

RGB 215 70 54

HSL 5.96, 0.67%, 0.53%

LAB 50.8, 55.81, 41.02

 

CMYK 74 / 0 / 66 / 16

HEX #38D74A

RGB 56 215 74

HSL 126.79, 0.67%, 0.53%

LAB 76.03, -67.32, 56.11

 

CMYK 75 / 22 / 0 / 16

HEX #36A7D7

RGB 54 167 215

HSL 197.89, 0.67%, 0.53%

LAB 64.43, -15.54, -33.35

 

CMYK 0 / 75 / 7 / 16

HEX #D736C7

RGB 215 54 199

HSL 305.96, 0.67%, 0.53%

LAB 53.18, 75.43, -41

 

CMYK 0 / 52 / 75 / 16

HEX #D76736

RGB 215 103 54

HSL 18.26, 0.67%, 0.53%

LAB 56.5, 40.83, 47.1

 

CMYK 74 / 0 / 66 / 16

HEX #38D74A

RGB 56 215 74

HSL 126.79, 0.67%, 0.53%

LAB 76.03, -67.32, 56.11

 

CMYK 75 / 45 / 0 / 16

HEX #3677D7

RGB 54 119 215

HSL 215.78, 0.67%, 0.53%

LAB 50.55, 12.43, -55.25

 

CMYK 0 / 75 / 7 / 16

HEX #D736C7

RGB 215 54 199

HSL 305.96, 0.67%, 0.53%

LAB 53.18, 75.43, -41

 

CMYK 0 / 30 / 75 / 16

HEX #D79736

RGB 215 151 54

HSL 36.15, 0.67%, 0.53%

LAB 67.16, 15.48, 57.88

 

Description

Color code: RGB 56 215 74 | qconv.com Color code: RGB 56 215 74 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 215 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 215 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 66 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 66% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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