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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 193 60 it is the complementary color RGB 199 62 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 193 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 193 60 shade: RGB 61 193 55, RGB 78 211 74, RGB 95 229 93, RGB 112 247 112 and RGB 129 255 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 193 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 193 60 shade: RGB 56 193 60, RGB 39 175 41, RGB 22 157 22, RGB 5 139 3 and RGB 0 121 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 193 60 shade: RGB 56 193 60, RGB 89 193 56, RGB 126 193 56, RGB 163 193 56 and RGB 193 186 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 193 60 shade: RGB 56 193 60, RGB 56 193 97, RGB 56 193 134, RGB 56 193 171 and RGB 56 178 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 193 60 shade matches the following richer shades: RGB 56 193 60, RGB 36 213 41 and RGB 15 234 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 193 60 shade: RGB 56 193 60, RGB 76 173 79, RGB 96 153 98, RGB 116 133 117 and RGB 137 112 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 193 60 shade: RGB 127 193 56, RGB 90 193 56, RGB 56 193 58, RGB 56 193 95 and RGB 56 193 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 193 60 shade: RGB 37 129 40, RGB 46 161 50, RGB 56 193 60, RGB 85 205 88 and RGB 117 215 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 193 60 shade: RGB 56 193 60, RGB 56 163 193 and RGB 193 56 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 193 60 shade: RGB 56 193 60, RGB 58 56 193 and RGB 193 58 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 193 60 shade: RGB 56 193 60, RGB 56 163 193, RGB 193 56 191 and RGB 193 86 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 193 60 shade: RGB 56 193 60, RGB 56 122 193, RGB 193 56 191 and RGB 193 127 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 69 / 24

HEX #38C13C

RGB 56 193 60

HSL 121.75, 0.55%, 0.49%

LAB 68.97, -61.53, 54.13

 

Complementary color

CMYK 0 / 69 / 2 / 22

HEX #C73EC3

RGB 199 62 195

HSL 301.75, 0.55%, 0.51%

LAB 51.3, 68.73, -41.83

 

CMYK 68 / 0 / 72 / 24

HEX #3DC137

RGB 61 193 55

HSL 117.39, 0.56%, 0.49%

LAB 69.05, -61.06, 56.16

 

CMYK 63 / 0 / 65 / 17

HEX #4ED34A

RGB 78 211 74

HSL 118.25, 0.61%, 0.56%

LAB 75.27, -62, 55.41

 

CMYK 59 / 0 / 59 / 10

HEX #5FE55D

RGB 95 229 93

HSL 119.12, 0.72%, 0.63%

LAB 81.44, -62.57, 54.37

 

CMYK 55 / 0 / 55 / 3

HEX #70F770

RGB 112 247 112

HSL 120, 0.89%, 0.7%

LAB 87.55, -62.9, 53.2

 

CMYK 49 / 0 / 49 / 0

HEX #81FF83

RGB 129 255 131

HSL 120.95, 1%, 0.75%

LAB 90.7, -59.24, 48.39

 

CMYK 71 / 0 / 69 / 24

HEX #38C13C

RGB 56 193 60

HSL 121.75, 0.55%, 0.49%

LAB 68.97, -61.53, 54.13

 

CMYK 78 / 0 / 77 / 31

HEX #27AF29

RGB 39 175 41

HSL 120.88, 0.64%, 0.42%

LAB 62.72, -60.01, 54.63

 

CMYK 86 / 0 / 86 / 38

HEX #169D16

RGB 22 157 22

HSL 120, 0.75%, 0.35%

LAB 56.43, -57.7, 54.24

 

CMYK 96 / 0 / 98 / 45

HEX #058B03

RGB 5 139 3

HSL 119.12, 0.96%, 0.28%

LAB 50.1, -54.42, 52.46

 

CMYK 100 / 0 / 100 / 53

HEX #007900

RGB 0 121 0

HSL 120, 1%, 0.24%

LAB 43.76, -49.65, 47.92

 

CMYK 71 / 0 / 69 / 24

HEX #38C13C

RGB 56 193 60

HSL 121.75, 0.55%, 0.49%

LAB 68.97, -61.53, 54.13

 

CMYK 54 / 0 / 71 / 24

HEX #59C138

RGB 89 193 56

HSL 105.55, 0.55%, 0.49%

LAB 69.86, -54.48, 56.88

 

CMYK 35 / 0 / 71 / 24

HEX #7EC138

RGB 126 193 56

HSL 89.34, 0.55%, 0.49%

LAB 71.46, -42.76, 59.03

 

CMYK 16 / 0 / 71 / 24

HEX #A3C138

RGB 163 193 56

HSL 73.14, 0.55%, 0.49%

LAB 73.68, -28.56, 61.98

 

CMYK 0 / 4 / 71 / 24

HEX #C1BA38

RGB 193 186 56

HSL 56.93, 0.55%, 0.49%

LAB 74.02, -12.51, 63.09

 

CMYK 71 / 0 / 69 / 24

HEX #38C13C

RGB 56 193 60

HSL 121.75, 0.55%, 0.49%

LAB 68.97, -61.53, 54.13

 

CMYK 71 / 0 / 50 / 24

HEX #38C161

RGB 56 193 97

HSL 137.96, 0.55%, 0.49%

LAB 69.36, -56.99, 37.82

 

CMYK 71 / 0 / 31 / 24

HEX #38C186

RGB 56 193 134

HSL 154.16, 0.55%, 0.49%

LAB 69.97, -50.17, 19.4

 

CMYK 71 / 0 / 11 / 24

HEX #38C1AB

RGB 56 193 171

HSL 170.36, 0.55%, 0.49%

LAB 70.82, -41.31, 0.55

 

CMYK 71 / 8 / 0 / 24

HEX #38B2C1

RGB 56 178 193

HSL 186.57, 0.55%, 0.49%

LAB 66.92, -28.03, -17.34

 

CMYK 71 / 0 / 69 / 24

HEX #38C13C

RGB 56 193 60

HSL 121.75, 0.55%, 0.49%

LAB 68.97, -61.53, 54.13

 

CMYK 83 / 0 / 81 / 16

HEX #24D529

RGB 36 213 41

HSL 121.69, 0.71%, 0.49%

LAB 74.9, -71.8, 66.27

 

CMYK 94 / 0 / 91 / 8

HEX #0FEA16

RGB 15 234 22

HSL 121.92, 0.88%, 0.49%

LAB 81.29, -79.83, 75.8

 

CMYK 71 / 0 / 69 / 24

HEX #38C13C

RGB 56 193 60

HSL 121.75, 0.55%, 0.49%

LAB 68.97, -61.53, 54.13

 

CMYK 56 / 0 / 54 / 32

HEX #4CAD4F

RGB 76 173 79

HSL 121.86, 0.39%, 0.49%

LAB 63.33, -47.89, 39.44

 

CMYK 37 / 0 / 36 / 40

HEX #609962

RGB 96 153 98

HSL 122.11, 0.23%, 0.49%

LAB 58.18, -30.4, 23.17

 

CMYK 13 / 0 / 12 / 48

HEX #748575

RGB 116 133 117

HSL 123.53, 0.07%, 0.49%

LAB 53.78, -9.47, 6.55

 

CMYK 0 / 18 / 1 / 46

HEX #897088

RGB 137 112 136

HSL 302.4, 0.1%, 0.49%

LAB 50.32, 14.28, -9.45

 

CMYK 34 / 0 / 71 / 24

HEX #7FC138

RGB 127 193 56

HSL 88.91, 0.55%, 0.49%

LAB 71.51, -42.41, 59.1

 

CMYK 53 / 0 / 71 / 24

HEX #5AC138

RGB 90 193 56

HSL 105.11, 0.55%, 0.49%

LAB 69.89, -54.2, 56.93

 

CMYK 71 / 0 / 70 / 24

HEX #38C13A

RGB 56 193 58

HSL 120.88, 0.55%, 0.49%

LAB 68.96, -61.71, 54.9

 

CMYK 71 / 0 / 51 / 24

HEX #38C15F

RGB 56 193 95

HSL 137.08, 0.55%, 0.49%

LAB 69.33, -57.29, 38.78

 

CMYK 71 / 0 / 32 / 24

HEX #38C183

RGB 56 193 131

HSL 152.85, 0.55%, 0.49%

LAB 69.91, -50.8, 20.93

 

CMYK 71 / 0 / 69 / 49

HEX #258128

RGB 37 129 40

HSL 121.96, 0.55%, 0.33%

LAB 47.3, -44.97, 39.13

 

CMYK 71 / 0 / 69 / 37

HEX #2EA132

RGB 46 161 50

HSL 122.09, 0.56%, 0.41%

LAB 58.32, -53.51, 46.77

 

CMYK 71 / 0 / 69 / 24

HEX #38C13C

RGB 56 193 60

HSL 121.75, 0.55%, 0.49%

LAB 68.97, -61.53, 54.13

 

CMYK 59 / 0 / 57 / 20

HEX #55CD58

RGB 85 205 88

HSL 121.5, 0.55%, 0.57%

LAB 73.74, -56.75, 47.6

 

CMYK 46 / 0 / 44 / 16

HEX #75D778

RGB 117 215 120

HSL 121.84, 0.55%, 0.65%

LAB 78.31, -48.03, 38.05

 

CMYK 71 / 0 / 69 / 24

HEX #38C13C

RGB 56 193 60

HSL 121.75, 0.55%, 0.49%

LAB 68.97, -61.53, 54.13

 

CMYK 71 / 16 / 0 / 24

HEX #38A3C1

RGB 56 163 193

HSL 193.14, 0.55%, 0.49%

LAB 62.41, -20.4, -24.22

 

CMYK 0 / 71 / 44 / 24

HEX #C1386C

RGB 193 56 108

HSL 337.23, 0.55%, 0.49%

LAB 45.97, 57.92, 1.85

 

CMYK 71 / 0 / 69 / 24

HEX #38C13C

RGB 56 193 60

HSL 121.75, 0.55%, 0.49%

LAB 68.97, -61.53, 54.13

 

CMYK 70 / 71 / 0 / 24

HEX #3A38C1

RGB 58 56 193

HSL 240.88, 0.55%, 0.49%

LAB 33.09, 44.6, -70.93

 

CMYK 0 / 70 / 71 / 24

HEX #C13A38

RGB 193 58 56

HSL 0.88, 0.55%, 0.49%

LAB 45.15, 53.41, 32.44

 

CMYK 71 / 0 / 69 / 24

HEX #38C13C

RGB 56 193 60

HSL 121.75, 0.55%, 0.49%

LAB 68.97, -61.53, 54.13

 

CMYK 71 / 16 / 0 / 24

HEX #38A3C1

RGB 56 163 193

HSL 193.14, 0.55%, 0.49%

LAB 62.41, -20.4, -24.22

 

CMYK 0 / 71 / 1 / 24

HEX #C138BF

RGB 193 56 191

HSL 300.88, 0.55%, 0.49%

LAB 49.41, 68.82, -42.57

 

CMYK 0 / 55 / 71 / 24

HEX #C15638

RGB 193 86 56

HSL 13.14, 0.55%, 0.49%

LAB 49.83, 40.96, 37.83

 

CMYK 71 / 0 / 69 / 24

HEX #38C13C

RGB 56 193 60

HSL 121.75, 0.55%, 0.49%

LAB 68.97, -61.53, 54.13

 

CMYK 71 / 37 / 0 / 24

HEX #387AC1

RGB 56 122 193

HSL 211.09, 0.55%, 0.49%

LAB 50.23, 2.81, -43.22

 

CMYK 0 / 71 / 1 / 24

HEX #C138BF

RGB 193 56 191

HSL 300.88, 0.55%, 0.49%

LAB 49.41, 68.82, -42.57

 

CMYK 0 / 34 / 71 / 24

HEX #C17F38

RGB 193 127 56

HSL 31.09, 0.55%, 0.49%

LAB 58.79, 19.17, 47.63

 

Description

Color code: RGB 56 193 60 | qconv.com Color code: RGB 56 193 60 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 193 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 193 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 69 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 69% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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