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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 193 176 it is the complementary color RGB 199 62 79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 193 176. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 193 176 shade: RGB 61 193 171, RGB 78 211 190, RGB 95 229 209, RGB 112 247 228 and RGB 129 255 247

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 193 176. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 193 176 shade: RGB 56 193 176, RGB 39 175 157, RGB 22 157 138, RGB 5 139 119 and RGB 0 121 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 193 176 shade: RGB 56 193 176, RGB 56 193 139, RGB 56 193 102, RGB 56 193 65 and RGB 84 193 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 193 176 shade: RGB 56 193 176, RGB 56 173 193, RGB 56 136 193, RGB 56 99 193 and RGB 56 62 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 193 176 shade matches the following richer shades: RGB 56 193 176, RGB 36 213 191 and RGB 15 234 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 193 176 shade: RGB 56 193 176, RGB 76 173 161, RGB 96 153 146, RGB 116 133 131 and RGB 137 112 115

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 193 176 shade: RGB 56 193 102, RGB 56 193 138, RGB 56 193 175, RGB 56 175 193 and RGB 56 138 193

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 193 176 shade: RGB 37 129 118, RGB 46 161 147, RGB 56 193 176, RGB 85 205 190 and RGB 117 215 202

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 193 176 shade: RGB 56 193 176, RGB 65 56 193 and RGB 193 120 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 193 176 shade: RGB 56 193 176, RGB 175 56 193 and RGB 193 175 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 193 176 shade: RGB 56 193 176, RGB 65 56 193, RGB 193 56 74 and RGB 184 193 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 193 176 shade: RGB 56 193 176, RGB 106 56 193, RGB 193 56 74 and RGB 143 193 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 9 / 24

HEX #38C1B0

RGB 56 193 176

HSL 172.55, 0.55%, 0.49%

LAB 70.95, -39.98, -1.98

 

Complementary color

CMYK 0 / 69 / 60 / 22

HEX #C73E4F

RGB 199 62 79

HSL 352.55, 0.55%, 0.51%

LAB 47.17, 55.11, 21.45

 

CMYK 68 / 0 / 11 / 24

HEX #3DC1AB

RGB 61 193 171

HSL 170, 0.52%, 0.5%

LAB 70.92, -40.6, 0.72

 

CMYK 63 / 0 / 10 / 17

HEX #4ED3BE

RGB 78 211 190

HSL 170.53, 0.6%, 0.57%

LAB 77.24, -41.02, -0.3

 

CMYK 59 / 0 / 9 / 10

HEX #5FE5D1

RGB 95 229 209

HSL 171.04, 0.72%, 0.64%

LAB 83.48, -41.29, -1.23

 

CMYK 55 / 0 / 8 / 3

HEX #70F7E4

RGB 112 247 228

HSL 171.56, 0.89%, 0.7%

LAB 89.66, -41.44, -2.09

 

CMYK 49 / 0 / 3 / 0

HEX #81FFF7

RGB 129 255 247

HSL 176.19, 1%, 0.75%

LAB 92.97, -37, -7.01

 

CMYK 71 / 0 / 9 / 24

HEX #38C1B0

RGB 56 193 176

HSL 172.55, 0.55%, 0.49%

LAB 70.95, -39.98, -1.98

 

CMYK 78 / 0 / 10 / 31

HEX #27AF9D

RGB 39 175 157

HSL 172.06, 0.64%, 0.42%

LAB 64.58, -39.18, -0.87

 

CMYK 86 / 0 / 12 / 38

HEX #169D8A

RGB 22 157 138

HSL 171.56, 0.75%, 0.35%

LAB 58.15, -38.04, 0.37

 

CMYK 96 / 0 / 14 / 45

HEX #058B77

RGB 5 139 119

HSL 171.04, 0.93%, 0.28%

LAB 51.64, -36.45, 1.78

 

CMYK 100 / 0 / 17 / 53

HEX #007964

RGB 0 121 100

HSL 169.59, 1%, 0.24%

LAB 45.07, -34.2, 3.42

 

CMYK 71 / 0 / 9 / 24

HEX #38C1B0

RGB 56 193 176

HSL 172.55, 0.55%, 0.49%

LAB 70.95, -39.98, -1.98

 

CMYK 71 / 0 / 28 / 24

HEX #38C18B

RGB 56 193 139

HSL 156.35, 0.55%, 0.49%

LAB 70.07, -49.08, 16.86

 

CMYK 71 / 0 / 47 / 24

HEX #38C166

RGB 56 193 102

HSL 140.15, 0.55%, 0.49%

LAB 69.43, -56.19, 35.4

 

CMYK 71 / 0 / 66 / 24

HEX #38C141

RGB 56 193 65

HSL 123.94, 0.55%, 0.49%

LAB 69.01, -61.05, 52.15

 

CMYK 56 / 0 / 71 / 24

HEX #54C138

RGB 84 193 56

HSL 107.74, 0.55%, 0.49%

LAB 69.69, -55.8, 56.65

 

CMYK 71 / 0 / 9 / 24

HEX #38C1B0

RGB 56 193 176

HSL 172.55, 0.55%, 0.49%

LAB 70.95, -39.98, -1.98

 

CMYK 71 / 10 / 0 / 24

HEX #38ADC1

RGB 56 173 193

HSL 188.76, 0.55%, 0.49%

LAB 65.42, -25.54, -19.62

 

CMYK 71 / 30 / 0 / 24

HEX #3888C1

RGB 56 136 193

HSL 204.96, 0.55%, 0.49%

LAB 54.34, -5.51, -36.73

 

CMYK 71 / 49 / 0 / 24

HEX #3863C1

RGB 56 99 193

HSL 221.17, 0.55%, 0.49%

LAB 43.68, 17.23, -53.69

 

CMYK 71 / 68 / 0 / 24

HEX #383EC1

RGB 56 62 193

HSL 237.37, 0.55%, 0.49%

LAB 34.27, 40.82, -69

 

CMYK 71 / 0 / 9 / 24

HEX #38C1B0

RGB 56 193 176

HSL 172.55, 0.55%, 0.49%

LAB 70.95, -39.98, -1.98

 

CMYK 83 / 0 / 10 / 16

HEX #24D5BF

RGB 36 213 191

HSL 172.54, 0.71%, 0.49%

LAB 77.12, -46.69, -1.1

 

CMYK 94 / 0 / 12 / 8

HEX #0FEACE

RGB 15 234 206

HSL 172.33, 0.88%, 0.49%

LAB 83.65, -52.49, 0.46

 

CMYK 71 / 0 / 9 / 24

HEX #38C1B0

RGB 56 193 176

HSL 172.55, 0.55%, 0.49%

LAB 70.95, -39.98, -1.98

 

CMYK 56 / 0 / 7 / 32

HEX #4CADA1

RGB 76 173 161

HSL 172.58, 0.39%, 0.49%

LAB 64.96, -31.38, -2.45

 

CMYK 37 / 0 / 5 / 40

HEX #609992

RGB 96 153 146

HSL 172.63, 0.23%, 0.49%

LAB 59.29, -20.34, -2.24

 

CMYK 13 / 0 / 2 / 48

HEX #748583

RGB 116 133 131

HSL 172.94, 0.07%, 0.49%

LAB 54.16, -6.58, -1.02

 

CMYK 0 / 18 / 16 / 46

HEX #897073

RGB 137 112 115

HSL 352.8, 0.1%, 0.49%

LAB 49.67, 10.34, 2.04

 

CMYK 71 / 0 / 47 / 24

HEX #38C166

RGB 56 193 102

HSL 140.15, 0.55%, 0.49%

LAB 69.43, -56.19, 35.4

 

CMYK 71 / 0 / 28 / 24

HEX #38C18A

RGB 56 193 138

HSL 155.91, 0.55%, 0.49%

LAB 70.05, -49.3, 17.37

 

CMYK 71 / 0 / 9 / 24

HEX #38C1AF

RGB 56 193 175

HSL 172.12, 0.55%, 0.49%

LAB 70.92, -40.25, -1.48

 

CMYK 71 / 9 / 0 / 24

HEX #38AFC1

RGB 56 175 193

HSL 187.88, 0.55%, 0.49%

LAB 66.02, -26.54, -18.71

 

CMYK 71 / 28 / 0 / 24

HEX #388AC1

RGB 56 138 193

HSL 204.09, 0.55%, 0.49%

LAB 54.94, -6.66, -35.8

 

CMYK 71 / 0 / 9 / 49

HEX #258176

RGB 37 129 118

HSL 172.83, 0.55%, 0.33%

LAB 48.76, -29.13, -1.79

 

CMYK 71 / 0 / 9 / 37

HEX #2EA193

RGB 46 161 147

HSL 172.7, 0.56%, 0.41%

LAB 60.05, -34.74, -1.9

 

CMYK 71 / 0 / 9 / 24

HEX #38C1B0

RGB 56 193 176

HSL 172.55, 0.55%, 0.49%

LAB 70.95, -39.98, -1.98

 

CMYK 59 / 0 / 7 / 20

HEX #55CDBE

RGB 85 205 190

HSL 172.5, 0.55%, 0.57%

LAB 75.64, -37.08, -2.61

 

CMYK 46 / 0 / 6 / 16

HEX #75D7CA

RGB 117 215 202

HSL 172.04, 0.55%, 0.65%

LAB 79.98, -31.98, -2.56

 

CMYK 71 / 0 / 9 / 24

HEX #38C1B0

RGB 56 193 176

HSL 172.55, 0.55%, 0.49%

LAB 70.95, -39.98, -1.98

 

CMYK 66 / 71 / 0 / 24

HEX #4138C1

RGB 65 56 193

HSL 243.94, 0.55%, 0.49%

LAB 33.57, 45.4, -70.12

 

CMYK 0 / 38 / 71 / 24

HEX #C17838

RGB 193 120 56

HSL 28.03, 0.55%, 0.49%

LAB 57.13, 23.02, 45.86

 

CMYK 71 / 0 / 9 / 24

HEX #38C1B0

RGB 56 193 176

HSL 172.55, 0.55%, 0.49%

LAB 70.95, -39.98, -1.98

 

CMYK 9 / 71 / 0 / 24

HEX #AF38C1

RGB 175 56 193

HSL 292.12, 0.55%, 0.49%

LAB 46.7, 65.25, -48.21

 

CMYK 0 / 9 / 71 / 24

HEX #C1AF38

RGB 193 175 56

HSL 52.12, 0.55%, 0.49%

LAB 71.07, -6.82, 60.19

 

CMYK 71 / 0 / 9 / 24

HEX #38C1B0

RGB 56 193 176

HSL 172.55, 0.55%, 0.49%

LAB 70.95, -39.98, -1.98

 

CMYK 66 / 71 / 0 / 24

HEX #4138C1

RGB 65 56 193

HSL 243.94, 0.55%, 0.49%

LAB 33.57, 45.4, -70.12

 

CMYK 0 / 71 / 62 / 24

HEX #C1384A

RGB 193 56 74

HSL 352.12, 0.55%, 0.49%

LAB 45.17, 55.18, 21.66

 

CMYK 5 / 0 / 71 / 24

HEX #B8C138

RGB 184 193 56

HSL 63.94, 0.55%, 0.49%

LAB 75.21, -19.87, 64

 

CMYK 71 / 0 / 9 / 24

HEX #38C1B0

RGB 56 193 176

HSL 172.55, 0.55%, 0.49%

LAB 70.95, -39.98, -1.98

 

CMYK 45 / 71 / 0 / 24

HEX #6A38C1

RGB 106 56 193

HSL 261.9, 0.55%, 0.49%

LAB 37.38, 51.55, -63.74

 

CMYK 0 / 71 / 62 / 24

HEX #C1384A

RGB 193 56 74

HSL 352.12, 0.55%, 0.49%

LAB 45.17, 55.18, 21.66

 

CMYK 26 / 0 / 71 / 24

HEX #8FC138

RGB 143 193 56

HSL 81.9, 0.55%, 0.49%

LAB 72.41, -36.47, 60.29

 

Description

Color code: RGB 56 193 176 | qconv.com Color code: RGB 56 193 176 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 193 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 193 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 9 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 9% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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