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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 174 224 it is the complementary color RGB 199 81 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 174 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 174 224 shade: RGB 61 174 219, RGB 78 192 238, RGB 95 210 255, RGB 112 228 255 and RGB 129 246 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 174 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 174 224 shade: RGB 56 174 224, RGB 39 156 205, RGB 22 138 186, RGB 5 120 167 and RGB 0 102 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 174 224 shade: RGB 56 174 224, RGB 56 128 224, RGB 56 83 224, RGB 74 56 224 and RGB 119 56 224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 174 224 shade: RGB 56 174 224, RGB 56 128 224, RGB 56 83 224 and RGB 56 56 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 174 224 shade matches the following richer shades: RGB 56 174 224 and RGB 37 181 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 174 224 shade: RGB 56 174 224, RGB 75 166 205, RGB 93 159 186, RGB 112 151 168 and RGB 130 144 149

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 174 224 shade: RGB 56 224 182, RGB 56 221 224, RGB 56 176 224, RGB 56 131 224 and RGB 56 87 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 174 224 shade: RGB 26 128 171, RGB 32 154 206, RGB 56 174 224, RGB 92 188 229 and RGB 127 203 235

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 174 224 shade: RGB 56 174 224, RGB 137 56 224 and RGB 224 204 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 174 224 shade: RGB 56 174 224, RGB 224 56 176 and RGB 176 224 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 174 224 shade: RGB 56 174 224, RGB 137 56 224, RGB 224 103 56 and RGB 143 224 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 174 224 shade: RGB 56 174 224, RGB 187 56 224, RGB 224 103 56 and RGB 92 224 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 22 / 0 / 12

HEX #38AEE0

RGB 56 174 224

HSL 197.86, 0.73%, 0.55%

LAB 66.9, -16.04, -34.47

 

Complementary color

CMYK 0 / 59 / 84 / 22

HEX #C7511F

RGB 199 81 31

HSL 17.86, 0.73%, 0.45%

LAB 49.65, 44.67, 50.3

 

CMYK 72 / 21 / 0 / 14

HEX #3DAEDB

RGB 61 174 219

HSL 197.09, 0.69%, 0.55%

LAB 66.81, -17.08, -31.85

 

CMYK 67 / 19 / 0 / 7

HEX #4EC0EE

RGB 78 192 238

HSL 197.25, 0.82%, 0.62%

LAB 73.21, -18.07, -32.26

 

CMYK 63 / 18 / 0 / 0

HEX #5FD2FF

RGB 95 210 255

HSL 196.88, 1%, 0.69%

LAB 79.47, -19.47, -31.7

 

CMYK 56 / 11 / 0 / 0

HEX #70E4FF

RGB 112 228 255

HSL 191.33, 1%, 0.72%

LAB 85.07, -25.48, -23.08

 

CMYK 49 / 4 / 0 / 0

HEX #81F6FF

RGB 129 246 255

HSL 184.29, 1%, 0.75%

LAB 90.69, -30.8, -14.56

 

CMYK 75 / 22 / 0 / 12

HEX #38AEE0

RGB 56 174 224

HSL 197.86, 0.73%, 0.55%

LAB 66.9, -16.04, -34.47

 

CMYK 81 / 24 / 0 / 20

HEX #279CCD

RGB 39 156 205

HSL 197.71, 0.68%, 0.48%

LAB 60.44, -14.58, -34

 

CMYK 88 / 26 / 0 / 27

HEX #168ABA

RGB 22 138 186

HSL 197.56, 0.79%, 0.41%

LAB 53.91, -12.72, -33.47

 

CMYK 97 / 28 / 0 / 35

HEX #0578A7

RGB 5 120 167

HSL 197.41, 0.94%, 0.34%

LAB 47.31, -10.37, -32.85

 

CMYK 100 / 31 / 0 / 42

HEX #006694

RGB 0 102 148

HSL 198.65, 1%, 0.29%

LAB 40.64, -7.34, -32.1

 

CMYK 75 / 22 / 0 / 12

HEX #38AEE0

RGB 56 174 224

HSL 197.86, 0.73%, 0.55%

LAB 66.9, -16.04, -34.47

 

CMYK 75 / 43 / 0 / 12

HEX #3880E0

RGB 56 128 224

HSL 214.29, 0.73%, 0.55%

LAB 53.67, 10.41, -55.33

 

CMYK 75 / 63 / 0 / 12

HEX #3853E0

RGB 56 83 224

HSL 230.36, 0.73%, 0.55%

LAB 41.86, 38.69, -74.45

 

CMYK 67 / 75 / 0 / 12

HEX #4A38E0

RGB 74 56 224

HSL 246.43, 0.73%, 0.55%

LAB 37.24, 56.02, -82.01

 

CMYK 47 / 75 / 0 / 12

HEX #7738E0

RGB 119 56 224

HSL 262.5, 0.73%, 0.55%

LAB 41.43, 61.67, -74.97

 

CMYK 75 / 22 / 0 / 12

HEX #38AEE0

RGB 56 174 224

HSL 197.86, 0.73%, 0.55%

LAB 66.9, -16.04, -34.47

 

CMYK 75 / 43 / 0 / 12

HEX #3880E0

RGB 56 128 224

HSL 214.29, 0.73%, 0.55%

LAB 53.67, 10.41, -55.33

 

CMYK 75 / 63 / 0 / 12

HEX #3853E0

RGB 56 83 224

HSL 230.36, 0.73%, 0.55%

LAB 41.86, 38.69, -74.45

 

CMYK 75 / 75 / 0 / 12

HEX #3838E0

RGB 56 56 224

HSL 240, 0.73%, 0.55%

LAB 36.08, 54.43, -83.96

 

CMYK 75 / 22 / 0 / 12

HEX #38AEE0

RGB 56 174 224

HSL 197.86, 0.73%, 0.55%

LAB 66.9, -16.04, -34.47

 

CMYK 85 / 25 / 0 / 5

HEX #25B5F2

RGB 37 181 242

HSL 197.85, 0.89%, 0.55%

LAB 69.36, -15.42, -40.48

 

CMYK 75 / 22 / 0 / 12

HEX #38AEE0

RGB 56 174 224

HSL 197.86, 0.73%, 0.55%

LAB 66.9, -16.04, -34.47

 

CMYK 63 / 19 / 0 / 20

HEX #4BA6CD

RGB 75 166 205

HSL 198, 0.57%, 0.55%

LAB 64.3, -15.2, -27.95

 

CMYK 50 / 15 / 0 / 27

HEX #5D9FBA

RGB 93 159 186

HSL 197.42, 0.4%, 0.55%

LAB 62.23, -13.55, -20.46

 

CMYK 33 / 10 / 0 / 34

HEX #7097A8

RGB 112 151 168

HSL 198.21, 0.24%, 0.55%

LAB 60.25, -9.1, -13.21

 

CMYK 13 / 3 / 0 / 42

HEX #829095

RGB 130 144 149

HSL 195.79, 0.08%, 0.55%

LAB 58.85, -3.96, -4.37

 

CMYK 75 / 0 / 19 / 12

HEX #38E0B6

RGB 56 224 182

HSL 165, 0.73%, 0.55%

LAB 80.48, -51.65, 8.59

 

CMYK 75 / 1 / 0 / 12

HEX #38DDE0

RGB 56 221 224

HSL 181.07, 0.73%, 0.55%

LAB 80.7, -39.21, -13.4

 

CMYK 75 / 21 / 0 / 12

HEX #38B0E0

RGB 56 176 224

HSL 197.14, 0.73%, 0.55%

LAB 67.48, -17.11, -33.56

 

CMYK 75 / 42 / 0 / 12

HEX #3883E0

RGB 56 131 224

HSL 213.21, 0.73%, 0.55%

LAB 54.51, 8.58, -53.99

 

CMYK 75 / 61 / 0 / 12

HEX #3857E0

RGB 56 87 224

HSL 228.93, 0.73%, 0.55%

LAB 42.82, 36.19, -72.88

 

CMYK 85 / 25 / 0 / 33

HEX #1A80AB

RGB 26 128 171

HSL 197.79, 0.74%, 0.39%

LAB 50.21, -12.26, -30.61

 

CMYK 84 / 25 / 0 / 19

HEX #209ACE

RGB 32 154 206

HSL 197.93, 0.73%, 0.47%

LAB 59.78, -13.73, -35.61

 

CMYK 75 / 22 / 0 / 12

HEX #38AEE0

RGB 56 174 224

HSL 197.86, 0.73%, 0.55%

LAB 66.9, -16.04, -34.47

 

CMYK 60 / 18 / 0 / 10

HEX #5CBCE5

RGB 92 188 229

HSL 197.96, 0.72%, 0.63%

LAB 72.16, -16.44, -28.98

 

CMYK 46 / 14 / 0 / 8

HEX #7FCBEB

RGB 127 203 235

HSL 197.78, 0.73%, 0.71%

LAB 78.01, -15.2, -23.15

 

CMYK 75 / 22 / 0 / 12

HEX #38AEE0

RGB 56 174 224

HSL 197.86, 0.73%, 0.55%

LAB 66.9, -16.04, -34.47

 

CMYK 39 / 75 / 0 / 12

HEX #8938E0

RGB 137 56 224

HSL 268.93, 0.73%, 0.55%

LAB 43.55, 64.47, -71.41

 

CMYK 0 / 9 / 75 / 12

HEX #E0CC38

RGB 224 204 56

HSL 52.86, 0.73%, 0.55%

LAB 81.47, -8.45, 71.12

 

CMYK 75 / 22 / 0 / 12

HEX #38AEE0

RGB 56 174 224

HSL 197.86, 0.73%, 0.55%

LAB 66.9, -16.04, -34.47

 

CMYK 0 / 75 / 21 / 12

HEX #E038B0

RGB 224 56 176

HSL 317.14, 0.73%, 0.55%

LAB 53.83, 73.7, -26.55

 

CMYK 21 / 0 / 75 / 12

HEX #B0E038

RGB 176 224 56

HSL 77.14, 0.73%, 0.55%

LAB 83.35, -37.75, 71.61

 

CMYK 75 / 22 / 0 / 12

HEX #38AEE0

RGB 56 174 224

HSL 197.86, 0.73%, 0.55%

LAB 66.9, -16.04, -34.47

 

CMYK 39 / 75 / 0 / 12

HEX #8938E0

RGB 137 56 224

HSL 268.93, 0.73%, 0.55%

LAB 43.55, 64.47, -71.41

 

CMYK 0 / 54 / 75 / 12

HEX #E06738

RGB 224 103 56

HSL 16.79, 0.73%, 0.55%

LAB 57.88, 44.34, 47.97

 

CMYK 36 / 0 / 75 / 12

HEX #8FE038

RGB 143 224 56

HSL 88.93, 0.73%, 0.55%

LAB 81.53, -49.81, 69.24

 

CMYK 75 / 22 / 0 / 12

HEX #38AEE0

RGB 56 174 224

HSL 197.86, 0.73%, 0.55%

LAB 66.9, -16.04, -34.47

 

CMYK 17 / 75 / 0 / 12

HEX #BB38E0

RGB 187 56 224

HSL 286.79, 0.73%, 0.55%

LAB 50.42, 73.31, -59.95

 

CMYK 0 / 54 / 75 / 12

HEX #E06738

RGB 224 103 56

HSL 16.79, 0.73%, 0.55%

LAB 57.88, 44.34, 47.97

 

CMYK 59 / 0 / 75 / 12

HEX #5CE038

RGB 92 224 56

HSL 107.14, 0.73%, 0.55%

LAB 79.54, -64.77, 66.62

 

Description

Color code: RGB 56 174 224 | qconv.com Color code: RGB 56 174 224 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 174 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 174 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 22 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 22% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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