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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 156 108 it is the complementary color RGB 199 99 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 156 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 156 108 shade: RGB 61 156 103, RGB 78 174 122, RGB 95 192 141, RGB 112 210 160 and RGB 129 228 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 156 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 156 108 shade: RGB 56 156 108, RGB 39 138 89, RGB 22 120 70, RGB 5 102 51 and RGB 0 84 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 156 108 shade: RGB 56 157 109, RGB 56 157 81, RGB 58 157 56, RGB 85 157 56 and RGB 113 157 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 156 108 shade: RGB 56 157 109, RGB 56 157 136, RGB 56 151 157, RGB 56 124 157 and RGB 56 97 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 156 108 shade matches the following richer shades: RGB 56 157 109, RGB 39 174 109, RGB 22 192 110 and RGB 4 209 111

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 156 108 shade: RGB 56 157 109, RGB 74 140 108, RGB 91 122 107, RGB 108 105 107 and RGB 126 88 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 156 108 shade: RGB 58 157 56, RGB 56 157 81, RGB 56 157 108, RGB 56 157 135 and RGB 56 152 157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 156 108 shade: RGB 34 96 67, RGB 45 127 88, RGB 56 157 109, RGB 67 187 130 and RGB 98 198 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 156 108 shade: RGB 56 156 108, RGB 56 85 157 and RGB 157 68 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 156 108 shade: RGB 56 156 108, RGB 108 56 157 and RGB 157 108 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 156 108 shade: RGB 56 156 108, RGB 56 85 157, RGB 157 56 105 and RGB 157 128 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 156 108 shade: RGB 56 156 108, RGB 58 56 157, RGB 157 56 105 and RGB 155 157 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 31 / 39

HEX #389C6C

RGB 56 156 108

HSL 151.2, 0.47%, 0.42%

LAB 57.75, -40.52, 16.8

 

Complementary color

CMYK 0 / 50 / 26 / 22

HEX #C76393

RGB 199 99 147

HSL 331.2, 0.47%, 0.58%

LAB 55.25, 45.31, -7.76

 

CMYK 61 / 0 / 34 / 39

HEX #3D9C67

RGB 61 156 103

HSL 146.53, 0.44%, 0.43%

LAB 57.8, -40.52, 19.66

 

CMYK 55 / 0 / 30 / 32

HEX #4EAE7A

RGB 78 174 122

HSL 147.5, 0.38%, 0.49%

LAB 64.4, -40.54, 18.33

 

CMYK 51 / 0 / 27 / 25

HEX #5FC08D

RGB 95 192 141

HSL 148.45, 0.43%, 0.56%

LAB 70.91, -40.43, 17.12

 

CMYK 47 / 0 / 24 / 18

HEX #70D2A0

RGB 112 210 160

HSL 149.39, 0.52%, 0.63%

LAB 77.33, -40.26, 16.01

 

CMYK 43 / 0 / 21 / 11

HEX #81E4B3

RGB 129 228 179

HSL 150.3, 0.65%, 0.7%

LAB 83.66, -40.05, 14.97

 

CMYK 64 / 0 / 31 / 39

HEX #389C6C

RGB 56 156 108

HSL 151.2, 0.47%, 0.42%

LAB 57.75, -40.52, 16.8

 

CMYK 72 / 0 / 36 / 46

HEX #278A59

RGB 39 138 89

HSL 150.3, 0.56%, 0.35%

LAB 51.07, -40.17, 18.27

 

CMYK 82 / 0 / 42 / 53

HEX #167846

RGB 22 120 70

HSL 149.39, 0.69%, 0.28%

LAB 44.3, -39.4, 19.93

 

CMYK 95 / 0 / 50 / 60

HEX #056633

RGB 5 102 51

HSL 148.45, 0.91%, 0.21%

LAB 37.43, -37.97, 21.8

 

CMYK 100 / 0 / 62 / 67

HEX #005420

RGB 0 84 32

HSL 142.86, 1%, 0.16%

LAB 30.51, -35.22, 23.88

 

CMYK 64 / 0 / 31 / 38

HEX #389D6D

RGB 56 157 109

HSL 151.49, 0.47%, 0.42%

LAB 58.09, -40.73, 16.71

 

CMYK 64 / 0 / 48 / 38

HEX #389D51

RGB 56 157 81

HSL 134.85, 0.47%, 0.42%

LAB 57.61, -46.03, 31.24

 

CMYK 63 / 0 / 64 / 38

HEX #3A9D38

RGB 58 157 56

HSL 118.81, 0.47%, 0.42%

LAB 57.37, -48.97, 43.22

 

CMYK 46 / 0 / 64 / 38

HEX #559D38

RGB 85 157 56

HSL 102.77, 0.47%, 0.42%

LAB 58.35, -41.45, 44.59

 

CMYK 28 / 0 / 64 / 38

HEX #719D38

RGB 113 157 56

HSL 86.14, 0.47%, 0.42%

LAB 59.81, -31.45, 46.6

 

CMYK 64 / 0 / 31 / 38

HEX #389D6D

RGB 56 157 109

HSL 151.49, 0.47%, 0.42%

LAB 58.09, -40.73, 16.71

 

CMYK 64 / 0 / 13 / 38

HEX #389D88

RGB 56 157 136

HSL 167.52, 0.47%, 0.42%

LAB 58.73, -34.26, 2.42

 

CMYK 64 / 4 / 0 / 38

HEX #38979D

RGB 56 151 157

HSL 183.56, 0.47%, 0.42%

LAB 57.47, -25.45, -11.38

 

CMYK 64 / 21 / 0 / 38

HEX #387C9D

RGB 56 124 157

HSL 199.6, 0.47%, 0.42%

LAB 49.12, -10.94, -24.11

 

CMYK 64 / 38 / 0 / 38

HEX #38619D

RGB 56 97 157

HSL 215.64, 0.47%, 0.42%

LAB 40.94, 5.36, -36.92

 

CMYK 64 / 0 / 31 / 38

HEX #389D6D

RGB 56 157 109

HSL 151.49, 0.47%, 0.42%

LAB 58.09, -40.73, 16.71

 

CMYK 78 / 0 / 37 / 32

HEX #27AE6D

RGB 39 174 109

HSL 151.11, 0.63%, 0.42%

LAB 63.18, -50.33, 23.56

 

CMYK 89 / 0 / 43 / 25

HEX #16C06E

RGB 22 192 110

HSL 151.06, 0.79%, 0.42%

LAB 68.75, -58.32, 30.35

 

CMYK 98 / 0 / 47 / 18

HEX #04D16F

RGB 4 209 111

HSL 151.32, 0.96%, 0.42%

LAB 74.05, -64.72, 36.64

 

CMYK 64 / 0 / 31 / 38

HEX #389D6D

RGB 56 157 109

HSL 151.49, 0.47%, 0.42%

LAB 58.09, -40.73, 16.71

 

CMYK 47 / 0 / 23 / 45

HEX #4A8C6C

RGB 74 140 108

HSL 150.91, 0.31%, 0.42%

LAB 53.27, -28.93, 10.67

 

CMYK 25 / 0 / 12 / 52

HEX #5B7A6B

RGB 91 122 107

HSL 150.97, 0.15%, 0.42%

LAB 48.52, -14.49, 4.62

 

CMYK 0 / 3 / 1 / 58

HEX #6C696B

RGB 108 105 107

HSL 320, 0.01%, 0.42%

LAB 44.73, 1.58, -0.71

 

CMYK 0 / 30 / 16 / 51

HEX #7E586A

RGB 126 88 106

HSL 331.58, 0.18%, 0.42%

LAB 41.93, 18.66, -4.02

 

CMYK 63 / 0 / 64 / 38

HEX #3A9D38

RGB 58 157 56

HSL 118.81, 0.47%, 0.42%

LAB 57.37, -48.97, 43.22

 

CMYK 64 / 0 / 48 / 38

HEX #389D51

RGB 56 157 81

HSL 134.85, 0.47%, 0.42%

LAB 57.61, -46.03, 31.24

 

CMYK 64 / 0 / 31 / 38

HEX #389D6C

RGB 56 157 108

HSL 150.89, 0.47%, 0.42%

LAB 58.07, -40.95, 17.24

 

CMYK 64 / 0 / 14 / 38

HEX #389D87

RGB 56 157 135

HSL 166.93, 0.47%, 0.42%

LAB 58.7, -34.52, 2.95

 

CMYK 64 / 3 / 0 / 38

HEX #38989D

RGB 56 152 157

HSL 182.97, 0.47%, 0.42%

LAB 57.78, -25.95, -10.92

 

CMYK 65 / 0 / 30 / 62

HEX #226043

RGB 34 96 67

HSL 151.94, 0.48%, 0.25%

LAB 36.2, -27.51, 10.8

 

CMYK 65 / 0 / 31 / 50

HEX #2D7F58

RGB 45 127 88

HSL 151.46, 0.48%, 0.34%

LAB 47.55, -34.51, 14.06

 

CMYK 64 / 0 / 31 / 38

HEX #389D6D

RGB 56 157 109

HSL 151.49, 0.47%, 0.42%

LAB 58.09, -40.73, 16.71

 

CMYK 64 / 0 / 30 / 27

HEX #43BB82

RGB 67 187 130

HSL 151.5, 0.47%, 0.5%

LAB 68.27, -46.72, 19.26

 

CMYK 51 / 0 / 24 / 22

HEX #62C696

RGB 98 198 150

HSL 151.2, 0.47%, 0.58%

LAB 73.01, -40.49, 15.23

 

CMYK 64 / 0 / 31 / 39

HEX #389C6C

RGB 56 156 108

HSL 151.2, 0.47%, 0.42%

LAB 57.75, -40.52, 16.8

 

CMYK 64 / 46 / 0 / 38

HEX #38559D

RGB 56 85 157

HSL 222.77, 0.47%, 0.42%

LAB 37.43, 13.1, -42.5

 

CMYK 0 / 57 / 64 / 38

HEX #9D4438

RGB 157 68 56

HSL 7.13, 0.47%, 0.42%

LAB 40.55, 36.2, 25.42

 

CMYK 64 / 0 / 31 / 39

HEX #389C6C

RGB 56 156 108

HSL 151.2, 0.47%, 0.42%

LAB 57.75, -40.52, 16.8

 

CMYK 31 / 64 / 0 / 38

HEX #6C389D

RGB 108 56 157

HSL 270.89, 0.47%, 0.42%

LAB 34.9, 42.64, -46.32

 

CMYK 0 / 31 / 64 / 38

HEX #9D6C38

RGB 157 108 56

HSL 30.89, 0.47%, 0.42%

LAB 49.71, 14.06, 36.36

 

CMYK 64 / 0 / 31 / 39

HEX #389C6C

RGB 56 156 108

HSL 151.2, 0.47%, 0.42%

LAB 57.75, -40.52, 16.8

 

CMYK 64 / 46 / 0 / 38

HEX #38559D

RGB 56 85 157

HSL 222.77, 0.47%, 0.42%

LAB 37.43, 13.1, -42.5

 

CMYK 0 / 64 / 33 / 38

HEX #9D3869

RGB 157 56 105

HSL 330.89, 0.47%, 0.42%

LAB 39.61, 46.74, -6.37

 

CMYK 0 / 18 / 64 / 38

HEX #9D8038

RGB 157 128 56

HSL 42.77, 0.47%, 0.42%

LAB 54.96, 2.69, 42.29

 

CMYK 64 / 0 / 31 / 39

HEX #389C6C

RGB 56 156 108

HSL 151.2, 0.47%, 0.42%

LAB 57.75, -40.52, 16.8

 

CMYK 63 / 64 / 0 / 38

HEX #3A389D

RGB 58 56 157

HSL 241.19, 0.47%, 0.42%

LAB 29.82, 32.45, -54.8

 

CMYK 0 / 64 / 33 / 38

HEX #9D3869

RGB 157 56 105

HSL 330.89, 0.47%, 0.42%

LAB 39.61, 46.74, -6.37

 

CMYK 1 / 0 / 64 / 38

HEX #9B9D38

RGB 155 157 56

HSL 61.19, 0.47%, 0.42%

LAB 62.82, -13.96, 50.72

 

Description

Color code: RGB 56 156 108 | qconv.com Color code: RGB 56 156 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 156 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 156 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 31 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 31% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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