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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 141 244 it is the complementary color RGB 199 114 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 141 244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 141 244 shade: RGB 61 141 239, RGB 78 159 255, RGB 95 177 255, RGB 112 195 255 and RGB 129 213 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 141 244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 141 244 shade: RGB 56 141 244, RGB 39 123 225, RGB 22 105 206, RGB 5 87 187 and RGB 0 69 168

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 141 244 shade: RGB 56 141 244, RGB 56 90 244, RGB 72 56 244, RGB 123 56 244 and RGB 174 56 244

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 141 244 shade: RGB 56 141 244, RGB 56 90 244 and RGB 56 56 244

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 141 244 shade matches the following richer shades: RGB 56 141 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 141 244 shade: RGB 56 141 244, RGB 73 143 227, RGB 90 144 210, RGB 107 146 193 and RGB 124 147 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 141 244 shade: RGB 56 244 244, RGB 56 194 244, RGB 56 144 244, RGB 56 93 244 and RGB 68 56 244

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 141 244 shade: RGB 10 99 207, RGB 17 119 242, RGB 56 141 244, RGB 95 163 246 and RGB 134 186 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 141 244 shade: RGB 56 141 244, RGB 194 56 244 and RGB 219 244 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 141 244 shade: RGB 56 141 244, RGB 244 56 144 and RGB 144 244 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 141 244 shade: RGB 56 141 244, RGB 194 56 244, RGB 244 156 56 and RGB 106 244 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 141 244 shade: RGB 56 141 244, RGB 244 56 238, RGB 244 156 56 and RGB 56 244 62

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 42 / 0 / 4

HEX #388DF4

RGB 56 141 244

HSL 212.87, 0.9%, 0.59%

LAB 58.44, 9.8, -58.83

 

Complementary color

CMYK 0 / 43 / 94 / 22

HEX #C7720B

RGB 199 114 11

HSL 32.87, 0.9%, 0.41%

LAB 56.29, 27.44, 61.49

 

CMYK 74 / 41 / 0 / 6

HEX #3D8DEF

RGB 61 141 239

HSL 213.03, 0.85%, 0.59%

LAB 58.3, 8.56, -56.28

 

CMYK 69 / 38 / 0 / 0

HEX #4E9FFF

RGB 78 159 255

HSL 212.54, 1%, 0.65%

LAB 64.67, 5.78, -54.88

 

CMYK 63 / 31 / 0 / 0

HEX #5FB1FF

RGB 95 177 255

HSL 209.25, 1%, 0.69%

LAB 70.24, -1.82, -46.04

 

CMYK 56 / 24 / 0 / 0

HEX #70C3FF

RGB 112 195 255

HSL 205.17, 1%, 0.72%

LAB 75.88, -8.53, -37.19

 

CMYK 49 / 16 / 0 / 0

HEX #81D5FF

RGB 129 213 255

HSL 200, 1%, 0.75%

LAB 81.55, -14.46, -28.39

 

CMYK 77 / 42 / 0 / 4

HEX #388DF4

RGB 56 141 244

HSL 212.87, 0.9%, 0.59%

LAB 58.44, 9.8, -58.83

 

CMYK 83 / 45 / 0 / 12

HEX #277BE1

RGB 39 123 225

HSL 212.9, 0.76%, 0.52%

LAB 51.88, 12.14, -58.79

 

CMYK 89 / 49 / 0 / 19

HEX #1669CE

RGB 22 105 206

HSL 212.93, 0.81%, 0.45%

LAB 45.26, 14.99, -58.68

 

CMYK 97 / 53 / 0 / 27

HEX #0557BB

RGB 5 87 187

HSL 212.97, 0.95%, 0.38%

LAB 38.61, 18.46, -58.44

 

CMYK 100 / 59 / 0 / 34

HEX #0045A8

RGB 0 69 168

HSL 215.36, 1%, 0.33%

LAB 32, 22.66, -57.97

 

CMYK 77 / 42 / 0 / 4

HEX #388DF4

RGB 56 141 244

HSL 212.87, 0.9%, 0.59%

LAB 58.44, 9.8, -58.83

 

CMYK 77 / 63 / 0 / 4

HEX #385AF4

RGB 56 90 244

HSL 229.15, 0.9%, 0.59%

LAB 45.2, 41.41, -80.27

 

CMYK 70 / 77 / 0 / 4

HEX #4838F4

RGB 72 56 244

HSL 245.11, 0.9%, 0.59%

LAB 39.14, 61.79, -90.23

 

CMYK 50 / 77 / 0 / 4

HEX #7B38F4

RGB 123 56 244

HSL 261.38, 0.9%, 0.59%

LAB 43.61, 67.26, -82.7

 

CMYK 29 / 77 / 0 / 4

HEX #AE38F4

RGB 174 56 244

HSL 277.66, 0.9%, 0.59%

LAB 49.93, 74.89, -72.11

 

CMYK 77 / 42 / 0 / 4

HEX #388DF4

RGB 56 141 244

HSL 212.87, 0.9%, 0.59%

LAB 58.44, 9.8, -58.83

 

CMYK 77 / 63 / 0 / 4

HEX #385AF4

RGB 56 90 244

HSL 229.15, 0.9%, 0.59%

LAB 45.2, 41.41, -80.27

 

CMYK 77 / 77 / 0 / 4

HEX #3838F4

RGB 56 56 244

HSL 240, 0.9%, 0.59%

LAB 38.2, 60.64, -91.81

 

CMYK 77 / 42 / 0 / 4

HEX #388DF4

RGB 56 141 244

HSL 212.87, 0.9%, 0.59%

LAB 58.44, 9.8, -58.83

 

CMYK 77 / 42 / 0 / 4

HEX #388DF4

RGB 56 141 244

HSL 212.87, 0.9%, 0.59%

LAB 58.44, 9.8, -58.83

 

CMYK 68 / 37 / 0 / 11

HEX #498FE3

RGB 73 143 227

HSL 212.73, 0.73%, 0.59%

LAB 58.61, 4.78, -49.1

 

CMYK 57 / 31 / 0 / 18

HEX #5A90D2

RGB 90 144 210

HSL 213, 0.57%, 0.59%

LAB 58.76, 1.58, -39.31

 

CMYK 45 / 24 / 0 / 24

HEX #6B92C1

RGB 107 146 193

HSL 212.79, 0.41%, 0.59%

LAB 59.47, -0.84, -28.59

 

CMYK 30 / 16 / 0 / 31

HEX #7C93B0

RGB 124 147 176

HSL 213.46, 0.25%, 0.59%

LAB 60.15, -1.24, -17.83

 

CMYK 77 / 0 / 0 / 4

HEX #38F4F4

RGB 56 244 244

HSL 180, 0.9%, 0.59%

LAB 88, -43.83, -13.02

 

CMYK 77 / 20 / 0 / 4

HEX #38C2F4

RGB 56 194 244

HSL 195.96, 0.9%, 0.59%

LAB 73.52, -19.94, -35.08

 

CMYK 77 / 41 / 0 / 4

HEX #3890F4

RGB 56 144 244

HSL 211.91, 0.9%, 0.59%

LAB 59.27, 8, -57.5

 

CMYK 77 / 62 / 0 / 4

HEX #385DF4

RGB 56 93 244

HSL 228.19, 0.9%, 0.59%

LAB 45.91, 39.56, -79.11

 

CMYK 72 / 77 / 0 / 4

HEX #4438F4

RGB 68 56 244

HSL 243.83, 0.9%, 0.59%

LAB 38.88, 61.48, -90.66

 

CMYK 95 / 52 / 0 / 19

HEX #0A63CF

RGB 10 99 207

HSL 212.89, 0.91%, 0.43%

LAB 43.5, 18.76, -62.11

 

CMYK 93 / 51 / 0 / 5

HEX #1177F2

RGB 17 119 242

HSL 212.8, 0.9%, 0.51%

LAB 51.52, 19.87, -68.89

 

CMYK 77 / 42 / 0 / 4

HEX #388DF4

RGB 56 141 244

HSL 212.87, 0.9%, 0.59%

LAB 58.44, 9.8, -58.83

 

CMYK 61 / 34 / 0 / 4

HEX #5FA3F6

RGB 95 163 246

HSL 212.98, 0.89%, 0.67%

LAB 65.97, 3.19, -47.88

 

CMYK 46 / 25 / 0 / 3

HEX #86BAF8

RGB 134 186 248

HSL 212.63, 0.89%, 0.75%

LAB 74.17, -0.88, -36.01

 

CMYK 77 / 42 / 0 / 4

HEX #388DF4

RGB 56 141 244

HSL 212.87, 0.9%, 0.59%

LAB 58.44, 9.8, -58.83

 

CMYK 20 / 77 / 0 / 4

HEX #C238F4

RGB 194 56 244

HSL 284.04, 0.9%, 0.59%

LAB 52.76, 78.28, -67.39

 

CMYK 10 / 0 / 77 / 4

HEX #DBF438

RGB 219 244 56

HSL 67.98, 0.9%, 0.59%

LAB 91.71, -29.97, 80.36

 

CMYK 77 / 42 / 0 / 4

HEX #388DF4

RGB 56 141 244

HSL 212.87, 0.9%, 0.59%

LAB 58.44, 9.8, -58.83

 

CMYK 0 / 77 / 41 / 4

HEX #F43890

RGB 244 56 144

HSL 331.91, 0.9%, 0.59%

LAB 56.16, 75.03, -3.85

 

CMYK 41 / 0 / 77 / 4

HEX #90F438

RGB 144 244 56

HSL 91.91, 0.9%, 0.59%

LAB 87.44, -57.44, 74.87

 

CMYK 77 / 42 / 0 / 4

HEX #388DF4

RGB 56 141 244

HSL 212.87, 0.9%, 0.59%

LAB 58.44, 9.8, -58.83

 

CMYK 20 / 77 / 0 / 4

HEX #C238F4

RGB 194 56 244

HSL 284.04, 0.9%, 0.59%

LAB 52.76, 78.28, -67.39

 

CMYK 0 / 36 / 77 / 4

HEX #F49C38

RGB 244 156 56

HSL 31.91, 0.9%, 0.59%

LAB 71.76, 25.13, 62.7

 

CMYK 57 / 0 / 77 / 4

HEX #6AF438

RGB 106 244 56

HSL 104.04, 0.9%, 0.59%

LAB 86.03, -68.22, 73.04

 

CMYK 77 / 42 / 0 / 4

HEX #388DF4

RGB 56 141 244

HSL 212.87, 0.9%, 0.59%

LAB 58.44, 9.8, -58.83

 

CMYK 0 / 77 / 2 / 4

HEX #F438EE

RGB 244 56 238

HSL 301.91, 0.9%, 0.59%

LAB 60.1, 86.49, -51.85

 

CMYK 0 / 36 / 77 / 4

HEX #F49C38

RGB 244 156 56

HSL 31.91, 0.9%, 0.59%

LAB 71.76, 25.13, 62.7

 

CMYK 77 / 0 / 75 / 4

HEX #38F43E

RGB 56 244 62

HSL 121.91, 0.9%, 0.59%

LAB 84.94, -77.21, 69.74

 

Description

Color code: RGB 56 141 244 | qconv.com Color code: RGB 56 141 244 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 141 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 141 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 42 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 42% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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