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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 128 75 it is the complementary color RGB 199 127 180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 128 75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 128 75 shade: RGB 61 128 70, RGB 78 146 89, RGB 95 164 108, RGB 112 182 127 and RGB 129 200 146

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 128 75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 128 75 shade: RGB 56 128 75, RGB 39 110 56, RGB 22 92 37, RGB 5 74 18 and RGB 0 56 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 128 75 shade: RGB 55 127 74, RGB 56 127 55, RGB 75 127 55, RGB 95 127 55 and RGB 114 127 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 128 75 shade: RGB 55 127 74, RGB 55 127 94, RGB 55 127 113, RGB 55 122 127 and RGB 55 103 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 128 75 shade matches the following richer shades: RGB 55 127 74, RGB 41 142 67, RGB 26 157 60 and RGB 11 172 53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 128 75 shade: RGB 55 127 74, RGB 70 112 81, RGB 85 97 88, RGB 100 83 95 and RGB 115 68 102

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 128 75 shade: RGB 76 127 55, RGB 57 127 55, RGB 55 127 73, RGB 55 127 92 and RGB 55 127 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 128 75 shade: RGB 30 70 41, RGB 43 98 58, RGB 55 127 74, RGB 68 156 91 and RGB 85 180 110

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 128 75 shade: RGB 56 128 75, RGB 55 95 127 and RGB 127 55 66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 128 75 shade: RGB 56 128 75, RGB 73 55 127 and RGB 127 73 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 128 75 shade: RGB 56 128 75, RGB 55 95 127, RGB 127 55 109 and RGB 127 88 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 128 75 shade: RGB 56 128 75, RGB 55 73 127, RGB 127 55 109 and RGB 127 109 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 41 / 50

HEX #38804B

RGB 56 128 75

HSL 135.83, 0.39%, 0.36%

LAB 47.99, -35, 22.13

 

Complementary color

CMYK 0 / 36 / 10 / 22

HEX #C77FB4

RGB 199 127 180

HSL 315.83, 0.39%, 0.64%

LAB 62.18, 35.76, -16.37

 

CMYK 52 / 0 / 45 / 50

HEX #3D8046

RGB 61 128 70

HSL 128.06, 0.35%, 0.37%

LAB 48.1, -34.49, 25.09

 

CMYK 47 / 0 / 39 / 43

HEX #4E9259

RGB 78 146 89

HSL 129.71, 0.3%, 0.44%

LAB 54.97, -34.36, 23.7

 

CMYK 42 / 0 / 34 / 36

HEX #5FA46C

RGB 95 164 108

HSL 131.3, 0.27%, 0.51%

LAB 61.71, -34.13, 22.42

 

CMYK 38 / 0 / 30 / 29

HEX #70B67F

RGB 112 182 127

HSL 132.86, 0.32%, 0.58%

LAB 68.34, -33.87, 21.23

 

CMYK 36 / 0 / 27 / 22

HEX #81C892

RGB 129 200 146

HSL 134.37, 0.39%, 0.65%

LAB 74.86, -33.6, 20.13

 

CMYK 56 / 0 / 41 / 50

HEX #38804B

RGB 56 128 75

HSL 135.83, 0.39%, 0.36%

LAB 47.99, -35, 22.13

 

CMYK 65 / 0 / 49 / 57

HEX #276E38

RGB 39 110 56

HSL 134.37, 0.48%, 0.29%

LAB 41.01, -34.88, 23.66

 

CMYK 76 / 0 / 60 / 64

HEX #165C25

RGB 22 92 37

HSL 132.86, 0.61%, 0.22%

LAB 33.9, -34.3, 25.29

 

CMYK 93 / 0 / 76 / 71

HEX #054A12

RGB 5 74 18

HSL 131.3, 0.87%, 0.15%

LAB 26.66, -32.83, 26.76

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 57 / 0 / 42 / 50

HEX #377F4A

RGB 55 127 74

HSL 135.83, 0.4%, 0.36%

LAB 47.6, -35, 22.18

 

CMYK 56 / 0 / 57 / 50

HEX #387F37

RGB 56 127 55

HSL 119.17, 0.4%, 0.36%

LAB 47.36, -37.77, 32.14

 

CMYK 41 / 0 / 57 / 50

HEX #4B7F37

RGB 75 127 55

HSL 103.33, 0.4%, 0.36%

LAB 48.2, -31.72, 33.34

 

CMYK 25 / 0 / 57 / 50

HEX #5F7F37

RGB 95 127 55

HSL 86.67, 0.4%, 0.36%

LAB 49.36, -24.12, 35

 

CMYK 10 / 0 / 57 / 50

HEX #727F37

RGB 114 127 55

HSL 70.83, 0.4%, 0.36%

LAB 50.72, -16.1, 36.93

 

CMYK 57 / 0 / 42 / 50

HEX #377F4A

RGB 55 127 74

HSL 135.83, 0.4%, 0.36%

LAB 47.6, -35, 22.18

 

CMYK 57 / 0 / 26 / 50

HEX #377F5E

RGB 55 127 94

HSL 152.5, 0.4%, 0.36%

LAB 48.01, -30.86, 11.26

 

CMYK 57 / 0 / 11 / 50

HEX #377F71

RGB 55 127 113

HSL 168.33, 0.4%, 0.36%

LAB 48.49, -26.13, 0.82

 

CMYK 57 / 4 / 0 / 50

HEX #377A7F

RGB 55 122 127

HSL 184.17, 0.4%, 0.36%

LAB 47.32, -19.57, -9.19

 

CMYK 57 / 19 / 0 / 50

HEX #37677F

RGB 55 103 127

HSL 200, 0.4%, 0.36%

LAB 41.29, -8.88, -18.34

 

CMYK 57 / 0 / 42 / 50

HEX #377F4A

RGB 55 127 74

HSL 135.83, 0.4%, 0.36%

LAB 47.6, -35, 22.18

 

CMYK 71 / 0 / 53 / 44

HEX #298E43

RGB 41 142 67

HSL 135.45, 0.55%, 0.36%

LAB 52.09, -45.46, 31.58

 

CMYK 83 / 0 / 62 / 38

HEX #1A9D3C

RGB 26 157 60

HSL 135.57, 0.72%, 0.36%

LAB 56.74, -53.97, 40.5

 

CMYK 94 / 0 / 69 / 33

HEX #0BAC35

RGB 11 172 53

HSL 135.65, 0.88%, 0.36%

LAB 61.51, -60.73, 48.81

 

CMYK 57 / 0 / 42 / 50

HEX #377F4A

RGB 55 127 74

HSL 135.83, 0.4%, 0.36%

LAB 47.6, -35, 22.18

 

CMYK 38 / 0 / 28 / 56

HEX #467051

RGB 70 112 81

HSL 135.71, 0.23%, 0.36%

LAB 43.48, -21.9, 12.71

 

CMYK 12 / 0 / 9 / 62

HEX #556158

RGB 85 97 88

HSL 135, 0.07%, 0.36%

LAB 39.89, -6.59, 3.57

 

CMYK 0 / 17 / 5 / 61

HEX #64535F

RGB 100 83 95

HSL 317.65, 0.09%, 0.36%

LAB 37.34, 9.35, -4.33

 

CMYK 0 / 41 / 11 / 55

HEX #734466

RGB 115 68 102

HSL 316.6, 0.26%, 0.36%

LAB 35.48, 25.68, -11.34

 

CMYK 40 / 0 / 57 / 50

HEX #4C7F37

RGB 76 127 55

HSL 102.5, 0.4%, 0.36%

LAB 48.25, -31.37, 33.42

 

CMYK 55 / 0 / 57 / 50

HEX #397F37

RGB 57 127 55

HSL 118.33, 0.4%, 0.36%

LAB 47.4, -37.49, 32.2

 

CMYK 57 / 0 / 43 / 50

HEX #377F49

RGB 55 127 73

HSL 135, 0.4%, 0.36%

LAB 47.59, -35.19, 22.72

 

CMYK 57 / 0 / 28 / 50

HEX #377F5C

RGB 55 127 92

HSL 150.83, 0.4%, 0.36%

LAB 47.96, -31.32, 12.36

 

CMYK 57 / 0 / 12 / 50

HEX #377F70

RGB 55 127 112

HSL 167.5, 0.4%, 0.36%

LAB 48.46, -26.4, 1.37

 

CMYK 57 / 0 / 41 / 73

HEX #1E4629

RGB 30 70 41

HSL 136.5, 0.4%, 0.2%

LAB 26.21, -21.73, 13.3

 

CMYK 56 / 0 / 41 / 62

HEX #2B623A

RGB 43 98 58

HSL 136.36, 0.39%, 0.28%

LAB 37.03, -28.09, 17.39

 

CMYK 57 / 0 / 42 / 50

HEX #377F4A

RGB 55 127 74

HSL 135.83, 0.4%, 0.36%

LAB 47.6, -35, 22.18

 

CMYK 56 / 0 / 42 / 39

HEX #449C5B

RGB 68 156 91

HSL 135.68, 0.39%, 0.44%

LAB 57.81, -41.15, 26.27

 

CMYK 53 / 0 / 39 / 29

HEX #55B46E

RGB 85 180 110

HSL 135.79, 0.39%, 0.52%

LAB 66.29, -43.65, 27.37

 

CMYK 56 / 0 / 41 / 50

HEX #38804B

RGB 56 128 75

HSL 135.83, 0.39%, 0.36%

LAB 47.99, -35, 22.13

 

CMYK 57 / 25 / 0 / 50

HEX #375F7F

RGB 55 95 127

HSL 206.67, 0.4%, 0.36%

LAB 38.78, -4.07, -22.22

 

CMYK 0 / 57 / 48 / 50

HEX #7F3742

RGB 127 55 66

HSL 350.83, 0.4%, 0.36%

LAB 33.22, 32.27, 8.57

 

CMYK 56 / 0 / 41 / 50

HEX #38804B

RGB 56 128 75

HSL 135.83, 0.39%, 0.36%

LAB 47.99, -35, 22.13

 

CMYK 43 / 57 / 0 / 50

HEX #49377F

RGB 73 55 127

HSL 255, 0.4%, 0.36%

LAB 28.59, 26.4, -38.22

 

CMYK 0 / 43 / 57 / 50

HEX #7F4937

RGB 127 73 55

HSL 15, 0.4%, 0.36%

LAB 37.03, 21.04, 20.6

 

CMYK 56 / 0 / 41 / 50

HEX #38804B

RGB 56 128 75

HSL 135.83, 0.39%, 0.36%

LAB 47.99, -35, 22.13

 

CMYK 57 / 25 / 0 / 50

HEX #375F7F

RGB 55 95 127

HSL 206.67, 0.4%, 0.36%

LAB 38.78, -4.07, -22.22

 

CMYK 0 / 57 / 14 / 50

HEX #7F376D

RGB 127 55 109

HSL 315, 0.4%, 0.36%

LAB 34.7, 38.29, -16.79

 

CMYK 0 / 31 / 57 / 50

HEX #7F5837

RGB 127 88 55

HSL 27.5, 0.4%, 0.36%

LAB 40.84, 12.15, 25.42

 

CMYK 56 / 0 / 41 / 50

HEX #38804B

RGB 56 128 75

HSL 135.83, 0.39%, 0.36%

LAB 47.99, -35, 22.13

 

CMYK 57 / 43 / 0 / 50

HEX #37497F

RGB 55 73 127

HSL 225, 0.4%, 0.36%

LAB 32.06, 10.04, -32.77

 

CMYK 0 / 57 / 14 / 50

HEX #7F376D

RGB 127 55 109

HSL 315, 0.4%, 0.36%

LAB 34.7, 38.29, -16.79

 

CMYK 0 / 14 / 57 / 50

HEX #7F6D37

RGB 127 109 55

HSL 45, 0.4%, 0.36%

LAB 46.61, -0.21, 32.42

 

Description

Color code: RGB 56 128 75 | qconv.com Color code: RGB 56 128 75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 128 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 128 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 41 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 41% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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