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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 126 105 it is the complementary color RGB 199 129 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 126 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 126 105 shade: RGB 61 126 100, RGB 78 144 119, RGB 95 162 138, RGB 112 180 157 and RGB 129 198 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 126 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 126 105 shade: RGB 56 126 105, RGB 39 108 86, RGB 22 90 67, RGB 5 72 48 and RGB 0 54 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 126 105 shade: RGB 56 126 105, RGB 56 126 86, RGB 56 126 68, RGB 64 126 56 and RGB 83 126 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 126 105 shade: RGB 56 126 105, RGB 56 126 124, RGB 56 109 126, RGB 56 91 126 and RGB 56 72 126

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 126 105 shade matches the following richer shades: RGB 56 126 105, RGB 42 141 111, RGB 27 156 117 and RGB 12 171 123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 126 105 shade: RGB 56 126 105, RGB 71 111 99, RGB 86 96 93, RGB 101 82 87 and RGB 116 67 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 126 105 shade: RGB 56 126 68, RGB 56 126 87, RGB 56 126 105, RGB 56 126 124 and RGB 56 110 126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 126 105 shade: RGB 31 69 58, RGB 44 98 81, RGB 56 126 105, RGB 69 155 129 and RGB 86 179 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 126 105 shade: RGB 56 126 105, RGB 56 63 126 and RGB 126 77 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 126 105 shade: RGB 56 126 105, RGB 105 56 126 and RGB 126 105 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 126 105 shade: RGB 56 126 105, RGB 56 63 126, RGB 126 56 77 and RGB 126 119 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 126 105 shade: RGB 56 126 105, RGB 70 56 126, RGB 126 56 77 and RGB 112 126 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 17 / 51

HEX #387E69

RGB 56 126 105

HSL 162, 0.38%, 0.36%

LAB 47.98, -27.49, 4.8

 

Complementary color

CMYK 0 / 35 / 25 / 22

HEX #C78196

RGB 199 129 150

HSL 342, 0.38%, 0.64%

LAB 61.69, 29.9, 0.01

 

CMYK 52 / 0 / 21 / 51

HEX #3D7E64

RGB 61 126 100

HSL 156, 0.35%, 0.37%

LAB 48.05, -27.46, 7.85

 

CMYK 46 / 0 / 17 / 44

HEX #4E9077

RGB 78 144 119

HSL 157.27, 0.3%, 0.44%

LAB 54.97, -27.28, 6.79

 

CMYK 41 / 0 / 15 / 36

HEX #5FA28A

RGB 95 162 138

HSL 158.51, 0.26%, 0.5%

LAB 61.75, -27.07, 5.84

 

CMYK 38 / 0 / 13 / 29

HEX #70B49D

RGB 112 180 157

HSL 159.71, 0.31%, 0.57%

LAB 68.4, -26.86, 4.96

 

CMYK 35 / 0 / 11 / 22

HEX #81C6B0

RGB 129 198 176

HSL 160.87, 0.38%, 0.64%

LAB 74.94, -26.64, 4.14

 

CMYK 56 / 0 / 17 / 51

HEX #387E69

RGB 56 126 105

HSL 162, 0.38%, 0.36%

LAB 47.98, -27.49, 4.8

 

CMYK 64 / 0 / 20 / 58

HEX #276C56

RGB 39 108 86

HSL 160.87, 0.47%, 0.29%

LAB 40.94, -27.43, 5.96

 

CMYK 76 / 0 / 26 / 65

HEX #165A43

RGB 22 90 67

HSL 159.71, 0.61%, 0.22%

LAB 33.75, -27.09, 7.33

 

CMYK 93 / 0 / 33 / 72

HEX #054830

RGB 5 72 48

HSL 158.51, 0.87%, 0.15%

LAB 26.39, -26.24, 8.99

 

CMYK 100 / 0 / 46 / 79

HEX #00361D

RGB 0 54 29

HSL 152.22, 1%, 0.11%

LAB 18.92, -23.95, 11.14

 

CMYK 56 / 0 / 17 / 51

HEX #387E69

RGB 56 126 105

HSL 162, 0.38%, 0.36%

LAB 47.98, -27.49, 4.8

 

CMYK 56 / 0 / 32 / 51

HEX #387E56

RGB 56 126 86

HSL 145.71, 0.38%, 0.36%

LAB 47.54, -31.91, 15.26

 

CMYK 56 / 0 / 46 / 51

HEX #387E44

RGB 56 126 68

HSL 130.29, 0.38%, 0.36%

LAB 47.21, -35.35, 25.01

 

CMYK 49 / 0 / 56 / 51

HEX #407E38

RGB 64 126 56

HSL 113.14, 0.38%, 0.36%

LAB 47.36, -34.82, 31.71

 

CMYK 34 / 0 / 56 / 51

HEX #537E38

RGB 83 126 56

HSL 96.86, 0.38%, 0.36%

LAB 48.32, -28.21, 33.08

 

CMYK 56 / 0 / 17 / 51

HEX #387E69

RGB 56 126 105

HSL 162, 0.38%, 0.36%

LAB 47.98, -27.49, 4.8

 

CMYK 56 / 0 / 2 / 51

HEX #387E7C

RGB 56 126 124

HSL 178.29, 0.38%, 0.36%

LAB 48.53, -22.34, -5.6

 

CMYK 56 / 13 / 0 / 51

HEX #386D7E

RGB 56 109 126

HSL 194.57, 0.38%, 0.36%

LAB 43.19, -12.46, -14.83

 

CMYK 56 / 28 / 0 / 51

HEX #385B7E

RGB 56 91 126

HSL 210, 0.38%, 0.36%

LAB 37.53, -1.7, -23.54

 

CMYK 56 / 43 / 0 / 51

HEX #38487E

RGB 56 72 126

HSL 226.29, 0.38%, 0.36%

LAB 31.77, 10.6, -32.61

 

CMYK 56 / 0 / 17 / 51

HEX #387E69

RGB 56 126 105

HSL 162, 0.38%, 0.36%

LAB 47.98, -27.49, 4.8

 

CMYK 70 / 0 / 21 / 45

HEX #2A8D6F

RGB 42 141 111

HSL 161.82, 0.54%, 0.36%

LAB 52.61, -35.82, 7.86

 

CMYK 83 / 0 / 25 / 39

HEX #1B9C75

RGB 27 156 117

HSL 161.86, 0.7%, 0.36%

LAB 57.36, -42.74, 11.13

 

CMYK 93 / 0 / 28 / 33

HEX #0CAB7B

RGB 12 171 123

HSL 161.89, 0.87%, 0.36%

LAB 62.2, -48.39, 14.54

 

CMYK 56 / 0 / 17 / 51

HEX #387E69

RGB 56 126 105

HSL 162, 0.38%, 0.36%

LAB 47.98, -27.49, 4.8

 

CMYK 36 / 0 / 11 / 56

HEX #476F63

RGB 71 111 99

HSL 162, 0.22%, 0.36%

LAB 43.67, -17.01, 2.23

 

CMYK 10 / 0 / 3 / 62

HEX #56605D

RGB 86 96 93

HSL 162, 0.05%, 0.36%

LAB 39.81, -4.53, 0.39

 

CMYK 0 / 19 / 14 / 60

HEX #655257

RGB 101 82 87

HSL 344.21, 0.1%, 0.36%

LAB 36.91, 8.8, 0.05

 

CMYK 0 / 42 / 30 / 55

HEX #744351

RGB 116 67 81

HSL 342.86, 0.27%, 0.36%

LAB 34.64, 23.1, 0.76

 

CMYK 56 / 0 / 46 / 51

HEX #387E44

RGB 56 126 68

HSL 130.29, 0.38%, 0.36%

LAB 47.21, -35.35, 25.01

 

CMYK 56 / 0 / 31 / 51

HEX #387E57

RGB 56 126 87

HSL 146.57, 0.38%, 0.36%

LAB 47.56, -31.7, 14.71

 

CMYK 56 / 0 / 17 / 51

HEX #387E69

RGB 56 126 105

HSL 162, 0.38%, 0.36%

LAB 47.98, -27.49, 4.8

 

CMYK 56 / 0 / 2 / 51

HEX #387E7C

RGB 56 126 124

HSL 178.29, 0.38%, 0.36%

LAB 48.53, -22.34, -5.6

 

CMYK 56 / 13 / 0 / 51

HEX #386E7E

RGB 56 110 126

HSL 193.71, 0.38%, 0.36%

LAB 43.51, -13.03, -14.35

 

CMYK 55 / 0 / 16 / 73

HEX #1F453A

RGB 31 69 58

HSL 162.63, 0.38%, 0.2%

LAB 26.31, -16.72, 2.51

 

CMYK 55 / 0 / 17 / 62

HEX #2C6251

RGB 44 98 81

HSL 161.11, 0.38%, 0.28%

LAB 37.6, -22.53, 4.25

 

CMYK 56 / 0 / 17 / 51

HEX #387E69

RGB 56 126 105

HSL 162, 0.38%, 0.36%

LAB 47.98, -27.49, 4.8

 

CMYK 55 / 0 / 17 / 39

HEX #459B81

RGB 69 155 129

HSL 161.86, 0.38%, 0.44%

LAB 58.31, -32.46, 5.84

 

CMYK 52 / 0 / 16 / 30

HEX #56B397

RGB 86 179 151

HSL 161.94, 0.38%, 0.52%

LAB 66.86, -34.51, 5.91

 

CMYK 56 / 0 / 17 / 51

HEX #387E69

RGB 56 126 105

HSL 162, 0.38%, 0.36%

LAB 47.98, -27.49, 4.8

 

CMYK 56 / 50 / 0 / 51

HEX #383F7E

RGB 56 63 126

HSL 234, 0.38%, 0.36%

LAB 29.16, 16.64, -36.76

 

CMYK 0 / 39 / 56 / 51

HEX #7E4D38

RGB 126 77 56

HSL 18, 0.38%, 0.36%

LAB 37.89, 18.33, 21.08

 

CMYK 56 / 0 / 17 / 51

HEX #387E69

RGB 56 126 105

HSL 162, 0.38%, 0.36%

LAB 47.98, -27.49, 4.8

 

CMYK 17 / 56 / 0 / 51

HEX #69387E

RGB 105 56 126

HSL 282, 0.38%, 0.36%

LAB 32.56, 34.38, -31.04

 

CMYK 0 / 17 / 56 / 51

HEX #7E6938

RGB 126 105 56

HSL 42, 0.38%, 0.36%

LAB 45.39, 1.74, 30.4

 

CMYK 56 / 0 / 17 / 51

HEX #387E69

RGB 56 126 105

HSL 162, 0.38%, 0.36%

LAB 47.98, -27.49, 4.8

 

CMYK 56 / 50 / 0 / 51

HEX #383F7E

RGB 56 63 126

HSL 234, 0.38%, 0.36%

LAB 29.16, 16.64, -36.76

 

CMYK 0 / 56 / 39 / 51

HEX #7E384D

RGB 126 56 77

HSL 342, 0.38%, 0.36%

LAB 33.56, 32.65, 1.94

 

CMYK 0 / 6 / 56 / 51

HEX #7E7738

RGB 126 119 56

HSL 54, 0.38%, 0.36%

LAB 49.39, -6.28, 35.14

 

CMYK 56 / 0 / 17 / 51

HEX #387E69

RGB 56 126 105

HSL 162, 0.38%, 0.36%

LAB 47.98, -27.49, 4.8

 

CMYK 44 / 56 / 0 / 51

HEX #46387E

RGB 70 56 126

HSL 252, 0.38%, 0.36%

LAB 28.48, 24.69, -37.8

 

CMYK 0 / 56 / 39 / 51

HEX #7E384D

RGB 126 56 77

HSL 342, 0.38%, 0.36%

LAB 33.56, 32.65, 1.94

 

CMYK 11 / 0 / 56 / 51

HEX #707E38

RGB 112 126 56

HSL 72, 0.38%, 0.36%

LAB 50.28, -16.34, 35.87

 

Description

Color code: RGB 56 126 105 | qconv.com Color code: RGB 56 126 105 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 126 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 126 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 17 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 17% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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