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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 102 121 it is the complementary color RGB 199 153 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 102 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 102 121 shade: RGB 61 102 116, RGB 78 120 135, RGB 95 138 154, RGB 112 156 173 and RGB 129 174 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 102 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 102 121 shade: RGB 56 102 121, RGB 39 84 102, RGB 22 66 83, RGB 5 48 64 and RGB 0 30 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 102 121 shade: RGB 56 102 122, RGB 56 85 122, RGB 56 67 122, RGB 62 56 122 and RGB 80 56 122

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 102 121 shade: RGB 56 102 122, RGB 56 85 122, RGB 56 67 122 and RGB 56 56 122

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 102 121 shade matches the following richer shades: RGB 56 102 122, RGB 41 108 136, RGB 27 114 151 and RGB 12 120 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 102 121 shade: RGB 56 102 122, RGB 70 96 107, RGB 85 90 93, RGB 99 84 78 and RGB 113 78 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 102 121 shade: RGB 56 122 105, RGB 56 121 122, RGB 56 103 122, RGB 56 85 122 and RGB 56 68 122

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 102 121 shade: RGB 30 55 65, RGB 43 79 94, RGB 56 102 122, RGB 69 126 150 and RGB 84 149 176

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 102 121 shade: RGB 56 102 121, RGB 88 56 122 and RGB 122 114 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 102 121 shade: RGB 56 102 121, RGB 122 56 103 and RGB 103 122 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 102 121 shade: RGB 56 102 121, RGB 88 56 122, RGB 122 74 56 and RGB 90 122 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 102 121 shade: RGB 56 102 121, RGB 107 56 122, RGB 122 74 56 and RGB 70 122 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 16 / 0 / 53

HEX #386679

RGB 56 102 121

HSL 197.54, 0.37%, 0.35%

LAB 40.77, -9.99, -15.49

 

Complementary color

CMYK 0 / 23 / 33 / 22

HEX #C79986

RGB 199 153 134

HSL 17.54, 0.37%, 0.65%

LAB 67.01, 14.53, 16.61

 

CMYK 47 / 12 / 0 / 55

HEX #3D6674

RGB 61 102 116

HSL 195.27, 0.31%, 0.35%

LAB 40.83, -10.25, -12.35

 

CMYK 42 / 11 / 0 / 47

HEX #4E7887

RGB 78 120 135

HSL 195.79, 0.27%, 0.42%

LAB 48.01, -10.4, -12.78

 

CMYK 38 / 10 / 0 / 40

HEX #5F8A9A

RGB 95 138 154

HSL 196.27, 0.24%, 0.49%

LAB 55.01, -10.49, -13.2

 

CMYK 35 / 10 / 0 / 32

HEX #709CAD

RGB 112 156 173

HSL 196.72, 0.27%, 0.56%

LAB 61.86, -10.56, -13.62

 

CMYK 33 / 9 / 0 / 25

HEX #81AEC0

RGB 129 174 192

HSL 197.14, 0.33%, 0.63%

LAB 68.57, -10.61, -14.03

 

CMYK 54 / 16 / 0 / 53

HEX #386679

RGB 56 102 121

HSL 197.54, 0.37%, 0.35%

LAB 40.77, -9.99, -15.49

 

CMYK 62 / 18 / 0 / 60

HEX #275466

RGB 39 84 102

HSL 197.14, 0.45%, 0.28%

LAB 33.42, -9.53, -15.08

 

CMYK 73 / 20 / 0 / 67

HEX #164253

RGB 22 66 83

HSL 196.72, 0.58%, 0.21%

LAB 25.84, -8.76, -14.62

 

CMYK 92 / 25 / 0 / 75

HEX #053040

RGB 5 48 64

HSL 196.27, 0.86%, 0.14%

LAB 17.99, -7.45, -14.09

 

CMYK 100 / 33 / 0 / 82

HEX #001E2D

RGB 0 30 45

HSL 200, 1%, 0.09%

LAB 9.94, -4.56, -13.23

 

CMYK 54 / 16 / 0 / 52

HEX #38667A

RGB 56 102 122

HSL 198.18, 0.37%, 0.35%

LAB 40.81, -9.67, -16.03

 

CMYK 54 / 30 / 0 / 52

HEX #38557A

RGB 56 85 122

HSL 213.64, 0.37%, 0.35%

LAB 35.48, 0.73, -24.27

 

CMYK 54 / 45 / 0 / 52

HEX #38437A

RGB 56 67 122

HSL 230, 0.37%, 0.35%

LAB 30.06, 12.55, -32.82

 

CMYK 49 / 54 / 0 / 52

HEX #3E387A

RGB 62 56 122

HSL 245.45, 0.37%, 0.35%

LAB 27.46, 21.41, -36.96

 

CMYK 34 / 54 / 0 / 52

HEX #50387A

RGB 80 56 122

HSL 261.82, 0.37%, 0.35%

LAB 29.26, 26.17, -33.98

 

CMYK 54 / 16 / 0 / 52

HEX #38667A

RGB 56 102 122

HSL 198.18, 0.37%, 0.35%

LAB 40.81, -9.67, -16.03

 

CMYK 54 / 30 / 0 / 52

HEX #38557A

RGB 56 85 122

HSL 213.64, 0.37%, 0.35%

LAB 35.48, 0.73, -24.27

 

CMYK 54 / 45 / 0 / 52

HEX #38437A

RGB 56 67 122

HSL 230, 0.37%, 0.35%

LAB 30.06, 12.55, -32.82

 

CMYK 54 / 54 / 0 / 52

HEX #38387A

RGB 56 56 122

HSL 240, 0.37%, 0.35%

LAB 26.95, 19.97, -37.81

 

CMYK 54 / 16 / 0 / 52

HEX #38667A

RGB 56 102 122

HSL 198.18, 0.37%, 0.35%

LAB 40.81, -9.67, -16.03

 

CMYK 70 / 21 / 0 / 47

HEX #296C88

RGB 41 108 136

HSL 197.68, 0.54%, 0.35%

LAB 42.72, -11.54, -21.6

 

CMYK 82 / 25 / 0 / 41

HEX #1B7297

RGB 27 114 151

HSL 197.9, 0.7%, 0.35%

LAB 44.94, -11.47, -27.12

 

CMYK 93 / 27 / 0 / 35

HEX #0C78A5

RGB 12 120 165

HSL 197.65, 0.86%, 0.35%

LAB 47.27, -10.82, -31.73

 

CMYK 54 / 16 / 0 / 52

HEX #38667A

RGB 56 102 122

HSL 198.18, 0.37%, 0.35%

LAB 40.81, -9.67, -16.03

 

CMYK 35 / 10 / 0 / 58

HEX #46606B

RGB 70 96 107

HSL 197.84, 0.21%, 0.35%

LAB 39.12, -6.67, -9.36

 

CMYK 9 / 3 / 0 / 64

HEX #555A5D

RGB 85 90 93

HSL 202.5, 0.04%, 0.35%

LAB 37.9, -1.3, -2.41

 

CMYK 0 / 15 / 21 / 61

HEX #63544E

RGB 99 84 78

HSL 17.14, 0.12%, 0.35%

LAB 37.01, 5.09, 5.79

 

CMYK 0 / 31 / 43 / 56

HEX #714E40

RGB 113 78 64

HSL 17.14, 0.28%, 0.35%

LAB 36.61, 12.83, 14.18

 

CMYK 54 / 0 / 14 / 52

HEX #387A69

RGB 56 122 105

HSL 164.55, 0.37%, 0.35%

LAB 46.68, -25.5, 2.93

 

CMYK 54 / 1 / 0 / 52

HEX #38797A

RGB 56 121 122

HSL 180.91, 0.37%, 0.35%

LAB 46.87, -20.29, -6.89

 

CMYK 54 / 16 / 0 / 52

HEX #38677A

RGB 56 103 122

HSL 197.27, 0.37%, 0.35%

LAB 41.13, -10.26, -15.55

 

CMYK 54 / 30 / 0 / 52

HEX #38557A

RGB 56 85 122

HSL 213.64, 0.37%, 0.35%

LAB 35.48, 0.73, -24.27

 

CMYK 54 / 44 / 0 / 52

HEX #38447A

RGB 56 68 122

HSL 229.09, 0.37%, 0.35%

LAB 30.35, 11.87, -32.36

 

CMYK 54 / 15 / 0 / 75

HEX #1E3741

RGB 30 55 65

HSL 197.14, 0.37%, 0.19%

LAB 21.54, -6.38, -9.22

 

CMYK 54 / 16 / 0 / 63

HEX #2B4F5E

RGB 43 79 94

HSL 197.65, 0.37%, 0.27%

LAB 31.61, -8.22, -12.77

 

CMYK 54 / 16 / 0 / 52

HEX #38667A

RGB 56 102 122

HSL 198.18, 0.37%, 0.35%

LAB 40.81, -9.67, -16.03

 

CMYK 54 / 16 / 0 / 41

HEX #457E96

RGB 69 126 150

HSL 197.78, 0.37%, 0.43%

LAB 49.96, -11.63, -18.67

 

CMYK 52 / 15 / 0 / 31

HEX #5495B0

RGB 84 149 176

HSL 197.61, 0.37%, 0.51%

LAB 58.52, -13.11, -20.51

 

CMYK 54 / 16 / 0 / 53

HEX #386679

RGB 56 102 121

HSL 197.54, 0.37%, 0.35%

LAB 40.77, -9.99, -15.49

 

CMYK 28 / 54 / 0 / 52

HEX #58387A

RGB 88 56 122

HSL 269.09, 0.37%, 0.35%

LAB 30.18, 28.45, -32.46

 

CMYK 0 / 7 / 54 / 52

HEX #7A7238

RGB 122 114 56

HSL 52.73, 0.37%, 0.35%

LAB 47.57, -5.27, 32.91

 

CMYK 54 / 16 / 0 / 53

HEX #386679

RGB 56 102 121

HSL 197.54, 0.37%, 0.35%

LAB 40.77, -9.99, -15.49

 

CMYK 0 / 54 / 16 / 52

HEX #7A3867

RGB 122 56 103

HSL 317.27, 0.37%, 0.35%

LAB 33.87, 35.1, -14.33

 

CMYK 16 / 0 / 54 / 52

HEX #677A38

RGB 103 122 56

HSL 77.27, 0.37%, 0.35%

LAB 48.37, -18.09, 33.46

 

CMYK 54 / 16 / 0 / 53

HEX #386679

RGB 56 102 121

HSL 197.54, 0.37%, 0.35%

LAB 40.77, -9.99, -15.49

 

CMYK 28 / 54 / 0 / 52

HEX #58387A

RGB 88 56 122

HSL 269.09, 0.37%, 0.35%

LAB 30.18, 28.45, -32.46

 

CMYK 0 / 39 / 54 / 52

HEX #7A4A38

RGB 122 74 56

HSL 16.36, 0.37%, 0.35%

LAB 36.59, 18.35, 19.3

 

CMYK 26 / 0 / 54 / 52

HEX #5A7A38

RGB 90 122 56

HSL 89.09, 0.37%, 0.35%

LAB 47.47, -23.5, 32.17

 

CMYK 54 / 16 / 0 / 53

HEX #386679

RGB 56 102 121

HSL 197.54, 0.37%, 0.35%

LAB 40.77, -9.99, -15.49

 

CMYK 12 / 54 / 0 / 52

HEX #6B387A

RGB 107 56 122

HSL 286.36, 0.37%, 0.35%

LAB 32.61, 34.06, -28.44

 

CMYK 0 / 39 / 54 / 52

HEX #7A4A38

RGB 122 74 56

HSL 16.36, 0.37%, 0.35%

LAB 36.59, 18.35, 19.3

 

CMYK 43 / 0 / 54 / 52

HEX #467A38

RGB 70 122 56

HSL 107.27, 0.37%, 0.35%

LAB 46.32, -31.02, 30.52

 

Description

Color code: RGB 56 102 121 | qconv.com Color code: RGB 56 102 121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 102 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 102 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 16 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 16% 0% 53% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

13% - Chaussures femme, ho...
Link: http://www.eram.fr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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