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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 13 205 it is the complementary color RGB 199 242 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 13 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 13 205 shade: RGB 61 13 200, RGB 78 31 219, RGB 95 49 238, RGB 112 67 255 and RGB 129 85 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 13 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 13 205 shade: RGB 56 13 205, RGB 39 0 186, RGB 22 0 167, RGB 5 0 148 and RGB 0 0 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 13 205 shade: RGB 56 13 206, RGB 108 13 206, RGB 160 13 206, RGB 206 13 199 and RGB 206 13 147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 13 205 shade: RGB 56 13 206 and RGB 13 13 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 13 205 shade matches the following richer shades: RGB 56 13 206

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 13 205 shade: RGB 56 13 206, RGB 66 30 188, RGB 75 48 170, RGB 85 66 152 and RGB 95 84 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 13 205 shade: RGB 13 74 206, RGB 13 22 206, RGB 54 13 206, RGB 106 13 206 and RGB 157 13 206

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 13 205 shade: RGB 35 8 128, RGB 45 10 167, RGB 56 13 206, RGB 69 20 240 and RGB 100 59 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 13 205 shade: RGB 56 13 205, RGB 206 13 125 and RGB 48 206 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 13 205 shade: RGB 56 13 205, RGB 206 54 13 and RGB 13 206 54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 13 205 shade: RGB 56 13 205, RGB 206 13 125, RGB 164 206 13 and RGB 13 206 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 13 205 shade: RGB 56 13 205, RGB 206 13 67, RGB 164 206 13 and RGB 13 206 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 94 / 0 / 20

HEX #380DCD

RGB 56 13 205

HSL 253.44, 0.88%, 0.43%

LAB 28.21, 65.68, -86.04

 

Complementary color

CMYK 18 / 0 / 79 / 5

HEX #C7F232

RGB 199 242 50

HSL 73.44, 0.88%, 0.57%

LAB 89.8, -37.17, 79.77

 

CMYK 70 / 94 / 0 / 22

HEX #3D0DC8

RGB 61 13 200

HSL 255.4, 0.88%, 0.42%

LAB 27.98, 64.66, -83.49

 

CMYK 64 / 86 / 0 / 14

HEX #4E1FDB

RGB 78 31 219

HSL 255, 0.75%, 0.49%

LAB 33.38, 65.61, -85.51

 

CMYK 60 / 79 / 0 / 7

HEX #5F31EE

RGB 95 49 238

HSL 254.6, 0.85%, 0.56%

LAB 39.25, 65.34, -86.6

 

CMYK 56 / 74 / 0 / 0

HEX #7043FF

RGB 112 67 255

HSL 254.36, 1%, 0.63%

LAB 45.19, 63.87, -86.3

 

CMYK 49 / 67 / 0 / 0

HEX #8155FF

RGB 129 85 255

HSL 255.53, 1%, 0.67%

LAB 49.96, 57.45, -78.43

 

CMYK 73 / 94 / 0 / 20

HEX #380DCD

RGB 56 13 205

HSL 253.44, 0.88%, 0.43%

LAB 28.21, 65.68, -86.04

 

CMYK 79 / 100 / 0 / 27

HEX #2700BA

RGB 39 0 186

HSL 252.58, 1%, 0.36%

LAB 23.59, 62.99, -82.57

 

CMYK 87 / 100 / 0 / 35

HEX #1600A7

RGB 22 0 167

HSL 247.9, 1%, 0.33%

LAB 19.89, 57.91, -77.37

 

CMYK 97 / 100 / 0 / 42

HEX #050094

RGB 5 0 148

HSL 242.03, 1%, 0.29%

LAB 16.36, 52.84, -71.62

 

CMYK 100 / 100 / 0 / 49

HEX #000081

RGB 0 0 129

HSL 240, 1%, 0.25%

LAB 13.14, 47.78, -65.07

 

CMYK 73 / 94 / 0 / 19

HEX #380DCE

RGB 56 13 206

HSL 253.37, 0.88%, 0.43%

LAB 28.34, 65.93, -86.41

 

CMYK 48 / 94 / 0 / 19

HEX #6C0DCE

RGB 108 13 206

HSL 269.53, 0.88%, 0.43%

LAB 33.84, 69.45, -77.12

 

CMYK 22 / 94 / 0 / 19

HEX #A00DCE

RGB 160 13 206

HSL 285.7, 0.88%, 0.43%

LAB 41.56, 75.56, -64.17

 

CMYK 0 / 94 / 3 / 19

HEX #CE0DC7

RGB 206 13 199

HSL 302.18, 0.88%, 0.43%

LAB 48.92, 81.6, -47.85

 

CMYK 0 / 94 / 29 / 19

HEX #CE0D93

RGB 206 13 147

HSL 318.34, 0.88%, 0.43%

LAB 46.33, 74.99, -21.17

 

CMYK 73 / 94 / 0 / 19

HEX #380DCE

RGB 56 13 206

HSL 253.37, 0.88%, 0.43%

LAB 28.34, 65.93, -86.41

 

CMYK 94 / 94 / 0 / 19

HEX #0D0DCE

RGB 13 13 206

HSL 240, 0.88%, 0.43%

LAB 26.24, 64.86, -89.96

 

CMYK 73 / 94 / 0 / 19

HEX #380DCE

RGB 56 13 206

HSL 253.37, 0.88%, 0.43%

LAB 28.34, 65.93, -86.41

 

CMYK 73 / 94 / 0 / 19

HEX #380DCE

RGB 56 13 206

HSL 253.37, 0.88%, 0.43%

LAB 28.34, 65.93, -86.41

 

CMYK 65 / 84 / 0 / 26

HEX #421EBC

RGB 66 30 188

HSL 253.67, 0.72%, 0.43%

LAB 28.69, 56.72, -75.23

 

CMYK 56 / 72 / 0 / 33

HEX #4B30AA

RGB 75 48 170

HSL 253.28, 0.56%, 0.43%

LAB 30.67, 44.07, -61.2

 

CMYK 44 / 57 / 0 / 40

HEX #554298

RGB 85 66 152

HSL 253.26, 0.39%, 0.43%

LAB 34.18, 30.02, -44.59

 

CMYK 30 / 38 / 0 / 47

HEX #5F5487

RGB 95 84 135

HSL 252.94, 0.23%, 0.43%

LAB 38.76, 16.6, -26.9

 

CMYK 94 / 64 / 0 / 19

HEX #0D4ACE

RGB 13 74 206

HSL 221.04, 0.88%, 0.43%

LAB 36.82, 34.85, -72.44

 

CMYK 94 / 89 / 0 / 19

HEX #0D16CE

RGB 13 22 206

HSL 237.2, 0.88%, 0.43%

LAB 27.06, 62.36, -88.6

 

CMYK 74 / 94 / 0 / 19

HEX #360DCE

RGB 54 13 206

HSL 252.75, 0.88%, 0.43%

LAB 28.19, 65.85, -86.66

 

CMYK 49 / 94 / 0 / 19

HEX #6A0DCE

RGB 106 13 206

HSL 268.91, 0.88%, 0.43%

LAB 33.58, 69.26, -77.56

 

CMYK 24 / 94 / 0 / 19

HEX #9D0DCE

RGB 157 13 206

HSL 284.77, 0.88%, 0.43%

LAB 41.08, 75.15, -64.98

 

CMYK 73 / 94 / 0 / 50

HEX #230880

RGB 35 8 128

HSL 253.5, 0.88%, 0.27%

LAB 15.95, 45.5, -59.69

 

CMYK 73 / 94 / 0 / 35

HEX #2D0AA7

RGB 45 10 167

HSL 253.38, 0.89%, 0.35%

LAB 22.18, 56.07, -73.51

 

CMYK 73 / 94 / 0 / 19

HEX #380DCE

RGB 56 13 206

HSL 253.37, 0.88%, 0.43%

LAB 28.34, 65.93, -86.41

 

CMYK 71 / 92 / 0 / 6

HEX #4514F0

RGB 69 20 240

HSL 253.36, 0.88%, 0.51%

LAB 34.1, 73.46, -96.33

 

CMYK 59 / 76 / 0 / 5

HEX #643BF2

RGB 100 59 242

HSL 253.44, 0.88%, 0.59%

LAB 41.61, 62.57, -84.95

 

CMYK 73 / 94 / 0 / 20

HEX #380DCD

RGB 56 13 205

HSL 253.44, 0.88%, 0.43%

LAB 28.21, 65.68, -86.04

 

CMYK 0 / 94 / 39 / 19

HEX #CE0D7D

RGB 206 13 125

HSL 325.18, 0.88%, 0.43%

LAB 45.48, 72.75, -9.05

 

CMYK 77 / 0 / 94 / 19

HEX #30CE0D

RGB 48 206 13

HSL 109.12, 0.88%, 0.43%

LAB 72.76, -69.38, 69.98

 

CMYK 73 / 94 / 0 / 20

HEX #380DCD

RGB 56 13 205

HSL 253.44, 0.88%, 0.43%

LAB 28.21, 65.68, -86.04

 

CMYK 0 / 74 / 94 / 19

HEX #CE360D

RGB 206 54 13

HSL 12.75, 0.88%, 0.43%

LAB 46.7, 57.81, 55.21

 

CMYK 94 / 0 / 74 / 19

HEX #0DCE36

RGB 13 206 54

HSL 132.75, 0.88%, 0.43%

LAB 72.56, -70.57, 59.9

 

CMYK 73 / 94 / 0 / 20

HEX #380DCD

RGB 56 13 205

HSL 253.44, 0.88%, 0.43%

LAB 28.21, 65.68, -86.04

 

CMYK 0 / 94 / 39 / 19

HEX #CE0D7D

RGB 206 13 125

HSL 325.18, 0.88%, 0.43%

LAB 45.48, 72.75, -9.05

 

CMYK 20 / 0 / 94 / 19

HEX #A4CE0D

RGB 164 206 13

HSL 73.06, 0.88%, 0.43%

LAB 77.32, -35.67, 75.57

 

CMYK 94 / 0 / 55 / 19

HEX #0DCE5D

RGB 13 206 93

HSL 144.87, 0.88%, 0.43%

LAB 72.9, -66.25, 43.99

 

CMYK 73 / 94 / 0 / 20

HEX #380DCD

RGB 56 13 205

HSL 253.44, 0.88%, 0.43%

LAB 28.21, 65.68, -86.04

 

CMYK 0 / 94 / 67 / 19

HEX #CE0D43

RGB 206 13 67

HSL 343.21, 0.88%, 0.43%

LAB 43.97, 68.62, 24.93

 

CMYK 20 / 0 / 94 / 19

HEX #A4CE0D

RGB 164 206 13

HSL 73.06, 0.88%, 0.43%

LAB 77.32, -35.67, 75.57

 

CMYK 94 / 0 / 27 / 19

HEX #0DCE97

RGB 13 206 151

HSL 162.9, 0.88%, 0.43%

LAB 73.84, -55.27, 15.62

 

Description

Color code: RGB 56 13 205 | qconv.com Color code: RGB 56 13 205 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 13 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 13 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 94 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 94% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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