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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 57 171 it is the complementary color RGB 199 198 84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 57 171. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 57 171 shade: RGB 61 57 166, RGB 78 75 185, RGB 95 93 204, RGB 112 111 223 and RGB 129 129 242

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 57 171. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 57 171 shade: RGB 56 57 171, RGB 39 39 152, RGB 22 21 133, RGB 5 3 114 and RGB 0 0 95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 57 171 shade: RGB 56 57 173, RGB 86 56 173, RGB 118 56 173, RGB 149 56 173 and RGB 173 56 165

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 57 171 shade: RGB 56 57 173 and RGB 56 56 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 57 171 shade matches the following richer shades: RGB 56 57 173, RGB 37 38 191, RGB 19 20 210 and RGB 0 2 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 57 171 shade: RGB 56 57 173, RGB 74 75 154, RGB 93 93 136, RGB 111 111 117 and RGB 130 130 99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 57 171 shade: RGB 56 120 173, RGB 56 89 173, RGB 56 58 173, RGB 85 56 173 and RGB 116 56 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 57 171 shade: RGB 36 36 110, RGB 46 46 142, RGB 56 57 173, RGB 74 75 196 and RGB 105 106 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 57 171 shade: RGB 56 57 171, RGB 173 56 151 and RGB 104 173 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 57 171 shade: RGB 56 57 171, RGB 173 56 58 and RGB 58 173 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 57 171 shade: RGB 56 57 171, RGB 173 56 151, RGB 173 171 56 and RGB 56 173 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 57 171 shade: RGB 56 57 171, RGB 173 56 116, RGB 173 171 56 and RGB 56 173 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 67 / 0 / 33

HEX #3839AB

RGB 56 57 171

HSL 239.48, 0.51%, 0.45%

LAB 31.13, 36.34, -61.11

 

Complementary color

CMYK 0 / 1 / 58 / 22

HEX #C7C654

RGB 199 198 84

HSL 59.48, 0.51%, 0.55%

LAB 77.98, -14.37, 55.92

 

CMYK 63 / 66 / 0 / 35

HEX #3D39A6

RGB 61 57 166

HSL 242.2, 0.49%, 0.44%

LAB 31.05, 35.36, -58.23

 

CMYK 58 / 59 / 0 / 27

HEX #4E4BB9

RGB 78 75 185

HSL 241.64, 0.44%, 0.51%

LAB 38.12, 33.37, -57.95

 

CMYK 53 / 54 / 0 / 20

HEX #5F5DCC

RGB 95 93 204

HSL 241.08, 0.52%, 0.58%

LAB 45.11, 31.65, -57.61

 

CMYK 50 / 50 / 0 / 13

HEX #706FDF

RGB 112 111 223

HSL 240.54, 0.64%, 0.65%

LAB 52, 30.17, -57.29

 

CMYK 47 / 47 / 0 / 5

HEX #8181F2

RGB 129 129 242

HSL 240, 0.81%, 0.73%

LAB 58.77, 28.9, -56.99

 

CMYK 67 / 67 / 0 / 33

HEX #3839AB

RGB 56 57 171

HSL 239.48, 0.51%, 0.45%

LAB 31.13, 36.34, -61.11

 

CMYK 74 / 74 / 0 / 40

HEX #272798

RGB 39 39 152

HSL 240, 0.59%, 0.37%

LAB 24.16, 38.75, -61.08

 

CMYK 83 / 84 / 0 / 48

HEX #161585

RGB 22 21 133

HSL 240.54, 0.73%, 0.3%

LAB 17.46, 41, -60.37

 

CMYK 96 / 97 / 0 / 55

HEX #050372

RGB 5 3 114

HSL 241.08, 0.95%, 0.23%

LAB 11.36, 42.37, -58.38

 

CMYK 100 / 100 / 0 / 63

HEX #00005F

RGB 0 0 95

HSL 240, 1%, 0.19%

LAB 7.46, 38.4, -52.35

 

CMYK 68 / 67 / 0 / 32

HEX #3839AD

RGB 56 57 173

HSL 239.49, 0.51%, 0.45%

LAB 31.31, 37.03, -62.01

 

CMYK 50 / 68 / 0 / 32

HEX #5638AD

RGB 86 56 173

HSL 255.38, 0.51%, 0.45%

LAB 33.61, 42.4, -58.14

 

CMYK 32 / 68 / 0 / 32

HEX #7638AD

RGB 118 56 173

HSL 271.79, 0.51%, 0.45%

LAB 37.29, 48.81, -52

 

CMYK 14 / 68 / 0 / 32

HEX #9538AD

RGB 149 56 173

HSL 287.69, 0.51%, 0.45%

LAB 41.59, 55.73, -44.87

 

CMYK 0 / 68 / 5 / 32

HEX #AD38A5

RGB 173 56 165

HSL 304.1, 0.51%, 0.45%

LAB 44.84, 59.97, -34.72

 

CMYK 68 / 67 / 0 / 32

HEX #3839AD

RGB 56 57 173

HSL 239.49, 0.51%, 0.45%

LAB 31.31, 37.03, -62.01

 

CMYK 68 / 68 / 0 / 32

HEX #3838AD

RGB 56 56 173

HSL 240, 0.51%, 0.45%

LAB 31.08, 37.64, -62.38

 

CMYK 68 / 67 / 0 / 32

HEX #3839AD

RGB 56 57 173

HSL 239.49, 0.51%, 0.45%

LAB 31.31, 37.03, -62.01

 

CMYK 81 / 80 / 0 / 25

HEX #2526BF

RGB 37 38 191

HSL 239.61, 0.68%, 0.45%

LAB 28.22, 52, -77.83

 

CMYK 91 / 90 / 0 / 18

HEX #1314D2

RGB 19 20 210

HSL 239.69, 0.83%, 0.45%

LAB 27.55, 64.17, -90.11

 

CMYK 100 / 99 / 0 / 11

HEX #0002E4

RGB 0 2 228

HSL 239.47, 1%, 0.45%

LAB 28.5, 72.41, -98.92

 

CMYK 68 / 67 / 0 / 32

HEX #3839AD

RGB 56 57 173

HSL 239.49, 0.51%, 0.45%

LAB 31.31, 37.03, -62.01

 

CMYK 52 / 51 / 0 / 40

HEX #4A4B9A

RGB 74 75 154

HSL 239.25, 0.35%, 0.45%

LAB 35.64, 22.36, -43.5

 

CMYK 32 / 32 / 0 / 47

HEX #5D5D88

RGB 93 93 136

HSL 240, 0.19%, 0.45%

LAB 41.11, 10.61, -23.87

 

CMYK 5 / 5 / 0 / 54

HEX #6F6F75

RGB 111 111 117

HSL 240, 0.03%, 0.45%

LAB 47.02, 1.26, -3.33

 

CMYK 0 / 0 / 24 / 49

HEX #828263

RGB 130 130 99

HSL 60, 0.14%, 0.45%

LAB 53.61, -5.46, 16.84

 

CMYK 68 / 31 / 0 / 32

HEX #3878AD

RGB 56 120 173

HSL 207.18, 0.51%, 0.45%

LAB 48.62, -3.11, -34.21

 

CMYK 68 / 49 / 0 / 32

HEX #3859AD

RGB 56 89 173

HSL 223.08, 0.51%, 0.45%

LAB 39.58, 16.34, -48.57

 

CMYK 68 / 66 / 0 / 32

HEX #383AAD

RGB 56 58 173

HSL 238.97, 0.51%, 0.45%

LAB 31.54, 36.41, -61.63

 

CMYK 51 / 68 / 0 / 32

HEX #5538AD

RGB 85 56 173

HSL 254.87, 0.51%, 0.45%

LAB 33.51, 42.22, -58.31

 

CMYK 33 / 68 / 0 / 32

HEX #7438AD

RGB 116 56 173

HSL 270.77, 0.51%, 0.45%

LAB 37.04, 48.38, -52.42

 

CMYK 67 / 67 / 0 / 57

HEX #24246E

RGB 36 36 110

HSL 240, 0.51%, 0.29%

LAB 19.07, 25.24, -42.98

 

CMYK 68 / 68 / 0 / 44

HEX #2E2E8E

RGB 46 46 142

HSL 240, 0.51%, 0.37%

LAB 25.22, 31.76, -53.15

 

CMYK 68 / 67 / 0 / 32

HEX #3839AD

RGB 56 57 173

HSL 239.49, 0.51%, 0.45%

LAB 31.31, 37.03, -62.01

 

CMYK 62 / 62 / 0 / 23

HEX #4A4BC4

RGB 74 75 196

HSL 239.51, 0.51%, 0.53%

LAB 38.68, 36.33, -63.49

 

CMYK 49 / 49 / 0 / 19

HEX #696ACE

RGB 105 106 206

HSL 239.41, 0.51%, 0.61%

LAB 49.21, 26.46, -52.13

 

CMYK 67 / 67 / 0 / 33

HEX #3839AB

RGB 56 57 171

HSL 239.48, 0.51%, 0.45%

LAB 31.13, 36.34, -61.11

 

CMYK 0 / 68 / 13 / 32

HEX #AD3897

RGB 173 56 151

HSL 311.28, 0.51%, 0.45%

LAB 44.16, 57.76, -27.42

 

CMYK 40 / 0 / 68 / 32

HEX #68AD38

RGB 104 173 56

HSL 95.38, 0.51%, 0.45%

LAB 64.25, -41.91, 51.23

 

CMYK 67 / 67 / 0 / 33

HEX #3839AB

RGB 56 57 171

HSL 239.48, 0.51%, 0.45%

LAB 31.13, 36.34, -61.11

 

CMYK 0 / 68 / 66 / 32

HEX #AD383A

RGB 173 56 58

HSL 358.97, 0.51%, 0.45%

LAB 41.24, 47.7, 25.68

 

CMYK 66 / 0 / 68 / 32

HEX #3AAD38

RGB 58 173 56

HSL 118.97, 0.51%, 0.45%

LAB 62.57, -54.74, 48.92

 

CMYK 67 / 67 / 0 / 33

HEX #3839AB

RGB 56 57 171

HSL 239.48, 0.51%, 0.45%

LAB 31.13, 36.34, -61.11

 

CMYK 0 / 68 / 13 / 32

HEX #AD3897

RGB 173 56 151

HSL 311.28, 0.51%, 0.45%

LAB 44.16, 57.76, -27.42

 

CMYK 0 / 1 / 68 / 32

HEX #ADAB38

RGB 173 171 56

HSL 58.97, 0.51%, 0.45%

LAB 68.24, -13.42, 56.78

 

CMYK 68 / 0 / 55 / 32

HEX #38AD4D

RGB 56 173 77

HSL 130.77, 0.51%, 0.45%

LAB 62.73, -52.68, 39.56

 

CMYK 67 / 67 / 0 / 33

HEX #3839AB

RGB 56 57 171

HSL 239.48, 0.51%, 0.45%

LAB 31.13, 36.34, -61.11

 

CMYK 0 / 68 / 33 / 32

HEX #AD3874

RGB 173 56 116

HSL 329.23, 0.51%, 0.45%

LAB 42.72, 52.94, -8.27

 

CMYK 0 / 1 / 68 / 32

HEX #ADAB38

RGB 173 171 56

HSL 58.97, 0.51%, 0.45%

LAB 68.24, -13.42, 56.78

 

CMYK 68 / 0 / 35 / 32

HEX #38AD70

RGB 56 173 112

HSL 148.72, 0.51%, 0.45%

LAB 63.26, -46.74, 22.1

 

Description

Color code: RGB 56 57 171 | qconv.com Color code: RGB 56 57 171 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 57 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 57 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 67 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 67% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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