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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 56 50 236 it is the complementary color RGB 199 205 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 56 50 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 56 50 236 shade: RGB 61 50 231, RGB 78 68 250, RGB 95 86 255, RGB 112 104 255 and RGB 129 122 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 56 50 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 56 50 236 shade: RGB 56 50 236, RGB 39 32 217, RGB 22 14 198, RGB 5 0 179 and RGB 0 0 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 56 50 236 shade: RGB 55 49 235, RGB 105 49 235, RGB 156 49 235, RGB 206 49 235 and RGB 235 49 215

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 56 50 236 shade: RGB 55 49 235 and RGB 49 49 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 56 50 236 shade matches the following richer shades: RGB 55 49 235 and RGB 38 31 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 56 50 236 shade: RGB 55 49 235, RGB 72 67 217, RGB 89 85 199, RGB 106 104 181 and RGB 123 122 163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 56 50 236 shade: RGB 49 145 235, RGB 49 96 235, RGB 52 49 235, RGB 102 49 235 and RGB 152 49 235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 56 50 236 shade: RGB 22 17 185, RGB 27 20 223, RGB 55 49 235, RGB 92 87 239 and RGB 128 125 242

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 56 50 236 shade: RGB 56 50 236, RGB 235 49 195 and RGB 121 235 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 56 50 236 shade: RGB 56 50 236, RGB 235 52 49 and RGB 49 235 52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 56 50 236 shade: RGB 56 50 236, RGB 235 49 195, RGB 232 235 49 and RGB 49 235 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 56 50 236 shade: RGB 56 50 236, RGB 235 49 139, RGB 232 235 49 and RGB 49 235 145

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 79 / 0 / 7

HEX #3832EC

RGB 56 50 236

HSL 241.94, 0.83%, 0.56%

LAB 36.32, 61.12, -90.39

 

Complementary color

CMYK 3 / 0 / 91 / 20

HEX #C7CD13

RGB 199 205 19

HSL 61.94, 0.83%, 0.44%

LAB 79.53, -20.62, 77.59

 

CMYK 74 / 78 / 0 / 9

HEX #3D32E7

RGB 61 50 231

HSL 243.65, 0.79%, 0.55%

LAB 36.07, 59.96, -87.97

 

CMYK 69 / 73 / 0 / 2

HEX #4E44FA

RGB 78 68 250

HSL 243.3, 0.95%, 0.62%

LAB 42.24, 58.1, -88.46

 

CMYK 63 / 66 / 0 / 0

HEX #5F56FF

RGB 95 86 255

HSL 243.2, 1%, 0.67%

LAB 47.38, 51.8, -82.76

 

CMYK 56 / 59 / 0 / 0

HEX #7068FF

RGB 112 104 255

HSL 243.18, 1%, 0.7%

LAB 52.47, 44.1, -74.4

 

CMYK 49 / 52 / 0 / 0

HEX #817AFF

RGB 129 122 255

HSL 243.16, 1%, 0.74%

LAB 57.85, 36.82, -65.63

 

CMYK 76 / 79 / 0 / 7

HEX #3832EC

RGB 56 50 236

HSL 241.94, 0.83%, 0.56%

LAB 36.32, 61.12, -90.39

 

CMYK 82 / 85 / 0 / 15

HEX #2720D9

RGB 39 32 217

HSL 242.27, 0.74%, 0.49%

LAB 30.58, 62.52, -89.09

 

CMYK 89 / 93 / 0 / 22

HEX #160EC6

RGB 22 14 198

HSL 242.61, 0.87%, 0.42%

LAB 25.45, 62.63, -86.6

 

CMYK 97 / 100 / 0 / 30

HEX #0500B3

RGB 5 0 179

HSL 241.68, 1%, 0.35%

LAB 21.16, 60.76, -82.5

 

CMYK 100 / 100 / 0 / 37

HEX #0000A0

RGB 0 0 160

HSL 240, 1%, 0.31%

LAB 18.09, 55.89, -76.13

 

CMYK 77 / 79 / 0 / 8

HEX #3731EB

RGB 55 49 235

HSL 241.94, 0.82%, 0.56%

LAB 36, 61.23, -90.37

 

CMYK 55 / 79 / 0 / 8

HEX #6931EB

RGB 105 49 235

HSL 258.06, 0.82%, 0.56%

LAB 39.91, 65.62, -83.77

 

CMYK 34 / 79 / 0 / 8

HEX #9C31EB

RGB 156 49 235

HSL 274.52, 0.82%, 0.56%

LAB 45.99, 72.48, -73.57

 

CMYK 12 / 79 / 0 / 8

HEX #CE31EB

RGB 206 49 235

HSL 290.65, 0.82%, 0.56%

LAB 53.29, 80.78, -61.39

 

CMYK 0 / 79 / 9 / 8

HEX #EB31D7

RGB 235 49 215

HSL 306.45, 0.82%, 0.56%

LAB 56.85, 83.14, -44.14

 

CMYK 77 / 79 / 0 / 8

HEX #3731EB

RGB 55 49 235

HSL 241.94, 0.82%, 0.56%

LAB 36, 61.23, -90.37

 

CMYK 79 / 79 / 0 / 8

HEX #3131EB

RGB 49 49 235

HSL 240, 0.82%, 0.56%

LAB 35.69, 60.89, -90.89

 

CMYK 77 / 79 / 0 / 8

HEX #3731EB

RGB 55 49 235

HSL 241.94, 0.82%, 0.56%

LAB 36, 61.23, -90.37

 

CMYK 85 / 88 / 0 / 0

HEX #261FFE

RGB 38 31 254

HSL 241.88, 0.99%, 0.56%

LAB 35.1, 73.01, -102.61

 

CMYK 77 / 79 / 0 / 8

HEX #3731EB

RGB 55 49 235

HSL 241.94, 0.82%, 0.56%

LAB 36, 61.23, -90.37

 

CMYK 67 / 69 / 0 / 15

HEX #4843D9

RGB 72 67 217

HSL 242, 0.66%, 0.56%

LAB 38.55, 47.69, -75.84

 

CMYK 55 / 57 / 0 / 22

HEX #5955C7

RGB 89 85 199

HSL 242.11, 0.5%, 0.56%

LAB 42.38, 33.79, -59.17

 

CMYK 41 / 43 / 0 / 29

HEX #6A68B5

RGB 106 104 181

HSL 241.56, 0.34%, 0.56%

LAB 47.37, 20.42, -40.65

 

CMYK 25 / 25 / 0 / 36

HEX #7B7AA3

RGB 123 122 163

HSL 241.46, 0.18%, 0.56%

LAB 52.7, 9.65, -21.76

 

CMYK 79 / 38 / 0 / 8

HEX #3191EB

RGB 49 145 235

HSL 209.03, 0.82%, 0.56%

LAB 58.88, 3.41, -53.15

 

CMYK 79 / 59 / 0 / 8

HEX #3160EB

RGB 49 96 235

HSL 224.84, 0.82%, 0.56%

LAB 45.66, 33.82, -74.48

 

CMYK 78 / 79 / 0 / 8

HEX #3431EB

RGB 52 49 235

HSL 240.97, 0.82%, 0.56%

LAB 35.84, 61.06, -90.64

 

CMYK 57 / 79 / 0 / 8

HEX #6631EB

RGB 102 49 235

HSL 257.1, 0.82%, 0.56%

LAB 39.61, 65.28, -84.27

 

CMYK 35 / 79 / 0 / 8

HEX #9831EB

RGB 152 49 235

HSL 273.23, 0.82%, 0.56%

LAB 45.46, 71.88, -74.46

 

CMYK 88 / 91 / 0 / 27

HEX #1611B9

RGB 22 17 185

HSL 241.79, 0.83%, 0.4%

LAB 23.92, 58.26, -81.46

 

CMYK 88 / 91 / 0 / 13

HEX #1B14DF

RGB 27 20 223

HSL 242.07, 0.84%, 0.48%

LAB 29.57, 67.79, -94.25

 

CMYK 77 / 79 / 0 / 8

HEX #3731EB

RGB 55 49 235

HSL 241.94, 0.82%, 0.56%

LAB 36, 61.23, -90.37

 

CMYK 62 / 64 / 0 / 6

HEX #5C57EF

RGB 92 87 239

HSL 241.97, 0.83%, 0.64%

LAB 46.07, 45.82, -75.96

 

CMYK 47 / 48 / 0 / 5

HEX #807DF2

RGB 128 125 242

HSL 241.54, 0.82%, 0.72%

LAB 57.72, 31.03, -58.67

 

CMYK 76 / 79 / 0 / 7

HEX #3832EC

RGB 56 50 236

HSL 241.94, 0.83%, 0.56%

LAB 36.32, 61.12, -90.39

 

CMYK 0 / 79 / 17 / 8

HEX #EB31C3

RGB 235 49 195

HSL 312.9, 0.82%, 0.56%

LAB 55.89, 80.45, -34.21

 

CMYK 49 / 0 / 79 / 8

HEX #79EB31

RGB 121 235 49

HSL 96.77, 0.82%, 0.56%

LAB 83.81, -61.4, 73.13

 

CMYK 76 / 79 / 0 / 7

HEX #3832EC

RGB 56 50 236

HSL 241.94, 0.83%, 0.56%

LAB 36.32, 61.12, -90.39

 

CMYK 0 / 78 / 79 / 8

HEX #EB3431

RGB 235 52 49

HSL 0.97, 0.82%, 0.56%

LAB 52.22, 67.86, 46.33

 

CMYK 79 / 0 / 78 / 8

HEX #31EB34

RGB 49 235 52

HSL 120.97, 0.82%, 0.56%

LAB 82.01, -76.1, 69.93

 

CMYK 76 / 79 / 0 / 7

HEX #3832EC

RGB 56 50 236

HSL 241.94, 0.83%, 0.56%

LAB 36.32, 61.12, -90.39

 

CMYK 0 / 79 / 17 / 8

HEX #EB31C3

RGB 235 49 195

HSL 312.9, 0.82%, 0.56%

LAB 55.89, 80.45, -34.21

 

CMYK 1 / 0 / 79 / 8

HEX #E8EB31

RGB 232 235 49

HSL 60.97, 0.82%, 0.56%

LAB 90.23, -20.68, 81.3

 

CMYK 79 / 0 / 62 / 8

HEX #31EB5A

RGB 49 235 90

HSL 133.23, 0.82%, 0.56%

LAB 82.28, -72.82, 56.36

 

CMYK 76 / 79 / 0 / 7

HEX #3832EC

RGB 56 50 236

HSL 241.94, 0.83%, 0.56%

LAB 36.32, 61.12, -90.39

 

CMYK 0 / 79 / 41 / 8

HEX #EB318B

RGB 235 49 139

HSL 330.97, 0.82%, 0.56%

LAB 53.73, 74.19, -4.66

 

CMYK 1 / 0 / 79 / 8

HEX #E8EB31

RGB 232 235 49

HSL 60.97, 0.82%, 0.56%

LAB 90.23, -20.68, 81.3

 

CMYK 79 / 0 / 38 / 8

HEX #31EB91

RGB 49 235 145

HSL 150.97, 0.82%, 0.56%

LAB 82.97, -64.56, 31.24

 

Description

Color code: RGB 56 50 236 | qconv.com Color code: RGB 56 50 236 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 50 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 50 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 79 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 79% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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