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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 240 172 it is the complementary color RGB 200 15 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 240 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 240 172 shade: RGB 60 240 167, RGB 77 255 186, RGB 94 255 205, RGB 111 255 224 and RGB 128 255 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 240 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 240 172 shade: RGB 55 240 172, RGB 38 222 153, RGB 21 204 134, RGB 4 186 115 and RGB 0 168 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 240 172 shade: RGB 55 240 172, RGB 55 240 122, RGB 55 240 72, RGB 88 240 55 and RGB 137 240 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 240 172 shade: RGB 55 240 172, RGB 55 240 221, RGB 55 208 240, RGB 55 158 240 and RGB 55 109 240

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 240 172 shade matches the following richer shades: RGB 55 240 172

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 240 172 shade: RGB 55 240 172, RGB 73 222 167, RGB 90 205 163, RGB 107 188 158 and RGB 125 170 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 240 172 shade: RGB 55 240 71, RGB 55 240 120, RGB 55 240 169, RGB 55 240 218 and RGB 55 212 240

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 240 172 shade: RGB 14 198 130, RGB 17 236 156, RGB 55 240 172, RGB 94 242 188 and RGB 132 245 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 240 172 shade: RGB 55 240 172, RGB 55 89 240 and RGB 240 95 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 240 172 shade: RGB 55 240 172, RGB 169 55 240 and RGB 240 169 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 240 172 shade: RGB 55 240 172, RGB 55 89 240, RGB 240 55 126 and RGB 240 206 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 240 172 shade: RGB 55 240 172, RGB 77 55 240, RGB 240 55 126 and RGB 218 240 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 28 / 6

HEX #37F0AC

RGB 55 240 172

HSL 157.95, 0.86%, 0.58%

LAB 85.05, -60.31, 20.27

 

Complementary color

CMYK 0 / 93 / 59 / 22

HEX #C80F53

RGB 200 15 83

HSL 337.95, 0.86%, 0.42%

LAB 43.13, 67.82, 13.58

 

CMYK 75 / 0 / 30 / 6

HEX #3CF0A7

RGB 60 240 167

HSL 155.67, 0.86%, 0.59%

LAB 85.03, -60.8, 22.83

 

CMYK 70 / 0 / 27 / 0

HEX #4DFFBA

RGB 77 255 186

HSL 156.74, 1%, 0.65%

LAB 90.16, -60.28, 20.22

 

CMYK 63 / 0 / 20 / 0

HEX #5EFFCD

RGB 94 255 205

HSL 161.37, 1%, 0.68%

LAB 90.92, -53.51, 11.6

 

CMYK 56 / 0 / 12 / 0

HEX #6FFFE0

RGB 111 255 224

HSL 167.08, 1%, 0.72%

LAB 91.81, -46.11, 3.13

 

CMYK 50 / 0 / 5 / 0

HEX #80FFF3

RGB 128 255 243

HSL 174.33, 1%, 0.75%

LAB 92.83, -38.19, -5.15

 

CMYK 77 / 0 / 28 / 6

HEX #37F0AC

RGB 55 240 172

HSL 157.95, 0.86%, 0.58%

LAB 85.05, -60.31, 20.27

 

CMYK 83 / 0 / 31 / 13

HEX #26DE99

RGB 38 222 153

HSL 157.5, 0.74%, 0.51%

LAB 79.02, -59.3, 21.76

 

CMYK 90 / 0 / 34 / 20

HEX #15CC86

RGB 21 204 134

HSL 157.05, 0.81%, 0.44%

LAB 72.94, -57.92, 23.38

 

CMYK 98 / 0 / 38 / 27

HEX #04BA73

RGB 4 186 115

HSL 156.59, 0.96%, 0.37%

LAB 66.81, -56.1, 25.15

 

CMYK 100 / 0 / 43 / 34

HEX #00A860

RGB 0 168 96

HSL 154.29, 1%, 0.33%

LAB 60.65, -53.65, 27.09

 

CMYK 77 / 0 / 28 / 6

HEX #37F0AC

RGB 55 240 172

HSL 157.95, 0.86%, 0.58%

LAB 85.05, -60.31, 20.27

 

CMYK 77 / 0 / 49 / 6

HEX #37F07A

RGB 55 240 122

HSL 141.73, 0.86%, 0.58%

LAB 84.24, -69.5, 44.22

 

CMYK 77 / 0 / 70 / 6

HEX #37F048

RGB 55 240 72

HSL 125.51, 0.86%, 0.58%

LAB 83.76, -75.38, 65.11

 

CMYK 63 / 0 / 77 / 6

HEX #58F037

RGB 88 240 55

HSL 109.3, 0.86%, 0.58%

LAB 84.31, -71.05, 71.52

 

CMYK 43 / 0 / 77 / 6

HEX #89F037

RGB 137 240 55

HSL 93.41, 0.86%, 0.58%

LAB 85.96, -58.16, 73.66

 

CMYK 77 / 0 / 28 / 6

HEX #37F0AC

RGB 55 240 172

HSL 157.95, 0.86%, 0.58%

LAB 85.05, -60.31, 20.27

 

CMYK 77 / 0 / 8 / 6

HEX #37F0DD

RGB 55 240 221

HSL 173.84, 0.86%, 0.58%

LAB 86.18, -48.49, -3.68

 

CMYK 77 / 13 / 0 / 6

HEX #37D0F0

RGB 55 208 240

HSL 190.38, 0.86%, 0.58%

LAB 77.41, -28.37, -26.94

 

CMYK 77 / 34 / 0 / 6

HEX #379EF0

RGB 55 158 240

HSL 206.59, 0.86%, 0.58%

LAB 62.98, -1.76, -49.4

 

CMYK 77 / 55 / 0 / 6

HEX #376DF0

RGB 55 109 240

HSL 222.49, 0.86%, 0.58%

LAB 49.55, 28.02, -70.94

 

CMYK 77 / 0 / 28 / 6

HEX #37F0AC

RGB 55 240 172

HSL 157.95, 0.86%, 0.58%

LAB 85.05, -60.31, 20.27

 

CMYK 77 / 0 / 28 / 6

HEX #37F0AC

RGB 55 240 172

HSL 157.95, 0.86%, 0.58%

LAB 85.05, -60.31, 20.27

 

CMYK 67 / 0 / 25 / 13

HEX #49DEA7

RGB 73 222 167

HSL 157.85, 0.69%, 0.58%

LAB 79.87, -51.99, 15.69

 

CMYK 56 / 0 / 20 / 20

HEX #5ACDA3

RGB 90 205 163

HSL 158.09, 0.53%, 0.58%

LAB 75.13, -42.58, 11.2

 

CMYK 43 / 0 / 16 / 26

HEX #6BBC9E

RGB 107 188 158

HSL 157.78, 0.38%, 0.58%

LAB 70.57, -31.88, 7.49

 

CMYK 26 / 0 / 10 / 33

HEX #7DAA99

RGB 125 170 153

HSL 157.33, 0.21%, 0.58%

LAB 66.07, -18.75, 3.89

 

CMYK 77 / 0 / 70 / 6

HEX #37F047

RGB 55 240 71

HSL 125.19, 0.86%, 0.58%

LAB 83.75, -75.47, 65.46

 

CMYK 77 / 0 / 50 / 6

HEX #37F078

RGB 55 240 120

HSL 141.08, 0.86%, 0.58%

LAB 84.22, -69.8, 45.14

 

CMYK 77 / 0 / 30 / 6

HEX #37F0A9

RGB 55 240 169

HSL 156.97, 0.86%, 0.58%

LAB 84.99, -60.95, 21.73

 

CMYK 77 / 0 / 9 / 6

HEX #37F0DA

RGB 55 240 218

HSL 172.86, 0.86%, 0.58%

LAB 86.1, -49.28, -2.22

 

CMYK 77 / 12 / 0 / 6

HEX #37D4F0

RGB 55 212 240

HSL 189.08, 0.86%, 0.58%

LAB 78.57, -30.32, -25.16

 

CMYK 93 / 0 / 34 / 22

HEX #0EC682

RGB 14 198 130

HSL 157.83, 0.87%, 0.42%

LAB 70.94, -56.93, 22.77

 

CMYK 93 / 0 / 34 / 7

HEX #11EC9C

RGB 17 236 156

HSL 158.08, 0.87%, 0.5%

LAB 83.18, -64.99, 25.87

 

CMYK 77 / 0 / 28 / 6

HEX #37F0AC

RGB 55 240 172

HSL 157.95, 0.86%, 0.58%

LAB 85.05, -60.31, 20.27

 

CMYK 61 / 0 / 22 / 5

HEX #5EF2BC

RGB 94 242 188

HSL 158.11, 0.85%, 0.66%

LAB 86.76, -51.94, 14.49

 

CMYK 46 / 0 / 17 / 4

HEX #84F5CC

RGB 132 245 204

HSL 158.23, 0.85%, 0.74%

LAB 89.19, -41.69, 9.81

 

CMYK 77 / 0 / 28 / 6

HEX #37F0AC

RGB 55 240 172

HSL 157.95, 0.86%, 0.58%

LAB 85.05, -60.31, 20.27

 

CMYK 77 / 63 / 0 / 6

HEX #3759F0

RGB 55 89 240

HSL 228.97, 0.86%, 0.58%

LAB 44.59, 40.53, -79.03

 

CMYK 0 / 60 / 77 / 6

HEX #F05F37

RGB 240 95 55

HSL 12.97, 0.86%, 0.58%

LAB 58.96, 53.81, 50.37

 

CMYK 77 / 0 / 28 / 6

HEX #37F0AC

RGB 55 240 172

HSL 157.95, 0.86%, 0.58%

LAB 85.05, -60.31, 20.27

 

CMYK 30 / 77 / 0 / 6

HEX #A937F0

RGB 169 55 240

HSL 276.97, 0.86%, 0.58%

LAB 48.83, 73.58, -71.68

 

CMYK 0 / 30 / 77 / 6

HEX #F0A937

RGB 240 169 55

HSL 36.97, 0.86%, 0.58%

LAB 74.3, 16.57, 65.33

 

CMYK 77 / 0 / 28 / 6

HEX #37F0AC

RGB 55 240 172

HSL 157.95, 0.86%, 0.58%

LAB 85.05, -60.31, 20.27

 

CMYK 77 / 63 / 0 / 6

HEX #3759F0

RGB 55 89 240

HSL 228.97, 0.86%, 0.58%

LAB 44.59, 40.53, -79.03

 

CMYK 0 / 77 / 48 / 6

HEX #F0377E

RGB 240 55 126

HSL 336.97, 0.86%, 0.58%

LAB 54.83, 72.7, 4.82

 

CMYK 0 / 14 / 77 / 6

HEX #F0CE37

RGB 240 206 55

HSL 48.97, 0.86%, 0.58%

LAB 83.41, -2.72, 73.76

 

CMYK 77 / 0 / 28 / 6

HEX #37F0AC

RGB 55 240 172

HSL 157.95, 0.86%, 0.58%

LAB 85.05, -60.31, 20.27

 

CMYK 68 / 77 / 0 / 6

HEX #4D37F0

RGB 77 55 240

HSL 247.14, 0.86%, 0.58%

LAB 38.9, 61.52, -88.35

 

CMYK 0 / 77 / 48 / 6

HEX #F0377E

RGB 240 55 126

HSL 336.97, 0.86%, 0.58%

LAB 54.83, 72.7, 4.82

 

CMYK 9 / 0 / 77 / 6

HEX #DAF037

RGB 218 240 55

HSL 67.14, 0.86%, 0.58%

LAB 90.55, -28.55, 79.57

 

Description

Color code: RGB 55 240 172 | qconv.com Color code: RGB 55 240 172 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 240 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 240 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 28 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 28% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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