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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 215 49 it is the complementary color RGB 200 40 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 215 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 215 49 shade: RGB 60 215 44, RGB 77 233 63, RGB 94 251 82, RGB 111 255 101 and RGB 128 255 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 215 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 215 49 shade: RGB 55 215 49, RGB 38 197 30, RGB 21 179 11, RGB 4 161 0 and RGB 0 143 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 215 49 shade: RGB 56 214 50, RGB 100 214 50, RGB 144 214 50, RGB 189 214 50 and RGB 214 195 50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 215 49 shade: RGB 56 214 50, RGB 50 214 88, RGB 50 214 133, RGB 50 214 177 and RGB 50 207 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 215 49 shade matches the following richer shades: RGB 56 214 50, RGB 38 234 30 and RGB 19 254 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 215 49 shade: RGB 56 214 50, RGB 74 194 70, RGB 93 174 90, RGB 111 155 110 and RGB 130 135 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 215 49 shade: RGB 146 214 50, RGB 102 214 50, RGB 58 214 50, RGB 50 214 86 and RGB 50 214 129

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 215 49 shade: RGB 34 152 30, RGB 42 186 36, RGB 56 214 50, RGB 89 221 85 and RGB 123 228 119

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 215 49 shade: RGB 55 215 49, RGB 50 190 214 and RGB 214 50 124

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 215 49 shade: RGB 55 215 49, RGB 50 58 214 and RGB 214 50 58

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 215 49 shade: RGB 55 215 49, RGB 50 190 214, RGB 206 50 214 and RGB 214 75 50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 215 49 shade: RGB 55 215 49, RGB 50 140 214, RGB 206 50 214 and RGB 214 124 50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 77 / 16

HEX #37D731

RGB 55 215 49

HSL 117.83, 0.67%, 0.52%

LAB 75.84, -69.53, 64.94

 

Complementary color

CMYK 3 / 81 / 0 / 19

HEX #C828CE

RGB 200 40 206

HSL 297.83, 0.67%, 0.48%

LAB 49.8, 77.19, -50.55

 

CMYK 72 / 0 / 80 / 16

HEX #3CD72C

RGB 60 215 44

HSL 114.39, 0.68%, 0.51%

LAB 75.91, -69.04, 66.52

 

CMYK 67 / 0 / 73 / 9

HEX #4DE93F

RGB 77 233 63

HSL 115.06, 0.79%, 0.58%

LAB 81.95, -70.45, 66.56

 

CMYK 63 / 0 / 67 / 2

HEX #5EFB52

RGB 94 251 82

HSL 115.74, 0.95%, 0.65%

LAB 87.96, -71.44, 66.06

 

CMYK 56 / 0 / 60 / 0

HEX #6FFF65

RGB 111 255 101

HSL 116.1, 1%, 0.7%

LAB 89.78, -67.24, 60.58

 

CMYK 50 / 0 / 53 / 0

HEX #80FF78

RGB 128 255 120

HSL 116.44, 1%, 0.74%

LAB 90.54, -60.89, 53.27

 

CMYK 74 / 0 / 77 / 16

HEX #37D731

RGB 55 215 49

HSL 117.83, 0.67%, 0.52%

LAB 75.84, -69.53, 64.94

 

CMYK 81 / 0 / 85 / 23

HEX #26C51E

RGB 38 197 30

HSL 117.13, 0.74%, 0.45%

LAB 69.78, -67.47, 64.39

 

CMYK 88 / 0 / 94 / 30

HEX #15B30B

RGB 21 179 11

HSL 116.43, 0.88%, 0.37%

LAB 63.69, -64.63, 62.56

 

CMYK 98 / 0 / 100 / 37

HEX #04A100

RGB 4 161 0

HSL 118.51, 1%, 0.32%

LAB 57.57, -60.88, 59.01

 

CMYK 100 / 0 / 100 / 44

HEX #008F00

RGB 0 143 0

HSL 120, 1%, 0.28%

LAB 51.43, -56.02, 54.07

 

CMYK 74 / 0 / 77 / 16

HEX #38D632

RGB 56 214 50

HSL 117.8, 0.67%, 0.52%

LAB 75.55, -69, 64.35

 

CMYK 53 / 0 / 77 / 16

HEX #64D632

RGB 100 214 50

HSL 101.71, 0.67%, 0.52%

LAB 76.7, -59.59, 65.86

 

CMYK 33 / 0 / 77 / 16

HEX #90D632

RGB 144 214 50

HSL 85.61, 0.67%, 0.52%

LAB 78.61, -45.62, 68.35

 

CMYK 12 / 0 / 77 / 16

HEX #BDD632

RGB 189 214 50

HSL 69.15, 0.67%, 0.52%

LAB 81.37, -28.25, 71.91

 

CMYK 0 / 9 / 77 / 16

HEX #D6C332

RGB 214 195 50

HSL 53.05, 0.67%, 0.52%

LAB 78.2, -8.36, 69.74

 

CMYK 74 / 0 / 77 / 16

HEX #38D632

RGB 56 214 50

HSL 117.8, 0.67%, 0.52%

LAB 75.55, -69, 64.35

 

CMYK 77 / 0 / 59 / 16

HEX #32D658

RGB 50 214 88

HSL 133.9, 0.67%, 0.52%

LAB 75.75, -66.27, 49.75

 

CMYK 77 / 0 / 38 / 16

HEX #32D685

RGB 50 214 133

HSL 150.37, 0.67%, 0.52%

LAB 76.35, -59.18, 28.55

 

CMYK 77 / 0 / 17 / 16

HEX #32D6B1

RGB 50 214 177

HSL 166.46, 0.67%, 0.52%

LAB 77.25, -49.46, 6.61

 

CMYK 77 / 3 / 0 / 16

HEX #32CFD6

RGB 50 207 214

HSL 182.56, 0.67%, 0.52%

LAB 76.17, -36.29, -14.86

 

CMYK 74 / 0 / 77 / 16

HEX #38D632

RGB 56 214 50

HSL 117.8, 0.67%, 0.52%

LAB 75.55, -69, 64.35

 

CMYK 84 / 0 / 87 / 8

HEX #26EA1E

RGB 38 234 30

HSL 117.65, 0.83%, 0.52%

LAB 81.48, -78.04, 74.71

 

CMYK 93 / 0 / 96 / 0

HEX #13FE0A

RGB 19 254 10

HSL 117.79, 0.99%, 0.52%

LAB 87.51, -85.17, 82.26

 

CMYK 74 / 0 / 77 / 16

HEX #38D632

RGB 56 214 50

HSL 117.8, 0.67%, 0.52%

LAB 75.55, -69, 64.35

 

CMYK 62 / 0 / 64 / 24

HEX #4AC246

RGB 74 194 70

HSL 118.06, 0.5%, 0.52%

LAB 69.81, -57.3, 51.05

 

CMYK 47 / 0 / 48 / 32

HEX #5DAE5A

RGB 93 174 90

HSL 117.86, 0.34%, 0.52%

LAB 64.43, -42.06, 35.44

 

CMYK 28 / 0 / 29 / 39

HEX #6F9B6E

RGB 111 155 110

HSL 118.67, 0.18%, 0.52%

LAB 59.84, -24.19, 18.93

 

CMYK 4 / 0 / 4 / 47

HEX #828781

RGB 130 135 129

HSL 110, 0.02%, 0.52%

LAB 55.74, -3.03, 2.58

 

CMYK 32 / 0 / 77 / 16

HEX #92D632

RGB 146 214 50

HSL 84.88, 0.67%, 0.52%

LAB 78.71, -44.9, 68.48

 

CMYK 52 / 0 / 77 / 16

HEX #66D632

RGB 102 214 50

HSL 100.98, 0.67%, 0.52%

LAB 76.77, -59.05, 65.95

 

CMYK 73 / 0 / 77 / 16

HEX #3AD632

RGB 58 214 50

HSL 117.07, 0.67%, 0.52%

LAB 75.59, -68.69, 64.4

 

CMYK 77 / 0 / 60 / 16

HEX #32D656

RGB 50 214 86

HSL 133.17, 0.67%, 0.52%

LAB 75.73, -66.52, 50.62

 

CMYK 77 / 0 / 40 / 16

HEX #32D681

RGB 50 214 129

HSL 148.9, 0.67%, 0.52%

LAB 76.29, -59.93, 30.52

 

CMYK 78 / 0 / 80 / 40

HEX #22981E

RGB 34 152 30

HSL 118.03, 0.67%, 0.36%

LAB 54.96, -54.18, 50.69

 

CMYK 77 / 0 / 81 / 27

HEX #2ABA24

RGB 42 186 36

HSL 117.6, 0.68%, 0.44%

LAB 66.32, -63.33, 59.67

 

CMYK 74 / 0 / 77 / 16

HEX #38D632

RGB 56 214 50

HSL 117.8, 0.67%, 0.52%

LAB 75.55, -69, 64.35

 

CMYK 60 / 0 / 62 / 13

HEX #59DD55

RGB 89 221 85

HSL 118.24, 0.67%, 0.6%

LAB 78.75, -61.96, 54.73

 

CMYK 46 / 0 / 48 / 11

HEX #7BE477

RGB 123 228 119

HSL 117.8, 0.67%, 0.68%

LAB 82.39, -51.8, 43.74

 

CMYK 74 / 0 / 77 / 16

HEX #37D731

RGB 55 215 49

HSL 117.83, 0.67%, 0.52%

LAB 75.84, -69.53, 64.94

 

CMYK 77 / 11 / 0 / 16

HEX #32BED6

RGB 50 190 214

HSL 188.78, 0.67%, 0.52%

LAB 71.12, -28.16, -22.5

 

CMYK 0 / 77 / 42 / 16

HEX #D6327C

RGB 214 50 124

HSL 332.93, 0.67%, 0.52%

LAB 49.54, 67.19, -2.26

 

CMYK 74 / 0 / 77 / 16

HEX #37D731

RGB 55 215 49

HSL 117.83, 0.67%, 0.52%

LAB 75.84, -69.53, 64.94

 

CMYK 77 / 73 / 0 / 16

HEX #323AD6

RGB 50 58 214

HSL 237.07, 0.67%, 0.52%

LAB 35.12, 49.65, -79.81

 

CMYK 0 / 77 / 73 / 16

HEX #D6323A

RGB 214 50 58

HSL 357.07, 0.67%, 0.52%

LAB 48.11, 62.7, 35.72

 

CMYK 74 / 0 / 77 / 16

HEX #37D731

RGB 55 215 49

HSL 117.83, 0.67%, 0.52%

LAB 75.84, -69.53, 64.94

 

CMYK 77 / 11 / 0 / 16

HEX #32BED6

RGB 50 190 214

HSL 188.78, 0.67%, 0.52%

LAB 71.12, -28.16, -22.5

 

CMYK 4 / 77 / 0 / 16

HEX #CE32D6

RGB 206 50 214

HSL 297.07, 0.67%, 0.52%

LAB 52.13, 77.04, -51.36

 

CMYK 0 / 65 / 77 / 16

HEX #D64B32

RGB 214 75 50

HSL 9.15, 0.67%, 0.52%

LAB 51.33, 53.28, 43.68

 

CMYK 74 / 0 / 77 / 16

HEX #37D731

RGB 55 215 49

HSL 117.83, 0.67%, 0.52%

LAB 75.84, -69.53, 64.94

 

CMYK 77 / 35 / 0 / 16

HEX #328CD6

RGB 50 140 214

HSL 207.07, 0.67%, 0.52%

LAB 56.38, -1.15, -45.41

 

CMYK 4 / 77 / 0 / 16

HEX #CE32D6

RGB 206 50 214

HSL 297.07, 0.67%, 0.52%

LAB 52.13, 77.04, -51.36

 

CMYK 0 / 42 / 77 / 16

HEX #D67C32

RGB 214 124 50

HSL 27.07, 0.67%, 0.52%

LAB 60.73, 29.4, 53.21

 

Description

Color code: RGB 55 215 49 | qconv.com Color code: RGB 55 215 49 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 215 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 215 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 77 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 77% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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