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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 207 68 it is the complementary color RGB 200 48 187. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 207 68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 207 68 shade: RGB 60 207 63, RGB 77 225 82, RGB 94 243 101, RGB 111 255 120 and RGB 128 255 139

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 207 68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 207 68 shade: RGB 55 207 68, RGB 38 189 49, RGB 21 171 30, RGB 4 153 11 and RGB 0 135 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 207 68 shade: RGB 53 206 66, RGB 81 206 53, RGB 123 206 53, RGB 164 206 53 and RGB 205 206 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 207 68 shade: RGB 53 206 66, RGB 53 206 107, RGB 53 206 149, RGB 53 206 190 and RGB 53 181 206

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 207 68 shade matches the following richer shades: RGB 53 206 66, RGB 33 226 50 and RGB 13 246 33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 207 68 shade: RGB 53 206 66, RGB 74 186 83, RGB 94 165 100, RGB 114 145 117 and RGB 134 125 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 207 68 shade: RGB 122 206 53, RGB 81 206 53, RGB 53 206 66, RGB 53 206 107 and RGB 53 206 147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 207 68 shade: RGB 34 142 43, RGB 42 176 54, RGB 53 206 66, RGB 87 214 97 and RGB 120 222 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 207 68 shade: RGB 55 207 68, RGB 53 163 206 and RGB 206 53 102

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 207 68 shade: RGB 55 207 68, RGB 66 53 206 and RGB 206 66 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 207 68 shade: RGB 55 207 68, RGB 53 163 206, RGB 206 53 193 and RGB 206 97 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 207 68 shade: RGB 55 207 68, RGB 53 117 206, RGB 206 53 193 and RGB 206 142 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 67 / 19

HEX #37CF44

RGB 55 207 68

HSL 125.13, 0.61%, 0.51%

LAB 73.45, -65.5, 55.73

 

Complementary color

CMYK 0 / 76 / 7 / 22

HEX #C830BB

RGB 200 48 187

HSL 305.13, 0.61%, 0.49%

LAB 49.47, 72.19, -40.07

 

CMYK 71 / 0 / 70 / 19

HEX #3CCF3F

RGB 60 207 63

HSL 121.22, 0.6%, 0.52%

LAB 73.51, -65.15, 57.78

 

CMYK 66 / 0 / 64 / 12

HEX #4DE152

RGB 77 225 82

HSL 122.03, 0.71%, 0.59%

LAB 79.64, -66.17, 56.9

 

CMYK 61 / 0 / 58 / 5

HEX #5EF365

RGB 94 243 101

HSL 122.82, 0.86%, 0.66%

LAB 85.72, -66.84, 55.8

 

CMYK 56 / 0 / 53 / 0

HEX #6FFF78

RGB 111 255 120

HSL 123.75, 1%, 0.72%

LAB 89.98, -65.08, 52.46

 

CMYK 50 / 0 / 45 / 0

HEX #80FF8B

RGB 128 255 139

HSL 125.2, 1%, 0.75%

LAB 90.77, -58.41, 44.67

 

CMYK 73 / 0 / 67 / 19

HEX #37CF44

RGB 55 207 68

HSL 125.13, 0.61%, 0.51%

LAB 73.45, -65.5, 55.73

 

CMYK 80 / 0 / 74 / 26

HEX #26BD31

RGB 38 189 49

HSL 124.37, 0.67%, 0.45%

LAB 67.3, -63.89, 56.42

 

CMYK 88 / 0 / 82 / 33

HEX #15AB1E

RGB 21 171 30

HSL 123.6, 0.78%, 0.38%

LAB 61.11, -61.55, 56.42

 

CMYK 97 / 0 / 93 / 40

HEX #04990B

RGB 4 153 11

HSL 122.82, 0.95%, 0.31%

LAB 54.9, -58.29, 55.11

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 74 / 0 / 68 / 19

HEX #35CE42

RGB 53 206 66

HSL 125.1, 0.61%, 0.51%

LAB 73.08, -65.68, 56.12

 

CMYK 61 / 0 / 74 / 19

HEX #51CE35

RGB 81 206 53

HSL 109.02, 0.61%, 0.51%

LAB 73.64, -61.37, 61.69

 

CMYK 40 / 0 / 74 / 19

HEX #7BCE35

RGB 123 206 53

HSL 92.55, 0.61%, 0.51%

LAB 75.21, -49.4, 63.76

 

CMYK 20 / 0 / 74 / 19

HEX #A4CE35

RGB 164 206 53

HSL 76.47, 0.61%, 0.51%

LAB 77.46, -34.41, 66.71

 

CMYK 0 / 0 / 74 / 19

HEX #CDCE35

RGB 205 206 53

HSL 60.39, 0.61%, 0.51%

LAB 80.39, -17.61, 70.52

 

CMYK 74 / 0 / 68 / 19

HEX #35CE42

RGB 53 206 66

HSL 125.1, 0.61%, 0.51%

LAB 73.08, -65.68, 56.12

 

CMYK 74 / 0 / 48 / 19

HEX #35CE6B

RGB 53 206 107

HSL 141.18, 0.61%, 0.51%

LAB 73.52, -60.49, 38.06

 

CMYK 74 / 0 / 28 / 19

HEX #35CE95

RGB 53 206 149

HSL 157.65, 0.61%, 0.51%

LAB 74.23, -52.47, 17.29

 

CMYK 74 / 0 / 8 / 19

HEX #35CEBE

RGB 53 206 190

HSL 173.73, 0.61%, 0.51%

LAB 75.21, -42.33, -3.33

 

CMYK 74 / 12 / 0 / 19

HEX #35B5CE

RGB 53 181 206

HSL 189.8, 0.61%, 0.51%

LAB 68.21, -25.87, -22.55

 

CMYK 74 / 0 / 68 / 19

HEX #35CE42

RGB 53 206 66

HSL 125.1, 0.61%, 0.51%

LAB 73.08, -65.68, 56.12

 

CMYK 85 / 0 / 78 / 11

HEX #21E232

RGB 33 226 50

HSL 125.28, 0.77%, 0.51%

LAB 79.01, -75.26, 67.59

 

CMYK 95 / 0 / 87 / 4

HEX #0DF621

RGB 13 246 33

HSL 125.15, 0.93%, 0.51%

LAB 85.05, -82.74, 77.18

 

CMYK 74 / 0 / 68 / 19

HEX #35CE42

RGB 53 206 66

HSL 125.1, 0.61%, 0.51%

LAB 73.08, -65.68, 56.12

 

CMYK 60 / 0 / 55 / 27

HEX #4ABA53

RGB 74 186 83

HSL 124.82, 0.45%, 0.51%

LAB 67.43, -52.86, 42.4

 

CMYK 43 / 0 / 39 / 35

HEX #5EA564

RGB 94 165 100

HSL 125.07, 0.28%, 0.51%

LAB 61.84, -36.27, 26.9

 

CMYK 21 / 0 / 19 / 43

HEX #729175

RGB 114 145 117

HSL 125.81, 0.12%, 0.51%

LAB 57.18, -16.7, 11.35

 

CMYK 0 / 7 / 1 / 47

HEX #867D85

RGB 134 125 133

HSL 306.67, 0.04%, 0.51%

LAB 53.42, 4.97, -3.11

 

CMYK 41 / 0 / 74 / 19

HEX #7ACE35

RGB 122 206 53

HSL 92.94, 0.61%, 0.51%

LAB 75.16, -49.73, 63.7

 

CMYK 61 / 0 / 74 / 19

HEX #51CE35

RGB 81 206 53

HSL 109.02, 0.61%, 0.51%

LAB 73.64, -61.37, 61.69

 

CMYK 74 / 0 / 68 / 19

HEX #35CE42

RGB 53 206 66

HSL 125.1, 0.61%, 0.51%

LAB 73.08, -65.68, 56.12

 

CMYK 74 / 0 / 48 / 19

HEX #35CE6B

RGB 53 206 107

HSL 141.18, 0.61%, 0.51%

LAB 73.52, -60.49, 38.06

 

CMYK 74 / 0 / 29 / 19

HEX #35CE93

RGB 53 206 147

HSL 156.86, 0.61%, 0.51%

LAB 74.19, -52.91, 18.3

 

CMYK 76 / 0 / 70 / 44

HEX #228E2B

RGB 34 142 43

HSL 125, 0.61%, 0.35%

LAB 51.68, -49.78, 42.53

 

CMYK 76 / 0 / 69 / 31

HEX #2AB036

RGB 42 176 54

HSL 125.37, 0.61%, 0.43%

LAB 63.18, -58.8, 50.3

 

CMYK 74 / 0 / 68 / 19

HEX #35CE42

RGB 53 206 66

HSL 125.1, 0.61%, 0.51%

LAB 73.08, -65.68, 56.12

 

CMYK 59 / 0 / 55 / 16

HEX #57D661

RGB 87 214 97

HSL 124.72, 0.61%, 0.59%

LAB 76.67, -58.49, 46.92

 

CMYK 46 / 0 / 42 / 13

HEX #78DE80

RGB 120 222 128

HSL 124.71, 0.61%, 0.67%

LAB 80.62, -48.91, 37.05

 

CMYK 73 / 0 / 67 / 19

HEX #37CF44

RGB 55 207 68

HSL 125.13, 0.61%, 0.51%

LAB 73.45, -65.5, 55.73

 

CMYK 74 / 21 / 0 / 19

HEX #35A3CE

RGB 53 163 206

HSL 196.86, 0.61%, 0.51%

LAB 62.85, -16.52, -30.8

 

CMYK 0 / 74 / 50 / 19

HEX #CE3566

RGB 206 53 102

HSL 340.78, 0.61%, 0.51%

LAB 47.79, 62.15, 8.45

 

CMYK 73 / 0 / 67 / 19

HEX #37CF44

RGB 55 207 68

HSL 125.13, 0.61%, 0.51%

LAB 73.45, -65.5, 55.73

 

CMYK 68 / 74 / 0 / 19

HEX #4235CE

RGB 66 53 206

HSL 245.1, 0.61%, 0.51%

LAB 34.32, 51.27, -76.48

 

CMYK 0 / 68 / 74 / 19

HEX #CE4235

RGB 206 66 53

HSL 5.1, 0.61%, 0.51%

LAB 48.61, 54.4, 38.71

 

CMYK 73 / 0 / 67 / 19

HEX #37CF44

RGB 55 207 68

HSL 125.13, 0.61%, 0.51%

LAB 73.45, -65.5, 55.73

 

CMYK 74 / 21 / 0 / 19

HEX #35A3CE

RGB 53 163 206

HSL 196.86, 0.61%, 0.51%

LAB 62.85, -16.52, -30.8

 

CMYK 0 / 74 / 6 / 19

HEX #CE35C1

RGB 206 53 193

HSL 305.1, 0.61%, 0.51%

LAB 51.29, 72.9, -40.62

 

CMYK 0 / 53 / 74 / 19

HEX #CE6135

RGB 206 97 53

HSL 17.25, 0.61%, 0.51%

LAB 53.95, 40.32, 44.5

 

CMYK 73 / 0 / 67 / 19

HEX #37CF44

RGB 55 207 68

HSL 125.13, 0.61%, 0.51%

LAB 73.45, -65.5, 55.73

 

CMYK 74 / 43 / 0 / 19

HEX #3575CE

RGB 53 117 206

HSL 214.9, 0.61%, 0.51%

LAB 49.42, 10.23, -51.95

 

CMYK 0 / 74 / 6 / 19

HEX #CE35C1

RGB 206 53 193

HSL 305.1, 0.61%, 0.51%

LAB 51.29, 72.9, -40.62

 

CMYK 0 / 31 / 74 / 19

HEX #CE8E35

RGB 206 142 53

HSL 34.9, 0.61%, 0.51%

LAB 63.94, 16.43, 54.76

 

Description

Color code: RGB 55 207 68 | qconv.com Color code: RGB 55 207 68 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 207 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 207 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 67 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 67% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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