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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 203 190 it is the complementary color RGB 200 52 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 203 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 203 190 shade: RGB 60 203 185, RGB 77 221 204, RGB 94 239 223, RGB 111 255 242 and RGB 128 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 203 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 203 190 shade: RGB 55 203 190, RGB 38 185 171, RGB 21 167 152, RGB 4 149 133 and RGB 0 131 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 203 190 shade: RGB 56 203 190, RGB 56 203 151, RGB 56 203 111, RGB 56 203 71 and RGB 80 203 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 203 190 shade: RGB 56 203 190, RGB 56 176 203, RGB 56 137 203, RGB 56 97 203 and RGB 56 57 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 203 190 shade matches the following richer shades: RGB 56 203 190, RGB 36 223 207 and RGB 15 244 224

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 203 190 shade: RGB 56 203 190, RGB 76 183 174, RGB 96 163 157, RGB 116 143 140 and RGB 137 122 124

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 203 190 shade: RGB 56 203 110, RGB 56 203 149, RGB 56 203 189, RGB 56 179 203 and RGB 56 139 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 203 190 shade: RGB 36 141 131, RGB 44 173 162, RGB 56 203 190, RGB 89 212 201 and RGB 121 220 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 203 190 shade: RGB 55 203 190, RGB 71 56 203 and RGB 203 130 56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 203 190 shade: RGB 55 203 190, RGB 189 56 203 and RGB 203 189 56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 203 190 shade: RGB 55 203 190, RGB 71 56 203, RGB 203 56 71 and RGB 189 203 56

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 203 190 shade: RGB 55 203 190, RGB 115 56 203, RGB 203 56 71 and RGB 144 203 56

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 6 / 20

HEX #37CBBE

RGB 55 203 190

HSL 174.73, 0.59%, 0.51%

LAB 74.34, -40.76, -4.6

 

Complementary color

CMYK 0 / 74 / 68 / 22

HEX #C83441

RGB 200 52 65

HSL 354.73, 0.59%, 0.49%

LAB 45.79, 58.23, 28.18

 

CMYK 70 / 0 / 9 / 20

HEX #3CCBB9

RGB 60 203 185

HSL 172.45, 0.58%, 0.52%

LAB 74.3, -41.48, -1.95

 

CMYK 65 / 0 / 8 / 13

HEX #4DDDCC

RGB 77 221 204

HSL 172.92, 0.68%, 0.58%

LAB 80.54, -42.02, -2.94

 

CMYK 61 / 0 / 7 / 6

HEX #5EEFDF

RGB 94 239 223

HSL 173.38, 0.82%, 0.65%

LAB 86.72, -42.39, -3.85

 

CMYK 56 / 0 / 5 / 0

HEX #6FFFF2

RGB 111 255 242

HSL 174.58, 1%, 0.72%

LAB 92.27, -41.75, -5.52

 

CMYK 50 / 0 / 0 / 0

HEX #80FFFF

RGB 128 255 255

HSL 180, 1%, 0.75%

LAB 93.16, -35.22, -10.88

 

CMYK 73 / 0 / 6 / 20

HEX #37CBBE

RGB 55 203 190

HSL 174.73, 0.59%, 0.51%

LAB 74.34, -40.76, -4.6

 

CMYK 79 / 0 / 8 / 27

HEX #26B9AB

RGB 38 185 171

HSL 174.29, 0.66%, 0.44%

LAB 68.06, -39.84, -3.53

 

CMYK 87 / 0 / 9 / 35

HEX #15A798

RGB 21 167 152

HSL 173.84, 0.78%, 0.37%

LAB 61.71, -38.58, -2.32

 

CMYK 97 / 0 / 11 / 42

HEX #049585

RGB 4 149 133

HSL 173.38, 0.95%, 0.3%

LAB 55.29, -36.91, -0.97

 

CMYK 100 / 0 / 13 / 49

HEX #008372

RGB 0 131 114

HSL 172.21, 1%, 0.26%

LAB 48.82, -34.6, 0.59

 

CMYK 72 / 0 / 6 / 20

HEX #38CBBE

RGB 56 203 190

HSL 174.69, 0.59%, 0.51%

LAB 74.36, -40.64, -4.57

 

CMYK 72 / 0 / 26 / 20

HEX #38CB97

RGB 56 203 151

HSL 158.78, 0.59%, 0.51%

LAB 73.41, -50.43, 15.08

 

CMYK 72 / 0 / 45 / 20

HEX #38CB6F

RGB 56 203 111

HSL 142.45, 0.59%, 0.51%

LAB 72.69, -58.33, 35.02

 

CMYK 72 / 0 / 65 / 20

HEX #38CB47

RGB 56 203 71

HSL 126.12, 0.59%, 0.51%

LAB 72.23, -63.74, 53.18

 

CMYK 61 / 0 / 72 / 20

HEX #50CB38

RGB 80 203 56

HSL 110.2, 0.59%, 0.51%

LAB 72.7, -60.34, 59.68

 

CMYK 72 / 0 / 6 / 20

HEX #38CBBE

RGB 56 203 190

HSL 174.69, 0.59%, 0.51%

LAB 74.36, -40.64, -4.57

 

CMYK 72 / 13 / 0 / 20

HEX #38B0CB

RGB 56 176 203

HSL 191.02, 0.59%, 0.51%

LAB 66.67, -23.92, -23.24

 

CMYK 72 / 33 / 0 / 20

HEX #3889CB

RGB 56 137 203

HSL 206.94, 0.59%, 0.51%

LAB 55.12, -2.57, -41.19

 

CMYK 72 / 52 / 0 / 20

HEX #3861CB

RGB 56 97 203

HSL 223.27, 0.59%, 0.51%

LAB 43.8, 22.19, -59.27

 

CMYK 72 / 72 / 0 / 20

HEX #3839CB

RGB 56 57 203

HSL 239.59, 0.59%, 0.51%

LAB 34.15, 47.11, -75.04

 

CMYK 72 / 0 / 6 / 20

HEX #38CBBE

RGB 56 203 190

HSL 174.69, 0.59%, 0.51%

LAB 74.36, -40.64, -4.57

 

CMYK 84 / 0 / 7 / 13

HEX #24DFCF

RGB 36 223 207

HSL 174.87, 0.75%, 0.51%

LAB 80.55, -46.59, -4.61

 

CMYK 94 / 0 / 8 / 4

HEX #0FF4E0

RGB 15 244 224

HSL 174.76, 0.91%, 0.51%

LAB 87.09, -51.77, -3.96

 

CMYK 72 / 0 / 6 / 20

HEX #38CBBE

RGB 56 203 190

HSL 174.69, 0.59%, 0.51%

LAB 74.36, -40.64, -4.57

 

CMYK 58 / 0 / 5 / 28

HEX #4CB7AE

RGB 76 183 174

HSL 174.95, 0.43%, 0.51%

LAB 68.36, -32.7, -4.64

 

CMYK 41 / 0 / 4 / 36

HEX #60A39D

RGB 96 163 157

HSL 174.63, 0.27%, 0.51%

LAB 62.61, -22.76, -3.58

 

CMYK 19 / 0 / 2 / 44

HEX #748F8C

RGB 116 143 140

HSL 173.33, 0.11%, 0.51%

LAB 57.32, -10.16, -1.58

 

CMYK 0 / 11 / 9 / 46

HEX #897A7C

RGB 137 122 124

HSL 352, 0.06%, 0.51%

LAB 52.61, 6.12, 1.01

 

CMYK 72 / 0 / 46 / 20

HEX #38CB6E

RGB 56 203 110

HSL 142.04, 0.59%, 0.51%

LAB 72.68, -58.49, 35.51

 

CMYK 72 / 0 / 27 / 20

HEX #38CB95

RGB 56 203 149

HSL 157.96, 0.59%, 0.51%

LAB 73.37, -50.88, 16.09

 

CMYK 72 / 0 / 7 / 20

HEX #38CBBD

RGB 56 203 189

HSL 174.29, 0.59%, 0.51%

LAB 74.33, -40.92, -4.07

 

CMYK 72 / 12 / 0 / 20

HEX #38B3CB

RGB 56 179 203

HSL 189.8, 0.59%, 0.51%

LAB 67.57, -25.44, -21.87

 

CMYK 72 / 32 / 0 / 20

HEX #388BCB

RGB 56 139 203

HSL 206.12, 0.59%, 0.51%

LAB 55.7, -3.74, -40.27

 

CMYK 74 / 0 / 7 / 45

HEX #248D83

RGB 36 141 131

HSL 174.29, 0.59%, 0.35%

LAB 53.02, -31.26, -3.11

 

CMYK 75 / 0 / 6 / 32

HEX #2CADA2

RGB 44 173 162

HSL 174.88, 0.59%, 0.43%

LAB 64.19, -36.31, -4.23

 

CMYK 72 / 0 / 6 / 20

HEX #38CBBE

RGB 56 203 190

HSL 174.69, 0.59%, 0.51%

LAB 74.36, -40.64, -4.57

 

CMYK 58 / 0 / 5 / 17

HEX #59D4C9

RGB 89 212 201

HSL 174.63, 0.59%, 0.59%

LAB 78.13, -36.71, -4.86

 

CMYK 45 / 0 / 4 / 14

HEX #79DCD4

RGB 121 220 212

HSL 175.15, 0.59%, 0.67%

LAB 81.84, -30.99, -5.13

 

CMYK 73 / 0 / 6 / 20

HEX #37CBBE

RGB 55 203 190

HSL 174.73, 0.59%, 0.51%

LAB 74.34, -40.76, -4.6

 

CMYK 65 / 72 / 0 / 20

HEX #4738CB

RGB 71 56 203

HSL 246.12, 0.59%, 0.51%

LAB 34.96, 49.28, -73.66

 

CMYK 0 / 36 / 72 / 20

HEX #CB8238

RGB 203 130 56

HSL 30.2, 0.59%, 0.51%

LAB 60.74, 21.82, 50.05

 

CMYK 73 / 0 / 6 / 20

HEX #37CBBE

RGB 55 203 190

HSL 174.73, 0.59%, 0.51%

LAB 74.34, -40.76, -4.6

 

CMYK 7 / 72 / 0 / 20

HEX #BD38CB

RGB 189 56 203

HSL 294.29, 0.59%, 0.51%

LAB 49.45, 69.96, -49.49

 

CMYK 0 / 7 / 72 / 20

HEX #CBBD38

RGB 203 189 56

HSL 54.29, 0.59%, 0.51%

LAB 75.69, -9.76, 64.99

 

CMYK 73 / 0 / 6 / 20

HEX #37CBBE

RGB 55 203 190

HSL 174.73, 0.59%, 0.51%

LAB 74.34, -40.76, -4.6

 

CMYK 65 / 72 / 0 / 20

HEX #4738CB

RGB 71 56 203

HSL 246.12, 0.59%, 0.51%

LAB 34.96, 49.28, -73.66

 

CMYK 0 / 72 / 65 / 20

HEX #CB3847

RGB 203 56 71

HSL 353.88, 0.59%, 0.51%

LAB 46.95, 58.09, 26.14

 

CMYK 7 / 0 / 72 / 20

HEX #BDCB38

RGB 189 203 56

HSL 65.71, 0.59%, 0.51%

LAB 78.35, -22.7, 67.17

 

CMYK 73 / 0 / 6 / 20

HEX #37CBBE

RGB 55 203 190

HSL 174.73, 0.59%, 0.51%

LAB 74.34, -40.76, -4.6

 

CMYK 43 / 72 / 0 / 20

HEX #7338CB

RGB 115 56 203

HSL 264.08, 0.59%, 0.51%

LAB 39.22, 55.7, -66.52

 

CMYK 0 / 72 / 65 / 20

HEX #CB3847

RGB 203 56 71

HSL 353.88, 0.59%, 0.51%

LAB 46.95, 58.09, 26.14

 

CMYK 29 / 0 / 72 / 20

HEX #90CB38

RGB 144 203 56

HSL 84.08, 0.59%, 0.51%

LAB 75.41, -40.55, 63.29

 

Description

Color code: RGB 55 203 190 | qconv.com Color code: RGB 55 203 190 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 203 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 203 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 6 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 6% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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