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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 147 209 it is the complementary color RGB 200 108 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 147 209. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 147 209 shade: RGB 60 147 204, RGB 77 165 223, RGB 94 183 242, RGB 111 201 255 and RGB 128 219 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 147 209. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 147 209 shade: RGB 55 147 209, RGB 38 129 190, RGB 21 111 171, RGB 4 93 152 and RGB 0 75 133

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 147 209 shade: RGB 55 147 209, RGB 55 106 209, RGB 55 64 209, RGB 88 55 209 and RGB 129 55 209

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 147 209 shade: RGB 55 147 209, RGB 55 106 209, RGB 55 64 209 and RGB 55 55 209

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 147 209 shade matches the following richer shades: RGB 55 147 209, RGB 35 151 229 and RGB 15 155 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 147 209 shade: RGB 55 147 209, RGB 75 143 189, RGB 95 139 170, RGB 114 136 150 and RGB 134 132 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 147 209 shade: RGB 55 209 189, RGB 55 189 209, RGB 55 148 209, RGB 55 106 209 and RGB 55 65 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 147 209 shade: RGB 33 102 148, RGB 41 125 182, RGB 55 147 209, RGB 89 165 217 and RGB 122 183 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 147 209 shade: RGB 55 147 209, RGB 148 55 209 and RGB 209 209 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 147 209 shade: RGB 55 147 209, RGB 209 55 148 and RGB 148 209 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 147 209 shade: RGB 55 147 209, RGB 148 55 209, RGB 209 117 55 and RGB 117 209 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 147 209 shade: RGB 55 147 209, RGB 194 55 209, RGB 209 117 55 and RGB 70 209 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 30 / 0 / 18

HEX #3793D1

RGB 55 147 209

HSL 204.16, 0.63%, 0.52%

LAB 58.3, -6.38, -39.56

 

Complementary color

CMYK 0 / 46 / 77 / 22

HEX #C86C2E

RGB 200 108 46

HSL 24.16, 0.63%, 0.48%

LAB 55.28, 31.96, 48.97

 

CMYK 71 / 28 / 0 / 20

HEX #3C93CC

RGB 60 147 204

HSL 203.75, 0.59%, 0.52%

LAB 58.21, -7.43, -36.88

 

CMYK 65 / 26 / 0 / 13

HEX #4DA5DF

RGB 77 165 223

HSL 203.84, 0.7%, 0.59%

LAB 64.82, -8.54, -37.11

 

CMYK 61 / 24 / 0 / 5

HEX #5EB7F2

RGB 94 183 242

HSL 203.92, 0.85%, 0.66%

LAB 71.32, -9.42, -37.32

 

CMYK 56 / 21 / 0 / 0

HEX #6FC9FF

RGB 111 201 255

HSL 202.5, 1%, 0.72%

LAB 77.5, -11.92, -34.68

 

CMYK 50 / 14 / 0 / 0

HEX #80DBFF

RGB 128 219 255

HSL 197.01, 1%, 0.75%

LAB 83.16, -17.75, -25.94

 

CMYK 74 / 30 / 0 / 18

HEX #3793D1

RGB 55 147 209

HSL 204.16, 0.63%, 0.52%

LAB 58.3, -6.38, -39.56

 

CMYK 80 / 32 / 0 / 25

HEX #2681BE

RGB 38 129 190

HSL 204.08, 0.67%, 0.45%

LAB 51.64, -4.74, -39.3

 

CMYK 88 / 35 / 0 / 33

HEX #156FAB

RGB 21 111 171

HSL 204, 0.78%, 0.38%

LAB 44.9, -2.62, -38.98

 

CMYK 97 / 39 / 0 / 40

HEX #045D98

RGB 4 93 152

HSL 203.92, 0.95%, 0.31%

LAB 38.06, 0.09, -38.58

 

CMYK 100 / 44 / 0 / 48

HEX #004B85

RGB 0 75 133

HSL 206.17, 1%, 0.26%

LAB 31.17, 3.72, -38.01

 

CMYK 74 / 30 / 0 / 18

HEX #3793D1

RGB 55 147 209

HSL 204.16, 0.63%, 0.52%

LAB 58.3, -6.38, -39.56

 

CMYK 74 / 49 / 0 / 18

HEX #376AD1

RGB 55 106 209

HSL 220.13, 0.63%, 0.52%

LAB 46.61, 18.52, -58.17

 

CMYK 74 / 69 / 0 / 18

HEX #3740D1

RGB 55 64 209

HSL 236.49, 0.63%, 0.52%

LAB 36.14, 44.95, -75.23

 

CMYK 58 / 74 / 0 / 18

HEX #5837D1

RGB 88 55 209

HSL 252.86, 0.63%, 0.52%

LAB 36.76, 53.73, -74.13

 

CMYK 38 / 74 / 0 / 18

HEX #8137D1

RGB 129 55 209

HSL 268.83, 0.63%, 0.52%

LAB 41.22, 60.02, -66.65

 

CMYK 74 / 30 / 0 / 18

HEX #3793D1

RGB 55 147 209

HSL 204.16, 0.63%, 0.52%

LAB 58.3, -6.38, -39.56

 

CMYK 74 / 49 / 0 / 18

HEX #376AD1

RGB 55 106 209

HSL 220.13, 0.63%, 0.52%

LAB 46.61, 18.52, -58.17

 

CMYK 74 / 69 / 0 / 18

HEX #3740D1

RGB 55 64 209

HSL 236.49, 0.63%, 0.52%

LAB 36.14, 44.95, -75.23

 

CMYK 74 / 74 / 0 / 18

HEX #3737D1

RGB 55 55 209

HSL 240, 0.63%, 0.52%

LAB 34.29, 50.1, -78.29

 

CMYK 74 / 30 / 0 / 18

HEX #3793D1

RGB 55 147 209

HSL 204.16, 0.63%, 0.52%

LAB 58.3, -6.38, -39.56

 

CMYK 85 / 34 / 0 / 10

HEX #2397E5

RGB 35 151 229

HSL 204.12, 0.79%, 0.52%

LAB 60.02, -3.51, -48.03

 

CMYK 94 / 38 / 0 / 2

HEX #0F9BF9

RGB 15 155 249

HSL 204.1, 0.95%, 0.52%

LAB 61.98, 0.54, -55.95

 

CMYK 74 / 30 / 0 / 18

HEX #3793D1

RGB 55 147 209

HSL 204.16, 0.63%, 0.52%

LAB 58.3, -6.38, -39.56

 

CMYK 60 / 24 / 0 / 26

HEX #4B8FBD

RGB 75 143 189

HSL 204.21, 0.46%, 0.52%

LAB 56.89, -7.63, -30.43

 

CMYK 44 / 18 / 0 / 33

HEX #5F8BAA

RGB 95 139 170

HSL 204.8, 0.31%, 0.52%

LAB 55.89, -6.6, -21.07

 

CMYK 24 / 9 / 0 / 41

HEX #728896

RGB 114 136 150

HSL 203.33, 0.15%, 0.52%

LAB 55.47, -4.6, -10.09

 

CMYK 0 / 1 / 3 / 47

HEX #868482

RGB 134 132 130

HSL 30, 0.02%, 0.52%

LAB 55.26, 0.36, 1.33

 

CMYK 74 / 0 / 10 / 18

HEX #37D1BD

RGB 55 209 189

HSL 172.21, 0.63%, 0.52%

LAB 76.12, -43.68, -1.45

 

CMYK 74 / 10 / 0 / 18

HEX #37BDD1

RGB 55 189 209

HSL 187.79, 0.63%, 0.52%

LAB 70.74, -28.67, -20.34

 

CMYK 74 / 29 / 0 / 18

HEX #3794D1

RGB 55 148 209

HSL 203.77, 0.63%, 0.52%

LAB 58.6, -6.95, -39.1

 

CMYK 74 / 49 / 0 / 18

HEX #376AD1

RGB 55 106 209

HSL 220.13, 0.63%, 0.52%

LAB 46.61, 18.52, -58.17

 

CMYK 74 / 69 / 0 / 18

HEX #3741D1

RGB 55 65 209

HSL 236.1, 0.63%, 0.52%

LAB 36.36, 44.36, -74.88

 

CMYK 78 / 31 / 0 / 42

HEX #216694

RGB 33 102 148

HSL 204, 0.64%, 0.35%

LAB 41.16, -4.77, -31.25

 

CMYK 77 / 31 / 0 / 29

HEX #297DB6

RGB 41 125 182

HSL 204.26, 0.63%, 0.44%

LAB 50.12, -4.98, -37.1

 

CMYK 74 / 30 / 0 / 18

HEX #3793D1

RGB 55 147 209

HSL 204.16, 0.63%, 0.52%

LAB 58.3, -6.38, -39.56

 

CMYK 59 / 24 / 0 / 15

HEX #59A5D9

RGB 89 165 217

HSL 204.38, 0.63%, 0.6%

LAB 65, -8.32, -33.48

 

CMYK 46 / 18 / 0 / 12

HEX #7AB7E0

RGB 122 183 224

HSL 204.12, 0.62%, 0.68%

LAB 71.82, -8.84, -26.68

 

CMYK 74 / 30 / 0 / 18

HEX #3793D1

RGB 55 147 209

HSL 204.16, 0.63%, 0.52%

LAB 58.3, -6.38, -39.56

 

CMYK 29 / 74 / 0 / 18

HEX #9437D1

RGB 148 55 209

HSL 276.23, 0.63%, 0.52%

LAB 43.7, 63.4, -62.51

 

CMYK 0 / 0 / 74 / 18

HEX #D1D137

RGB 209 209 55

HSL 60, 0.63%, 0.52%

LAB 81.53, -17.33, 71.05

 

CMYK 74 / 30 / 0 / 18

HEX #3793D1

RGB 55 147 209

HSL 204.16, 0.63%, 0.52%

LAB 58.3, -6.38, -39.56

 

CMYK 0 / 74 / 29 / 18

HEX #D13794

RGB 209 55 148

HSL 323.77, 0.63%, 0.52%

LAB 50.01, 66.92, -16.09

 

CMYK 29 / 0 / 74 / 18

HEX #94D137

RGB 148 209 55

HSL 83.77, 0.63%, 0.52%

LAB 77.38, -41.75, 65.65

 

CMYK 74 / 30 / 0 / 18

HEX #3793D1

RGB 55 147 209

HSL 204.16, 0.63%, 0.52%

LAB 58.3, -6.38, -39.56

 

CMYK 29 / 74 / 0 / 18

HEX #9437D1

RGB 148 55 209

HSL 276.23, 0.63%, 0.52%

LAB 43.7, 63.4, -62.51

 

CMYK 0 / 44 / 74 / 18

HEX #D17537

RGB 209 117 55

HSL 24.16, 0.63%, 0.52%

LAB 58.56, 31.27, 48.5

 

CMYK 44 / 0 / 74 / 18

HEX #75D137

RGB 117 209 55

HSL 95.84, 0.63%, 0.52%

LAB 75.86, -52.42, 63.63

 

CMYK 74 / 30 / 0 / 18

HEX #3793D1

RGB 55 147 209

HSL 204.16, 0.63%, 0.52%

LAB 58.3, -6.38, -39.56

 

CMYK 7 / 74 / 0 / 18

HEX #C237D1

RGB 194 55 209

HSL 294.16, 0.63%, 0.52%

LAB 50.46, 72.34, -51.28

 

CMYK 0 / 44 / 74 / 18

HEX #D17537

RGB 209 117 55

HSL 24.16, 0.63%, 0.52%

LAB 58.56, 31.27, 48.5

 

CMYK 67 / 0 / 74 / 18

HEX #46D137

RGB 70 209 55

HSL 114.16, 0.63%, 0.52%

LAB 74.3, -64.6, 61.57

 

Description

Color code: RGB 55 147 209 | qconv.com Color code: RGB 55 147 209 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 147 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 147 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 30 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 30% 0% 18% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Marketing - Double W...
Link: http://themeforest.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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