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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 122 123 it is the complementary color RGB 200 133 132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 122 123. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 122 123 shade: RGB 60 122 118, RGB 77 140 137, RGB 94 158 156, RGB 111 176 175 and RGB 128 194 194

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 122 123. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 122 123 shade: RGB 55 122 123, RGB 38 104 104, RGB 21 86 85, RGB 4 68 66 and RGB 0 50 47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 122 123 shade: RGB 55 122 123, RGB 55 103 123, RGB 55 85 123, RGB 55 67 123 and RGB 61 55 123

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 122 123 shade: RGB 55 122 123, RGB 55 103 123, RGB 55 85 123, RGB 55 67 123 and RGB 55 55 123

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 122 123 shade matches the following richer shades: RGB 55 122 123, RGB 40 136 137, RGB 26 150 152 and RGB 12 164 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 122 123 shade: RGB 55 122 123, RGB 69 108 108, RGB 84 94 94, RGB 98 80 79 and RGB 113 66 65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 122 123 shade: RGB 55 123 86, RGB 55 123 105, RGB 55 123 123, RGB 55 105 123 and RGB 55 86 123

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 122 123 shade: RGB 29 65 66, RGB 42 93 94, RGB 55 122 123, RGB 68 150 151 and RGB 83 176 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 122 123 shade: RGB 55 122 123, RGB 68 55 123 and RGB 123 96 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 122 123 shade: RGB 55 122 123, RGB 123 55 123 and RGB 123 123 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 122 123 shade: RGB 55 122 123, RGB 68 55 123, RGB 123 55 55 and RGB 109 123 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 122 123 shade: RGB 55 122 123, RGB 89 55 123, RGB 123 55 55 and RGB 89 123 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 1 / 0 / 52

HEX #377A7B

RGB 55 122 123

HSL 180.88, 0.38%, 0.35%

LAB 47.19, -20.75, -7.02

 

Complementary color

CMYK 0 / 34 / 34 / 22

HEX #C88584

RGB 200 133 132

HSL 0.88, 0.38%, 0.65%

LAB 62.27, 25.63, 11.12

 

CMYK 51 / 0 / 3 / 52

HEX #3C7A76

RGB 60 122 118

HSL 176.13, 0.34%, 0.36%

LAB 47.22, -21.02, -3.98

 

CMYK 45 / 0 / 2 / 45

HEX #4D8C89

RGB 77 140 137

HSL 177.14, 0.29%, 0.43%

LAB 54.18, -21.02, -4.73

 

CMYK 41 / 0 / 1 / 38

HEX #5E9E9C

RGB 94 158 156

HSL 178.13, 0.25%, 0.49%

LAB 60.99, -20.97, -5.42

 

CMYK 37 / 0 / 1 / 31

HEX #6FB0AF

RGB 111 176 175

HSL 179.08, 0.29%, 0.56%

LAB 67.67, -20.9, -6.06

 

CMYK 34 / 0 / 0 / 24

HEX #80C2C2

RGB 128 194 194

HSL 180, 0.35%, 0.63%

LAB 74.23, -20.81, -6.67

 

CMYK 55 / 1 / 0 / 52

HEX #377A7B

RGB 55 122 123

HSL 180.88, 0.38%, 0.35%

LAB 47.19, -20.75, -7.02

 

CMYK 63 / 0 / 0 / 59

HEX #266868

RGB 38 104 104

HSL 180, 0.46%, 0.28%

LAB 40.1, -20.45, -6.21

 

CMYK 76 / 0 / 1 / 66

HEX #155655

RGB 21 86 85

HSL 179.08, 0.61%, 0.21%

LAB 32.86, -19.84, -5.27

 

CMYK 94 / 0 / 3 / 73

HEX #044442

RGB 4 68 66

HSL 178.13, 0.89%, 0.14%

LAB 25.42, -18.78, -4.13

 

CMYK 100 / 0 / 6 / 80

HEX #00322F

RGB 0 50 47

HSL 176.4, 1%, 0.1%

LAB 17.86, -16.37, -2.58

 

CMYK 55 / 1 / 0 / 52

HEX #377A7B

RGB 55 122 123

HSL 180.88, 0.38%, 0.35%

LAB 47.19, -20.75, -7.02

 

CMYK 55 / 16 / 0 / 52

HEX #37677B

RGB 55 103 123

HSL 197.65, 0.38%, 0.35%

LAB 41.13, -10.18, -16.17

 

CMYK 55 / 31 / 0 / 52

HEX #37557B

RGB 55 85 123

HSL 213.53, 0.38%, 0.35%

LAB 35.48, 0.82, -24.9

 

CMYK 55 / 46 / 0 / 52

HEX #37437B

RGB 55 67 123

HSL 229.41, 0.38%, 0.35%

LAB 30.05, 12.65, -33.47

 

CMYK 50 / 55 / 0 / 52

HEX #3D377B

RGB 61 55 123

HSL 245.29, 0.38%, 0.35%

LAB 27.17, 22.16, -38.05

 

CMYK 55 / 1 / 0 / 52

HEX #377A7B

RGB 55 122 123

HSL 180.88, 0.38%, 0.35%

LAB 47.19, -20.75, -7.02

 

CMYK 55 / 16 / 0 / 52

HEX #37677B

RGB 55 103 123

HSL 197.65, 0.38%, 0.35%

LAB 41.13, -10.18, -16.17

 

CMYK 55 / 31 / 0 / 52

HEX #37557B

RGB 55 85 123

HSL 213.53, 0.38%, 0.35%

LAB 35.48, 0.82, -24.9

 

CMYK 55 / 46 / 0 / 52

HEX #37437B

RGB 55 67 123

HSL 229.41, 0.38%, 0.35%

LAB 30.05, 12.65, -33.47

 

CMYK 55 / 55 / 0 / 52

HEX #37377B

RGB 55 55 123

HSL 240, 0.38%, 0.35%

LAB 26.66, 20.76, -38.9

 

CMYK 55 / 1 / 0 / 52

HEX #377A7B

RGB 55 122 123

HSL 180.88, 0.38%, 0.35%

LAB 47.19, -20.75, -7.02

 

CMYK 71 / 1 / 0 / 46

HEX #288889

RGB 40 136 137

HSL 180.62, 0.55%, 0.35%

LAB 51.68, -26.47, -8.57

 

CMYK 83 / 1 / 0 / 40

HEX #1A9698

RGB 26 150 152

HSL 180.95, 0.71%, 0.35%

LAB 56.39, -30.3, -10.21

 

CMYK 93 / 1 / 0 / 35

HEX #0CA4A6

RGB 12 164 166

HSL 180.78, 0.87%, 0.35%

LAB 61.12, -33.48, -11.08

 

CMYK 55 / 1 / 0 / 52

HEX #377A7B

RGB 55 122 123

HSL 180.88, 0.38%, 0.35%

LAB 47.19, -20.75, -7.02

 

CMYK 36 / 0 / 0 / 58

HEX #456C6C

RGB 69 108 108

HSL 180, 0.22%, 0.35%

LAB 42.87, -13.67, -4.38

 

CMYK 11 / 0 / 0 / 63

HEX #545E5E

RGB 84 94 94

HSL 180, 0.06%, 0.35%

LAB 39.07, -3.87, -1.33

 

CMYK 0 / 18 / 19 / 62

HEX #62504F

RGB 98 80 79

HSL 3.16, 0.11%, 0.35%

LAB 35.79, 7.32, 3.4

 

CMYK 0 / 42 / 42 / 56

HEX #714241

RGB 113 66 65

HSL 1.25, 0.27%, 0.35%

LAB 33.54, 20.23, 9.34

 

CMYK 55 / 0 / 30 / 52

HEX #377B56

RGB 55 123 86

HSL 147.35, 0.38%, 0.35%

LAB 46.51, -30.77, 13.85

 

CMYK 55 / 0 / 15 / 52

HEX #377B69

RGB 55 123 105

HSL 164.12, 0.38%, 0.35%

LAB 46.97, -26.24, 3.34

 

CMYK 55 / 0 / 0 / 52

HEX #377B7B

RGB 55 123 123

HSL 180, 0.38%, 0.35%

LAB 47.51, -21.28, -6.54

 

CMYK 55 / 15 / 0 / 52

HEX #37697B

RGB 55 105 123

HSL 195.88, 0.38%, 0.35%

LAB 41.76, -11.34, -15.2

 

CMYK 55 / 30 / 0 / 52

HEX #37567B

RGB 55 86 123

HSL 212.65, 0.38%, 0.35%

LAB 35.79, 0.19, -24.42

 

CMYK 56 / 2 / 0 / 74

HEX #1D4142

RGB 29 65 66

HSL 181.62, 0.39%, 0.19%

LAB 25.06, -12.56, -4.6

 

CMYK 55 / 1 / 0 / 63

HEX #2A5D5E

RGB 42 93 94

HSL 181.15, 0.38%, 0.27%

LAB 36.23, -16.66, -5.8

 

CMYK 55 / 1 / 0 / 52

HEX #377A7B

RGB 55 122 123

HSL 180.88, 0.38%, 0.35%

LAB 47.19, -20.75, -7.02

 

CMYK 55 / 1 / 0 / 41

HEX #449697

RGB 68 150 151

HSL 180.72, 0.38%, 0.43%

LAB 57.34, -24.42, -8.11

 

CMYK 53 / 1 / 0 / 31

HEX #53B0B1

RGB 83 176 177

HSL 180.64, 0.38%, 0.51%

LAB 66.57, -27.1, -8.93

 

CMYK 55 / 1 / 0 / 52

HEX #377A7B

RGB 55 122 123

HSL 180.88, 0.38%, 0.35%

LAB 47.19, -20.75, -7.02

 

CMYK 45 / 55 / 0 / 52

HEX #44377B

RGB 68 55 123

HSL 251.47, 0.38%, 0.35%

LAB 27.82, 23.89, -36.97

 

CMYK 0 / 22 / 55 / 52

HEX #7B6037

RGB 123 96 55

HSL 36.18, 0.38%, 0.35%

LAB 42.54, 5.56, 27.41

 

CMYK 55 / 1 / 0 / 52

HEX #377A7B

RGB 55 122 123

HSL 180.88, 0.38%, 0.35%

LAB 47.19, -20.75, -7.02

 

CMYK 0 / 55 / 0 / 52

HEX #7B377B

RGB 123 55 123

HSL 300, 0.38%, 0.35%

LAB 34.75, 39.59, -25.55

 

CMYK 0 / 0 / 55 / 52

HEX #7B7B37

RGB 123 123 55

HSL 60, 0.38%, 0.35%

LAB 50.28, -9.95, 36.61

 

CMYK 55 / 1 / 0 / 52

HEX #377A7B

RGB 55 122 123

HSL 180.88, 0.38%, 0.35%

LAB 47.19, -20.75, -7.02

 

CMYK 45 / 55 / 0 / 52

HEX #44377B

RGB 68 55 123

HSL 251.47, 0.38%, 0.35%

LAB 27.82, 23.89, -36.97

 

CMYK 0 / 55 / 55 / 52

HEX #7B3737

RGB 123 55 55

HSL 0, 0.38%, 0.35%

LAB 32.3, 29.6, 14.29

 

CMYK 11 / 0 / 55 / 52

HEX #6D7B37

RGB 109 123 55

HSL 72.35, 0.38%, 0.35%

LAB 49.12, -16.14, 34.97

 

CMYK 55 / 1 / 0 / 52

HEX #377A7B

RGB 55 122 123

HSL 180.88, 0.38%, 0.35%

LAB 47.19, -20.75, -7.02

 

CMYK 28 / 55 / 0 / 52

HEX #59377B

RGB 89 55 123

HSL 270, 0.38%, 0.35%

LAB 30.12, 29.6, -33.16

 

CMYK 0 / 55 / 55 / 52

HEX #7B3737

RGB 123 55 55

HSL 0, 0.38%, 0.35%

LAB 32.3, 29.6, 14.29

 

CMYK 28 / 0 / 55 / 52

HEX #597B37

RGB 89 123 55

HSL 90, 0.38%, 0.35%

LAB 47.71, -24.52, 32.96

 

Description

Color code: RGB 55 122 123 | qconv.com Color code: RGB 55 122 123 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 122 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 122 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 1 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 1% 0% 52% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Kulbid.com
Link: http://www.kulbid.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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