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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 55 121 242 it is the complementary color RGB 200 134 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 55 121 242. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 55 121 242 shade: RGB 60 121 237, RGB 77 139 255, RGB 94 157 255, RGB 111 175 255 and RGB 128 193 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 55 121 242. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 55 121 242 shade: RGB 55 121 242, RGB 38 103 223, RGB 21 85 204, RGB 4 67 185 and RGB 0 49 166

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 55 121 242 shade: RGB 53 120 242, RGB 53 69 242, RGB 88 53 242, RGB 139 53 242 and RGB 190 53 242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 55 121 242 shade: RGB 53 120 242, RGB 53 69 242 and RGB 53 53 242

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 55 121 242 shade matches the following richer shades: RGB 53 120 242

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 55 121 242 shade: RGB 53 120 242, RGB 70 125 224, RGB 88 130 207, RGB 105 135 190 and RGB 122 140 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 55 121 242 shade: RGB 53 223 242, RGB 53 173 242, RGB 53 122 242, RGB 53 72 242 and RGB 85 53 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 55 121 242 shade: RGB 12 79 200, RGB 15 94 239, RGB 53 120 242, RGB 92 146 244 and RGB 131 172 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 55 121 242 shade: RGB 55 121 242, RGB 210 53 242 and RGB 198 242 53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 55 121 242 shade: RGB 55 121 242, RGB 242 53 122 and RGB 122 242 53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 55 121 242 shade: RGB 55 121 242, RGB 210 53 242, RGB 242 173 53 and RGB 85 242 53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 55 121 242 shade: RGB 55 121 242, RGB 242 53 217, RGB 242 173 53 and RGB 53 242 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 50 / 0 / 5

HEX #3779F2

RGB 55 121 242

HSL 218.82, 0.88%, 0.58%

LAB 52.84, 21.24, -66.72

 

Complementary color

CMYK 0 / 33 / 94 / 22

HEX #C8860D

RGB 200 134 13

HSL 38.82, 0.88%, 0.42%

LAB 61.1, 17.03, 64.61

 

CMYK 75 / 49 / 0 / 7

HEX #3C79ED

RGB 60 121 237

HSL 219.32, 0.83%, 0.58%

LAB 52.67, 19.96, -64.19

 

CMYK 70 / 45 / 0 / 0

HEX #4D8BFF

RGB 77 139 255

HSL 219.1, 1%, 0.65%

LAB 59.22, 17.51, -63.59

 

CMYK 63 / 38 / 0 / 0

HEX #5E9DFF

RGB 94 157 255

HSL 216.52, 1%, 0.68%

LAB 64.73, 9.44, -54.74

 

CMYK 56 / 31 / 0 / 0

HEX #6FAFFF

RGB 111 175 255

HSL 213.33, 1%, 0.72%

LAB 70.36, 2.26, -45.82

 

CMYK 50 / 24 / 0 / 0

HEX #80C1FF

RGB 128 193 255

HSL 209.29, 1%, 0.75%

LAB 76.04, -4.09, -36.89

 

CMYK 77 / 50 / 0 / 5

HEX #3779F2

RGB 55 121 242

HSL 218.82, 0.88%, 0.58%

LAB 52.84, 21.24, -66.72

 

CMYK 83 / 54 / 0 / 13

HEX #2667DF

RGB 38 103 223

HSL 218.92, 0.74%, 0.51%

LAB 46.23, 23.95, -66.78

 

CMYK 90 / 58 / 0 / 20

HEX #1555CC

RGB 21 85 204

HSL 219.02, 0.81%, 0.44%

LAB 39.61, 27.21, -66.71

 

CMYK 98 / 64 / 0 / 27

HEX #0443B9

RGB 4 67 185

HSL 219.12, 0.96%, 0.37%

LAB 33.01, 31.02, -66.42

 

CMYK 100 / 70 / 0 / 35

HEX #0031A6

RGB 0 49 166

HSL 222.29, 1%, 0.33%

LAB 26.59, 35.37, -65.64

 

CMYK 78 / 50 / 0 / 5

HEX #3578F2

RGB 53 120 242

HSL 218.73, 0.88%, 0.58%

LAB 52.51, 21.66, -67.26

 

CMYK 78 / 71 / 0 / 5

HEX #3545F2

RGB 53 69 242

HSL 234.92, 0.88%, 0.58%

LAB 40.29, 52.91, -87.24

 

CMYK 64 / 78 / 0 / 5

HEX #5835F2

RGB 88 53 242

HSL 251.11, 0.88%, 0.58%

LAB 39.63, 64.02, -88.24

 

CMYK 43 / 78 / 0 / 5

HEX #8B35F2

RGB 139 53 242

HSL 267.3, 0.88%, 0.58%

LAB 44.87, 70.13, -79.44

 

CMYK 21 / 78 / 0 / 5

HEX #BE35F2

RGB 190 53 242

HSL 283.49, 0.88%, 0.58%

LAB 51.73, 78.13, -67.97

 

CMYK 78 / 50 / 0 / 5

HEX #3578F2

RGB 53 120 242

HSL 218.73, 0.88%, 0.58%

LAB 52.51, 21.66, -67.26

 

CMYK 78 / 71 / 0 / 5

HEX #3545F2

RGB 53 69 242

HSL 234.92, 0.88%, 0.58%

LAB 40.29, 52.91, -87.24

 

CMYK 78 / 78 / 0 / 5

HEX #3535F2

RGB 53 53 242

HSL 240, 0.88%, 0.58%

LAB 37.32, 61.32, -92.14

 

CMYK 78 / 50 / 0 / 5

HEX #3578F2

RGB 53 120 242

HSL 218.73, 0.88%, 0.58%

LAB 52.51, 21.66, -67.26

 

CMYK 78 / 50 / 0 / 5

HEX #3578F2

RGB 53 120 242

HSL 218.73, 0.88%, 0.58%

LAB 52.51, 21.66, -67.26

 

CMYK 69 / 44 / 0 / 12

HEX #467DE0

RGB 70 125 224

HSL 218.57, 0.71%, 0.58%

LAB 53.33, 14.15, -55.84

 

CMYK 57 / 37 / 0 / 19

HEX #5882CF

RGB 88 130 207

HSL 218.82, 0.55%, 0.58%

LAB 54.6, 8.48, -44.18

 

CMYK 45 / 29 / 0 / 25

HEX #6987BE

RGB 105 135 190

HSL 218.82, 0.4%, 0.58%

LAB 56.14, 4.14, -32.06

 

CMYK 29 / 19 / 0 / 33

HEX #7A8CAC

RGB 122 140 172

HSL 218.4, 0.23%, 0.58%

LAB 57.92, 1.12, -18.97

 

CMYK 78 / 8 / 0 / 5

HEX #35DFF2

RGB 53 223 242

HSL 186.03, 0.88%, 0.58%

LAB 81.81, -35.14, -21.3

 

CMYK 78 / 29 / 0 / 5

HEX #35ADF2

RGB 53 173 242

HSL 201.9, 0.88%, 0.58%

LAB 67.32, -9.71, -43.66

 

CMYK 78 / 50 / 0 / 5

HEX #357AF2

RGB 53 122 242

HSL 218.1, 0.88%, 0.58%

LAB 53.04, 20.41, -66.39

 

CMYK 78 / 70 / 0 / 5

HEX #3548F2

RGB 53 72 242

HSL 233.97, 0.88%, 0.58%

LAB 40.9, 51.2, -86.22

 

CMYK 65 / 78 / 0 / 5

HEX #5535F2

RGB 85 53 242

HSL 250.16, 0.88%, 0.58%

LAB 39.39, 63.74, -88.65

 

CMYK 94 / 61 / 0 / 22

HEX #0C4FC8

RGB 12 79 200

HSL 218.62, 0.89%, 0.42%

LAB 37.55, 29.22, -67.75

 

CMYK 94 / 61 / 0 / 6

HEX #0F5EEF

RGB 15 94 239

HSL 218.84, 0.88%, 0.5%

LAB 44.72, 34.6, -78.3

 

CMYK 78 / 50 / 0 / 5

HEX #3578F2

RGB 53 120 242

HSL 218.73, 0.88%, 0.58%

LAB 52.51, 21.66, -67.26

 

CMYK 62 / 40 / 0 / 4

HEX #5C92F4

RGB 92 146 244

HSL 218.68, 0.87%, 0.66%

LAB 61.1, 11.92, -54.5

 

CMYK 47 / 30 / 0 / 3

HEX #83ACF7

RGB 131 172 247

HSL 218.79, 0.88%, 0.74%

LAB 70.21, 5.9, -41.64

 

CMYK 77 / 50 / 0 / 5

HEX #3779F2

RGB 55 121 242

HSL 218.82, 0.88%, 0.58%

LAB 52.84, 21.24, -66.72

 

CMYK 13 / 78 / 0 / 5

HEX #D235F2

RGB 210 53 242

HSL 289.84, 0.88%, 0.58%

LAB 54.72, 81.61, -62.99

 

CMYK 18 / 0 / 78 / 5

HEX #C6F235

RGB 198 242 53

HSL 73.97, 0.88%, 0.58%

LAB 89.75, -37.45, 78.9

 

CMYK 77 / 50 / 0 / 5

HEX #3779F2

RGB 55 121 242

HSL 218.82, 0.88%, 0.58%

LAB 52.84, 21.24, -66.72

 

CMYK 0 / 78 / 50 / 5

HEX #F2357A

RGB 242 53 122

HSL 338.1, 0.88%, 0.58%

LAB 54.9, 73.44, 7.35

 

CMYK 50 / 0 / 78 / 5

HEX #7AF235

RGB 122 242 53

HSL 98.1, 0.88%, 0.58%

LAB 85.96, -63.46, 74.02

 

CMYK 77 / 50 / 0 / 5

HEX #3779F2

RGB 55 121 242

HSL 218.82, 0.88%, 0.58%

LAB 52.84, 21.24, -66.72

 

CMYK 13 / 78 / 0 / 5

HEX #D235F2

RGB 210 53 242

HSL 289.84, 0.88%, 0.58%

LAB 54.72, 81.61, -62.99

 

CMYK 0 / 29 / 78 / 5

HEX #F2AD35

RGB 242 173 53

HSL 38.1, 0.88%, 0.58%

LAB 75.46, 15.23, 67.23

 

CMYK 65 / 0 / 78 / 5

HEX #55F235

RGB 85 242 53

HSL 109.84, 0.88%, 0.58%

LAB 84.84, -72.42, 72.57

 

CMYK 77 / 50 / 0 / 5

HEX #3779F2

RGB 55 121 242

HSL 218.82, 0.88%, 0.58%

LAB 52.84, 21.24, -66.72

 

CMYK 0 / 78 / 10 / 5

HEX #F235D9

RGB 242 53 217

HSL 307.94, 0.88%, 0.58%

LAB 58.45, 83.85, -42.67

 

CMYK 0 / 29 / 78 / 5

HEX #F2AD35

RGB 242 173 53

HSL 38.1, 0.88%, 0.58%

LAB 75.46, 15.23, 67.23

 

CMYK 78 / 0 / 68 / 5

HEX #35F24E

RGB 53 242 78

HSL 127.94, 0.88%, 0.58%

LAB 84.39, -75.7, 63.53

 

Description

Color code: RGB 55 121 242 | qconv.com Color code: RGB 55 121 242 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 121 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 121 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 50 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 50% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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